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Articles 271 - 300 of 323
Full-Text Articles in Musicology
“Classical Music”: How Can One Phrase Mean So Much?, Tyler Barboza
“Classical Music”: How Can One Phrase Mean So Much?, Tyler Barboza
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Off Bass: Identifying Critical Gaps In String Bass Education Of Pre-Service Music Educators And Their Consequences For Public Schools, University Of Denver
Off Bass: Identifying Critical Gaps In String Bass Education Of Pre-Service Music Educators And Their Consequences For Public Schools, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
Music Educators find themselves ill prepared and overwhelmed during their first years of teaching for a number of reasons. Due in part to this issue, less priority is placed on string bass education for pre-service teachers. The implications this are a consistent neglect of string bass players and instruments from emerging teachers resulting in loss of students and inventory. Originally noticed in Denver Public Schools, this article will seek to identify this problem as systemic, provide scope, and offer solutions toward correcting it.
Making Amends: How To Move Past The Consequences Of The No Child Left Behind Act On Music Education: Bibliography, University Of Denver
Making Amends: How To Move Past The Consequences Of The No Child Left Behind Act On Music Education: Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
The purpose of this bibliography is to provide resources for further research into the adverse effects that the No Child Left Behind Act of 2001 has had on music education in terms of funding, enrollment, and policy enactment. The ultimate goal of this is to better understand how broad policy can influence individual communities so that practical solutions for overcoming such obstacles may be better solidified and enacted by the public.
Cultural Appropriation In Classical Music: Annotated Bibliography, University Of Denver
Cultural Appropriation In Classical Music: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Electronic Dance Music: Is It Art? Selected Annotated Bibliography, University Of Denver
Electronic Dance Music: Is It Art? Selected Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
Electronic Dance Music, or EDM, is a genre of music that has enjoyed success. Although it grew out of art music in the twentieth century, EDM is considered popular music. But, is the future of EDM confined only within popular music or is there potential for it to influence or become art music? Or perhaps, is EDM already a form of art regardless of whether or not it is commonly seen as such? In response to such quandaries, this paper will form a method of critique to analyze EDM in comparison to art music. To do so, an overall understanding …
Specific Ways In Which Your Eyes Help You Hear Classical Music Performances: Annotated Bibliography, University Of Denver
Specific Ways In Which Your Eyes Help You Hear Classical Music Performances: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
When people listen to a musical performance, they normally use their ears as their main source of intake for the music. How about when people watch a performance live? Do the ears have as big of an intake as visual cues? I would like to determine the specific cues that people observe while watching a musical performance in order to deem it successful. This article will determine which performers were considered more successful and discover the common performance habits shared between each performer. Upon completion of this paper, readers will have a better understanding of performance habits that can increase …
Medieval Coding Of Sacred Content, University Of Denver
Medieval Coding Of Sacred Content, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Underestimated Music Of Sergei Rachmaninoff, University Of Denver
Underestimated Music Of Sergei Rachmaninoff, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Research Of The Most Well-Known Tenor Roles In Mozart’S Operas, University Of Denver
Research Of The Most Well-Known Tenor Roles In Mozart’S Operas, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Writing Style Of “Der Erlkönig” And “Serenade”, University Of Denver
The Writing Style Of “Der Erlkönig” And “Serenade”, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Metric Organization In Modern Guitar Transcriptions Of Renaissance Music: An Annotated Bibliography, Diogo Alvarez Leite Duarte
Metric Organization In Modern Guitar Transcriptions Of Renaissance Music: An Annotated Bibliography, Diogo Alvarez Leite Duarte
Musicology and Ethnomusicology: Student Scholarship
The concept of meter in music has changed throughout the centuries and many related terms and concepts (such as bar, time signature, tactus and prolatio) have either emerged or disappeared from the vocabulary of the professional musician according to the mindset of each period. Consequently, the understanding of metric organization in Renaissance music by modern musicians is compromised, and so are modern editions of said repertoire, which are based in modern music notation. In informed editions, the decisions regarding the use of bar lines, if one is to avoid arbitrariness, should reflect a concern for conveying a metric idea …
A Study Of Player Technique And Equipment Setup And Their Effects On Trumpet Tone, Greg Sills
A Study Of Player Technique And Equipment Setup And Their Effects On Trumpet Tone, Greg Sills
Musicology and Ethnomusicology: Student Scholarship
One of the pinnacles of performance practice is that of creating a recognizable, individualistic sound. There are differing opinions on this matter in relation to how a trumpet sound is formed and changed through both player technique and equipment setup. The purpose of this study is to take an objective point of view on the matter, using what others have said as well as the science of sound production on the trumpet, to find a window in to how players use technique and equipment to their advantage in creating the sound they desire.
Mindfulness As An Alternative To Prescriptive Pedagogical Methods For Technique, Seth Quay
Mindfulness As An Alternative To Prescriptive Pedagogical Methods For Technique, Seth Quay
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Issues Of Authenticity In The Performing Of Bach Cello Suites, University Of Denver
Issues Of Authenticity In The Performing Of Bach Cello Suites, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The French Air De Cour And The English Ayre, Audrey Oden
The French Air De Cour And The English Ayre, Audrey Oden
Musicology and Ethnomusicology: Student Scholarship
This project aims to explore the relationship between French airs de cour and English ayres (or airs) in the early 17th century. Although the first collection of airs de cour was published in 1571 by Adrian LeRoy, airs de cour were most popular was in the 17th century during the reign of Louis the XIII, with composers the Pierre Guédron, Antoine Boësset and Etienne Moulinié. The popularity of the English ayre began with John Dowland’s publication First Booke of Songes or Ayres in 1597 and continued with composers such as Thomas Campion and John Danyel. There are apparent similarities between …
Challenges For Women In Jazz Education: Annotated Bibliography, University Of Denver
Challenges For Women In Jazz Education: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
A Historical Overview And Analysis Of Béla Bartók’S “Violin Concerto No. 1 Posthumous” And Its Place In Standard Violin Repertoire, University Of Denver
A Historical Overview And Analysis Of Béla Bartók’S “Violin Concerto No. 1 Posthumous” And Its Place In Standard Violin Repertoire, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
There Has Been A Certain Type Of Demographic That Has Consistently Attended Classical Music Performances, But At The Same Time The Classical World Can Broaden Its Group Of Audience Members, University Of Denver
There Has Been A Certain Type Of Demographic That Has Consistently Attended Classical Music Performances, But At The Same Time The Classical World Can Broaden Its Group Of Audience Members, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Ron Carter's Influence On Miles Davis' Quintet From 1963 - 1968, Bob Songster
Ron Carter's Influence On Miles Davis' Quintet From 1963 - 1968, Bob Songster
Musicology and Ethnomusicology: Student Scholarship
How Ron Carter influenced Miles Davis’ 1963-1968 quintet, and how this quintet influenced Ron Carter’s playing style. Compare and contrast both Carter's work before and after the Davis quintet, and Davis’ work before and after the quintet.
Learning From The Pop World: How Studying Listeners Of Pop Music Can Inform The Building Of A Classical Music Audience: Annotated Bibliography, University Of Denver
Learning From The Pop World: How Studying Listeners Of Pop Music Can Inform The Building Of A Classical Music Audience: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
A Checklist Of Works Attributed To Charles De Marescot, Damián Martín-Gil
A Checklist Of Works Attributed To Charles De Marescot, Damián Martín-Gil
Soundboard Scholar
The musical output of Charles de Marescot (1790–1842) has never been subjected to close examination. Only a few of his compositions are featured in guitar scholarship, notably his Méthode de guitare, op. 15, and the collection of pieces entitled La Guitaromanie, op. 46. And yet Marescot was rather prolific in his time. This checklist offers, for the first time, a catalogue—albeit incomplete—of all his guitar music published in France and England, offering, if possible, locations and dates for each work.
The Guitarist Behind La Guitaromanie : Charles De Marescot, Damián Martín-Gil
The Guitarist Behind La Guitaromanie : Charles De Marescot, Damián Martín-Gil
Soundboard Scholar
The guitarist Charles de Marescot is a figure often cited when referring to the guitar mania that arose in France during the first decades of the nineteenth century. Yet very little is known about his life and musical production, which was dedicated almost entirely to the guitar. Drawing on several newly discovered documents, this article aims to understand the role of this polemical figure in the vogue for the guitar by reconstructing his whereabouts. Particular attention is given to his relationship with Hector Berlioz, with whom he conducted some minor business.
Guitar Music Manuscripts In The Senate Library Of Madrid: The CancióN PatrióTica De La Alianza And Its Experimental Notation, Ricardo Aleixo
Guitar Music Manuscripts In The Senate Library Of Madrid: The CancióN PatrióTica De La Alianza And Its Experimental Notation, Ricardo Aleixo
Soundboard Scholar
The modest collection of manuscripts of guitar music preserved in the Senate Library of Madrid seems to provide a representative sampling of the types of guitar repertoire circulating in Spain in the late eighteenth and early nineteenth centuries. Despite its small size, this corpus contains the most typical genres of the period— namely, two chamber music works for guitar with bowed string instruments, by Federico Moretti and Antonio Ximénez, a guitar duet by Pierre-Jean Porro, a solo guitar work by the mysterious señor D. G. G. M. A., and two songs with guitar accompaniment, one by Francisco Xavier Moreno and …
Soundboard Scholar No. 3: Editor's Letter, Thomas Heck
Soundboard Scholar No. 3: Editor's Letter, Thomas Heck
Soundboard Scholar
An introduction to the contents of this issue.
The Way We Were: A Review Of Early Efforts To Find Classical Guitar Music In Collections, Ellwood Colahan
The Way We Were: A Review Of Early Efforts To Find Classical Guitar Music In Collections, Ellwood Colahan
Soundboard Scholar
This article was originally copublished online with the author's article, "Guitar Music in Collections: A New Web-Based Index Is Launched," Soundboard Scholar, no. 3 (2017), https://digitalcommons.du.edu/sbs/vol3/iss1/6.
Soundboard Scholar No. 3: Cover
Soundboard Scholar No. 3: Cover
Soundboard Scholar
The color portrait of Fernando Sor which appears on the cover of this issue, not previously published as far as we know, is a hand-colored version of a printed (b&w) copy of a painting—an original portrait (now lost) of Sor—by one Innocent Louis Goubeau. Before it disappeared it was copied, in the mid-1820s, by both a lithographer and an engraver, probably in response to public demand. The lithograph, according to the British Museum exemplar now online and well documented (No. 1893,0123.45), bears the attribution “Goubeau pinxit / Lith de Engelmann / Lithod par Bordes,” which means that the original painter …
Soundboard Scholar No. 3 (Complete)
A Newly Discovered Letter Of 1827 By Fernando Sor, Erik Stenstadvold
A Newly Discovered Letter Of 1827 By Fernando Sor, Erik Stenstadvold
Soundboard Scholar
This article discusses a hitherto unknown letter, written by Sor in Saint Petersburg in April 1827. It provides new insight into the publishing and personal relationship between Sor and his Paris publisher, Antoine Meissonnier, to whom the letter was addressed. We learn about three airs with variations Sor was busy composing at the time; he was particularly pleased with the variations Meissonnier later published as op. 30. The letter also mentions some unknown Sor works, including a book of drafts at Málaga, and it reveals that Meissonnier had published, without Sor’s knowledge, music that he had received from sources other …
AndréS Segovia’S Unfinished Guitar Method: Placing His “Scales” In Historical Context, Andreas Stevens
AndréS Segovia’S Unfinished Guitar Method: Placing His “Scales” In Historical Context, Andreas Stevens
Soundboard Scholar
For over sixty years, guitarists of my generation have been familiar with the so-called Segovia Scales—the systematic scale fingerings advocated by the Andalusian maestro. They have been an influential—some might say a definitive—bestseller since their first USA publication in 1953. Countless guitar students have incorporated them into their daily practice routines. For the publisher, Columbia Music, they seem to be the goose that laid the golden egg. Are they everything that Segovia wanted them to be? Two books of recent date on guitar technique attest to their enduring value and relevance. Thomas Offermann wrote in 2015: “The fingerings of the …
NapoléOn Coste: Composer And Guitarist In The Musical Life Of 19th-Century Paris By Ari Van Vliet, Richard Long
NapoléOn Coste: Composer And Guitarist In The Musical Life Of 19th-Century Paris By Ari Van Vliet, Richard Long
Soundboard Scholar
Napoleon Coste: Composer and Guitarist in the Musical Life of 19th-Century Paris, by Van Vliet, Ari is reviewed.