Musicology Commons^™

The Music Of Jerry Sieg: A Descriptive Catalogue Of His Piano Music And An Analysis Of The Five Miniatures For Piano, Nuria Mariela Royas

Dissertations

The purpose of this study is to present the solo piano music of the American composer Jerry Sieg, whose output includes works for orchestra, voice, opera, chorus, and numerous compositions for solo instruments.

It opens with the biography of the composer, including information concerning bis musical training, followed by a brief survey of his solo piano works. A discussion of his compositional style in his Five Miniatures for Piano, written in 1994 for the American pianist Marian Lee, is also included in this work. The analysis of the Five Miniatures for Piano in Chapter IV presents a detailed analysis of …

A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth

Dissertations

The music of Roman Palester (1907-1989) is little known outside his native Poland. Before World War II, he experienced a great deal of musical success, with many of his compositions being performed at prestigious music festivals throughout Europe. Palester completed his one solo work for the saxophone, the Concertino pour Saxophone Alto et Orchestre a Cordes, in 1938, but its scheduled premiere in 1939 never took place due to political tensions on the eve of World War II.

In 1978, Palester revised the work for saxophonist David Pituch, who premiered and recorded this version. A comparison of the original and …

Microtonality As An Expressive Device: An 
Approach
 For 
The 
Contemporary 
Saxophonist, Seán Mac Erlaine

Dissertations

This dissertation provides a critical examination of the use of microtonality as an expressive tool for the improvising saxophonist and offers a new method for quarter-tone production drawing on cultural references from European art music, Arabic Maqam and Contemporary Jazz. The thesis is underpinned by an historical, musicological analysis of tuning systems and theory necessary for the performer of microtonal music. The dissertation is presented in three chapters. In Chapter One, a discussion of tuning theory and a history of temperament systems contextualises the current uses of equal temperament and extensions of it including the quarter-tone tempered system. Chapter Two …

Luigi Zaninelli: Rehearsing, Performing, And Conducting Selected Works 2005-2008, James Ernest Standland

Dissertations

The purpose of this study was to provide a resource for band conductors for rehearsing and performing band compositions of Luigi Zaninelli, specifically Three Dances of Enchantment, Prayer and Canto, and Dwarf of Venice. Certain decisions conductors make and even risks they take can make the difference in an ensemble's understanding of the music. This study provides an analytical view of Three Dances of Enchantment, Prayer and Canto, and Dwarf of Venice in terms of tempi, form, ensemble blend and balance, intonation, melodic lines, and conducting gestures.

Coincidence Theory: Seeking A Perceptual Preference For Just Intonation, Equal Temperament, And Pythagorean Intonation In Excerpts For Wind Instruments, Derle Ray Long

Dissertations

Coincidence theory states that when the components of harmony are in enhanced alignment the sound will be more consonant to the human auditory system. An objective method of examining the components of harmony is by investigating alignment of the mathematics of a particular sound or harmony. The study examined preference responses to excerpts tuned in just intonation, Pythagorean intonation, and equal temperament. Musical excerpts were presented in pairs and study subjects simply picked one version from the pair that they perceived as the most consonant. Results of the study revealed an overall preference for equal temperament in contradiction to coincidence …

Fantasy Variations On George Gershwin's Prelude Ii For Piano: An Analysis And Conductor's Guide, Brian Stevon Taylor

Dissertations

Donald Grantham has received much acclaim and awards for his compositions. Fantasy Variations proves to be noteworthy addition to his collected works and to the band repertoire. The work won the NBA/William Revelli Memorial Band Composition Contest in 1998 and the ABA/Ostwald Award in 1999. The piece has received much acclaim and many performances with several commercial recordings. The purpose of this study is to demonstrate the importance of the band music of Donald Grantham through an analysis of one of his award-winning works. Further, another aim would be to help more bands perform this noteworthy piece by assisting in …

A Stylistic Analysis Of Six Pieces For Solo Piano By Rodion Shchedrin And A Stylistic Analysis Of Trespreludiosa Modo De Toccata, Dos Danzas Cubanas, And Estudio De Contrastes By Harold Gramatges, Amanda Virelles Del Valle

Dissertations

This document compiles stylistic analysis for performance of selected works by the Russian composer Rodion Shchedrin and the Cuban composer Harold Gramatges. The piano music of these composers has been gaining international acclaim since the 1950's. The unique harmonic language, the elements of folklore, and the virtuosity found in these pieces make them very attractive for performance and research.

The document unites two papers, each supplementing lecture recitals offered on April 16 and 28, 2008. In each paper, after a brief biographical summary and an account of the piano repertoire of the respective composer, the pieces are examined, and matters …

Instrumental Tango Idioms In The Symphonic Works And Orchestral Arrangements Of Astor Piazzolla. Performance And Notational Problems: A Conductor's Perspective, Alejandro Marcelo Drago

Dissertations

Tango performance practices and notational conventions included in the orchestral works of Astor Piazzolla belong in two groups. The first is tango performance manner, or the specific way of rendering the written musical text; and the second is tango special effects, which could be defined as a group of non-traditional (for European music) instrumental techniques specific to tango music. Both groups are part of a performance style that has been poorly systematized, if at all, and kept alive only by means of face-to-face transmission. The purpose of this dissertation is to identify and analyze the challenges that Piazzolla faced while …

An Analytical Conductor's Guide To The Satb A Capella Works Of Arvo Part, Kimberly Anne Cargile

Dissertations

Arvo Part (b. 1935) is an Estonian composer whose works include film scores, piano and organ works, chamber music, choral/orchestral works, and unaccompanied choral works. This dissertation is limited to the composer's SATB a cappella works. During an eight-year "period of silence" from 1968 to 1976, Part ceased serious composition in order to find his true compositional "voice." During this hiatus, Part abandoned his Lutheran faith, converting to the Russian Orthodox Church, and discovered a fascination with sacred Medieval and Renaissance music, which had been denied him as a student in the USSR. These events, added to the lingering influence …

Unity Through Duality: An Exploration Of Paradox In Olivier Messiaen's Vingt Regards Sur L'Enfant-Jesus Vol Ii, Deirdre Hatch

Dissertations

Contemplation de l'Ellfant-Dieu de la creche et ReBards qui se posent sur lui : depuis le Regard indicible de Dieu le Pere jusqu'au Regard multiple de l'Kglise d'amour, en passant par le Regard inoui tie l'Esprit de joie, par le Regard si tendre de la Vierge, p'uis des Anges, des Mages et des creatures im'.naterieUes ou symboliques (le Temps, les Hauteurs, re Stlence, l'Etoile, la Croix). L'Etoile et la Croi:c ontle m!me theme parce que l'une ouvre etl'autre ferme la periode terre!\lre de Jesus. Le theme de Dieu se retrouve evidemment dans les "Regards du Pere", "du FiIs" et "de …

Unity Through Duality: An Exploration Of Paradox In Olivier Messiaen's Vingt Regards Sur L'Enfant-Jesus Vol. I, Deirdre Hatch

Dissertations

Olivier Messiaen is one of the major musical figures of the twentieth century. His music draws on a diverse set of influences, yet always remains unique and entirely his own. His unwavering religious beliefs constitute the source of inspiration behind most of his music. Vingt Regards sur ['Enfant-Jesus for solo piano was composed in 1944. It forms a powerful and personal musical statement concerning one of the central mysteries of the Catholic faith, the Incarnation. As such, it is an important work within Messiaen's output. Its musical language and spiritual message are typical ofMessiaen's style.