Music Practice Commons^™

Volume 03, Number 01 (January 1885), Theodore Presser

The Etude Magazine: 1883-1957

Our System of Technique

Chats with Pupils on Ingratitude

Brotherhood's Invention

Our New Year's Greeting

Who Should Study Music

Thoughts on Education from Klavierehren

Back-Bone of Training in Music Reading and Rendition

How to Teach Time

Music Teachers Association and Its Duties

Tact: Treatment of Pupils, Change of Teacher

Piano-Forte Teacher

Expression of the Ideal, Through the Medium of the Physical, in Piano-Forte Playing

Treatise Upon the Development of Piano-Forte Technique with the Aid of a Mechanical Apparatus

Curved or Straight Fingers

Petersilea Mute Piano

Visit to a Boarding-School Miss

Volume 02, Number 11 (November 1884), Theodore Presser

The Etude Magazine: 1883-1957

Artists' Concerts in Institutions of Learning

Two Evils

Half-Hour Talks in the Class-Room

Artists' Concerts in Institutions of Learning, Given by Dr. Louis Maas and William H. Sherwood, Address

Teachers' Tablets

Growth of Piano Playing

Heller and Chopin

Musician

Fourth Finger of the Left Hand

Method of Study

How to Practice

Biographical Sketch of W.H. Sherwood

Repertoire of William H. Sherwood

Volume 02, Number 10 (October 1884), Theodore Presser

The Etude Magazine: 1883-1957

International Copyright

Course in Harmony

Artist-Concerts

Signs of the Times

W.H. Sherwood, Poem

How to Teach Beginners

Everything in a Great Name

Main Principle of Fingering

Musical Literature in Pamphlet Form

Growth of Piano Playing

Oldest Piano

Humoristics to a Singer

Volume 02, Number 09 (September 1884), Theodore Presser

The Etude Magazine: 1883-1957

On the Use of the Pedal

Course in Harmony

Graded List of Popular Music

Contributors

Chats with Pupils on What is it to be Musical?

Artist Concerts in Colleges, Etc.

How to Use the Metronome

Not a Musical Critic

Shall Lessons Missed Not Be Paid For?

John Field and His Habits

Piano Technic: The Formation of the Hand

Oberlin Conservatory of Music

How to Proceed in the Lesson Hour

Crossness

Some Commonplaces of Piano-Forte Teaching: The Pedal

Growth of Piano Playing

Volume 02, Number 08 (August 1884), Theodore Presser

The Etude Magazine: 1883-1957

As Thy Days So Shall Thy Strength Be

How to Employ Vacation Time

Details

Symphony of Life

Gospel of Simplicity: A Short Sermon on a Musical Text

Main Principle of Fingering

Old and New Schools of Piano Playing

How to Study—How to Teach

Personal Appearance of Geniuses

Volume 02, Number 07 (July 1884), Theodore Presser

The Etude Magazine: 1883-1957

Seven and a Third Octave Pianos

Teachers of Music

Successes, Directions, Incentives, Developments

Course in Harmony

Volume 02, Number 06 (June 1884), Theodore Presser

The Etude Magazine: 1883-1957

Removal

Word to the Inexperienced

Concert Programmes

Successes, Directions, Incentives, Developments

Few Suggestions as to Musical Reading

About Harmony Lessons by Mail

Who is Responsible?

Sheet Music Question

Musical Library

Criteria of Competency

Course in Harmony

Volume 02, Number 05 (May 1884), Theodore Presser

The Etude Magazine: 1883-1957

Chat with Pupils for Young Ladies

Eighth Annual Meeting of the Music Teachers of the United States

Musical Literature

Successes, Directions, Incentives, Developments

On First Sight Reading

Teachers' Department

Good Words for The Etude

Standard for the Musical Profession

How to Study—How to Teach

Literature of Music

Course in Harmony

Volume 02, Number 04 (April 1884), Theodore Presser

The Etude Magazine: 1883-1957

Sheet Music Imposition

Chat with Pupils on the Nomenclature of Music

Musical Literature

One Hundred Aphorisms

Course in Harmony

Literature of Music

Musical Literature

Instance

Course in Harmony

Power of Attention

Talk about the Musical Profession

So-Called Instruction Books

True Ideal of Technical Training

Volume 02, Number 03 (March 1884), Theodore Presser

The Etude Magazine: 1883-1957

Chat With Pupils on Thorough Study

Conferring Degrees on the Music Teacher

Successes, Directions, Incentives, Developments

Graded List of Popular Music

Wisdom of Many

One Hundred Questions in Harmony

Too Much Piano: Outcry of a Sufferer

Thought or Two

Use of Slow Piano Practice

How to Awaken the Pupil's Interest

Volume 02, Number 02 (February 1884), Theodore Presser

The Etude Magazine: 1883-1957

Few Thoughts for Piano-Forte Teachers

Gottschalk

Successes, Directions, Incentives, Developments

Action of the Fifth Finger in Piano Playing and the Means of Securing a Correct Position of Hand, Arm, and Fingers

Purity and Impurity

Robert Schuman's Rules for Young Musicians, Part 2

Thoughts on Piano Playing

Fourth Finger of the Left Hand

Volume 02, Number 12 (December 1884), Theodore Presser

The Etude Magazine: 1883-1957

International Copyright

Chats with Pupils on Repose in Piano Playing

Quick to Learn, Slow to Teach

Who Shall Select Pieces?

Artist-Concerts

What Shall I Buy?

How to Practice

Hand Push

On the Importance of Transposing

Helps in Scale-Practice

Beautiful Thoughts on Music

How to Win and Retain a Pupil

Volume 02, Number 01 (January 1884), Theodore Presser

The Etude Magazine: 1883-1957

On the Use of Piano Studies, Part 2

Few Thoughts for Piano-Forte Teachers

Successes, Directions, Incentives, Developments

Virginia State Music Teachers' Association

Reflections and Suggestions on Piano Technic

Robert Schumann's Rules for Young Musicians

Notes on Music

Bach's Method of Teaching

Musical Literature

Volume 01, Number 02 (November 1883), Theodore Presser

The Etude Magazine: 1883-1957

To Our Readers

Unprofitable Study

Wisdom of Many

20 Elementary Studies

Rules for the Fingering of Scales

Preparatory Scale Exercise

Vertical Relation Between the Fore-arm, Wrist, and Hand in Piano Playing

Observations on the Study of the Piano-Forte

Virginia Association of Music Teachers

Artistic Development

Thorough Practice

Volume 01, Number 01 (October 1883), Theodore Presser

The Etude Magazine: 1883-1957

Observations on the Study of the Piano-Forte

Wisdom of Many

Cautions for Pianists

Protection of the Musical Profession