Music Theory Commons^™

Flexing In Popular Songs From 2024 - 2023, Jasmine Ayon, Sky Romeo, Christian Casaerez, Alexa Adame, Kesi Land

Undergraduate Research Symposium Podium Presentations

Purpose:

Music is a major agent of socialization. As an art form, music carries with it messaging and rhetoric capable of reaching people en masse. With this in mind, it is vital that we pay a careful eye to music in order to understand what messaging is reaching the public at large. This project is intended to build off of the current literature on music, rhetoric, and socialization by understanding what artists in music brag about - flex - as a means of gaining cultural capital.

A Transcription For Piccolo Trumpet With Historical Context And Methodology: Oboe Quartet Kv 370/368b By Wolfgang Amadeus Mozart, Christopher Massa

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores the challenges of transcribing Mozart's Oboe Quartet for piccolo trumpet, emphasizing performance practices. Both oboe and trumpet navigate mid-high to high ranges with fluidity, underscoring the importance of mastering flexibility through study and practice. This document examines the process of transcription by comparing other successful transcriptions.Achieving balance among instruments is crucial due to the piccolo trumpet's volume compared to the oboe or violin. Careful dynamics adjustment ensures harmonious blending within the ensemble, allowing each instrument to shine without overpowering the others. Breath management poses another significant challenge, and while similarities between oboe and piccolo trumpet breath control …

A Poetics Of Handel’S Operas, By Nathan Link, Jonathan Rhodes Lee

Music Faculty Research

Textbooks and program notes summarize the relationship between story and music in opera seria with tidy bullet points: recitatives = action; arias = reflection; ensembles sometimes contribute to a story’s progression, while instrumental pieces typically do not. Nathan Link’s A Poetics of Handel’s Operas dismisses such generalizations as caricatures, going so far as to assert that opera seria is “easily among the most complex forms of storytelling yet devised” (p. 7). The author turns to narratological theory, with occasional forays into opera studies and cinema studies (including film music scholarship), to explain the “semantic decoding” (p. 2) that audiences must …

Escaping Time: Messiaen’S Musical Language, Religious Symbolism, And Undermining Time In Quatour Pour La Fin Du Temps, Sarra Elizabeth Hey-Folick

UNLV Theses, Dissertations, Professional Papers, and Capstones

Scholars, including Robert Fallon and Wilfred Mellers, understand Olivier Messiaen’s Quatour pour la fin du Temps through the lens of war and captivity. Written during Messiaen’s imprisonment in the German prisoner of war camp Stalag VIII A during World War II, Quatour portrays the biblical “end of time” described in the book of Revelations. Messiaen drew connections between Quatour and the apocalypse with references to the angel of the apocalypse, the abyss, and the end of time. Messiaen, along with Étienne Pasquier, Jean Le Boulaire, and Henri Akoka premiered Quatour on January, 15th 1941, for their fellow prisoners and guards …

Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan, Pei-Ning Ku

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this document is to understand Taiwanese composer Hsiao Tyzen's artistic persona through analysis of the textual and musical characteristics of his songs. This document is comprised of: 1) an historical overview of Taiwan, 2) a history of Taiwanese vocal music, 3) a description of Hsiao Tyzen's life and career, 4) an introduction to Taiwanese diction, 5) an examination and analysis of musical components (melody, rhythm, accompaniment and form) of four of Tyzen's songs, and 6) a conclusion based upon sociological factors, historical influences and musical devices to define what constitutes the stylistic characteristics of the songs of …

Paul Moravec: Polystylism In Cool Fire (2001), Jennifer Kuk-Bonora

UNLV Theses, Dissertations, Professional Papers, and Capstones

The goal of this document is to provide a structural and stylistic analysis of Paul Moravec's chamber piece, Cool Fire (2001) within the context of Alfred Schnittke's polystylism. Fundamental polystylism is the use of two or more music styles within one composition and focuses on a more evolved portrayal of the style when, "there are no longer any direct quotations, but rather a certain element which indicates a `genetic refill' of memories." Techniques from Impressionism, Jazz, Baroque and Classical styles are utilized in Cool Fire.

The method of analysis will follow Jan La Rue's Guidelines for Style Analysis to better …

Clarinet Performance Practices For Alberto Ginastera's "Variaciones Concertantes": Solutions For Orchestral Auditions And Performances, Thomas James Kmiecik

UNLV Theses, Dissertations, Professional Papers, and Capstones

The principal clarinet part of Alberto Ginastera's Variaciones concertantes (1953) requires the performer to execute a number of exposed passages that are considered impractical by many clarinetists as published. The Boosey & Hawkes edition of Variaciones concertantes was published for the B-flat clarinet. On account of this clarinet choice, the part exceeds the traditional upper range of the instrument in the third variation (Variazione in modo di Scherzo per Clarinetto ). Moreover, it requires very awkward fingering patterns in passages because they are written in the Phrygian mode of C-sharp. To avoid some of these technical obstacles, many professional …

Learning Mechanisms For Acquiring Knowledge Of Tonality In Music, Rikka Quam, Matthew Rosenthal, Erin Hannon

Festival of Communities: UG Symposium (Posters)

Most people think that musical knowledge is exclusive to trained musicians. Actually, casual music listeners have implicit knowledge of important structural aspects of music, such as tonality. Tonality contributes to the feeling of anticipation one would experience when hearing someone sing “do re mi faso la ti” without singing the final “do”. Knowledge of tonality may be learned through the statistics of music (Krumhansl, 1990). However, learning mechanisms have rarely been investigated experimentally (Creel et al., 2002). Artificial grammar learning experiments have shown that listeners can acquire highly structured knowledge such as syllable co-occurrence and language syntax through passive exposure. …

The Olympic Singer: Integrating Pilates Training Into The Voice Studio, Veera Khare Asher

UNLV Theses, Dissertations, Professional Papers, and Capstones

The objectives of the document are to define potential synergies and benefits in the application of Pilates method physical training to versatile and high-level voice performance, and to develop an integrated vocal pedagogy-Pilates method to improve voice performance.

Inside Unlv, Shane Bevell

Inside UNLV

No abstract provided.

Inside Unlv, Diane Russell, Betty Blodgett, Kevin Force, Jennifer Vaughan, Cate Weeks, Jonathan Paver

Inside UNLV

No abstract provided.