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- Performance practice (Music)-History-18th century (45)
- Performance practice (Music) (43)
- Performance practice (Music)-History-17th century (41)
- Performance practice (Music)-History-19th century (36)
- Musical instruments-History (32)
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- Performance practice (Music)-History-20th century (23)
- Vocal music (17)
- Baroque music (16)
- Bach, Johann Sebastian, 1685-1750 (15)
- Performance practice (Music)-History-16th century (15)
- Baroque Music (14)
- Piano (14)
- Piano-Performance (14)
- Music-17th century-History and criticism (13)
- Keyboard instrument (12)
- Piano technique (12)
- Basso continuo (11)
- Mozart, Wolfgang Amadeus, 1756-1791 (11)
- Music-18th century-History and criticism (11)
- Music-Interpretation (Phrasing, dynamics, etc.) (11)
- Ornamentation (Music) (11)
- Early music (10)
- Music 17th Century Interpretation Phrasing Dynamics Etc (10)
- Music-18th century-Performance (10)
- Performance Practice (10)
- Tempo (10)
- Music Interpretation Phrasing Dynamics Etc. Philosophy and Aesthetics (9)
- Music, Renaissance (9)
- Music-Italy (9)
- Organ (9)
Articles 271 - 280 of 280
Full-Text Articles in Music Practice
Contributors
Performance Practice Review
List of contributors to the Spring 1989 (2/1) issue of Performance Practice Review.
Francesco Rognoni's "Selva De Varii Passaggi" (1602): Fresh Details Concerning Early Baroque Vocal Ornamentation, Stewart Carter
Francesco Rognoni's "Selva De Varii Passaggi" (1602): Fresh Details Concerning Early Baroque Vocal Ornamentation, Stewart Carter
Performance Practice Review
"One of Milan's most important musicians during the late 16th and early 17th centuries was Francesco Rognoni (died before 1626), a Knight and Count Palatine, son of Richardo Rogniono. The father had published an important treatise on ornamentation nearly thirty years prior to Francesco's. The title page of Francsco's Selva tells us that Francesco was head of instrumental music at the ducal court and maestro di cappella at Santo Ambrosio Maggiore in Milan. In an earlier publication he calls himself a "player of the violin, of the viola bastarda, and other instruments." He may in fact have written the first …
"Authenticity And Early Music: A Symposium," Edited By Nicholas Kenyon, Albert Cohen
"Authenticity And Early Music: A Symposium," Edited By Nicholas Kenyon, Albert Cohen
Performance Practice Review
Reviews and Critiques Kenyon's 1988 book.
Brahms's Pianos And The Performance Of His Late Works, Camilla Cai
Brahms's Pianos And The Performance Of His Late Works, Camilla Cai
Performance Practice Review
Brahms's late piano works (opp. 116-19) reveal his sensitivity to the characteristics of conservative, late 19th-c. pianos. A more accurate understanding of Brahms's performance indications and special piano textures would lead to performances relevant to his own playing style.
"Dance Rhythms Of The French Baroque: A Handbook For Performance" By Betty Bang Mather, Assisted By Dean M. Karns, Meredith Little
"Dance Rhythms Of The French Baroque: A Handbook For Performance" By Betty Bang Mather, Assisted By Dean M. Karns, Meredith Little
Performance Practice Review
Little discusses and reviews Mather and Karns' 1987 book.
Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker
Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker
Performance Practice Review
Vocal treatises of the 18th c. and recent research suggest that Mozart's concert arias should be embellished with restraint. Appropriate ornaments include turns, filling-in patterns, appoggiaturas, and short cadences at elongated fermatas. Two arias--Alcandro lo confesso...Non so d'onde viene, K.294, and Bella mia fiamma...Resta, o cara, K.528--are discussed in more detail.
"Orchestral Performance Practices In The Nineteenth Century: Size, Proportions, And Seating," By Daniel J. Koury., Nicholas Temperley
"Orchestral Performance Practices In The Nineteenth Century: Size, Proportions, And Seating," By Daniel J. Koury., Nicholas Temperley
Performance Practice Review
Reviews and Critiques Koury's 1986 book.
Contributors/End Matter
Performance Practice Review
List of contributors from the Fall 1989 (2/2) issue of Performance Practice Review
Performance Practice Bibliography (1988)
Performance Practice Bibliography (1988)
Performance Practice Review
Bibliography of Important Books and Articles related to the Performance Practice.
"The Performance Of The Basso Continuo In Italian Baroque Music" By Tharald Borgir, John Walter Hill
"The Performance Of The Basso Continuo In Italian Baroque Music" By Tharald Borgir, John Walter Hill
Performance Practice Review
Hill discusses and reviews Borgir's 1987 book.