Musicology Commons^™

Inside Outside: The Cultural Paradox Of Salvation Army Brass Bands In America During The Age Of Nationalism, Nathan Miller

Theses and Dissertations--Music

By the turn of the twentieth century, the sight and sound of a little brass band of uniformed evangelists on street corners declaring war on sin became ubiquitous in American cities. Although Salvationists came to hold a cherished place in society, Americans greeted their initial invasion with contempt. They came with a message of transformative redemption for the poor and disenfranchised, loudly declaring that anyone and anything could be made holy and fit for God’s Salvation Army. This included minstrel tunes and other rough musics appropriated from the working-class Americans. However, eventually their music had less in common with poor …

Passacaglia And Its Related Forms: Before, During, And After 18th Century Baroque And Program Notes, Austin Han

Theses and Dissertations--Music

The purpose of this project is to inform readers of the importance musicology has in informing one’s own learning experience as a performer and listener. As an expression of this exercise, I’ve focused on the history of the passacaglia in Europe from its origins in Spain to its culmination in the music of Paul Hindemith (1895-1963). Through the process of learning about different renditions of passacaglia through musical analysis and comparisons with contemporary art movements and their legacies, I hope the results of what are shown displays an urgent appreciation for applying a more nuanced and openminded approach to the …

Engaging The Eclectic Bulgarian Soul In Viola Concerto No. 1 By Marin Goleminov (1908-2000): A Faceted Analysis With New Pedagogical Studies, Lubitza Braikova

Theses and Dissertations--Music

The main purpose of this monograph is to provide a faceted study of Marin Goleminov’s Concerto for Viola No.1, a work of art complexly revealing its creator’s constructive study of style – including national style. It is hoped that this will, among other things, assist in deepening relevant performances and researches.

This document examines the M. Goleminov Concerto for Viola and Orchestra no.1, 1950 (Концерт за Bиола и Oркестър Hомер 1 Марин Големинов, р.1908–п.2000). It would bring essential features of it to the attention of a broader audience, perhaps beginning with inquisitive violists. If, with the necessary selectivity, …

Zappa’S Remembrance Of A Forgotten Style: The Relationship Between Frank Zappa And Doo-Wop As Illustrated In Cruising With Ruben & The Jets, Benjamin Adamo

Theses and Dissertations--Music

One of Zappa’s many cherished styles of music was the doo-wop of the mid-1950s through the early 1960s. His love for the style culminated in 1968 with a poor-selling and often forgotten doo-wop record, Cruising with Ruben & The Jets. While the record earned little praise from critics and fans, Zappa considered it as a landmark of his early career, as evidenced in his autobiography. This thesis investigates Zappa’s relationship to doo-wop and “perversion” of the style as it culminated in Cruising.

As revealed through autobiographical entries and interviews with Zappa, Ray Collins, and other collaborators, Zappa devised …

Johann Melchior Gletle’S Expeditionis Musicæ Classis Ii, Op. 2: An Edition And Commentary, Michael James Clifton Lukin

Theses : Honours

This dissertation aims to bring to light the music of Johann Melchior Gletle (1626-1683); a Swiss-German composer who lived the majority of his life working as the organist and Kapellmeister of Augsburg Cathedral. The primary focus of this dissertation is a single volume of music composed by Gletle in 1668: the Expeditionis Musicae Classis II, Op. 2. Consisting of thirty-six vesper psalms, it is conjectured that this publication was a form of ‘functional music’ intended for liturgical performance at Augsburg Cathedral. The first part of the dissertation (Chapters 1 to 3), is devoted to contextualising and analysing this volume of …

An Appraisal Of The Evolution Of Western Art Music In Nigeria, Agatha Onyinye Holland

Graduate Theses, Dissertations, and Problem Reports (ETD)

Nigeria has greatly evolved as an intercultural society given her history of colonization, the influence of foreign religion (Christianity and Islam, primarily) and the impact of globalization. Africa had her socio-cultural practices and art idioms before these foreign influences. For instance, music existed in everyday Africa as part of culture, religion, vocation, and drama. However, music never existed as an entity on its own. The culture of stage performers and audience never existed. This status quo changed with the introduction of Western art music through Christianity and education by the missionaries; since then, music assumed a bi-cultural status. This research …

Claude V. Palisca As Music Educator: The Yale Seminar On Music Education And The Norton Anthology Of Western Music, Jelena Dj. Simonović Schiff, Jere T. Humphreys

School of Music + Theater Faculty Publications and Presentations

Claude V. Palisca (1921–2001) was a prominent American musicologist and music educator. He authored books and articles about Renaissance and Baroque music theory and developments in musicology, but is most widely known as the founder and first editor of the Norton Anthology of Western Music (NAWM) and coauthor of A History of Western Music, the two music history textbooks that are still in use in classrooms worldwide. In this article, we trace Palisca’s first idea of the NAWM’s structure, content, and purpose through his writings and activities between the 1950s and late 1970s. The central part …

Comparative Study Of The Fife And Drum Blues Traditions Of Othar Turner And The Preservation, Development, And Innovation Of Sharde Thomas And The Rising Stars Fife And Drum Band, Donnie Ryan Jobe

Graduate Theses, Dissertations, and Problem Reports (ETD)

Othar Turner held the Fife and Drum Blues traditions of North Mississippi for decades. Since his passing in 2003, his granddaughter Sharde Thomas has taken over as the keeper of these traditions. The musical characteristics of Othar are still present in Sharde’s music today, however her interpretations have shaped these current traditions. This research discusses heritage and folklore theories of scholars Rodney Harrison, Martha Sims, and Martine Stephens as a lens to evaluate Sharde’s musical interpretations and compares them to Othar’s last recordings before his passing. This document provides a model for how these musical characteristics and interpretations relate and …

The Roman Catholic Ordinary Mass From Circa 1750 To Circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario

Graduate Theses, Dissertations, and Problem Reports (ETD)

Orchestrated masses from the 18th century and early years of the 19th century provide a valuable source of repertoire for contemporary choral conductors. This project will explore composers and works from circa 1750 to 1820 to provide choral conductors with a list of works suitable for programming based on the practical size of vocal and instrumental forces.

Western choral music was born in a church setting. Among all choral genres, the mass is the only genre composed throughout all eras, from medieval until the 20th century. The mass remained a prominent genre during the 18th century despite the secularizing influence …

It’S Just Muzak: Music, Activism, And Advertising., Avery Brzobohaty

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis builds on recent scholarship explaining the relationships between music, advertising, and society through a series of focused case studies in the clothing industry. Globally ubiquitous and reaching all socioeconomic strata, the fashion industry offers a useful focus because, in addition products, it also sells identity. Fashion is a means for individuals to create and express identity by associating themselves with certain brands and styles that help express social, political, economic, and ethical standings as well as gender, sexuality, race, and religion. This thesis considers the ways that sound and music influence the aesthetic and mood of recent fashion …

Music And Politics In Figure Skating: American And Soviet Nationalism, Cultural Diplomacy, And Identity At The Winter Olympics, 1968–1988, Mary Bridget Golden

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis situates figure skating, music, and Cold War politics during three separate Winter Olympic Games held in 1968, 1976, and 1988, examining the impact of this intersection on the sport of figure skating. Through a survey of seven Olympic medal-winning figure skating programs in the men’s and women’s single divisions and the pairs’ division, evidence of the relationship between politics and music is examined in the musical selections of the skaters’ programs. This thesis also explores the overwhelming prominence in skating programs of musical selections that appealed to the tastes of an elite majority during the Cold War, while …

The Querelle Des Clés: An Episode In Francisco Frontera De Valldemosa's Exuberant Life, Antoni Pizà

Publications and Research

In 1858, Francisco Frontera de Valldemosa published a peculiar music theory treatise in Madrid under the title Equinotación ó Nuevo sistema musical de llaves. It has two parts. The first (pp. 11-20) is an explanation of the invention (namely, the reduction of all clefs to only three) detailing the perceived actual need for it (that is, most clefs are unnecessary, and they impede or delay the creativity of the avid music learner). The second part (new pagination, pp. 2-83) is a curious anthology of music in many genres and styles. On the left page of each spread, there is a …