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Articles 31 - 34 of 34
Full-Text Articles in Musicology
The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green
The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green
CMC Senior Theses
The invention of the synthesizer meant the possibility of achieving virtually any sound in one mechanism, a superbly convenient device for musical creativity. Perhaps the perfect space for this approval of sound creativity was in the modern electronic film score. The synthesizer also flourished in popular music immediately following its emergence, but a common form began to solidify itself among synthesizer music. Shortly after, improvements in electronic instrument technology led to the democratization of electronic music and equipment, ultimately leading to electronic music as the new mainstream.
Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche
Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche
Senior Honors Theses
Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …
Germaine Tailleferre's Film Score To Les Grandes Personnes, Jenna E. Moghadam
Germaine Tailleferre's Film Score To Les Grandes Personnes, Jenna E. Moghadam
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
French female composer, Germaine Tailleferre (1892-1983) is well-known for her small chamber music compositions, but less known for her film score compositions, and her elusive film scores have not been a topic of discussion in music scholarship at the time of this writing. The aim of this thesis is to analyze one of thirty-eight films for which Tailleferre composed a score, Les Grandes Personnes (1961), and the information will be presented in three chapters. Chapter 1 provides information on Tailleferre’s life and compositional career, her inclusion in and the aesthetic endeavors of Les Six, and a background on French …
Frankenstein: Man Or Monster?, Leigh P. Mackintosh
Frankenstein: Man Or Monster?, Leigh P. Mackintosh
Undergraduate Theses and Capstone Projects
Since its first publication in 1818, Mary Shelley’s novel Frankenstein has left a lasting impression upon the world speaking to a multitude of audiences including artists, scientists, philosophers, and society as a whole. Considering the impact of Frankenstein through its evolution as a cultural myth in various plays and films, this thesis will provide a way to gauge the relevance of Shelley’s story as an adaptation. Only by knowing what has been done in the past and how the materials have been used by other playwrights and screenwriters can one understand how to handle them as an original work. The …