Photography Commons^™

Baby Guru, Tara Neuffer

AWE (A Woman’s Experience)

artwork

Renluka Maharaj Interview, Steven Zych

Asian American Art Oral History Project

Bio: Renluka Maharaj grew up in the country of Trinidad and Tobago and moved to New York as a child where spent most of her life. Her Eastern and Western background wrapped with modern sensibilities is evident in her bodies of work. Her interests are centered on gender roles, sexuality, colonialism, mythology, iconography and fetishism. Some of the artists that have influenced her work are Yinka Shonibare and Yasumasa Morimura.

Ms. Maharaj completed her BFA at the University of Colorado Boulder and is currently completing her MFA at the School of the Art Institute of Chicago where she received the …

Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard

Graduate Student Theses, Dissertations, & Professional Papers

This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.

The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …

Performing Gender: An Exploration Of The Relationship Between Expression And Identity, Allegra Barnes

Scripps Senior Theses

This paper discusses the relationship between gender expression and gender identity. It recounts my personal exploration of the two through the process of photographing two fellow AFAB individuals to create visual representations of their gender expressions while interviewing them to examine how these expressions relate to the gender with which they identify. Following this, I engage in self-reflection taking into consideration both the narratives of my peers as well as Judith Butler's insights on gender. The project culminates with a series of self portraits and a conclusion on how I came to understand both facets my gender.

Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos

Scripps Senior Theses

Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.

Lgbt In Colombia: A War Within, Monica Espitia

Capstones

On the surface, Colombia appears to be at the vanguard of the gay rights movement, having extended legal rights to same-sex couples and transgender people in recent years. But for many of the nearly five million Colombians who are LGBT, these rights have been largely meaningless as a result of the deep-rooted prejudice that often results in violence.

Gay, lesbian and transgender Colombians have been actively persecuted by armed groups involved in Colombia’s decades-long civil war. Members of the LGBT community are four times more likely than the rest of the population to be threatened and abused by both legal …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Ua12/2/2 2016 Talisman - Identity, Wku Student Affairs

WKU Administration Documents

2016 Fall Talisman.

• Street Style
• Home Sweet Home – Nashville, McKee, Bowling Green
• Doyel, Rachael. Happy Gas – Theatre & Dance
• Robb, Hayley. Stick & Poke – Tattoos
• Martin, Lindsey. Self-Made – Dexter Banks, Tattoos
• Sullivan, Abbey. Cover-Up – Tattoos
• Pettway, Shantel. Natural Roots – African American Hair
• Voorhees, Jessica. Living Laboratory – Benjamin Benton, WKU Farm
• Perry, Natalie. Frog in a Water Well – Keunsik Junk aka Brody
• Hormell, David. I Wanted to Touch Lightning
• Good, Hannah. Coffee Talks
• Reyes, Taylor. Ice Cold – Alpha Phi Alpha
• Games, Ann. Working the Desk
• Voorhees, Jessica. Killer Queen – Lane French, …

"A Girl And Her Room", Rania Matar

Occasional Paper Series

A photographic essay of girls' bedroom culture.

Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan

Dissertations, Theses, and Capstone Projects

Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …

The One Exhibition The Roots Of The Lgbt Equality Movement One Magazine & The First Gay Supreme Court Case In U.S. History 1943-1958, Joshua R. Edmundson

Electronic Theses, Projects, and Dissertations

The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history.

Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage …

A Borrowed Language, Yvonne Osei

Graduate School of Art Theses

Art has the potency of mediation: bridging human differences, questioning voids in historical trajectories, negotiating spaces of relevance, and most importantly, being signifiers that embody the absent. I speak in a borrowed language, a multilingual visual tongue, inspired by a culmination of Western and African Art modes of practices to create charged platforms for multicultural communication.

My art presents visual portals that allow for intercultural and interracial mingling as issues of colorism, present-day colonialism, gender inequality and the politics of dress are foregrounded for collective deliberation. The essence of the work is often activated and brought to its full potential …

Lara Salmon, Thesis Statement, Lara Salmon

CGU MFA Theses

My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.

The Art Of Mildred G. Burrage, University Of New England Art Gallery, Earle G. Shettleworth Jr.

Exhibition Catalogues

The Art of Mildred G. Burrage is the catalogue from the Portland Campus UNE Art Gallery’s March 26, 2016—June 26, 2016 exhibition of curated artwork by Mildred G. Burrage.

Earle G. Shettleworth, Jr. and Sally W. Rand curated the exhibition, which traces the 65-year career of Mildred Giddings Burrage (1890-1983), one of Maine’s most creative 20th century artists. Her many genres included American Impressionism, patriotic posters, portraits, historic maps, southwest and Central American flora and World War II shipbuilding. Influenced by Jackson Pollack, Mildred, in her post war years, began to paint increasingly abstract and unique mica collages, her own …

Ilhan, Nura, Radwa, Ziagull And Children, Ilhan, Tsos

TSOS Interview Gallery

Ilhan, his wife Nura, and their children resided near Kabul, in a region where both the Taliban and ISIS were active. As Shias, Ilhan’s family faced numerous menaces, including threats from ISIS that they would be beheaded if they did not display ISIS flags. Ilhan’s sister Radwa, who is deaf and mute, was forced to marry a regional leader. In addition to being threatened on religious grounds, Ilhan’s family was also threatened by an elder of their town. Out of desperation, Ilhan’s family sold their house appliances, escaped Afghanistan, and arrived at the …

Ua1c11/77 Gamma Sigma Sigma Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Gamma Sigma Sigma scrapbooks.

Faroosh And Elina, Faroosh, Elina, Tsos

TSOS Interview Gallery

Faroosh was a cameraman for a private television program in Afghanistan working on a documentary about the Taliban. When he and his crew were discovered, the Taliban attacked them and he and his wife fled to Turkey, walking 12 hours to get there. Upon arrival the police arrested and harassed them. Turkey was not a safe place. After several suicide bombings in the area, they decided to move on to Greece, where they are in a refugee camp without any progress in their situation. They have no money to move forward and no ability to work and the economic situation …

Ua1c11/78 Rebelettes Photograph Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Rebellette scrapbooks.

Remerbering/Gendering War:Gerda Taro's Spanish Civil War Photographs, Kathryn Everly

Languages, Literatures, and Linguistics - All Scholarship

Spanish Civil War photography is reframed as a feminist project as seen through Gerda Taro's photos of women milita.

Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha

Theses and Dissertations

Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …

Culture On The Move: Depression-Era Documentary And Migrant California, Joseph Entin

Criticism

California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal Narrative by Jan Goggans. Berkeley: University of California Press, 2010. Pp. 368. $40.00 cloth.

Ua12/2/2 2015 Talisman: Resurgence, Wku Student Affairs

WKU Administration Documents

2015 Talisman yearbook.

• Osborne Sam. Into the Woods – Big To-Do Music & Arts Festival
• Spalding, Shelley. The Outliers – Greeks
• Badjie, Haddy. The Right to Live – Racism
• Gibson, Helen. Net Worth – Soccer
• Greer, John. Sustaining Seasons – Sustainability
• Wegert, Sally. Bloom – Eva Ross
• Cislo, Everett. Harvest – Hemp
• Kolb, William. Preserve – John All
• Voorhees, Jessica. Making Strides – Track & Field
• Greer, John. The Science Guy – Bill Nye
• Cole, Tanner. Lip Service – Rocky Horror Picture Show
• Belknap, Abby. Race to the Senate
• Gibson, Helen. Game of Loans – Student Financial Aid
• Belknap, Abby. …

New Patriarchies: A Turbulence Of Source And Subject, Stephen Fuller

Theses and Dissertations

Experiencing a turbulence of source and subject in the variable inversions and supports of one source to another--the wreck of the U-352, Carpeaux’s Ugolino and his Sons, a movie poster for J.A. Bayona’s The Impossible, and Cassiopeia mythology--these four sources as sons, in sacrifice to and surviving by way of “daddy” documentation, are here refigured to reenact and critique the patriarchally recreational, monumental, cinematic, and mythological infrastructures supporting the sources of this work and thereby serving to critique the newer patriarchies to which these sources and their subjectifications here seek to cross consumptively dead end. Following three public …

Women Surrealist Photographers And Their Response To The Objectification Of Women In Male Surrealist Art, Lois X. Nguyen

UROP Posters

Objectification of women in Male Surrealist art depicted the male gaze in its darkest form, through the ideas of the uncanny, fetish, and convulsive beauty. Women were treated as objects throughout Surrealist photography and painting instead of as human subjects. Their femininity and beauty were valued to the extent of held belief that a woman’s destiny is to be beautiful and be present for the male gaze. Women Surrealists have gained notoriety in the last sixty years for their presence in the Surrealist movement and for their diligence in providing the female perspective in opposition to the male perspective.

This …

Feminicidios En Cd. Juárez: Sombras Del Evanescente Olvido; Luces De Lucha, Fuerza Y Resistencia, Amber Ramirez

Honors Theses

Desde principios de los años noventa, mujeres y niñas en Cd. Juárez, Chihuahua, México han sido raptadas de día y de noche mientras se dirigen al trabajo, a sus casas, o a la escuela. Después de días, semanas y a veces hasta años, muchas han sido encontradas brutalmente asesinadas, calcinadas, mutiladas, violadas y torturadas; sus cuerpos han sido abandonados para luego ser localizados completamente desnudos o parcialmente vestidos, en completo estado de descomposición o solamente en huesos en las calles en las zonas desérticas de Cd. Juárez. El paradero de muchas otras mujeres y niñas aún se desconoce y a …

Ua1c11/64 Anna & Betty Cook Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of Anna & Betty Cook removed from scrapbook.

Maine Women Pioneers Iii: Vanguard, Homage, Worldview, Dirigo, University Of New England Art Gallery, Center For Ethics In Action

Exhibition Catalogues

Maine Women Pioneers III is the catalogue from the University of New England Art Gallery’s October 12, 2012—July 21, 2013 four-part exhibition.

Vanguard (Oct. 12 - Dec. 16, 2012) featured avant-garde, experimental and innovative works by nine Maine artists who offer insights into the future using mixed media, conceptual installation, performance and video elements. Featured artists: Susan Bickford, Diana Cherbuliez, Amy Stacey Curtis, Alicia Eggert, Lauren Fensterstock, Lihua Lei, Julie Poitras Santos, Carrie Scanga, and Ling-Wen Tsai.

Homage (Jan. 2 - March 3, 2013) highlighted veteran artists who are powerful examples of career and lifelong original creative accomplishment, ahead of …

Welcome To The Doll House, Francie Latour, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

From the Barbie dresses he made as a boy to his first splash in the New York art world, Martín Gutierrez 12 PR is working to perfect what he has always done naturally.

Upon Reflection: Photographs By Judy Ellis Glickman, Center For Ethics In Action, University Of New England Art Gallery

Exhibition Catalogues

Upon Reflection: Judy Ellis Glickman is the catalogue from the University of New England Art Gallery’s June 26–Sept 30, 2012 exhibition of photographs made by Judy Ellis Glickman over a 35-year period. Best known among these are the powerful black and white images from “Holocaust, the Presence of the Past” and her strong portraits of “Resistance and Rescue: Denmark’s Response to the Holocaust.” Well represented with other work, among a broad range of subjects, are images of Maine, exotic ones of her extensive international travel, and her latest abstract images in color.

The 'Nevergiveups' Of Grandmothers Against Poverty And Aids: Scholar-Journalism-Activism As Social Documentary, Eric Miller, Jo-Anne Smetherham, Jennifer Fish

Women's & Gender Studies Faculty Publications

This article traces our collective experiences as a photographer, a journalist and an academic engaged in the process of documenting the lives of South Africa’s grand-mothers – who are confronting the HIV/AIDS pandemic while carrying an immense history of social struggle in the apartheid era. We set out with individual aspirations to record, in visual and narrative forms, the life stories and lived experiences of members of the Grandmothers Against Poverty and AIDS (GAPA) organization based in Khayelitsha, Cape Town. Over the course of three years of building relationships and working with leaders of this organisation, we developed a social …