Other Music Commons^™

Rock Band Live Mix Vs. The Studio Mix, Donald Dominguez

Capstone Projects and Master's Theses

This paper will identify and analyze the key differences in mixing techniques as well as factors which affect technique differences in their respective settings. The following research explores common techniques used for the best sound in the common professional studio and live music venues for typical rock band instrumentation. Through interviews and cited articles by professional audio mixing engineers, the paper establishes practices and differentiating approaches that conform to the nature of the live and studio mixing environments.

Innovative Marching: A Look Into The Innovation Of Dci, Sarah Ann Kano

Capstone Projects and Master's Theses

This paper analyzes unique innovations from five Drum Corps International (DCI) shows: 2008’s show Spartacus performed by Phantom Regiment, 2011’s show Angels and Demons performed by the Cadets, 2013’s show E=MC2 performed by Carolina Crown, and lastly 2014’s shows Tilt performed by the Bluecoats and Fellinisque performed by the Blue Devils. In each judging caption I have explored how each show met the expectations of that caption, if it has a new approach to the caption, if that approach is truly innovative, and if it has been emulated. This analysis suggests that even if the judging captions can sometimes inhibit …

Our Perception Of Scary Sounds: A Comparison Of Films And Popular Music, David Puhl

Capstone Projects and Master's Theses

My Capstone Research Paper will be an analysis on the usage of “scary” sounds performed in popular music as well as a comparison to the practice of using similar sounds in film, making a note of any similarities or differences (ex. audience perception, use of visuals). I will also touch on the integration of scary sound effects alongside music scoring for film, specifically in the Horror and Suspense genres. With popular music being my primary focus, I want to elaborate on the cognitive psychology of audiences (in film and music) and their reactions to "scary" or "horrific" sounds to better …

Memory Management For Game Audio Development, Rahmin Tehrani

Capstone Projects and Master's Theses

Research in managing memory for video game audio development. Interactive music and audio implementation are explored with a strong focus on how to manage data while developing game sound. Some concepts that are important include the multi-use of one sound, file conversion, and randomization in music and audio using technology. Additionally, audio middleware such as Wwise is referenced and strongly used to showcase the previously described concepts. The end of this research project explores the future in video game audio with information relative to the next generation of consoles, video game streaming, physical memory limitations and expansions, and the future …

Analog Versus Digital Guitar Pedals, Shaping Guitar Tones And Sparking Debates, Cameron Karren

Capstone Projects and Master's Theses

This paper goes into the history of guitar effects, what exactly they are, how they have evolved, and what they are like today. It also presents the results of an experiment that compares perceptions of differences between analog and digital guitar pedals.

Effects Of Chair Testing In Orchestra On Student Motivation: Student Perspectives And Applications From Motivational Theories, Rosanna Christine Honeycutt

Graduate Theses/Dissertations

The purpose of this descriptive study was to examine how string students perceive achievement on chair testing through the lens of attribution and achievement goal motivational self-theories. A teacher survey was administered to identify the goals of chair testing in two high school and seven middle school orchestra classrooms. A student survey was used to collect data in those same classrooms on (a) the reasons why students do and do not do well on chair tests, (b) the perceived goals of chair testing and (c) the ratings of motivation and self-achievement. Qualitative techniques were used to analyze attributions within both …

The Supply Chain Of Digital Music: Empowering Independent Artists Through Availability And Accessibility, Justin Reed

Senior Theses

The process of creating and sharing digital music can be viewed from the “supply chain” perspective: identifying the resources and value-adding tools that ultimately result in a final audio product. By researching and documenting the steps involved in this process, I identify this supply chain as a series of steps, an itinerary, or process model of digital music creation. Moreover, I found that each step in the process can be assess for its accessibility and usability by independent artists. I conclude by exploring how this democratizes the music industry by affording independent artists the necessary tools and empowerment to create …

Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana

Publications and Research

Catalogue for the exhibition "Lamin Fofana: Blues" presented at Baruch College's Mishkin Gallery in 2020.

Using Music As A Teaching Tool To Teach Social Emotional Learning (Sel), Patrick Mcmanus, Christina Jensen

National Youth Advocacy & Resilience Conference

Social Emotional Learning (SEL) is the foundation for academic achievement. Using music to teach makes it easier for students to gain knowledge on topics such as empathy, self-management, self-awareness, social awareness, relationship skills, and responsible decision making.

Opera And Children’S Literature: 1895-Present, John P. Delooper

Publications and Research

This presentation discusses the findings resulting from the creation of a comprehensive bibliography of English Language children’s opera books published from 1895 to present. Historically opera was often assumed to be an elitist art in the United States and was thus seldom discussed in library collection development literature, and equally rarely highlighted in children’s literature periodicals. Recently, two librarians, supported by a Carnegie Whitney grant from the American Library Association, investigated the impact of opera themed children’s books by compiling a bibliography which documented instances of opera in published English Language children’s literature over the last 125 years. By analyzing …

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).

“Because We Are Catholic”: Music As A Bridge Between Identities Within The Catholic Community Of South India, Johnathan Theodore Travis Rhodes

Electronic Theses and Dissertations

In this thesis, I argue that the music of the Catholic Church of South India, which draws from Indian and Western music genres, functions as a cultural bridge allowing the worshiper to express a distinctively Catholic identity without distancing themselves from their Hindu roots. This cultural connection reinterprets Karnatak musical styles, practices, and traditions as distinctively Catholic rather than Indian or Hindu. Thus, Indian cultures are recontextualized within a Catholic paradigm, as these practices are regarded as Catholic regardless of their historical, cultural, or religious origin. These identities, Indian and Catholic, are not in tension with one another, but instead, …

Do It Yourself: Women And Lgbtq+ Musicians And Promoters In The Diy Midwest Music Scene, Morgan W. Matzen

Honors Thesis

In certain parts of the Midwest “DIY,” or the underground/alternative music scene, there is not enough representation of women, people of color and LGBTQ+ individuals in music, whether onstage as a band or musician, or in venue ownership and leadership. This study looks at where these diverse people are, and the setbacks they’ve faced along the way of becoming a musician, promoter or venue owner. Three emerging themes through this journalistic research include all-ages venues and music scenes as integral to getting people involved in music; a “DIY” attitude or ethos as a push for these musicians and promoters to …

Praising God Around The World: Christian Worship Music As An Individual And Collective Experience, Divya Putty

Student Scholar Symposium Abstracts and Posters

The artists “Bethel” and “Hillsong” are frequently recognized by Christians living in America. But what about the names “Bridge Music India” or “Sinach”? These names would be most likely unknown in the states but celebrated in India and Nigeria. While each stems from vastly different cultural backgrounds, they all serve the purpose of creating a space for people to connect with God and each other through musical worship. Drawing on four different pieces of worship music and their use in live services, this article analyzes the effects of worship music, specifically their lyrical and musical content, on the individuals participating …

Aggregation Services And Songwriter Independence, Saxon John Paul Ahern

Capstone Projects and Master's Theses

Digital download aggregation services are the modern songwriter’s greatest ally and independent record labels’ newest competition. Digital download aggregators like CDBaby, Distrokid, Tunecore, and Awal have made releasing an album for online distribution far easier than before. Many aggregators are affordable and also provide many services to the songwriter that historically involved employing additional middlemen.

Like distribution, the mastering stage of production has evolved. Mastering music can now be done through online services independently and on a very tight budget. Automated mastering services like LANDR and iZotope will be briefly discussed in section three, as well as additional options for …

The Impact Of Bridge Program Participation On The Academic Success And Retention Of Freshman Music Majors, Allie Celeste Prest

LSU Doctoral Dissertations

The bridge program for incoming music majors at Louisiana State University, run by the School of Music, is a program in its sixth year of existence (2014-2019). The program is a 5 day pre-college orientation that seeks to “bridge the gaps” for incoming music majors through a variety of programming, including sessions on note taking and lectures (given by current music faculty), peer-led integration sessions, financial and time-management workshops presented by university staff, and panels with alumni and community arts leaders. This program was developed as a departmental response to the call to increase the academic success and retention of …

Does Spotify Really Hurt Artists?, Daniel Witt

Marriott Student Review

For years, members of the music industry have debated whether music streaming services like Spotify help or hurt artists. This article explores the pros and cons of music streaming and argues that overall, Spotify and services like it are helping artists to achieve their career goals.

All Access: A Backstage Pass To A Collaborative, Undergraduate Music Journal, Michele Gibney, Keith Hatschek, Nicole Wasnock

Conservatory of Music Faculty Presentations

The number of currently publishing, student run music journals can be counted on one hand. And of those, only half are for undergraduates. At University of the Pacific, the Conservatory of Music started a music industry analysis and opinion journal in 2018. Edited and written by undergraduate students, Backstage Pass has published two issues totaling 47 papers. The benefits of journal writing, editing, publishing and hosting are numerous from many different stakeholder points of view. The collaborative effort is shared between the University Libraries (hosts the institutional repository where the journal is published and offers technical support) and the Conservatory …

Art As Truth: The Post-Truth Reception Of Hamilton (2015) And The New Prince (2017), Cecilia Sun

Sound Scripts

No abstract provided.

Action Music And Action Painting In The Twenty-First Century, Erik Griswold

Sound Scripts

The painter Jackson Pollock reputedly claimed, “I am nature,” while George W. Bush saw himself as “a gut player. I play by instincts.” Donald Trump echoed these sentiments, insisting he was “a very instinctual person, but my instinct turns out to be right.” But can these instincts be put to good use? Perhaps one solution lies in channelling these forces into more creative endeavours, transforming the masculinist approach of Pollock into a more collaborative and joyous action in music. “Action Music” (2013) and “Action Music 2” (2017) are two compositions of mine in which I have employed both in-the-moment improvisation …

Composer-Performer Collaboration In The Development Of Kinabuhi | Kamatayon For Percussion And Electronics, Louise Devenish, Stuart James

Sound Scripts

This paper provides an outline of the collaborative approach taken in the creation of electroacoustic percussion work Kinabuhi | Kamatayon (2015) by Stuart James for performance by Louise Devenish. Written for eleven Indonesian bossed gongs and electronics, the work involved creative and systematic exploration of various percussive and electronic techniques with the primary aim of re-contextualising these instruments. This paper offers an overview of the collaboration process with percussionist Louise Devenish and how these techniques were used in the work. This includes discussion of the performance practices developed and a suitable notation system for effectively executing these compositional ideas.

Addressing Climate Change Scepticism Through The Sonic Arts, Cissi Tsang

Sound Scripts

This paper discusses the continued denial of climate change despite overwhelming scientific evidence and agreement, through viewing climate change as a “hyperobject”—that is, a concept of such massive temporal and spatial dimensions that it defies traditional understanding. One of the challenges of the scientific community is to combat such scepticism through new ways of framing information, and the sonic arts offers an alternative presentation of truth through its ability to create emotional and narrative rapport, and also humanise esoteric information. This paper will focus on various methods of communicating climate change data aurally—such as sonification of data, and ecoacoustic methods …

“Native American Folk Song Suite”: A Study Of Traditional Native American Melodies, The Role Of Music In Native American Society, And Its Translation To The Modern Wind Ensemble, Preston Parker

Electronic Theses and Dissertations

Music holds a sacred place for the many Native American tribes of the United States. Over the past 150 years, ethnomusicologists Dr. Theodore Baker (1851-1934), Dr. Frances Densmore (1867-1957), and John Donald Robb (1892-1989) have preserved these songs by sitting down with indigenous Native Americans and recording their music straight from the source. Through these recordings, these ethnomusicologists created a springboard for composers, including myself, to study the past and create new music that honors the traditions and culture of Native Americans. I have applied my new knowledge of these musical techniques and traditions to create a work for wind …

The Utility Of Music-Based Interventions In Dementia Care, Adriana C. Doerr

Dissertations

While research has investigated the impact of music-based interventions on management of behavioral and psychological symptoms of dementia (BPSD), there is limited discussion of which music-based interventions are most effective for various levels of dementia severity, or of how to determine which music-based interventions are both accessible and feasible for caregivers and nursing staff. This review sought to identify the benefits of music-based interventions in dementia care within various domains of functioning and determine whether music-based interventions are effective for various levels of dementia severity. Peer-reviewed articles and studies that evaluated the effectiveness of various music interventions or demonstrated music's …

Market Research On Student Concert Attendance At Bgsu's College Of Musical Arts, Mary Solomon

Honors Projects

Bowling Green State University boasts a well established College of Musical Arts which holds concerts performed by esteemed faculty, prestigious guest artists, and students. The school hosts these events in Kobacker Hall and Bryan Recital Hall which can accommodate up to 800 and 250 audience members, respectively. However, performances in Kobacker hall only fill one- fourth of the 800 seats, on average. Why is this so? This project aims to investigate the factors that influence students’ decisions to attend concerts at the College of Musical Arts (CMA). By methodology of survey research and statistical analysis, this project will look into …

Flexi Discs: The Audio Format That Time Forgot And Remembered Again, Junior R. Tidal

Publications and Research

Flexi discs, also known as phonosheets and Soundsheets, are “flexible” plastic sheets that can be played on turntables. This audio format was used for a wide variety of purposes including promotional materials, giveaways, and inserts into magazines, stemming from their origins in playable chocolate discs in the early 1900s (Parks, 2018). At one point in time it was a $9 million dollar business, with the U.S. government as one of the top users of the technology (Penchansky, 1979). Their disposable nature, weight, ability to print directly on material, and affordable manufacturing made the flexi disc an alternative to vinyl pressings. …

The Saturation Trilogy: The Importance Of The Vocal Mix, Nicholas Roa

Capstone Projects and Master's Theses

This paper goes over the background of BROCKHAMPTON and how the group came together. It will also discuss each role that the members of the group have. This history of the group will be one of the topics in the paper. The three albums from The SATURATION Trilogy will be the main topic that this paper will examine. Within these albums, the tone and stand out elements will be discussed. The importance of the vocal mix will be highlighted throughout, and the paper will pinpoint the three important tools that help the vocal mix within these albums. The three tools …

Geographic Analysis Of Marching Band Culture (College And High School Ensembles), Steven Deamon

Honors Projects

Each marching band defines “culture” as their ensemble’s decisions on marching style, music choice, band size, instrumentation, and performance obligations. This study aims to categorize marching bands by cultural features, test if marching band characteristics are similar across a region, and explore how these trends in band culture relate to other demographic and socioeconomic trends. Research focused on bands in the Midwest and Southeastern United States and was conducted through video observation. Through analysis, it was found that most marching bands surveyed use a corps step, perform music of artistic merit, have between twenty-one and one hundred marchers, perform with …

Open Access Archives In The Music Classroom; Examining Primary Sources And Information Privilege, Taylor Greene

Library Presentations, Posters, and Audiovisual Materials

The Performing Arts Librarian at Chapman University incorporated open access archives into his Music Information Literacy course in order to accomplish several learning objectives: a) introduce students to recognizing the importance of primary sources; b) interact with open access archival resources; and c) create an opportunity to discuss information privilege. This discussion takes inspiration from the “Information Has Value” frame from the ACRL Framework for Information Literacy for Higher Education, specifically related to the knowledge practice to “recognize issues of access or lack of access to information sources” and the disposition to “examine their own information privilege.”

In class, students …

A Royal Revolution: An Analysis Of The Influence Of Prince On Music Marketing, Deirdre T. Guion Peoples

Atlantic Marketing Association Proceedings

No abstract provided.