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Articles 31 - 34 of 34
Full-Text Articles in Musicology
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi
Directions of New Music
The singing subject is both site-of and author-of her practice. This practice-based, artistic research unpacks the entangled process of making new music, conscious that the performer-author is the site where embodied problem solving takes place. The principal focus of the paper is the author’s realization of Alexander Garsden’s [ja] Maser, for voice and electronics, created by recording and reconstituting vocal elements using traditional compositional and performative methods as well as studio recording and granular synthesis. The author approaches the realization of this new work as an experimental practice in dialogue with theoretical frames that inform and situate the research. …
"Manuscripts And Medieval Song: Inscription, Performance, Context" By Helen Deeming And Elizabeth Leach, Timothy Mcgee
"Manuscripts And Medieval Song: Inscription, Performance, Context" By Helen Deeming And Elizabeth Leach, Timothy Mcgee
Performance Practice Review
Timothy McGee reviews and discusses Helen Deeming and Elizabeth Leach's 2015 work. Deeming, Helen and Elizabeth Leach. Manuscripts and Medieval Song: Inscription, Performance, Context. Cambridge: Cambridge University Press, 2015. ISBN: 1107062632.
"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin
"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin
Performance Practice Review
Aron Edidin reviews and discusses Nicholas Cook's 2013 work. Cook, Nicholas. Beyond the Score: Music as Performance. Oxford: Oxford University Press, 2013. ISBN: 978-0-19-935740-6.
Mozart’S Concerto For Piano And Orchestra In B-Flat Major, K. 450: A Performance And Formal Analysis, Yihao Zhou
Mozart’S Concerto For Piano And Orchestra In B-Flat Major, K. 450: A Performance And Formal Analysis, Yihao Zhou
Music Honors Projects
An examination of the formal designs of the three movements that comprise Wolfgang Amadeus Mozart’s Concerto for Piano and Orchestra in B-Flat Major, K. 450, this thesis, along with a performance of the work (April 16, 2016), completes my Honors Project in the Macalester College Music Department. Drawing connections with standard musical forms that had been developed by the late eighteenth century, the formal analysis of K. 450, through a hermeneutic approach, offers a way of understanding the formal aspects of the three concerto movements. Particularly, it reveals that this concerto simultaneously presents the distinction of an individual in the …