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Articles 211 - 215 of 215

Full-Text Articles in Musicology

The Filiation Of The Music Illustrations In A Boethius In Milan And In The Piacenza Codice Magno, Elizabeth Teviotdale Dec 1987

The Filiation Of The Music Illustrations In A Boethius In Milan And In The Piacenza Codice Magno, Elizabeth Teviotdale

Elizabeth C Teviotdale

Proposes a common prototype from the tradition of illustrated manuscripts of Cassiodorus’s Institutiones as the explanation for the close iconographic relationship between music illustrations in a manuscript (here dated to the 11th century) of the De arithmetica and De musica of Boethius (Milan, Biblioteca Ambrosiana, MS C.128 inf.) and in the 12th-century Codice Magno (Piacenza, Biblioteca Capitolare, MS 65). Suggests that the iconography may have originated in a Carolingian scriptorium.

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Orlando Di Lasso's Prize-Winning Motet Of 1575, Christine De Catanzaro, Elizabeth Teviotdale Jun 1987

Orlando Di Lasso's Prize-Winning Motet Of 1575, Christine De Catanzaro, Elizabeth Teviotdale

Elizabeth C Teviotdale

A discussion of documents concerning the Confraternity of Saint Cecilia of Évreux and its Puy de Musique (prizes awarded from 1575 to 1589) and an examination of the circumstances of the composition, as well as the musical fabric, of Domine Jesu Christe by Orlando di Lasso, which was awarded the "silver organ" in the inaugural year of the Puy. Proposes that the five-voice motet, a contrived display-piece including a quotation from Josquin, was composed expressly for the Puy.

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Smooth Moves: Schubert And Theories Of Modulation In The Nineteenth Century, Irene Girton Feb 1984

Smooth Moves: Schubert And Theories Of Modulation In The Nineteenth Century, Irene Girton

Irene Girton

No abstract provided.

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The Filiation Of The Musical Illustrations In Milano, Biblioteca Ambrosiana, Ms. C 128 Inf. And Piacenza, Biblioteca Capitolare, Ms. 65, Elizabeth Teviotdale Mar 1983

The Filiation Of The Musical Illustrations In Milano, Biblioteca Ambrosiana, Ms. C 128 Inf. And Piacenza, Biblioteca Capitolare, Ms. 65, Elizabeth Teviotdale

Elizabeth C Teviotdale

Proposes a common prototype from the tradition of illustrated manuscripts of Cassiodorus’s Institutiones as the explanation for the close iconographic relationship between music illustrations in a manuscript (here dated to the 11th century) of the De arithmetica and De musica of Boethius (Milan, Biblioteca Ambrosiana, MS C.128 inf.) and in the 12th-century Codice Magno (Piacenza, Biblioteca Capitolare, MS 65). Suggests that the iconography may have originated in a Carolingian scriptorium.

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The Louisville Orchestra New Music Project : An American Experiment In The Patronage Of International Contemporary Music, Jeanne Belfy Dec 1982

The Louisville Orchestra New Music Project : An American Experiment In The Patronage Of International Contemporary Music, Jeanne Belfy

Jeanne M. Belfy

Selected composers' letters to the Louisville Orchestra.

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