Music Theory Commons^™

Object-Oriented Musicology: Some Implications Of Graham Harman's Philosophy For Music Theory, History, And Criticism, Eric Taxier

Dissertations, Theses, and Capstone Projects

This dissertation brings the ideas of the philosopher Graham Harman (b. 1968) into a musicological context. His “object-oriented ontology” is widely known in continental philosophy, but it has not yet entered rigorous contact with musicology. Certain factors pose difficulties at first glance, such as Harman’s focus on metaphysical issues (originating in his critique of Martin Heidegger) and his rehabilitation of the widely criticized concept of aesthetic autonomy. But these are also sources of novelty that could make an object-oriented encounter with musicology fruitful. In the first chapter, I outline the main features of Harman’s thought. He critiques assumptions about the …

Analyzing Perceptions Of Music From A Songwriting Perspective, Jackson Stephen Reynosa

Communication Studies

This study seeks to understand listeners’ perceptions of music from a generational and songwriting approach. A total of 123 participants aged 18 and older took part in an open-ended survey design that measured their subjective music preferences. Four different sections tested participants’ music taste, music tied to generations, an original song made by the researcher, and songwriting in a holistic sense. It was found that participants exercised individualism and authenticity in their responses throughout. By using the Uses and Gratifications Theory, it is explainable that people listened and sought out music for their own unique reasons. By applying Mood Management …

Singing With Strangers: A Feasibility Study Examining The Effect Of Interpersonal Familiarity On Social Bonding During Group Singing, Molly Grettenberger

Masters Theses

Social isolation and loneliness have become major health concerns in today’s world, and the healthcare field needs effective approaches to ameliorating the effects of social isolation and loneliness and increasing opportunities for social bonding. Group singing may be one such approach. This feasibility study focused specifically on interpersonal familiarity during shortterm, small-group singing and its effect on the subjective experience of social bonding. A between-groups design and group interviews were used to examine the subjective experience of social bonding resulting from singing. Two groups of four, including one familiar group and one group of strangers, engaged in a brief group …

The Limits Of Indeterminacy: The Performance And Analysis Of Selected Indeterminate Compositions By John Cage And Earle Brown, Drake R. Andersen

Dissertations, Theses, and Capstone Projects

This study elucidates the relationship between notation, performance practice, and musical realization in several indeterminate compositions by John Cage and Earle Brown. While both Cage and Brown emphasized the multiplicity of possible outcomes in these works, the distinct configurations of fixed and unfixed elements in each ensure particular kinds of musical results to the exclusion of others. In tracing the musical limits and possibilities of each work, this research project also seeks to correct a longstanding belief that indeterminate music is not meaningfully responsive to the tools of music theory.

Chapter one historicizes the emergence, presentation, and reception of indeterminate …

Songs And The Soil, Mark Garry, Louise Reddy

Books/Book Chapters

Published in conjuction with an exhibition. The exhibition engages with the subjects of landscape and music/sound—exploring each element from historical, social and culturally associative perspectives; where landscape is recognised as a fluid term articulating physical space, idealised space and social space that reflects a convergence of physical processes and cultural meaning, and where song act as a response to, or archive, of personal, historical or socio-political instances. Several works engage landscape and musical sound intersect. The exhibition integrates a broad range of media,positions and responses to these research subjects; including two film works, a six-hour soundtrack for a room, sonic …

Balance And Motivic Unity In The Finale Of Robert Schumann's Piano Sonata, Op. 11, Robert B. Carlson

Senior Honors Projects, 2020-current

Robert Schumann’s first piano sonata, op. 11, is of great importance within his compositional output, but it is faced with undue neglect in performance and in-depth analytical study. Though he has been criticized for his inability to handle large forms, this sonata exemplifies a thorough sense of design, unity, and intricacy in his writing. There exists a considerable dearth of analysis that focuses specifically on the voice-leading structure of this sonata. Such an approach would shed light on the way Schumann engages with larger structures.

The first three movements of this work set a precedent of organic self-awareness in the …

The Performer As Analyst In The Piano Sonata Opus 12 By Jean Sibelius, Jesse Tingle

Electronic Theses and Dissertations

This thesis examines and models the process of analysis as a means for performers, particularly pianists, to engage with the large-scale organizational features of musical works, using the Piano Sonata, Opus 12 by Jean Sibelius as a case study. The unique character and structure of each of the three movements suggests an equally wide range of approaches to analysis, including studies in sonata form, construction of a musical narrative based on external source material, and the use of concepts from Sonata Theory to explain the logic of a highly unconventional tonal and thematic design. The analyses are interwoven with a …

Nadia Boulanger’S Fantaisie Variée Pour Piano Et Orchestre A Study Of A Significant Unpublished Piece, Sarah Elias

Dissertations

The research consists of a brief historical and biographical overview of Nadia Boulanger (1887-1979), a main focus of a thematic and motivic analysis of her work Fantaisie variée pour piano et orchestre, along with touching upon the influences of Fauré, Debussy, Widor, Reger, and Franck on its composition, and a mention of the process of obtaining the Fantaisie from the Centre international Nadia et Lili Boulanger. Boulanger produced works in a variety of genres, including: a fugue; more than thirty songs for voice and piano; two completed works for solo piano; three works for organ; several chamber works; three works …

Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller

Composition/Recording Projects

If we are to blame any composer for the puzzling question ‘What is Negative Harmony?’ that caused a worldwide itch on the creative minds of many young composers in this century, it would be Jacob Collier, who introduced the world with prodigious, colorful harmonies upon releasing his first album “In My Room” in 2016. Provided with brief answers during interviews with June Lee that explained the concept of tones and chords being mirrored on an axis center in the opposite direction, the surface of Negative Harmony was exposed but led to even more confusion. Prompted by even more questions, the …

A Bright Size Transformation: Examining Pat Metheny's Improvisatory Evolution Through Select Original Compositions From The Album Bright Size Life (1976), Lee Heerspink

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Pat Metheny has consistently been one of the most widely celebrated and prominent jazz guitarists from the mid-1970s to present day. Over the course of Metheny’s 45-year career, he has accumulated 44 albums as a band leader, 20 Grammy awards, and numerous “Best Jazz Guitarist” awards from DownBeat and JazzTimes. Despite the general sources, articles and interviews conducted about Metheny’s life and music, there is a lack of scholarly research which addresses how Pat Metheny’s improvisatory approach has changed throughout the course of his career.

This document provides a better understanding of Pat Metheny’s improvisatory evolution with transcriptions, analyses, …

In Time Gone By: Song Cycle For Baritone And Six Players, Bryan Grosbach

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

In Time Gone By is a song cycle for Baritone vocalist and Pierrot Ensemble + percussion that explores the value of life being a byproduct of its finitude. Only during the most vulnerable and difficult events of that life can self-realization occur. These topics are wrapped into a “love-story” narrative crafted from select poems from Chamber Music by James Joyce and select quotes from the prose Devotions Upon Emergent Occasions by John Donne. Using intervallic focus as a tool for development, the piece transitions from sparse quintal harmony to lush tertian harmony as a musical metaphor for the self-realization of …

Bach-To Ysaÿe: History And Performance Considerations Of Sonata No. 2, Mai Vestergaard

Honors Scholar Theses

Eugene Ysaÿe’s Violin Sonata No. 2 has been influenced by the baroque music of Johann Sebastian Bach and the musical techniques brought forth by the Franco-Belgian Violin School. Each sonata movement has musical elements incorporating virtuosic techniques such as ponticello, chromaticism, and emphasis of the tri-tone. The performer draws attention to the audience by using advanced performance practices to change the piece's color and story. Ysaÿe engages with these ideas to share a musical and personal journey through each sonata movement, dedicating it to Jacques Thibaud. This violin sonata is a pinnacle to the violin repertoire, emphasizing the importance of …

Escaping Time: Messiaen’S Musical Language, Religious Symbolism, And Undermining Time In Quatour Pour La Fin Du Temps, Sarra Elizabeth Hey-Folick

UNLV Theses, Dissertations, Professional Papers, and Capstones

Scholars, including Robert Fallon and Wilfred Mellers, understand Olivier Messiaen’s Quatour pour la fin du Temps through the lens of war and captivity. Written during Messiaen’s imprisonment in the German prisoner of war camp Stalag VIII A during World War II, Quatour portrays the biblical “end of time” described in the book of Revelations. Messiaen drew connections between Quatour and the apocalypse with references to the angel of the apocalypse, the abyss, and the end of time. Messiaen, along with Étienne Pasquier, Jean Le Boulaire, and Henri Akoka premiered Quatour on January, 15th 1941, for their fellow prisoners and guards …

Tonal Expectations Defining Narrative Archetypes, Seth Weesner

Master's Theses

This thesis examines the contributions of tonal analysis to narrative readings of three nineteenth-century pieces. The method used originates from the work of two theorists, Byron Almén and Fred Lerdahl. Almén’s 2008 book, A Theory of Musical Narrative, outlines narrative archetypes. Lerdahl’s 2004 book, Tonal Pitch Space, provides a sophisticated approach to tonal analysis. These methods are combined to analyze striking modulations in Robert Schumann’s “Dein Angesicht” Op. 127, no. 2, tonal ambiguity in Johannes Brahms’s “Der Kranz” Op. 84, no. 2, and the lack of tonal closure in Gabriel Fauré’s “Hymne” Op. 7, no. 2. These striking …

The Effects Of Music Arousal Level And Tempo On Card Game Players’ Risk-Taking And Eeg Mental State Among Introverts And Extroverts, Hao Yi Ho

Student Works (2020-2029)

This is an experimental quantitative study which examined the effects of music arousal level and tempo on card game players’ risk-taking and EEG mental state among introverts and extroverts. A total of 20 male participants (through selection of 10 introverts and 10 extroverts) aged between 18 – 29 voluntarily participated by playing the card game In-Between. All participants put on the NeuroSky® MindWaveTM Mobile EEG device and played the game while being exposed to various music conditions. The conditions were no-music (control) condition, and a set of both high-arousal (hereafter HA) and low-arousal (hereafter LA) music manipulated to three different …

Schnittke, Gubaidulina, And Pärt: Religion And Spirituality During The Late Thaw And Early Perestroika, Aleksandra Drozzina

LSU Doctoral Dissertations

The dissertation explores the music of three major Soviet composers—Alfred Schnittke, Sofia Gubaidulina, and Arvo Pärt—against the backdrop of the ever-changing Soviet rule (after Stalin’s death in 1953). I reevaluate the composers’ religious and spiritual beliefs expressed in their works during the 1970s–1980s. Three works are presented as case studies and analyzed in-depth: Schnittke’s Concerto for Choir (1984–85), Gubaidulina’s Sieben Worte (1982), and Pärt’s Stabat Mater (1985). Although under Nikita Khrushchev’s rule (1953–64), governmental censorship began to slowly loosen, this particular group of composers continued to experience a considerable degree of oppression and censorship from the Soviet government until and …

Analyzing Ligeti’S Étude No. 11: En Suspens, William R. Durham

Student Publications

Using the tools of post-tonal music theory, we analyze Gyorgy Ligeti's Etude No. 11, one of a series of etudes written to present piano students with technical and compositional challenges. As listeners, we clearly experience a feeling of suspense and constant uneasiness. To find out why, we must dig deep into the structure of the piece. Considering pitch class content, the role of meter, rhythm, and phrase-shaping, and development, this analysis reveals a complicated mathematical arrangement behind the auditory experience.

Metal Mayhem To Music Theory: The Use Of Heavy Metal Music In Collegiate Music Theory Instruction, Weston Michael-Andrew Bernath

Masters Theses

No abstract provided.

Working With Metal: The Stylistic Characteristics Of The Swedish Band Meshuggah And An Original Composition Inspired By Their Work, Adam J. Benefield

Electronic Theses and Dissertations

I have long been fascinated by music that is created through the amalgamation of more than one style of music. As a composer, this has led to me exploring paths that combine elements of contemporary, classical, jazz, world, film, and video game music. In this thesis I explore elements of progressive metal band Meshuggah. More specifically I examine their use of polymeter, polyrhythm, and other rhythmic devices used in six of their songs. I then demonstrate how I applied those same components to an original composition, Armageddon, scored for flute, Bb clarinet, C trumpet, trombone, percussion, piano, violin, viola, cello, …

Comparing Traditional And Modern Trends In Jazz Improvisation, Ryan M. Johnson

Electronic Theses and Dissertations

This thesis compares traditional and modern jazz improvisation through analysis. These analyses discuss various musical techniques and ideas specific to each differing era. The case studies focus on three traditional jazz standards: "Autumn Leaves," "Someday My Prince Will Come," and "Cantaloupe Island." Two solo transcriptions (one traditional and one modern) represent each tune, including performances by Bill Evans, Miles Davis, Paul Desmond, Herbie Hancock, Yohan Kim, and Cory Henry. The older transcriptions showcase classic chord-scale relations, diatonic chord harmony, consistent rhythms with spacious phrasing, and recalled material. The newer transcriptions consist more of dense harmony, scales independent from the composed …

A Conductor's Guide To Amass By Jocelyn Hagen, Matthew J. Myers

LSU Doctoral Dissertations

Contemporary American composer Jocelyn Hagen grew up in Valley City, North Dakota, where she found an early love for singing, playing instruments, and composing. After completing degrees at St. Olaf College and the University of Minnesota, Hagen began a career as a full-time composer. Her appointment as Composer-in-Residence for The Singers led to her first major multimovement work, amass (2011).

Though Hagen planned to write a traditional setting of the Catholic Mass, she struggled to accept the text of the “Credo” as the only path to salvation. Thus, she substituted spiritual poems from a variety of faith traditions to create …

About This Issue, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Caryl Clark And Sarah Day O'Connell, Eds. The Cambridge Haydn Encyclopedia, Denis Mccaldin

HAYDN: Online Journal of the Haydn Society of North America

A review of "Caryl Clark and Sarah Day O’Connell, eds. The Cambridge Haydn Encyclopedia"

Peculiar Attunements: How Affect Theory Turned Musical [Table Of Contents], Roger Mathew Grant

Philosophy & Theory

Peculiar Attunements places the recent turn to affect into conversation with a parallel movement that took place in European music theory of the eighteenth century. During that time the affects—or the passions, as they were also called—formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for these thinkers, since it wasn’t apparent that musical tones could imitate anything with any dependability (except, perhaps, for the rare thunderclap or birdcall). Struggling to …

Dynamic Procedural Music Generation From Npc Attributes, Megan E. Washburn

Master's Theses

Procedural content generation for video games (PCGG) has seen a steep increase in the past decade, aiming to foster emergent gameplay as well as to address the challenge of producing large amounts of engaging content quickly. Most work in PCGG has been focused on generating art and assets such as levels, textures, and models, or on narrative design to generate storylines and progression paths. Given the difficulty of generating harmonically pleasing and interesting music, procedural music generation for games (PMGG) has not seen as much attention during this time.

Music in video games is essential for establishing developers' intended mood …

School Based Assessment Of The Secondary School Integrated Curriculum (Kbsm) Of Music Education In Peninsular Malaysia, Soo Mei @ Jake Lina Lee Lee

Student Works (2020-2029)

The purpose of this study is to identify differences of attitude (affective, cognitive, evaluation and conation) and the perception (knowledge, satisfaction, understanding, experience and effective) of music teachers toward the School Based Assessment (SBA) of the Secondary School Integrated Curriculum (KBSM) in the lower secondary public schools in Peninsular Malaysia in terms of gender and teaching experience demography. This study also identifies the opinion of the stakeholders (education officers, examination syndicate officer, principle, parents, teachers and students) toward the implementation of SBA. The study also aims to identify the students’ musical ability and band achievement based on the Standard Performance …

Two Cello Works Of Pēteris Vasks: Structure, Symbolism, And Identity, Caroline Bean Stute

Dissertations, Theses, and Capstone Projects

This dissertation presents analyses of two compositions for cello by Latvian composer Pēteris Vasks: Grāmata Čellam (1978), for solo cello, and Concerto No. 2, “Klātbūtne” (“Presence,” 2011–2012), for cello and string orchestra. It acquaints readers with defining elements of Vasks’s musical language and relates his music to the concurrent stylistic classifications of Baltic Minimalism and Neoromanticism. The paper also discusses the significance of Vasks’s national identity in his creative process and provides historical context on Latvia.

An Analysis Of Harmonic Color Use By Impressionist Composers, Lennon J. Ashton

Undergraduate Honors College Theses 2016-

Harmony is the musical element that truly distinguishes Western music from other kinds of music around the world. This is the vertical aspect of music that results when two or more pitches are heard simultaneously. The type of harmony that has formed the basis for most music over the past few centuries is known as tonal harmony. Tonal harmony involves having a tonal center, using major and minor scales, and using tertian chords that are related to one another and to the tonal center in various ways.

There was a period of time when tonal harmony and its principles were …

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).

Music Theory Examples In Video Game Music, Brent Ferguson

Journal of Music Theory Pedagogy

This living document is a list of theory concepts in video game music. These examples are meant to be a supplement in the music theory classroom. Each composer is linked to a wiki the first time they are mentioned. Transcribers (trans.) and arrangers (arr.) are credited for each example. The song title link leads to a YouTube video of the cue. The transcriber link leads to the respective lead sheet at VGLeadSheets.com. I believe music theory is highly interpretative; what I hear may not be what someone else hears. If you hear something different or feel something is blatantly wrong, …