Other Music Commons^™

Perfecting The Pride Of All Nebraska, David Swotek

Honors Program: Senior Projects (Public)

For my thesis, I completed a creative project focusing on my involvement in the College of Journalism and Mass Communications. I created a documentary/YouTube-style video about the University of Nebraska-Lincoln Cornhusker Marching Band and how much work goes into creating their performances. I wanted to see what work happens behind the scenes that their large audiences never get to see.

To get all the information I needed to create an efficient and effective piece, I interviewed 13 band students ranging in years, instruments, ranks, etc. It was very important to get a large range of perspectives on this piece because …

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

Ruth Duvall Crawford’S Wonderful Career In Music And Evangelism, Dan D. Crawford

Zea E-Books Collection

This book is a study of the career and ministry of Ruth Duvall Crawford (1916–1986), the wife of prominent evangelist Percy Crawford (1902–1960). As pianist for Percy’s evangelistic team and director of music for his various evangelistic enterprises, Ruth put together an ensemble of 40–50 musicians, and produced hundreds of high-quality music programs, geared to Percy’s nationwide radio and television audiences. These programs set a new standard of performance in evangelical circles in the Northeast and Central United States in the 1930s and 40s. In the process of building this musical program, Ruth developed a format and an original style …

Interpersonal Practices In Individualized Voice Teaching: A Mixed-Method Study Of Pedagogical Similarities And Differences Between Teachers Of Singing And Speech-Language Pathologists, Brianna Smith

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The interpersonal teaching practices of teachers of singing and speech-language pathologists are examined in this mixed-method research study. The aim of this research is to identify common teaching themes and to determine how the disciplines of voice pedagogy and speech-language pathology agree and vary regarding interpersonal interactions with voice users (i.e., students, patients, and clients).

This research aims to identify the areas of overlap and disparity in the fields of voice pedagogy and speech-language pathology to determine where one field might positively influence the other. First, based upon standards set by speech-language pathologists and teachers of singing, this research identifies …

Isometric Exercises And Stretching Warm-Up Program For University String Musicians: An Intervention Study, Emma Porter

Honors Program: Senior Projects (Public)

In this study, the purpose of this investigation was to find the effects of reducing pain through combining isometric and stretching warm-up exercises for stringed instrument musicians. In Lee’s et al. (2013) study, it showed that about 75 % of musicians have work-related musculoskeletal disorders and experience pain because of playing. In this study, they also saw that string players have the highest prevalence of both musculoskeletal disorders and pain while playing (Lee et al., 2013). In Nawrocka’s et al. (2014) journal article, the study showed the correlation of more pain in musicians that did not meet the recommended criteria …

Modelling Acoustics In Ancient Maya Cities: Moving Towards A Synesthetic Experience Using Gis & 3d Simulation, Graham Goodwin, Heather Richards-Rissetto

Department of Anthropology: Faculty Publications

Archaeological analyses have successfully employed 2D and 3D tools to measure vision and movement within cityscapes; however, built environments are often designed to invoke synesthetic experiences. GIS and Virtual Reality (VR) now enable archaeologists to also measure the acoustics of ancient spaces. To move toward an understanding of synesthetic experience in ancient Maya cities, we employ GIS and 3D modelling to measure sound propagation and reverberation using the main civic-ceremonial complex in ancient Copán as a case study. For the ancient Maya, sight and sound worked in concert to create ritually-charged atmospheres and architecture served to shape these experiences. Together …

Invention Through The Harmonics Of Stefano Scodanibbio: A Method Of Creative Improvisation For The Contemporary Double Bassist, Christian Chesanek

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document is an inclusive method for the double bass and comprises etudes and exercises inspired by Sei Studi (1981/83) composed by the Italian double bass virtuoso Stefano Scodanibbio (1956-2012). The etudes and exercises in the method are based on the analysis of seven categories of harmonic gestures that exemplify Scodanibbio’s “Avant Garde” style. The seven categories, each with its own chapter, feature selected harmonic gestures extracted from the Sei Studi. The seven categories include: 1) natural harmonics, 2) trilled and tremolo harmonic gestures, 3) pizzicato/arco and normal note gestures, 4) mixed normal and harmonic note gestures, 5) artificial …

The Unique Demands Of Playing Posture On Youth Violinists And Violists, Liam Carroll

Honors Program: Senior Projects (Public)

The high prevalence of performing arts injuries is an acknowledged challenge facing the performing arts medicine community. The injuries seem to affect string players the most among orchestral musicians, specifically violinists and violists. The asymmetrical posture, head and neck displacement, and spinal displacement required by the posture to play violin and viola can lead to discomfort or injury in the performer. Performance related musculoskeletal disorders (PRMDs) can have an adverse impact on the life of a musician, preventing them from performing or making it uncomfortable. While there is a large body of research on PRMDs relating to adult musicians, there …

Original Music For Bass Trombone And Piano From 1985 To 2018: An Annotated Bibliography, Brian Lew

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this document was to compile and annotate original music for the bass trombone and piano from 1985 to 2018. Original works is defined as compositions whose original intentions were for the idiom of solo bass trombone and piano. Works included are exclusive of transcriptions and arrangements

This document annotates more than 100 compositions. Each annotation includes information about the composer (birth year and death year, if applicable), length of the piece, publisher, level of difficulty, a preview of the music, and the written annotation. Observations from the examined compositions are found in the closing chapter. Observations range …

Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo

Department of English: Dissertations, Theses, and Student Research

In 1913, Willa Cather met opera-diva Olive Fremstad and the two formed a friendship that would span at least a decade. Fremstad has long been recognized as an inspiration for the character Thea Kronborg of Cather’s Song of the Lark (1915) but has not been portrayed as influential in any other aspects to Cather’s career. Letters sent by Fremstad to Cather have recently been located, and they reveal an ongoing and interdisciplinary dialogue between the two women that negotiates issues surrounding art and professionalism. I locate these letters within the broader context of Cather’s public and fictional statements about art …

From Rain’S A-Gonna Fall To Bricks In The Wall: A Comparative Analysis Of Humanity’S Core Themes In The Music Of Bob Dylan And Pink Floyd, Alec Williams

Honors Program: Senior Projects (Public)

The 1960s were turbulent times of musical creation and revolution. From Motown to Dinkytown, the world suddenly became filled with blooms of creativity that stemmed from the freshly planted roots rock ‘n’ roll. Artists that garnered infamy in this flourishing era, including household names like Jimi Hendrix, The Beatles, and Janis Joplin, would become immortalized in music and pop culture. However, few stand out as pinnacle lyrical and musical influences, devout to the art of perpetual creation and development of the global music scene. Of those artists, Bob Dylan and Pink Floyd have contributed immensely to the synthesis of genres …

Studiohub: Streamlining Communication In Private Music Studios, Joseph Klinck

Honors Program: Senior Projects (Public)

At the start of the project, I asked the question “what technology is available to horn players today?” Through an independent study in Spring 2017, I surveyed websites, blogs, YouTube channels, computer software, and mobile apps, reviewing and rating each one, and discussing their strengths and weaknesses.

From this project, I determined that one key piece of technology missing in the music world was some way to unify and streamline the activities of private music teachers and their students. Through my own experiences, and through talking with other music students, I determined three objectives for this streamlining technology: assign and …

Silence Emerging From Birds, Rebecca Macijeski

Department of English: Dissertations, Theses, and Student Research

This dissertation represents the culmination of five years of creative activity in poetry. Included within this document are three main components: 1.) a critical introduction to my book-length manuscript of original poems complete to satisfy the requirements of creative writing within the English Department; 2.) a description of my creative activity reflected in that book-length manuscript, and; 3.) a sample of previously published original poems from the manuscript. I will describe each of these components in greater detail below.

The critical introduction to the creative work seeks to explore and examine various aesthetic and theoretical influences on my poems. The …

Black Us Army Bands And Their Bandmasters In World War I (Version Of 07/29/2016), Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This essay sketches the story of the bands and bandmasters of the twenty seven new black army regiments which served in the U.S. Army in World War I. The new bands underwent rapid mobilization and demobilization over 1917-1919. They were for the most part unconnected by personnel or traditions to the long-established bands of the four black regular U.S. Army regiments that preceded them and that continued to serve outside Europe during and after the Great War. Pressed to find sufficient numbers of willing and able black band leaders for the new regiments, the army turned to schools and the …

A Study Of The Improvisational Style Of Theodore "Fats" Navarro, 1949–1950, Russell C. Zimmer

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This study analyzes improvisatory techniques of Theodore “Fats” Navarro (1923-1950). Live improvised solos of the trumpeter from 1949-1950 were examined to better understand the improvisational style through the analysis of transcribed solos. Chapter one gives a brief overview of Navarro’s brief professional career and why he was chosen as the subject of this study. Chapter two sets out the methodology for this study and reviews related literature to the study of Fats Navarro. Chapter three provides a brief background of each performance from which the transcriptions were selected. Chapter four identifies those aspects of his improvisation that occur often harmonically, …

Quantification Of Time Varying Directivity Of Musical Instruments, Madeline A. Davidson

Durham School of Architectural Engineering and Construction: Dissertations, Theses, and Student Research

Static directivity patterns of musical instruments have been mapped somewhat extensively, but little research has been done in analyzing the directivity patterns of musical instruments over time as they play. Directivity patterns can be affected by variables such as instrument, frequency, dynamics, and style. This thesis proposes a set of quantification methods of time varying directivity, all derived from the maximum Directivity Index analyzed at consecutive short-duration time windows comprising the musical excerpt. The instrumental recordings used in this paper are taken in an anechoic chamber using either a 5, 13, or 32 multichannel setup. From the values of maximum …

Leroi Moore: A Biography, Bob Fuson Ii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Few artists thrive at the crossroads of musicality, originality, and popularity. Musicians and critics often laud the first two and neglect the latter. Any imbalance in ratios between them that tips toward popularity is balanced by diminishing the creative elements.

Saxophonist LeRoi Moore (1961-2008) of the Dave Matthews Band was one artist who balanced all three. While his musical output was prodigious very little is known about him. He was a reclusive figure onstage and in public, shunning interviews and at times literally the spotlight, despite being a founding member of one of the most commercially successful bands of the …

“Where Words Fail, Music Speaks”: The Experience Of Adapting Literature To Music, Laney J. Fowle

UReCA: The NCHC Journal of Undergraduate Research and Creative Activity

Adaptation is a relatively new yet growing academic field consisting mainly of research on the modification of book into film. This study endeavors to expand the discourse on adaptation to the modal transformation of literary works to music. By using this specific adaptive type to examine the process and functionality of adapted works, I was able to address several key aspects of modern adaptation, including the hot-button issue of fidelity to an established source text, the role of adaptor as co-author, and the ability of solitary artistic modes to augment each other when combined. The resulting personal attempts at adaptation …

Virtuoso Violinist Maud Powell: Enduring Champion For American Women In Professional Music, Sarah Joy Pizzichemi

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Maud Powell, the first great American virtuoso violinist, sparked a change in the spirit of the advancement of classical music throughout North America in the late nineteenth and early twentieth centuries. This document addresses gender inequality present in the classical music profession during Powell’s lifetime. It also explores the roles women occupied in the public and private spheres in Western art music of the nineteenth and early twentieth centuries. More specifically, it investigates the life of virtuoso violinist Maud Powell through her activism and interest in American women in professional music.

The document is divided into three parts. After a …

Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.

Zea E-Books Collection

Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. Amid his travels Praetorius found time to publish an impressive series of collections of musical compositions, in all more than a thousand works. Praetorius’s three-volume Syntagma musicum (Musical Encyclopedia) belongs to the last years of his life. Volume I, Musicae artis analecta (1614/15, in Latin), treats principles and practices of religious music, from a decidedly Lutheran perspective. Volume II, De organographia (1619, in German) deals with …

Garden Of The Carpathians: Four Reflective Pieces For Mixed Ensemble That Highlight The Dualism Of Romania’S People, Culture, And Aesthetic, David Stamps

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Garden of the Carpathians is a collection of original compositions inspired by four separate explorations of Romanian cultural elements, rural and urban landscapes, and an American perception of dualism within their historical aesthetic. The four pieces (Țuică, Troubled Splendor, From Unknown Heights, and Modistoric) each emphasize a different aspect of this dichotomy. Țuică focuses on the social traditions of Romania by examining customary meal-time interactions that are now influenced by Western culture and commercialism. Troubled Splendor acknowledges the typical stereotypes of communism, gypsy life, and poverty, but then highlights the hard-working, curious, and motivated enlightenment …

A Chant From The Great Plains: An Analysis And Rationale For A Critical Edition, Raul G. Barcenes

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document explores A Chant from the Great Plains by Carl Busch. As the winner of American bandmaster Edwin Franko Goldman’s composition contest in 1919, this work helped launch the tradition of commissioning upon which the repertoire of the modern concert band medium relies. Inexplicably, Busch’s piece fell into obscurity and has become so rare that the primary researcher on Carl Busch, Dr. Donald Lowe, was not able to view any of the music while compiling his research with the exception of citations and articles. This document provides a rationale for the revival of the work in both scholarship and …

Music Publishing By Subscription In 1820s France: A Preliminary Study, Anita Breckbill

University of Nebraska-Lincoln Libraries: Faculty Publications

Subscription lists in six scores published in France in the 1820s open a window onto publishing and distribution practices of that era. The publishers are J. Frey of Paris, with examples of subscription lists from full scores in his complete sets of operas by Mozart and Grétry; Maurice Schlesinger, also of Paris, with a vocal score of Mozart’s Requiem; and Bohem of Lille, with a vocal score of Zémire et Azor by Louis Spohr. The subscription lists contain information about the types of subscribers: male/female, musicians/nonmusicians, and Parisians/provincials/ foreigners. These examples from nineteenth-century France suggest that funding the publishing of …

U.S. Army Black Regimental Bands And The Appointments Of Their First Black Bandmasters, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

The black regimental bands and their bandmasters in U.S. Army service between the Civil War and World War I comprised a fluid yet tight little community of soldier-musicians. Conspicuous in their own day, these units and their leadership teams are by no means familiar to modern readers. Replacement of white by black bandmasters in this community in the first decade of the twentieth century represented in its day an important public battle in the struggle for civil rights and racial fairness in the military. The following narrative offers a fuller account of this battle than has previously been available, but—full …

Voice Recitals At The Unl School Of Music: Compilation Study, Audrey M. Nicholson

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

An informative compilation of Voice Recitals at the UNL School of Music categorized by Masters, DMA, and Faculty recitals from 1988-2012. Information includes: composer, work title, song title, performer, performance date, instrumentation, audio availability, and online program link.

"Download" button links to pdf version of file. Spreadsheet version (.xls) is attached below as "Related file." ".xlr" files are spreadsheets and can be opened from MS Excel.

The Choral Music Of Allen Henry Koepke (1939–2012) With A Conductor's Special Focus On The Preparation Of His Seminal Work, Missa Brevis, Keith J. Curington

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Although American choirs have been performing Allen Koepke’s compositions since 1973 and his music is witnessing greater and greater international appeal, especially in Asia, academic writings about the composer and his contribution to the choral art have been absent. This document examines Missa Brevis, the seminal work by Allen Koepke, and serves as a conductor’s guide for score study and rehearsal preparation. It will address practical problems unique to the work and will suggest solutions that will ensure excellence in its performance. A biography, a complete catalogue of the composer’s large number of choral works in print, a listing …

Identifying Barriers And Incentives Related To Attending The Performing Arts: An Examination Of First Year College Students, Laura J. Sweet

College of Journalism and Mass Communications: Theses

Young adults entering their first year of academic study beyond high school face seemingly limitless opportunities. For the first time, they’re on their own: deciding everything from when to eat to where to study and what to do in their free time. Campuses are rich with possibilities. From official student organizations and clubs, to impromptu pizza parties and dorm floor trivia contests, daily decisions create the experiences that shape the life to come. On many large campuses, alongside academic buildings are art galleries and performance spaces. Research shows that early exposures to the arts lead to increased engagement during student …

An Evaluation Of Compositions For Wind Band According To Specific Criteria Of Serious Artistic Merit: A Second Update, Clifford Towner

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This study is an update to the 1978 thesis of Acton Eric Ostling, Jr. and the 1993 replication study by Jay Warren Gilbert. These two studies explore a process for evaluating specific compositions, from a selected list, against a set of ten criteria defining serious artistic merit. This study reevaluates those compositions that met the criteria in the previous studies, as well as those compositions that were within ten points of meeting the criteria in the previous studies. Additional compositions, especially those composed since 1993, are also included.

The study utilizes eight procedures for accomplishing its objective, including defining the …

Cognitive Processes For Infering Tonic, Steven J. Kaup

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Research concerning cognitive processes for tonic inference is diverse involving approaches from several different perspectives. Outwardly, the ability to infer tonic seems fundamentally simple; yet it cannot be attributed to any single cognitive process, but is multi-faceted, engaging complex elements of the brain. This study will examine past research concerning tonic inference in light of current findings. First I will survey the recent history of experimental research in cognitive functions for memory retention and expectation as they relate to the recognition and learning of musical schemas. Then I will discuss distributional theories associated with the tonal hierarchy of major and …

The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …