Open Access. Powered by Scholars. Published by Universities.®

Music Performance Commons™

Open Access. Powered by Scholars. Published by Universities.®

Music

Discipline
Institution
Publication Year
Publication
Publication Type
File Type

Articles 451 - 480 of 624

Full-Text Articles in Music Performance

O God, Our Help In Ages Past: A Festival Of Hymns For Epiphany, Calvin Symposium On Worship Planning Committee Jan 1990

O God, Our Help In Ages Past: A Festival Of Hymns For Epiphany, Calvin Symposium On Worship Planning Committee

Symposium on Worship Archive

Program for a hymn festival for the first week of Epiphany–the season of the Church Year in which we celebrate Christ's manifestation to the entire world. But the incarnation of Christ is only one of several manifestations of God to us, and this services proclaims the epiphanies of our God throughout all of redemptive history, as described in the book of Isaiah. For our God is a God of time, our help in all ages.

Go to article

A Gourmet Dessert Concert (December 1, 1989), Lindenwood College Dec 1989

A Gourmet Dessert Concert (December 1, 1989), Lindenwood College

Student Music Performance Programs

Event program for A Gourmet Dessert Concert (December 1, 1989).

Go to article

Parents Day Concert, Illinois Mathematics And Science Academy Nov 1988

Parents Day Concert, Illinois Mathematics And Science Academy

Choral

No abstract provided.

Go to article

An Evening Of Classics (April 10, 1988), Lindenwood College Apr 1988

An Evening Of Classics (April 10, 1988), Lindenwood College

Student Music Performance Programs

No abstract provided.

Go to article

Poetry: Toward Speaking For, Charles Hartman Apr 1988

Poetry: Toward Speaking For, Charles Hartman

English Faculty Publications

The article presents an essay that finds the relation among jazz, song and poetry. In 1985 Larry Coryell and Emily Remler released an album of guitar duets. Coryell pioneered the "fusion" of jazz and rock styles in the mid-sixties, and has developed that border area ever since. Remler, a more recently risen star, has more closely followed a jazz line of development. The differentiation of the voice of the poem, its discovery of its own potential multiplicity, is a point arrived at, not begun from.

Go to article

Spring Concert (April 20, 27, 1986), Lindenwood College Apr 1986

Spring Concert (April 20, 27, 1986), Lindenwood College

Student Music Performance Programs

Event program for the Spring Concert (April 20, 27, 1986).

Go to article

89th Annual Convocation; Annual Spring Concert, The Sherwood Conservatory Of Music Jun 1984

89th Annual Convocation; Annual Spring Concert, The Sherwood Conservatory Of Music

Commencement Programs

Programs for the Sherwood Music School 89th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1984 and the Annual Spring Concert on May 20, 1984

Go to article

88th Annual Convocation, The Sherwood Conservatory Of Music Jun 1983

88th Annual Convocation, The Sherwood Conservatory Of Music

Commencement Programs

Program for the Sherwood Music School 88th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1983

Go to article

87th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1982

87th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 87th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 4, 1982 and the Annual Spring Concert on May 23, 1982

Go to article

Tani Various, Sikaiana People Jan 1982

Tani Various, Sikaiana People

Sikaiana Traditional Songs

These are transcriptions of several tani or funeral dirges. Tani are composed after a person dies. I do not have a record of who gave me the transcriptions, most likely John Kilatu and/or Reuben Tenai. I do not have recordings for these songs.

Go to article

86th Annual Convocation; Annual Spring Concert, Sherwood Music School May 1981

86th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 86th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on May 29, 1981 and the Annual Spring Concert on May 3, 1981

Go to article

Music For Strings I, Ii, Iii, Doug Lofstrom Jan 1981

Music For Strings I, Ii, Iii, Doug Lofstrom

Doug Lofstrom Music Collection

A symphonic piece for string orchestra. the first and second movements were composed in 1977 and the third movement and refashioning of the piece was completed in 1981. The accompanying audio recording is performed by the Russian String Orchestra in 2021, conducted by Misha Rachlevsky, Score is 27 pages and recording is 13:20 minutes.

Go to article

Mako Hatu Composed Songs, Reuben Tenai, John Kilatu Dr Jan 1981

Mako Hatu Composed Songs, Reuben Tenai, John Kilatu Dr

Sikaiana Traditional Songs

Two traditional composed songs (mako hatu) that I found in my notes, most likely from John Kilatu and/or Reuben Tenai.

Go to article

85th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1980

85th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 85th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1980 and the Annual Spring Concert on May 18, 1980

Go to article

84th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1979

84th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 84th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 1, 1979 and the Annual Spring Concert on May 20, 1979

Go to article

83rd Annual Convocation, Sherwood Music School Jun 1978

83rd Annual Convocation, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 83rd Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 2, 1978

Go to article

82nd Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1977

82nd Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 82nd Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1977 and the Annual Spring Concert on May 20, 1977

Go to article

81st Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1976

81st Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 81st Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 8, 1976 and the Annual Spring Concert on June 3, 1976

Go to article

80th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1975

80th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 80th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 11, 1975 and the Annual Spring Concert on May 28, 1975

Go to article

The Unicorn, The Gorgon, And The Manticore (April 3-5, 12-13), Lindenwood College Apr 1975

The Unicorn, The Gorgon, And The Manticore (April 3-5, 12-13), Lindenwood College

Student Music Performance Programs

Event program for The Unicorn, The Gorgon, and the Manticore (April 3-5, 12-13)

Go to article

79th Annual Convocation , Sherwood Music School Jun 1974

79th Annual Convocation , Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 79th Annual Spring Concert on June 12, 1974 and the Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on May 31, 1974

Go to article

78th Annual Convocation , Sherwood Music School Jun 1973

78th Annual Convocation , Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 78th Annual Spring Concert on June 1, 1973 and the Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 15, 1973

Go to article

Frauenliebe Und Leben, Rose I. Bolstad Aug 1972

Frauenliebe Und Leben, Rose I. Bolstad

All Master's Theses

The song cycle, Frauenliebe und Leben, composed by Robert Schumann to a text by Adelbert von Chamisso, is particularly effective when the complete cycle is performed. This author, performing and studying the cyrcle, found that the piano accompaniment frequently moves independently of the vocal line, though it is an integral part of the cycle. The rhythmic patterns are designed to bring out the expressive quality of the text. Harmonic devices include extensive use of chromatic alterations, irresolution of chords, and free modulation. Finally, the vocal interpretation requires a singer with considerable poetic sensitivity.

Go to article

77th Annual Convocation , Sherwood Music School Jun 1972

77th Annual Convocation , Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 77th Annual Spring Concert at Thorne Hall (740 North Lake Shore Drive) on May 21, 1972 and the Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 16, 1972

Go to article

Elements Of Preparation Requisite For Performance Of The Brahms Cycle, Vier Ernste Gesange, Opus 121, Donald L. Ricks Jan 1972

Elements Of Preparation Requisite For Performance Of The Brahms Cycle, Vier Ernste Gesange, Opus 121, Donald L. Ricks

All Master's Theses

This paper examines the text, the harmonic, tonal, melodic and stylistic characteristics of the cycle Vier ernst Gesange, op. 121 by Johanne Brahms as they relate to preparation for authoritative interpretation in formal concert performance. The study includes reference to particular events in the composer's life which directly influenced his decision to compose this final vocal work. In addition specific problems to be met in vocal technique, interpretative insight and German diction are discussed.

Go to article

Handel's Bass Solos In His Oratorios, Ronald E. Jones Aug 1971

Handel's Bass Solos In His Oratorios, Ronald E. Jones

All Master's Theses

Handel, recognized as a great Baroque composer, has had his vocal compositions performed by most serious singers. Many of these would agree that his compositions are, in general, very considerate of the singer and seldom vocally awkward. Since Handel wrote for all types of voices, most singers may find appropriate literature in his oratories. All singers should have some acquaintance with Handel's vocal compositions. Unfortunately, much of the present repertoire represents little of the bel canto techniques of the golden age of singing of which Handel was a part. This writer believes every serious vocal student should at least know …

Go to article

76th Annual Convocation; 76th Annual Spring Concert, Sherwood Music School Jun 1971

76th Annual Convocation; 76th Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 76th Annual Spring Concert held at Thorne Hall (740 North Lake Shore Drive) on Jnue 6, 1971 and the Commencement ceremony held at Recital Hall (1014 South Michigan Avenue) on June 16, 1971.

Go to article

The Preparation Of A Graduate Eb Alto Saxophone Recital, Thomas G. Barber Jul 1970

The Preparation Of A Graduate Eb Alto Saxophone Recital, Thomas G. Barber

All Master's Theses

For years there has been a controversy about whether a person must be a good performer to be a good teacher. It is the writer's hypothesis that the musicianship developed in becoming a better performer will help one to become a better teacher.

Go to article

75th Annual Convocation, Sherwood Music School Jun 1970

75th Annual Convocation, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 75th Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 26, 1970 and the Convocation ceremony at The Kungsholm (100 East Ontario Street) on June 16, 1970

Go to article

An Original Composition For Symphonic Wind Ensemble In Contemporary Style, Patrick Ellis Thompson Aug 1969

An Original Composition For Symphonic Wind Ensemble In Contemporary Style, Patrick Ellis Thompson

All Master's Theses

The purpose of the composition, Overture for Symphonic Winds, is to contribute to the list of works designed exclusively for wind ensemble performance.

Go to article

First Prev Next Last