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Articles 31 - 60 of 143
Full-Text Articles in Musicology
Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson
Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson
Music Faculty Publications
In a brief but perspicacious study of Mennin' s music in 1954, Walter Hendl describes the composer as "a consummate craftsman who devotes great attention to the organization of materials." Although Hendl may not have known Canzona, which had been premiered in 1951 but not published until the year of his essay, the author's statement could well have been written with Mennin's sole piece for band specifically in mind. Not only is every aspect of Canzona integrally related to every other, but the relationships are deployed with a remarkable economy of means.
From The Editor; From The Aivs, Roberta Montemorra Marvin, Linda B. Fairtile, Francesco Izzo
From The Editor; From The Aivs, Roberta Montemorra Marvin, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
Review Of 'Mimomania. Music And Gesture In 19th-Century Opera' By Mary Ann Smart, Alessandra Campana
Review Of 'Mimomania. Music And Gesture In 19th-Century Opera' By Mary Ann Smart, Alessandra Campana
Verdi Forum
No abstract provided.
Formal Convention In Verdi's Falstaff, Joseph La Rosa
Formal Convention In Verdi's Falstaff, Joseph La Rosa
Verdi Forum
No abstract provided.
"Gonfio Di Gioia Ho Il Core" (Piange): Verdi’S Deception Scenes, David B. Rosen
"Gonfio Di Gioia Ho Il Core" (Piange): Verdi’S Deception Scenes, David B. Rosen
Verdi Forum
No abstract provided.
Verdi's Operas At Mamontov's Theater, 1885-1900: Fighting A Losing Battle, Olga Haldey
Verdi's Operas At Mamontov's Theater, 1885-1900: Fighting A Losing Battle, Olga Haldey
Verdi Forum
No abstract provided.
'Double, Double, Toil And Trouble': Producing Macbeth In Mid-Victorian Britain, Paul Rodmell
'Double, Double, Toil And Trouble': Producing Macbeth In Mid-Victorian Britain, Paul Rodmell
Verdi Forum
No abstract provided.
The Origin Of Armstrong's Hot Fives And Hot Sevens, Gene H. Anderson
The Origin Of Armstrong's Hot Fives And Hot Sevens, Gene H. Anderson
Music Faculty Publications
It has been almost fifty years since Louis Armstrong's Hot Five and Hot Seven recordings of 1925-1928 were first recognized in print as a watershed of jazz history and the means by which the trumpeter emerged as the style's first transcendent figure. Since then these views have only intensified. The Hot Fives and Hot Sevens have come to be regarded as harbingers of all jazz since, with Armstrong's status as the “single most creative and innovative force in jazz history” and an “American genius” now well beyond dispute. This study does not question these claims but seeks, rather, to determine …
Verdi's Music On Mechanical Boxes, Denise Gallo
Appendix (Verdi And Tannhäuser), Marcello Conati
Appendix (Verdi And Tannhäuser), Marcello Conati
Verdi Forum
A postscript to Conati's article, "Verdi vs. Wagner," in Verdi Forum 26-27.
The Correspondence Of Giuseppe Verdi And Francesco Maria Piave, 1843-1867: A Preliminary List, Evan Baker
The Correspondence Of Giuseppe Verdi And Francesco Maria Piave, 1843-1867: A Preliminary List, Evan Baker
Verdi Forum
No abstract provided.
Editors' Note, Roberta M. Marvin, David Rosen
Macbeth And Ugolino: Another Verdian Encounter With Dante, David Rosen
Macbeth And Ugolino: Another Verdian Encounter With Dante, David Rosen
Verdi Forum
No abstract provided.
Testing Textbooks: The Case For Italian Opera, Hilary Poriss
Testing Textbooks: The Case For Italian Opera, Hilary Poriss
Verdi Forum
No abstract provided.
Holding Pattern And Groundswell: Verdi's Mimesis Of The Lyric, David Gable
Holding Pattern And Groundswell: Verdi's Mimesis Of The Lyric, David Gable
Verdi Forum
No abstract provided.
The Name Of The Daughter: The Role Of Amelia/Maria In Simon Boccanegra, Julia Randel
The Name Of The Daughter: The Role Of Amelia/Maria In Simon Boccanegra, Julia Randel
Verdi Forum
No abstract provided.
Stride! Fats, Jimmy, Lion, Lamb, And All The Other Ticklers By John L. Fell And Terkild Vinding, Giant Strides: The Legacy Of Dick Wellstood By Edward Meyer (Book Reviews), Gene H. Anderson
Music Faculty Publications
As their titles suggest, these books focus on stride pianists rather than on the style itself. Well researched and written by experienced jazz enthusiasts, the books approach their subject from opposite points of view. Stride! provides a brief survey of the idiom followed by biographical sketches of players identified or associated with stride; Giant Strides recounts the life of a player who concluded the stride legacy.
Guest Editors' Notes, Linda B. Fairtile, Francesco Izzo
Guest Editors' Notes, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
Verdi, Nationalism, And Cultivation Of The Folk Idiom: His Stornelli Of The 1860s, Roberta Montemorra Marvin
Verdi, Nationalism, And Cultivation Of The Folk Idiom: His Stornelli Of The 1860s, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.
Cormon Revisited: Some Observations On The Original Don Carlos, Harold Powers
Cormon Revisited: Some Observations On The Original Don Carlos, Harold Powers
Verdi Forum
No abstract provided.
A Tale Of Five Cities: The Peregrinations Of Somma's And Verdi's Gustavo Iii (And Una Vendetta In Dominò And Un Ballo In Maschera) At The Hands Of The Neapolitan And Roman Censorship, David Rosen
Verdi Forum
No abstract provided.
Verdi Vs. Wagner, Marcello Conati
The Revision Of Recitatives From Il Trovatore To Le Trouvère, David Lawton
The Revision Of Recitatives From Il Trovatore To Le Trouvère, David Lawton
Verdi Forum
No abstract provided.
On Censored Performances Of 'Les Vêpres Siciliennes' And 'Rigoletto': Evidence From The Verdi Archive At New York University, Martin Chusid
On Censored Performances Of 'Les Vêpres Siciliennes' And 'Rigoletto': Evidence From The Verdi Archive At New York University, Martin Chusid
Verdi Forum
No abstract provided.
'Musica Adattata All'intelligenza Ed Alle Esigenze Del Pubblico': Giuseppe Verdi, Errico Petrella, And Their Audience, Sebastian Werr
'Musica Adattata All'intelligenza Ed Alle Esigenze Del Pubblico': Giuseppe Verdi, Errico Petrella, And Their Audience, Sebastian Werr
Verdi Forum
No abstract provided.
The Censorship Of 'I Masnadieri' In London, Roberta Montemorra Marvin
The Censorship Of 'I Masnadieri' In London, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.
From The Director's Desk, Martin Chusid
The Critical Reception Of Verdi's Operas In England, 1845-1847, Roberta Montemorra Marvin
The Critical Reception Of Verdi's Operas In England, 1845-1847, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.
Verdi Sings Erminia Frezzolini, Mary Ann Smart
Censorship In Verdi's 'Attila': Two Case Studies, Linda B. Fairtile
Censorship In Verdi's 'Attila': Two Case Studies, Linda B. Fairtile
Verdi Forum
No abstract provided.