Music Performance Commons^™

Marshall University Music Department Presents Britten's Birthday Bash, Richard Kravchak, Elizabeth Reed Smith, Wing Sun Ku, Şőlen Dikener, Henning Vauth

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Faculty & Guest Artist Collaboration Series, "A Tour Around The World", London, Richard Kravchak, Elizabeth Reed Smith, Wing Sun Ku, Şőlen Dikener

All Performances

No abstract provided.

Marshall University Music Department Presents Serendipity, Kristen Alves, Lora Snow, Wendell B. Dobbs, Júlio Ribeiro Alves

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Faculty & Guest Artist Collaboration Series, "A Tour Around The World", Prague, Capital Trio, Şőlen Dikener

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Faculty & Guest Artist Collaboration Series, "A Tour Around The World", Salzburg, Ann Bingham

All Performances

No abstract provided.

Marshall University Music Department Presents A Faculty Recital, Reed Smith, Violin, Wendell Dobbs, Flute, With Guest, John Ingram, Piano, Elizabeth Reed Smith, Wendell B. Dobbs

All Performances

No abstract provided.

Marshall University Music Department Presents A Guest Artist Recital With The Sarasvati Trio, Marshall University

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Faculty & Guest Artist Collaboration Series, Violautalino Trio, Kristen Alves, Violin, Wendell Dobbs, Flute, Júlio Ribeiro Alves, Guitar, Kristen Alves, Wendell B. Dobbs, Júlio Ribeiro Alves

All Performances

No abstract provided.

Marshall University Music Department Presents The Violautalino Trio, Júlio Ribeiro Alves, Wendell B. Dobbs

All Performances

No abstract provided.

Marshall University Music Department Presents The Marshall University Symphony Orchestra, Family Concert, Dr. Elizabeth Reed Smith, Conductor, With, Olivia Hay, Violin Soloist, And, Dr. Jeffrey Pappas, Narrator, Elizabeth Reed Smith, Jeffrey L. Pappas, Olivia Hay

All Performances

No abstract provided.

Chord Conundrum: Examining The Performance Practice Of Polyphonic Figures In J.S. Bach's Solo Violin Works, Emily Vold

Theses and Dissertations

Interpreting and expressing the musical intentions of a composer in an informed manner requires great dedication and study on the part of a performer. This holds particularly true in the case of music written well before the present age, where direct connections to the thoughts of the composer and even the styles of the era have faded with the passing of time. Violinists today consistently struggle with studying and performing a set of works from the musical period referred to by scholars as the Baroque era (1600-1750), the Sonatas and Partitas for Violin without Bass accompaniment, composed by Johann Sebastian …

Marshall University Department Of Music Presents Classical Sounds Of Guitar And Violin, Kristen Alves, Júlio Ribeiro Alves

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive, Guest Artist Concert Series, The Capital Trio, Chopin Bicentennial Concert, Duncan Cummings, Piano, Hilary Cummings, Violin, Şölen Dikener, Cello, Duncan Cummings, Hilary Cummings, Şőlen Dikener

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Chamber Series, Guest Artists-Mu Faculty, Collaboration Concert, Ian Jessee, Violin, Şőlen Dikener, Cello, Tűrev Berki, Piano, Ian Jessee, Şőlen Dikener, Tűrev Berki

All Performances

No abstract provided.

Marshall University Music Department Presents The Nevelson Duo, Elizabeth Reed Smith, Violin, Leslie Petteys, Piano, Assisted By Blake Racer, Voice, In "E" Is For..., Elizabeth Reed Smith, Leslie Petteys

All Performances

No abstract provided.

A Critical Review Of Violin Solos Section Of The Nyssma Manual, Di Su

Publications and Research

The New York State School Music Association (NYSSMA) runs an annual evaluation of students' musical performance. The purposes of the evaluation are to promote music programs in the schools and communities of New York State, and to provide a means of objective evaluation of musical performance. The evaluation is influential because the selections of participant for All-State, All-County, and other music festivals are mainly based upon NYSSMA scores. To familiarize the evaluation criteria and to prepare students to meet the requirements, New York State music teachers use the "NYSSMA Manual" as an important teaching guide. Aiming at future revisions, this …

Master Of Music Bassoon Performance Recital, Benjamin R. Fox

Dissertations and Theses @ UNI

Benjamin Fox presented a graduate bassoon recital on 28 February 2008 at 8 P.M. in Davis Hall of the Gallagher-Bluedorn Performing Arts Center at the University of Northern Iowa. Mr. Fox was assisted by Dr. Robin Guy on piano, Bonnie Alger on violin, Renee Rapier on viola, Rachel Stadler on cello, and Dr. Jean McDonald on voice. The recital was presented in partial fulfillment of the requirements for a Master of Music degree in bassoon performance. The repertoire selected represents a variety of challenging pieces spanning a broad range of styles, instrumental groupings, and periods.

Gretchen Pearson, Violin, Music Department

Senior and Graduate Recitals

Senior recital featuring Gretchen Pearson on violin with Kevina Lam on piano.

Christopher Mroczek, Clarinet And Gretchen Pearson, Violin, Music Department

Junior Recitals

This Junior recital features Christopher Mroczek (clarinet) and Gretchen Pearson (violin).

Master's Flute Recital, Kylie Kay Anderson

Dissertations and Theses @ UNI

The graduate flute recital for Kylie Kay Anderson was presented at 6:00 p.m. on April 8, 2004 in Davis Hall at the Gallagher-Bluedorn Performing Arts Center, University of Northern Iowa. This recital was presented in partial fulfillment of the requirements for a Master of Music degree in flute performance. The repertoire represented a variety of challenging pieces from German Classical to Twentieth Century: 0istein Sommerfeldt's Vårlåter, Op. 44, Olivier Messiaen's Le Merle Nair pour Flute et Piano, Alfredo Casella's Sicilienne et Burlesque, and Ludwig Van Beethoven's Serenade, Op. 25.

Christine Flatley, Violin, Music Department

Senior and Graduate Recitals

This senior recital from April 27, 2003 featured Christine Flatley (violin) with Rachel Warfel (piano).

Christine Flatley, Violin, Music Department

Junior Recitals

This junior recital from December 9, 2002 features Christine Flatley (violin) with Brenda Siefferman (piano).

Christine Flatley, Violin, Music Department

General and Sophomore Recitals

This sophomore recital from March 28, 2002 features Christine Flatley (violin) with Alexis Ignatiou (piano), Stephanie Osborne (violin), Xiao Qing Chen (viola), and Rachel Shannon (cello).

Tchaikovsky And His Violin Concerto : A Theme Of Opposites, Jennifer Lynn Bougher

Undergraduate Honors Thesis Collection

No abstract provided.

Structural Developments Of The Violin And Bow As They Affected Violin Playing Technique From 1775 To 1850, Robert Donn Anderson

All Master's Theses

This paper represents a study of the alterations that were made in the structure and design of the violin and bow during the late eighteenth and early nineteenth centuries. These alterations were the result of the increasingly more difficult technical demands that were placed on the violinists of the late eighteenth century by composers of that period. Once the violin and bow had been restructured to meet those demands, many new violin playing techniques were introduced.

Recommendations included additional research.

Marshall University Music Department Presents The Marshall University Baroque Ensemble, Paul A. Balshaw

All Performances

No abstract provided.

Volume 69, Number 08 (August 1951), John Briggs

The Etude Magazine: 1883-1957

Young Man with an Idea

Forgotten Songs of Robert Burns

Musicians in the Woods

Let's Teach the Child How to Practice

Musician's Working Capital

Music Weaves Patterns

Bruckner and the St. Florian Organ

Decline of the Art of Singing: If Bel Canto is a Lost Art, It May be the Fault of Composers Rather than of Singers

Master Lesson on Schumann's Novellette, Op. 99, No. 90

Sing as You Speak

Capturing Interest in Music

Studio Rogues' Gallery

Story of the Baton

Volume 66, Number 10 (October 1948), James Francis Cooke

The Etude Magazine: 1883-1957

Making Amusements Safe for Youth

Music Teachers National Association

Let Your Ear Be Your Master! (interview with Ferruccio Tagliavini)

Domestic Musical Trinity: Parent—Teacher—Pupil

How the Master Composers Composed

New Ideas on Musical Memory, Sight Reading, and Programs

Musikwiz Matching Test

Musical Children: Prodigies or Monsters?

Letter from Pepito Arriola

About the Oboe

Zal, the Secret of Chopin's Genius

Know Your Own Worth

I Do Not Die Altogether

Volume 60, Number 03 (March 1942), James Francis Cooke

The Etude Magazine: 1883-1957

Proud to Be a Go-Between

Forward March with Music!

Highlights in the Art of Teaching the Piano

Practical Steps Toward Better Singing (interview with Emma Otero)

Dedicated to _______

How I Became an Opera Conductor (interview with Edwin McArthur)

Returning to Vocal Fundamentals

Cultural Value of Magazines in America: The Report of an Exhaustic Scientific Survey Conducted by Purdue University and Directed by Dr. H.H. Remmers and Dr. W.A. Kerr

Recognition for the Composer

Dear Harp of My Country: Tom Moore the Irish Minstrel

Have You a Song in Your Heart?

Outstanding Achievements of Negro Composers

Try It in Your …

Volume 18, Number 01 (January 1900), Winton J. Baltzell

The Etude Magazine: 1883-1957

What is Classical Music?

Parable

Parental Indulgence

Schumann's Early Loves

Originality in Teaching

Schumann: A Vanishing Star

Tone

Teaching Tonality

True Story: A Tale of a Music Student

Last Work

Studio Comfort

What is the Scale of this Passage?: Practical Hints for a Prompt Reply to this Common and Often Perplexing Questions

Musical Impurity

Methods

Relation of the Music Department to the College

Musical Heredity

Indiscriminate Advice and Its Evils

Anitra's Dance

Teacher of Music: His Character and His Training (A Symposium)

Russian School of Music

Illustration in Teaching: Some Practice Examples

Pieces, Exercises or Etudes—Which?

Dignity of our Profession …