Music Practice Commons^™

The History Of The Marimba, Daniel Rager

Music Faculty Publications

The author presents an international and historical history of one of the earliest melodic percussion instruments made by man. His research suggests the instrument was widespread throughout Asia and Africa, although many other regions claim it to have originated in their country.

Known by many names and created from an endless array of materials, this paper reflects the marimbas evolution from the fourteenth century to present day. The writer’s research encompasses the marimbas social roles, musical functions, timbres and styles across many countries as well as its evolution into the twenty-first century.

Unlv Magazine, Gian Galassi, Vicki Smith, Erin O'Donnell, Lisa Shawcroft, Angela Sablan, Maria Phelan, Beth English, Eric Leake

UNLV Magazine

No abstract provided.

A Study Of Charles-Auguste De Beriot And His Contributions To The Violin, Leigh P. Mackintosh

Undergraduate Theses and Capstone Projects

The purpose of this research was to gain information about Charles-Auguste de Beriot (1802-1870) and his contributions to the violin. The specific problems of the study were as follows: 1.) to identify what influenced the compositions of Charles-Auguste de Beriot; 2.) to outline important developments in his writing that contributed to violin technique and Romanticism; and 3.) to analyze Concerto IX in A minor for Violin, Op. 104 in terms of melody, harmony, tonality, texture, and form. The intention of this research is to investigate Beriot’s compositions for violin and examines the Romantic aspects that appear in his Concerto IX. …

Frankenstein: Man Or Monster?, Leigh P. Mackintosh

Undergraduate Theses and Capstone Projects

Since its first publication in 1818, Mary Shelley’s novel Frankenstein has left a lasting impression upon the world speaking to a multitude of audiences including artists, scientists, philosophers, and society as a whole. Considering the impact of Frankenstein through its evolution as a cultural myth in various plays and films, this thesis will provide a way to gauge the relevance of Shelley’s story as an adaptation. Only by knowing what has been done in the past and how the materials have been used by other playwrights and screenwriters can one understand how to handle them as an original work. The …

A Descriptive Catalogue Of The Music Of Charles Ives, James Sinclair

Descriptive Catalogue of The Music of Charles Ives

This catalogue serves to describe the music manuscripts in the Charles Ives Papers, MSS 14, in the Irving S. Gilmore Music Library of Yale University. Published in 1999. Revised in 2012.

Mla Reports: Pre-Conference On Conservation, And A Report On The Conference, Lisa Rae Philpott

Western Libraries Publications

Report of the Music Library Association's 65th Annual meeting, held at the Seattle Westin, February 5-1 1, 1996. The pre-conference Conservation Workshop, offered by Ted Honea of Sibley Library was invaluable and informative. Gerard Schwarz, Music Director of the Seattle Symphony Orchestra since 1983, described his indebtedness to music libraries, and how he devises programmes for the SSO. Other topics included: Brahmsiana; Managing Difficult People; Managing Technology; Teaching the 'Net; the Selling of Seattle Through Song; and Handel's Relationship with his Publishers. And, the Eastman School/Sibley Library has recently received the Alexander Courage Collection (source materials, sketches, and movie scores, …

Francesco Rognoni's "Selva De Varii Passaggi" (1602): Fresh Details Concerning Early Baroque Vocal Ornamentation, Stewart Carter

Performance Practice Review

"One of Milan's most important musicians during the late 16th and early 17th centuries was Francesco Rognoni (died before 1626), a Knight and Count Palatine, son of Richardo Rogniono. The father had published an important treatise on ornamentation nearly thirty years prior to Francesco's. The title page of Francsco's Selva tells us that Francesco was head of instrumental music at the ducal court and maestro di cappella at Santo Ambrosio Maggiore in Milan. In an earlier publication he calls himself a "player of the violin, of the viola bastarda, and other instruments." He may in fact have written the first …

Charles Nicholson – The Forgotten Flutist, Wendell Dobbs

Music Faculty Research

The recent fascination for the flutist-composers of the 19th century has brought to life much music by flute virtuosos such as Tulou, Demersseman, Boehm, Genin, and others. To this time, however, the colorful artistry of Charles Nicholson has been overlooked. His brief career, spanning but two decades, brought the flute to the forefront as a solo instrument in England and propagated numerous fantasies, variation, methods, and other works for flute. Indeed, his contributions as flute virtuoso and flute manufacturer have made an indelible mark on the history and development of the instrument. In the London of the 1820's and 1830's …

Volume 75, Number 05 (May-June 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Josef Hofmann, 1876-1957

Igor Stravinsky, Approaching his 75th Birthday, is Truly a Colossus of Modern Music

Music in the High School Gym

Good Vocal Habits (interview with Renata Tebaldi)

What Power Professional Criticism

Thalberg's Erard: A Discovery

An Intriguing Account of the Various Operational Details Requiring Careful Attention . . . Behind the Opera Curtain

Books on American Music: A Selected Bibliography

Music in the Schools

Choral Potential From the Baroque Era

Music to Link Mankind: The Story of the Formation of an Important Body Having to Do with International Relations

Volume 75, Number 04 (April 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Folk Music and Art Music

Playing with Orchestra (interview with Alec Templeton)

Community Solves its Music Crisis: The Inspiring Story of The Bronx Symphony

Orchestra Genius Lies in the Individual

Miniature Opera from Salzburg

Kostelanetz on Conducting, Conductors and Batons

Drama in Song: A Discussion of the Importance of Clear Enunciation on the Part of Singers

A Glimpse of the Inner Workings of One of the Largest Summer Music Camps is Gained from These Day to Day Entries . . . From the Music Camp Office

Henry Cowell—Musician and Citizen, Part 3

Richard Rodgers on Current Trends in Popular Music

Volume 75, Number 03 (March 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Hail and Farewell to The Grand Old Man of Music Confusion

Confounded: An Objective Explanation of Some Frequently Perplexing Musical Terms

Singing Must be Natural (interview with Victoria de los Angeles)

Music's Part in Social Integration

Mariachis of Mexico

Henry Cowell—Musician and Citizen, Part 2

Music in the Schools High School Symphony Orchestra . . . How It Is Made

New Studio

Volume 75, Number 02 (February 1957), Guy Mccoy

The Etude Magazine: 1883-1957

International Aspect of Folk Music

Candlelight Concerts in Colonial Williamsburg

Don't Shy Away From Adult Beginners

Singing on Television (interview with Lois Hunt) Impressions of Musical Education in the United States

Henry Cowell—Musician and Citizen Shape Notes, New England Music and White Spirituals, Part 2

We Can Co-operate

Staccatos for the Sightless New Vistas in Music Programming for Radio

Volume 75, Number 01 (January 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Philadelphia's Academy of Music . . . One Hundredth Anniversary

Story of Roy Harris—American Composers, Part 2

Some Impressions of Music Education in Japan

Louis Moreau Gottschalk—First American Concert-Pianist

Shape Notes, New England Music and White Spirituals

Approach to Chopin's Etudes (interview with Ruth Slenczynska)

Music in the Schools

Madrigal Group is Fun Composer, Conductor, Comedian . . . That's Jackie Gleason

American School Music: An Assessment

Volume 74, Number 10 (December 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Obituary - Guy Maier (1890-1956)

Béla Bartók and Hungarian Folk Music

Story of Roy Harris—American Composer

Cradle of Music: A Brief Visit to One of the Most Interesting of Old-World Music Publishing Houses

Some Basic Issues in Music Education

Operas of Hugo Weisgall

Volume 74, Number 09 (November 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Carl Orff's Musical Theatre

World Ballad of Bady Doe

Responsibility of Music Education to Music—A Reply

Opera for all America: Chandler Cowles, General Manager of NBC Opera Company, Outlines His Ideas Concerning the Project

Volume 74, Number 08 (October 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Folk Music in Civilization

In Memorium - Mrs. Eduard MacDowell (1857-1956)

Wallingford Riegger—Composer and Pedagog

Loring Club

Bach of High Fidelity (interview with Robert D. Darrell)

Glenn Gould, A Début and a Personality

Volume 74, Number 07 (September 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Music in Focus

Responsibility of Music Education to Music

Music in the American Wilderness

Picture Painted in Sound: Alden B. Dow Creates a New Art Visualizing Music

Pianist's Page

Waltz and Brahms' Opus 39

Volume 74, Number 06 (July-August 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Music in Focus

Daylight and Darkness: Robert Schumann and the Years after Leipzig

Lieder Singer (interview with Irmgard Seefried)

Charles E. Ives, Part Two

Robert Schumann: Across the Years

Volume 74, Number 05 (May-June 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Charles E. Ives . . . A Composer With Something to Say

Music, Music Everywhere: A Resume of the Most Important Festivals that Take Place this Summer in European Music Learning to Learn Bach (interview with Rosalyn Tureck)

Diction in Singing, Part 2

Volume 74, Number 04 (April 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Fiftieth Anniversary of the Music Educators National Conference

In Memorium: Edwin Franko Goldman (1878-1956)

Personal Memories of Cortot as Artist and Teacher

Diction in Singing

National Interscholastic Music Activities Commission

MTNA in Action Music in Focus National Federation of Music Clubs . . . America's Most Far-Flung Musical Organization

Phi Mu Alpha (Professional Music Fraternity) . . . What it is and What it Does

National Association of Teachers of Singing

Story of Sigma Alpha Iota

Stepping Stones to West Point (interview with John A. Davis, Jr.)

Volume 74, Number 03 (March 1956), Guy Mccoy

The Etude Magazine: 1883-1957

They Make Music Wherever They Go

Southpaw Solo Flight

Preparing a Career in Opera (interview with Joseph Rosenstock)

Porgy and Bess in Moscow

Boys Like to Sing!

Through Their Music They Build Democracy

Volume 74, Number 02 (February 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Inside the Paris Opéra

Music in Focus

Georges Enesco, As I Knew Him

People's Music School in Sweden

Timeless Turntable: A Most Interesting Review of the Development in the Recording Field Since the Coming of the LP Era

Volume 74, Number 01 (January 1956), Guy Mccoy

The Etude Magazine: 1883-1957

What Was Mozart's Playing Like?

Creative Contrast in Mozart Mozart Bicentennial: A Partial Listing of Programs Honoring This Event For the Coming Year

Caring for the Voice (interview with Cesare Siepi)

Tape Recorder in the Music Room: Suggestions for the Use of Recording Equipment in the Educational Field

In the Steps of Mozart: A Brief Look at the Master's Life and Times as They Affected His Creative Output

Bartók, the Teacher—As I Knew Him

Volume 73, Number 12 (December 1955), Guy Mccoy

The Etude Magazine: 1883-1957

I Heard the Bells

Christmas Concerts at Grand Central

It Shouldn't be a Battle (interview with Otto Harbach)

Soviet Russia's Top Pianist Makes Sensational Début in America

To Cosima—With Love

Great Church Rebuilds Its Organ

Orchestra in the Daily Life of Your School

Music Postage Bill Passes Senate

Volume 73, Number 11 (November 1955), Guy Mccoy

The Etude Magazine: 1883-1957

Vienna State Opera Re-opens

More Than Teaching (interview with Lotte Lehmann)

Musical Tour Through Europe Boris Goldovsky's New

Deal in Opera Trends in Piano Playing (interview with Benno Moiseiwitsch)

Volume 73, Number 10 (October 1955), Guy Mccoy

The Etude Magazine: 1883-1957

Folk Music in Civilization

In Memorium - Mrs. Eduard MacDowell (1857-1956)

Wallingford Riegger—Composer and Pedagog

Loring Club

Bach of High Fidelity (interview with Robert D. Darrell)

Glenn Gould, A Début and a Personality

Volume 73, Number 09 (September 1955), Guy Mccoy

The Etude Magazine: 1883-1957

The Messrs R and H

Utah's Singing Ambassadors of Good Will

Carl Sandburg, the Musician

Eugène d'Albert Reveals How Liszt Prepared for Scales

Music vs. Guns

Orchestra Member's Check List

Highly Significant Step (editorial)

Requirements for an Artistic Career (interview with Joseph Szigeti)

Contemporary Music—An Essential Part of the School Music Program

Volume 73, Number 08 (August 1955), Guy Mccoy

The Etude Magazine: 1883-1957

Golden Age Grandee

Playing Piano Duets Can Be Fascinating

California Women's Symphony Orchestra: The Intriguing Story of the Orchestra That is at Present Considered the Oldest in the United States

Acoustics and the Organist

World's Largest Piano Class

Making of Music, Part 2

Values in Ballet Study (interview with Mia Stavenska)

Why Minor Signatures?

Volume 73, Number 07 (July 1955), Guy Mccoy

The Etude Magazine: 1883-1957

Toward Greater Piano Pleasures (interview with Alec Templeton)

Appreciation Through Participation

Making of Music

What Do You Want from Piano Lessons?

Rewards of a Successful Musical Career (interview with Richard Crooks)

Story of the National Ballet of Canada On the Threshold:The Emergence of the Symphonic Band

Success Lies in Service (interview with Gregor Piatigorsky)

Pianist's Page

Outstanding Compositions of the Year: Some of the Best Educational Publications of 1955

Volume 73, Number 06 (June 1955), Guy Mccoy

The Etude Magazine: 1883-1957

Music Al Fresco

Education of a Pianist

Music and Religious Drama

Carlos Chávez, Mexico's Mr. Music

Delightful Delusion: A Dramatic Account of Specific Ways on Which Music and Its Sister Art, the Dance, are Used Singing City

Sunnybank Quintet

World's Most Widely Sung Tune

Staging: Part Three—Operettas and Light Operas

Kayser Studies, Part 3: An Analysis of the Last Twelve

Ivory Towers are Boring: The Thrilling Story of the Aspen (Colorado) Music School How Can We Hold Our Adolescent Pupils?

Memoir of a Prince of Pianists: A Touching Incident of the Closing Days of the Immortal Ignace Jan Paderewski

What …