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Articles 1 - 19 of 19
Full-Text Articles in Music Practice
From Inside The Recording Studio, Mckayla J. Adkison
From Inside The Recording Studio, Mckayla J. Adkison
Capstone Projects and Master's Theses
This project documents the historical, technical, and creative significance of recording studios through both industry examples and the design and construction of a personal backyard studio. By examining iconic studios such as Abbey Road and Capitol Records, the paper highlights how technological innovation, acoustic engineering, and architectural design have shaped the evolution of recorded music. These concepts are then applied to the planning and construction of a custom-built recording studio, emphasizing room dimensions, sound isolation techniques, acoustic treatment, lighting, and sustainable design choices. In addition, the project addresses the importance of aesthetics and emotional comfort in creating a space that …
Democratizing Music Production Through Technology, Jacob W. Alfaro
Democratizing Music Production Through Technology, Jacob W. Alfaro
Capstone Projects and Master's Theses
This paper explores the history of recording technology and the effects of innovations on recording contemporary music. It follows the changing roles and relationships between artist and producer, as well as a brief look into the recording of our album as a real-time example.
The Disappearance Of The Popular Song: Authenticity In The Age Of Ai Generated Music, Leah C. Kinzer
The Disappearance Of The Popular Song: Authenticity In The Age Of Ai Generated Music, Leah C. Kinzer
Proceedings of the New York State Communication Association
In the past several years, the prevalence of AI has become undeniable. From AI features on Google to ChatGPT, AI is providing us with instant knowledge and answers. But what happens when AI enters the creative sphere? Specifically, what happens when AI is used to create music mimicking the style and voice of artists who already exist? Is this stealing? Can this be described as true, authentic art? This paper discusses difference instances of AI generated music (AIGM) in pop culture as well as the philosophical and legal implications in an attempt to further the discussion about the role of …
Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community, Chorshanbe Goibnazarov
Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community, Chorshanbe Goibnazarov
Music & Performance in Muslim Contexts
An illuminating account of Ismaili music, spiritual poetry and social change in Badakhshan.
In the riverine valleys of the Pamir Mountains of Tajik Badakhshan, a thriving millennium-old community of Nizari Ismaili Muslims created a unique spiritual culture in which the performance of music and poetry plays a central role. This book focuses on the central musical and poetic tradition of the Pamiri Ismailis, qasīda-khonī (also known as maddo), tracing its origins, evolution, delocalisation and relocation.
This book introduces readers to leading performers of qasīda-khonī and to the Ismaili gnosis that inspires its music and poetry.
• Based on six …
An Interdisciplinary Analysis Framework For Found Object Experimental Music, Erin Demastes
An Interdisciplinary Analysis Framework For Found Object Experimental Music, Erin Demastes
LSU Doctoral Dissertations
Found object experimental music consists of compositions and performances created with objects not intended for musical performance. Found objects can range from appliances and household items to power tools and consumer products to souvenirs and heirlooms. Although these objects are used with the intent of creating musical compositions, new characteristics that are not found in traditional music emerge. One major characteristic that differentiates found object music from traditional music is that the objects have inherent cultural associations and meaning outside of their use in the composition. While an analysis of the sonic structures and scores of found object experimental music …
A Conversation With Loe Gino, Loe Gino, Seb Taylor
A Conversation With Loe Gino, Loe Gino, Seb Taylor
Digital Laboratory: Publisher of Internet Journal
LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …
Inattentional Deafness And Musical Training: Effects Of Perceptual Load On Tonal And Verbal Auditory Suppression, Annelise Coffey
Inattentional Deafness And Musical Training: Effects Of Perceptual Load On Tonal And Verbal Auditory Suppression, Annelise Coffey
All-Inclusive List of Electronic Theses and Dissertations
Inattentional deafness (ID) is a cognitive phenomenon of which we have relatively little understanding. The current study attempted to address this by considering current cognitive theories of thought and examined how musical training affects incidence rates of inattentional deafness. This study utilized a cognitive task and auditory stimuli previously designed to elicit inattentional deafness and measured musical training by administering the Goldsmith’s Musical Sophistication Index. Participants were instructed to engage in a high-load cognitive task, providing a condition in which inattentional deafness is likely to occur. During the task, a brief pure tone was presented simultaneously with the visual task …
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal
Capstone Projects and Master's Theses
This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.
The Significance Of Sonic Branding To Strategically Stimulate Consumer Behavior: Content Analysis Of Four Interviews From Jeanna Isham’S “Sound In Marketing” Podcast, Ina Beilina
Student Theses and Dissertations
Purpose:
Sonic branding is not just about composing jingles like McDonald’s “I’m Lovin’ It.” Sonic branding is an industry that strategically designs a cohesive auditory component of a brand’s corporate identity. This paper examines the psychological impact of music and sound on consumer behavior reviewing studies from the past 40 years and investigates the significance of stimulating auditory perception by infusing sound in consumer experience in the modern 2020s.
Design/methodology/approach:
Qualitative content analysis of audio media was used to test two hypotheses. Four archival oral interview recordings from Jeanna Isham’s podcast “Sound in Marketing” featuring the sonic branding experts …
Signal To Noise: Harmonic Temperaments And Patterns Of Interference, Dylan A. Marcheschi
Signal To Noise: Harmonic Temperaments And Patterns Of Interference, Dylan A. Marcheschi
Theses and Dissertations
An audio/visual exploration of historical tuning systems. Most contemporary Western audiences will seldom if ever encounter harmony outside of post-Renaissance tuning conventions. This presentation highlights some of those pre-orthodox harmonic relationships which existed throughout most of history. The corresponding paper documents correlates in recent advances of acoustic ecology.
Fostering Music Performers In The 21st Century: A Contemporary Professional Perspective Toward A New Curricular Agenda For Graduate Study In Music, Andre Januario
Graduate Theses, Dissertations, and Problem Reports (ETD)
What if the core curriculum for graduate students in music performance were designed to prepare students to succeed in the world of the Fourth Industrial Revolution?
This dissertation offers a hypothetical answer: a structured and systematic academic curricular framework for music graduate students of performance of concert music (especially those in terminal degrees, such as doctoral students), along with music instructors, professional music performers, school administrators, and college professors, seeking to prepare such students for achieving and maintaining a music career more in keeping with the current work environment, especially those skills demanded by the Fourth Industrial Revolution and the …
Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley
Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley
Graduate Theses, Dissertations, and Problem Reports (ETD)
Drawing upon the historical development of analog and digital technologies alongside the proliferation of computer-assisted performance practices, this research seeks to develop a framework for integrating Mixed Reality applications to live musical performance, specifically through the creation of a Microsoft HoloLens 2 Mixed Reality application in order to facilitate a live performance of an original musical composition for percussion and real-time Mixed Reality environment. Mixed Reality enables a performer to interact with virtual (holograms, VSTs, etc.) and physical (vibraphone, tuned drums, microphones, etc.) objects simultaneously. Tandem to the development of the conceptual framework was the composition of an original score …
The Effect Of Vocal Warm-Up On Voice Quality Of Untrained Female Singers In Malaysia, Wei Shean Ter
The Effect Of Vocal Warm-Up On Voice Quality Of Untrained Female Singers In Malaysia, Wei Shean Ter
Student Works (2020-2029)
Professional singers and singing teachers regard vocal warm-up as vital. However, very few studies have evaluated this effect quantitatively. This study aimed to evaluate the effect of the vocal warm-up on the singing voice quality through acoustic parameters of Jitter, Shimmer and harmonics-to-noise ratio (HNR) and to assess whether scientific evidence supports the warm-up procedure, whether an untrained singer can benefit from singing vocal warm-up exercises in a similar way as a trained singer and whether the vocal warm-up should be encouraged or bypassed. 40 untrained female singers were recorded twice while uttering the vowel /a/, /o/ and /i/ in …
Trippy Sounds: Recording Studio Effects Of Psychedelic Rock, 1960s And Present, Theo Farnum
Trippy Sounds: Recording Studio Effects Of Psychedelic Rock, 1960s And Present, Theo Farnum
Capstone Projects and Master's Theses
The psychedelic rock movement of the 1960s dominated popular music and culture of the decade. The movement was heavily shaped by the consumption of LSD, a mind-altering hallucinogenic drug. Songwriting and lyrics often reflected the drug and the states of mind that it induced, and unique cutting-edge production techniques were used to imitate the effects of LSD use. Artists such as The Beatles used new effects, such as phasing, artificial double tracking, tape loops, and reverse recording.
In the 21st century, music has again been described as psychedelic rock, though the music under that term is much more diverse. Bands …
Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana
Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana
Publications and Research
Catalogue for the exhibition "Lamin Fofana: Blues" presented at Baruch College's Mishkin Gallery in 2020.
A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne
A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne
Backstage Pass
Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.
New Compositions For Percussion Duo, Andrea Venet
New Compositions For Percussion Duo, Andrea Venet
Showcase of Faculty Scholarly & Creative Activity
The submitted videos are a representation of recent performances and world premieres of commissions by Dr. Andrea Venet’s percussion duo, Escape Ten. Escape Ten is an ensemble in residence at the UNF School of Music with Dr. Annie Stevens (Virginia Tech). The first video is of a new composition, 2300 Degrees, by Ivan Trevino. Trevino held a musical residence at the Corning Museum of Glass in Corning, NY and was greatly affected by observing glass blower Lino Tagliapietra work. Ivan states “In order to recreate the feelings I felt while watching Lino work, I decided to create a piece with …
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
Theses and Dissertations
For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.
This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.
The …
A Composed Space, Adam S. Hogan
A Composed Space, Adam S. Hogan
Graduate School of Art Theses
My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the language of minimalism, cinema, and abstraction I create technologically sophisticated systems to produce spaces of contemplation (a meditative space challenging the ephemeral relationships between our sensorial perceptions, space, and time).
Material, space, and technology become instruments for composition manifesting as silent experimental cinema (created and controlled sonically). My work seeks to illuminate our conscious scope through the succession of frames.