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Music Practice Commons™

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2016

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Articles 31 - 52 of 52

Full-Text Articles in Music Practice

Giving Opportunities Jan 2016

Giving Opportunities

TEMPO

No abstract provided.


Uptown Jazz Series Jan 2016

Uptown Jazz Series

TEMPO

No abstract provided.


Pmea Jazz Festival Jan 2016

Pmea Jazz Festival

TEMPO

No abstract provided.


Spiritan Destinations Jan 2016

Spiritan Destinations

TEMPO

No abstract provided.


Q&A With Ed Stephan Jan 2016

Q&A With Ed Stephan

TEMPO

No abstract provided.


Philip Manning Jan 2016

Philip Manning

TEMPO

No abstract provided.


Thomas Kikta Jan 2016

Thomas Kikta

TEMPO

No abstract provided.


Eyes And Ears Of The Spirit Jan 2016

Eyes And Ears Of The Spirit

TEMPO

No abstract provided.


Faculty News Jan 2016

Faculty News

TEMPO

No abstract provided.


Alumni News Jan 2016

Alumni News

TEMPO

No abstract provided.


Student News Jan 2016

Student News

TEMPO

No abstract provided.


About Duquesne University And The Mary Pappert School Of Music Jan 2016

About Duquesne University And The Mary Pappert School Of Music

TEMPO

No abstract provided.


Tempo Magazine 2016-2017 (Spreads) Jan 2016

Tempo Magazine 2016-2017 (Spreads)

TEMPO

No abstract provided.


New Faculty: Daley And Meyer Jan 2016

New Faculty: Daley And Meyer

TEMPO

No abstract provided.


The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq Jan 2016

The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq

Theses and Dissertations

For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.

This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.

The …


A Grading Catalogue Of Selected Works For Solo Trombone And Piano, Brent Michael Mead Jan 2016

A Grading Catalogue Of Selected Works For Solo Trombone And Piano, Brent Michael Mead

Honors Program Theses

The current status of graded repertoire lists for trombonists is almost nonexistent. Selecting works for students can be difficult especially when you are unfamiliar with the large body of solo literature. I created a list of solo trombone works all graded with the same system in which students and teachers could utilize when selecting new pieces of music to perform. Teachers could more readily find new pieces for their students to study by using this grading scale. It can be difficult for trombone teachers to find easier solo literature for students because of the fact that most works that are …


Practising Jazz Performance: An Investigation Into The Process That Underpins Optimal Instrumental Practice In The Jazz Idiom, Christopher J. Tarr Jan 2016

Practising Jazz Performance: An Investigation Into The Process That Underpins Optimal Instrumental Practice In The Jazz Idiom, Christopher J. Tarr

Theses: Doctorates and Masters

Little formal research has been undertaken into the processes associated with jazz improvisation, particularly those associated with practising to become an elite jazz improviser. This study seeks to understand the role of instrumental practice, particularly physical practice strategies and the associated mental states, in the development of jazz improvisers. Interviews were conducted with six improvisers of various ages, instruments and backgrounds. The study identified a number of strategies specific to jazz practice that differed from traditional practice strategies described in Western art literature, particularly in relation to the importance of the ear-to-instrument connection. Accordingly, the study sets out a series …


A Digital Resource For Navigating Extended Techniques On Bass Clarinet, Philip Everall Jan 2016

A Digital Resource For Navigating Extended Techniques On Bass Clarinet, Philip Everall

Theses: Doctorates and Masters

Extended techniques are integral to the creation and interpretation of works for the bass clarinet. Effects such as multiphonics, microtones, or percussive and air sounds, have become commonplace in repertoire from the twentieth and twenty-first centuries. This PhD dissertation posits that the bass clarinet’s affinity for these sounds can be traced back to the instrument’s earliest uses, and thus extended techniques should be central to the understanding of the bass clarinet. While there is a large knowledge-base of these techniques, the paradigm of print resources with accompanying music media in which it is catalogued is old-fashioned and inefficient. This project …


La Voix Humaine: A Technology Time Warp, Whitney Myers Jan 2016

La Voix Humaine: A Technology Time Warp, Whitney Myers

Theses and Dissertations--Music

In 1959 French composer Francis Poulenc composed the opera La Voix humaine based on Jean Cocteau’s original play (1928). La Voix humaine is a one-act opera for soprano. The main character, Elle, spends the opera on the phone with her ex-lover who is marrying another the next day. Many musicians believe this opera is difficult or impossible to update, due to the use of the telephone and its dated operator system, which is a large aspect of the action and drama.

This document provides the reader with a new interpretation of the opera with modern technology. Chapter One begins with …


Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio Jan 2016

Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio

Theses and Dissertations--Music

My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor.

The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in …


The Art And Science Of Becoming A Successful Studio Teacher, Teresa A. Bellamy Jan 2016

The Art And Science Of Becoming A Successful Studio Teacher, Teresa A. Bellamy

Williams Honors College, Honors Research Projects

For most professional musicians, it is important to possess the skills necessary to be a studio teacher. While it is crucial to be confident in the actual pedagogical technique required of an instrumental teacher, it is imperative that music teachers also have a thorough knowledge of proper business and marketing tools. In this project, a close examination of the methods used to acquire and use such skills has been made. The research for this project was done in the form of interviews. Four professional music teachers were interviewed on the above topics.


Fundamental Frequency Characteristics Of Modal And Vocal Fry Registers, Heidi Brubaker, Jason Albertson Whitfield Ph.D., Jane Schoonmaker Rodgers D.M.A. Jan 2016

Fundamental Frequency Characteristics Of Modal And Vocal Fry Registers, Heidi Brubaker, Jason Albertson Whitfield Ph.D., Jane Schoonmaker Rodgers D.M.A.

Honors Projects

This study examined the distribution of fundamental frequencies in the connected speech of 14 healthy young adults. Acoustic analysis of fundamental frequency was performed on previously collected speech samples of a phonetically balanced reading passage. For the first three sentences of the reading passage, fundamental frequency contours were extracted using PRAAT, a speech analysis software package. The accuracy of these contours were visually verified and manually corrected when needed. The distribution of the fundamental frequency histories for each sample were then analyzed using Gaussian Mixture Model analyses in MATLAB. For most speakers, four statistical modes were identified in the data …