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Articles 31 - 35 of 35
Full-Text Articles in Musicology
Interiority And Authenticity: A Glossed Medieval History About Music And The Taste For Apples, Eyolf Østrem
Interiority And Authenticity: A Glossed Medieval History About Music And The Taste For Apples, Eyolf Østrem
UNIversitas: Journal of Research, Scholarship, and Creative Activity
The article is an attempt at balancing between historical relativism and a fact-based historiography, with a point of departure in a theoretical discussion of the relationship between history and experience, and the author's personal experience of the Middle Ages, in search of an answer to the question: "Does it matter what the music of the Middle Ages sounded like when it was made?"
Nietzsche’S “Gay” Science, Babette Babich
Nietzsche’S “Gay” Science, Babette Babich
Articles and Chapters in Academic Book Collections
Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …
Mousike Techne: The Philosophical Practice Of Music In Plato, Nietzsche, And Heidegger, Babette Babich
Mousike Techne: The Philosophical Practice Of Music In Plato, Nietzsche, And Heidegger, Babette Babich
Articles and Chapters in Academic Book Collections
After retracing the breadth of the definition of music in antiquity to the end of justifying the sense in which one may speak of 'the music of philosophy' as Plato's Socrates does, this essay re-reads the Platonic distinction between philosophy as the highest kind of music and performative, as heard or played sung music as a lower form. It then turns to an exploration of Nietzsche's writing style conceived on a muscial model precisely qua aphoristic and concludes with a review of Heidegger's thought as musically composed or adumbrated.
A Priestly View Of Bible Arithmetic: Deity's Regulative Aesthetic Activity Within Davidic Musicology, Ernest G. Mcclain
A Priestly View Of Bible Arithmetic: Deity's Regulative Aesthetic Activity Within Davidic Musicology, Ernest G. Mcclain
Research Resources
Reading arithmetic proportion in the bible via musical hermeneutics, this essay emphasizes the important role of music in predominantly aural cultures. Applying Patrick Heelan's non-distributive lattice logic to examples extracted from the bible, McClain applies the notion of regulative aesthetic activity to the Davidic musicology embedded in Bible mathology. Includes several illustrative diagrams.
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Philosophy Faculty Publications
Fred Bartenstein has always seemed to find himself perfectly situated to pursue his life-long interest in bluegrass music – as he puts it, “I’ve always seemed to be in the right place at the right time.” This luck has allowed him to find bluegrass in the most surprising places, whether at a private day school in New Jersey, or at Harvard University in the late 1960s. It has also meant that, among other things, he found himself attending the first bluegrass festival in Fincastle, Va., becoming a bluegrass DJ at the age of 16, starting Muleskinner News magazine, and playing …