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Articles 1 - 7 of 7
Full-Text Articles in Music Theory
Music 274 Syllabus (Theory Iv, Harmony, Counterpoint, Keyboard Skills), Gilad Rabinovitch
Music 274 Syllabus (Theory Iv, Harmony, Counterpoint, Keyboard Skills), Gilad Rabinovitch
Open Educational Resources
This is a syllabus for Music 274 relying on open-access / zero-cost materials on Open Music Theory (Gotham et al.) and developed by the instructor. Modules developed by the instructor include Szymanowska-style and Joplin-style model composition projects and an analytical focus on chromatic harmony in Schubert.
Song Analysis - Final Project For The American Musical Experience, Agustina Checa
Song Analysis - Final Project For The American Musical Experience, Agustina Checa
Open Educational Resources
Assignment designed as a final project for the undergraduate course MSH245: The American Musical Experience at Lehman College. This course surveys different musical expressions that emerged in the United States as well as the historical, social and technological contexts framing their popularization.This assignment asks students to analyze a song of their choosing performed by an American artist and to follow specific requirements in their study of this piece which include: historical and social contextualization, analysis of style, influences and lyrics, as well as the elaboration of a "listening guide" to fully appreciate the composition. Students are given the …
Introduction To Music, Mus 10100, Daniel Beliavsky
Introduction To Music, Mus 10100, Daniel Beliavsky
Open Educational Resources
This course examines musical works, composers, and aesthetics from antiquity to the present. Central to our curriculum are the questions, “what are music’s meanings?” and “how can music communicate meaning?” Through the process of discovering the varied answers to these questions, we will learn about music history, music philosophy, composer biographies, and how aesthetic concerns change across time and place. As a result of our work, you will develop the critical skills needed to understand the socio-historical events that inspire musical compositions and styles.
Music Theory I, Jennifer Jolley
Music Theory I, Jennifer Jolley
Open Educational Resources
Syllabus for Music Theory I. Introduction to diatonic harmony: scales, intervals, triads, key signatures, and the principles of four-part choral and keyboard writing.
Mus 208 Music Theory I, George Lam
Mus 208 Music Theory I, George Lam
Open Educational Resources
Harmonic analysis of tonal music, with an emphasis on diatonic harmony. Topics may include counterpoint, Roman numeral analysis, lead sheet symbols, and voice leading.
Pantomime: The History And Metamorphosis Of A Theatrical Ideology, Karl E. Toepfer
Pantomime: The History And Metamorphosis Of A Theatrical Ideology, Karl E. Toepfer
Open Educational Resources
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern …
Note Drill For Music Rudiments, Orly Krasner
Note Drill For Music Rudiments, Orly Krasner
Open Educational Resources
No abstract provided.