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Articles 1 - 14 of 14
Full-Text Articles in Musicology
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
History: Faculty Publications and Other Works
No abstract provided.
The Invention Of "African Rhythm", Kofi Agawu
The Invention Of "African Rhythm", Kofi Agawu
Publications and Research
"African ryhthm" was invented in the 1950s when, thanks to pioneering research by the Reverend A. M. Jones, Alan Merriam, Gilbert Rouget, Erich von Hornbostel, and John Blacking, among others, "African music" was construed as an essentially rhythmic phenomenon. Three decades and a sizable body of empirical research later, it is easy to see that an overriding ideology of difference (between "Africa" and the "West") motivated these early efforts. This essay reinvents "African rhythm" not by denying its own ideological construction but by engaging in an imaginary dialogue with earlier researchers in an effort to concretize that which was missing …
The English Musical Renaissance, 1860-1940: Construction And Deconstruction, By Robert Stradling And Meirion Hughes (Review), Julian Onderdonk
The English Musical Renaissance, 1860-1940: Construction And Deconstruction, By Robert Stradling And Meirion Hughes (Review), Julian Onderdonk
Music Theory, History & Composition Faculty Publications & Performances
No abstract provided.
Rutland Boughton And The Glastonbury Festivals, By Michael Hurd (Review), Julian Onderdonk
Rutland Boughton And The Glastonbury Festivals, By Michael Hurd (Review), Julian Onderdonk
Music Theory, History & Composition Faculty Publications & Performances
No abstract provided.
Carnegie Hall, Weill Recital Hall, New York City. June 16, 1995, Oscar E. Macchioni
Carnegie Hall, Weill Recital Hall, New York City. June 16, 1995, Oscar E. Macchioni
Oscar Macchioni
Columbia University, Teachers College, New York City. June 4, 1995, Oscar E. Macchioni
Columbia University, Teachers College, New York City. June 4, 1995, Oscar E. Macchioni
Oscar Macchioni
Scottish And Irish Elements Of Appalachian Fiddle Music, Matthew S. Emmick
Scottish And Irish Elements Of Appalachian Fiddle Music, Matthew S. Emmick
Undergraduate Honors Thesis Collection
This paper is designed to serve as a general introduction to the topic and is not meant to be a definitive resource. The ideas presented here deal with general characteristics which serve as a basis for comparison of the three fiddle styles. A more in-depth study which examines stylistic traits peculiar to small geographic regions within Scotland, Ireland, and Appalachia is needed to give a more complete picture of the Celtic influence on the fiddle traditions of the Southern mountains.
Steinway Hall, New York City. January 29, 1995, Oscar E. Macchioni
Steinway Hall, New York City. January 29, 1995, Oscar E. Macchioni
Oscar Macchioni
From The Director's Desk, Martin Chusid
Abstracts From The Belfast International Verdi Congress (Pt. 2), Roberta Montemorra Marvin, David Rosen, Linda B. Fairtile, Mary Ann Smart, Mary Jane Phillips-Matz, Carlo Matteo Mossa
Abstracts From The Belfast International Verdi Congress (Pt. 2), Roberta Montemorra Marvin, David Rosen, Linda B. Fairtile, Mary Ann Smart, Mary Jane Phillips-Matz, Carlo Matteo Mossa
Verdi Forum
No abstract provided.
Abstract: Overriding The Autograph Score: The Problem Of Textual Authority In Verdi's 'Falstaff', James Hepokoski
Abstract: Overriding The Autograph Score: The Problem Of Textual Authority In Verdi's 'Falstaff', James Hepokoski
Verdi Forum
No abstract provided.
A New Sketch For Verdi's 'I Due Foscari', David Lawton
A New Sketch For Verdi's 'I Due Foscari', David Lawton
Verdi Forum
No abstract provided.
The Tonality Of Bb In Verdi's 'Ballo In Maschera': Fate, Foreshadowing, And Dramatic Unity, Alma Espinosa
The Tonality Of Bb In Verdi's 'Ballo In Maschera': Fate, Foreshadowing, And Dramatic Unity, Alma Espinosa
Verdi Forum
No abstract provided.
Peggy Glanville-Hicks' Opera Sappho, A Critical Examination, Fiona Campbell
Peggy Glanville-Hicks' Opera Sappho, A Critical Examination, Fiona Campbell
Theses: Doctorates and Masters
Over the past ten years there has been a considerable amount of renewed interest in the life and work of Australian-born composer Peggy Glanville-Hicks who wrote five operas and a substantial body of chamber music. Although most of her career as a composer was accomplished abroad, her works were a significant contribution to the development of Australian opera. There is a growing body of literature written about Peggy Glanville-Hicks, but nothing substantial has been written about her last great work, Sappho. The purpose of this minor thesis, therefore, is to examine this last grand, yet unperformed opera. This thesis will …