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Articles 61 - 83 of 83
Full-Text Articles in Music Practice
Violin Playing In Late Seventeenth-Century England: Baltzar, Matteis, And Purcell, Mary Cyr
Violin Playing In Late Seventeenth-Century England: Baltzar, Matteis, And Purcell, Mary Cyr
Performance Practice Review
RILM abstract: "In the late 17th c., violin playing in England underwent a virtual revolution as a result of virtuoso techniques introduced by violinists from abroad such as Thomas Baltzar and Nicola Matteis. Iconographical evidence illustrates the popularity of the French bow grip and various ways of placing the instrument against the body. Technical features such as multiple stops and the messa di voce were employed extensively by Baltzar and Matteis. The likelihood that their playing influenced Henry Purcell suggests that violinists today might incorporate lively Articulation and the messa di voce in Purcell's trio sonatas of 1683."
Brossard And The Performance Of Jacquet De La Guerre's Céphale Et Procris, Wanda R. Griffiths
Brossard And The Performance Of Jacquet De La Guerre's Céphale Et Procris, Wanda R. Griffiths
Performance Practice Review
RILM abstract: "Sebastien de Brossard made an arrangement of the prologue of Jacquet's tragedie en musique, and had it performed by his Academie de Musique in Strasbourg in 1696, two years after the opera's run at the Paris Opera. His arrangement sheds light on performance issues including breathing, vocal ornamentation, notes inegales, and scoring.(author)"
Giovanni Luca Conforti And Vocal Embellishment: From Formula To Artful Improvisation, Murray C. Bradshaw
Giovanni Luca Conforti And Vocal Embellishment: From Formula To Artful Improvisation, Murray C. Bradshaw
Performance Practice Review
"Considers Conforti's treatise Breve et facile maniera d'essercitarsi... (1593) and his Salmi passaggiati (1601-03), revealing the vast gulf between the etude-like exercises in the treatise and the actual embellished music--a difference similar to that between the exercises of Hanon and the piano etudes of Chopin. The embellishments of this period were far more than mere displays of virtuosity; they sprang from a desire to express the deepest meanings of the text."
Performance Practice And Musical Expressivity, Roland Jackson
Performance Practice And Musical Expressivity, Roland Jackson
Performance Practice Review
"Musical expressivity is intimately associated with subtle dynamic changes--slight variations in volume between one note and the next--which help shape and make meaningful the phrases. Daniel Gottlob Turk was among the few theorists who recognized and described this subtlety."
Hollingsworth, Teresa L. (Fa 39), Manuscripts & Folklife Archives
Hollingsworth, Teresa L. (Fa 39), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 39. [Singing schools] Interview with Zilpha Amanda Hume concerning her husband’s (Archie Hume’s) singing schools where he acted as a singing school instructor. Interview was conducted by Teresa Hollingsworth for an oral history project at WesternKentucky University. Includes index, tape summary, transcription, handwritten fieldwork notes and a cassette tape.
Pnc Recital Hall Lobby Dedication And Dvořák Opener
Early Childhood Music Conference
New Orchestra Director Jeffrey Turner
Interview With Dean Edward Kocher
Tempo Magazine Winter 2012 (Spreads)
"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr, David Schulenberg
"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr, David Schulenberg
Performance Practice Review
David Schulenberg discusses and reviews Walls' 2011 work.
Walls, Peter, ed. Baroque Music, The Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.
ISBN 978-0-7546-2882-8.
"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr, Colin Lawson
"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr, Colin Lawson
Performance Practice Review
Colin Lawson discusses and reviews Milsom's 2011 work.
Milsom, David ed. Classical and Romantic Music, the Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.
ISBN 978-0-754-62859-0.
Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani
Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani
Performance Practice Review
This article disputes some basic questions concerning the coordination of seventeenth century sacred music, approaching the phenomenon through a musical species of particular interest, though largely unstudied from a performance practice point of view. Roman polychorality with its specific performing conditions offers an illuminating perspective on principles of musical direction and interaction which differ significantly from our modern access path towards these topics. The inquiry ranges from basics of performance (such as sheet music, rehearsals, direction technics, models and stylistic conditioning of the performers) over the concrete role of the maestro di cappella as well as the tactus as cornerstones …
Expression In Technical Exercises For The Cello: An Artistic Approach To Teaching And Learning The Caprices Of Piatti And Etudes Of Popper, Leah Hagel
Theses and Dissertations--Music
The Caprices of Piatti and Etudes of Popper are considered by most cellists to be fundamental components of the cello literature designed to provide a solid technical basis for the student. This document will provide an alternative approach to teaching and learning these works by focusing on the qualities of expression that can be developed during the process of integrating these studies into one's repertoire. After providing contextual information for the both composers and the works, I will examine how this concept of "artistry through technique" has been adopted by other art forms, used in training students on different instruments, …
A Survey Of The Sacred Choral–Orchestral Works Of Sir Henry Walford Davies (1869–1941), Martin C. Cook
A Survey Of The Sacred Choral–Orchestral Works Of Sir Henry Walford Davies (1869–1941), Martin C. Cook
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward Elgar were at the height of their fame and influence in British musical society Henry Walford Davies emerged as one of the most promising talents of the day, receiving commissions from the provincial music festivals of Great Britain, which were a rite of passage for emerging composers.
Between 1904 and 1929 Davies produced eleven sacred choral-orchestral works for these festivals and one further work, which were received favorably in their day but are now almost forgotten. There are five large multi movement works: The …