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- 3. National Solo and Collaborative Performances (5)
- 6. UTEP Faculty Recitals (3)
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- Dan Rager (1)
- Dit-elle (1)
- Frederick Fennell (1)
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- Machaut (1)
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- Miquel Capllonch (1)
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- Motets (1)
- Music history (1)
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- Tournai mass (1)
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Articles 1 - 16 of 16
Full-Text Articles in Musicology
El Paso, Texas, Burges Library., Oscar E. Macchioni
El Paso, Texas, Burges Library., Oscar E. Macchioni
Oscar Macchioni
Phoenix, Arizona, Heard Museum. Nobember 11, 2004, Oscar E. Macchioni
Phoenix, Arizona, Heard Museum. Nobember 11, 2004, Oscar E. Macchioni
Oscar Macchioni
El Paso, University Of Texas. September 25, 2004, Oscar E. Macchioni
El Paso, University Of Texas. September 25, 2004, Oscar E. Macchioni
Oscar Macchioni
The Cambridge Companion To Debussy, By Simon Trezise (Review), Julian Onderdonk
The Cambridge Companion To Debussy, By Simon Trezise (Review), Julian Onderdonk
Music Theory, History & Composition Faculty Publications & Performances
No abstract provided.
University Of Cincinnati, College Conservatory Of Music. Gp3 National Group Piano And Piano Pedagogy Forum. August 7, 2004, Oscar E. Macchioni
University Of Cincinnati, College Conservatory Of Music. Gp3 National Group Piano And Piano Pedagogy Forum. August 7, 2004, Oscar E. Macchioni
Oscar Macchioni
Presenter. Invited to join panel with Dr. Ken Williams (Ohio State University) and Maria Balcon and Di Zhu (University of Cincinnati) on "Teaching and Mentoring International Students."
Review Of The Hilliard Ensemble, Guillaume De Machaut: Motets. Ecm Records, 2004, Vicki Stroeher
Review Of The Hilliard Ensemble, Guillaume De Machaut: Motets. Ecm Records, 2004, Vicki Stroeher
Music Faculty Research
The motets of Guillaume de Machaut (1300-1377), though described by one scholar as "conservative and backward-looking" because of their heavy use of French texts, nonetheless provide a rich melodic, rhythmic, and harmonic palette for the extraordinary voices of the Hilliard Ensemble. The ensemble's recording of eighteen of the twenty-three known works in this genre (a twenty-fourth exists, but its attribution is spurious), is exemplary and should delight both the medieval scholar and the casual listener.
El Paso, University Of Texas. Michael Salzman Memorial Concert. June, 16, 2004, Oscar E. Macchioni
El Paso, University Of Texas. Michael Salzman Memorial Concert. June, 16, 2004, Oscar E. Macchioni
Oscar Macchioni
Piano Personality, Oscar E. Macchioni
Piano Personality, Oscar E. Macchioni
Oscar Macchioni
“…a powerful reading of Beethoven’s Sonata [op. 109]….impressive interpretation of Prokofiev Sonata no. 3….his fingering showed great clarity of lines, clear as crystal …How fortunate UTEP is to have him on its music staff.” By Betty Ligon.
Review Of Trio Mediaeval, Soir, Dit-Elle, Ecm Records 2004 And Words Of The Angel, Ecm Records 2001, Vicki Stroeher
Review Of Trio Mediaeval, Soir, Dit-Elle, Ecm Records 2004 And Words Of The Angel, Ecm Records 2001, Vicki Stroeher
Music Faculty Research
This pair of discs by Trio Mediaeval offers an imaginative soundscape of music both ancient and new. Trio Mediaeval's approach to the ancient is laudable and lovely, but the contemporary compositions written specifically for this all female group seem to give them their truest voice. The older recording, Words of the Angel (2001), intersperses movements of the Tournai mass--one of the earliest manuscript compilations of polyphonic settings of the texts of the Ordinary—among monophonic laudae and English Marian motets and sequences. The various styles provide textural and harmonic relief, a real concern in a completely unaccompanied recording. The recording takes …
El Paso, University Of Texas, Faculty Recital. April 18, 2004, Oscar E. Macchioni
El Paso, University Of Texas, Faculty Recital. April 18, 2004, Oscar E. Macchioni
Oscar Macchioni
Review Of Felix Mendelssohn Bartholdy, Christus, Kirchenwerke Iii, Kammerchor 2004 Stuttgart, Bamberger Symphoniker, Frieder Bernius, Conductor. Carus-Verlag, 1987., Vicki Stroeher
Music Faculty Research
Carus-Verkag, Frieder Bernius, and the Stuttgarter Kammerchor have produced a number of impressive recordings to serve as companions to their impeccable printed editions of valuable, but seldom performed, choral works. Mendelssohn's music has been championed in at least six of these recordings, and showcases an undeniably rich output that until now has received scant attention. The present disc aims to reverse that fortune. Christus features three early works from 1822 to 1825, when the composer was just thirteen to sixteen years old, along with late works from 1843 and 1847. Even the earliest of these works provides evidence of Mendelssohn's …
George Grove And Victorian Culture, Vicki Stroeher
George Grove And Victorian Culture, Vicki Stroeher
Music Faculty Research
No abstract provided.
Making The Scene: An Investigation Of The Rock And Roll Scenes Of Nashville, Tennessee, And Athens, Georgia, Kevin Jones Murphy
Making The Scene: An Investigation Of The Rock And Roll Scenes Of Nashville, Tennessee, And Athens, Georgia, Kevin Jones Murphy
Masters Theses & Specialist Projects
Making the Scene: An Investigation of the Rock and Roll Scenes of Nashville, Tennessee, and Athens, Georgia, takes a look at the ways in which both the identities of a music scene and the individuals taking part in that scene are created and maintained. Issues of identity are addressed by examining the roles performed by various members of the scene (musicians, soundmen, club owners, etc . . .), by focusing on the influence of landscape, and looking at the ways a scene’s members identify with the cultural region that surrounds their particular scene (in this case both scenes are located …
Berlín Era Una Festa: Capllonch Vist Pels Seus Contemporanis A Alemanya, Antoni Pizà
Berlín Era Una Festa: Capllonch Vist Pels Seus Contemporanis A Alemanya, Antoni Pizà
Publications and Research
A principis del segle XX, Berlín i París eren, segons Joaquim Nin Castellanos, ciutats “a l’avantguarda dels països musicals”. Segons ell, les institucions culturals alemanyes eren admirables per la seva solidesa, però entenia i es resignava a acceptar que el futur de les arts passava per París. “París o Berlín?”, es devien demanar aleshores elsjoves artistes amb aspiracions mentre preparaven l’imprescindible viatge a l’estranger per conèixer aquesta “avantguarda”.
You've Been Very Goood! (Fennell Sym. Winds), Dan Rager
You've Been Very Goood! (Fennell Sym. Winds), Dan Rager
Dan Rager
La Tradicion Pianistique Argentine, Oscar E. Macchioni
La Tradicion Pianistique Argentine, Oscar E. Macchioni
Oscar Macchioni
See "Avec la Pologne," pages 5 and 6 of the PFD document (pages 92-93 of original). This article features the most relevant Argentine leaving pianists, where they were trained and where they live today.
"Macchioni, dont les concerts récents incluen aussi bien Beethoven que Chopin au Ginastera, Guastavino et Castro, incarne parfaitement le mouvement syncrétique "américain."