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Articles 31 - 36 of 36
Full-Text Articles in Other Music
Understanding Professional Growth Opportunities Utilized By Nebraska Music Educators, Phillip K. Hesterman
Understanding Professional Growth Opportunities Utilized By Nebraska Music Educators, Phillip K. Hesterman
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
The purpose of this study was to examine kinds of professional growth activities employed by music teachers in Nebraska schools.
A survey was administered to Nebraska K-12 music educators (N = 1,144), with 456 responding. Data gathered related to respondents’ past professional growth participation, projected involvement, opinions and preferences, and information concerning perceived barriers.
A review of literature focused on factors related to professional growth. This review provided insights into professional growth practiced by music educators. Literature reviewed reflected perspectives on meaning of professional growth for educators.
Findings yielded insight into the state of professional development among Nebraska music …
David Maslanka's Desert Roads, Four Songs For Clarinet And Wind Ensemble: An Analysis And Performer's Guide, Joshua R. Mietz
David Maslanka's Desert Roads, Four Songs For Clarinet And Wind Ensemble: An Analysis And Performer's Guide, Joshua R. Mietz
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
Known primarily as a composer for the wind band, few American composers have received the notoriety and widespread acclaim that David Maslanka has since 1970. His works for wind ensemble are now considered standard repertoire and are played frequently by high school, college-level, and professional ensembles alike. Additionally, his works for chamber groups and soloists have continued to gain in popularity. As of the writing of this document, Maslanka has composed concertos for saxophone, euphonium, flute, marimba, trombone, and piano. Early in 2005, he completed his first large-scale work for solo clarinet with wind ensemble accompaniment: Desert Roads. Desert …
A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer
A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
The Sonata For Alto Saxophone and Piano Op. 19 is one of the most popular pieces in the saxophone literature, commonly played by professional saxophonists during their training. It features exciting rhythmic devices like irregular and mixed meter, the notation of which is the main focus of this paper. Although Creston often used irregular and mixed meter in his compositions, he rarely specifically notated them, choosing instead to use accents, beams, slurs, and other phenomenal cues at the musical surface to create the effect of these metric plans. Time signatures often remained constant throughout entire movements. Creston believed this would …
A Performer’S Guide To The Original Works For Solo Horn, Horn And Piano, Two Horns, And Two Horns And Piano By Paul Basler, Nicholas A. Kenney
A Performer’S Guide To The Original Works For Solo Horn, Horn And Piano, Two Horns, And Two Horns And Piano By Paul Basler, Nicholas A. Kenney
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
The horn music of Paul Basler, while extremely popular and widely recognized, is relatively unexplored in academia. Basler’s experiences have led him all over the world from Wisconsin, Florida, and New York to Kenya and the Dominican Republic. Because of Basler’s variety of experiences, his music encompasses many styles and media. This document focuses on the life and influences of Paul Basler as a composer for the horn as the featured instrument. It provides a historical context for each of his original pieces for solo horn, horn and piano, two horns, and two horns and piano. Also present is a …
Review Of To Live's To Fly: The Ballad Of The Late, Great Townes Van Zandt. By John Kruth A Deeper Blue: The Life And Music Of Townes Van Zandt By Robert Earl Hardy, Chuck Vollan
Great Plains Quarterly (through 2013)
Townes Van Zandt was a founding member of the modern Texas singer-songwriter tradition and influenced or played with everyone from Bob Dylan to Norah Jones. His spare, evocative lyrics, coupled with his beautiful, articulate guitar playing, developed a particularly loyal and eclectic fan base. His songs have been covered most famously by Willie Nelson, Waylon Jennings, and Emmylou Harris, but also by a host of great and lesser-known performers. He was a major influence on the "Outlaw" Country movement.
Van Zandt wrestled with inner demons. His eccentricities, mental illness, and the resulting heavy substance abuse, combined with often poorly produced …
Tones And Intervals Of Hindu Classical Music, Donald A. Lentz
Tones And Intervals Of Hindu Classical Music, Donald A. Lentz
University Studies (University of Nebraska) (1888–1984)
ART IS ALL ENDURING and limitless, and defies positive, unvariable classification. No attempt is being made in this book to compare artistic, subjective or emotional factors. Only the objective elements, techniques and procedures of music that are tangible and definite are being compared and classified. Western music, having reached a plateau under the present harmonic system, is projecting into new channels for textural inspiration. Composers have exploited the present system, using existing intervals in every conceivable manner under existing tonal and atonal theories. Devices such as smaller intervals (example: tempered quarter tones), electronic combinations, aleatonic principles, etc. are being dealt …