Music Performance Commons^™

Woodwind/Percussion Seminar, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Mason Bush, Tuba, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Will Yager, Double Bass, Faculty Recital, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Abigail Holschlag, Trumpet, March 7, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Diversity Recital: March 7, 2025, School Of Music,

School of Music Programs

Kemp Recital Hall

March 7, 2025

Friday Evening

7:30 p.m.

Isu Clarinet Choir: March 7, 2025, Anne Dervin

School of Music Programs

Kemp Recital Hall

March 7, 2025

Friday Evening

6:00 p.m.

A Case For The Original Setting Of Rachmaninoff’S Piano Sonata No. 2, Op. 36, Alexias L. Ferrer

LSU Doctoral Dissertations

This document aims to examine both the original 1913 and revised 1931 settings of Sergei Rachmaninoff’s Piano Sonata No. 2 Op. 36, and to present a case in favor of the lesser-known 1913 rendition of the piece as the more definitive setting of the work. The study begins with historical background information on the work and shows how the piece originated from a mature composer at the most productive period in his life and contrasts this to the historical background of the work’s revision. In a deeper analysis of form and content, the positives and negative qualities of each version …

Guest Artist Recital Duo Axis: March 6, 2025, Zach Sheets, Wei-Han Wu

School of Music Programs

Kemp Recital Hall

March 6, 2025

Thursday Evening

7:30 p.m.

Anzû Quartet, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: March 5, 2025, Max Russo, Dane Rabe, Charlie Machamer, Noah Berkshire, Diego Martinez, Jameel Stephans

School of Music Programs

Kemp Recital Hall

March 5, 2025

Wednesday Evening

7:00 p.m.

Convocation Recital: March 4, 2025, School Of Music,

School of Music Programs

Kemp Recital Hall

March 4, 2025

Tuesday Morning

11:00 a.m.

Guest Artist Recital Series: March 3, 2025, Dr. Jennifer Carpenter, Dr. Daniel Baer

School of Music Programs

Kemp Recital Hall

March 3, 2025

Monday Evening

7:30 p.m.

Graduate Recital: March 2, 2025, Jinyu Zhang

School of Music Programs

Kemp Recital Hall

March 2, 2025

Sunday Evening

6:00 p.m.

Junior Recital: March 2, 2025, Nicole Schmidt, Momoko Gresham

School of Music Programs

Kemp Recital House

March 2, 2025

Sunday Afternoon

4:30 p.m.

Evening Of Brass Concert: March 2, 2025, School Of Music,

School of Music Programs

Center for Performing Arts

March 2, 2025

Sunday Evening

6:00 p.m.

Junior Recital: March 2, 2025, Charlie Miller, Momoko Gresham

School of Music Programs

Kemp Recital Hall

March 2, 2025

Sunday Evening

7:30 p.m.

Doris Wylee-Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Junior Recital: March 2, 2025, Jess Noga, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 2, 2025

Sunday

Noon

Graduate Recital: March 1, 2025, Christopher Bulding

School of Music Programs

Kemp Recital Hall

March 1, 2025

Saturday

Noon

Sophomore Recital: March 1, 2025, Breanna German, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 1, 2025

Saturday Afternoon

3:00 p.m.

Senior Recital: Anna Phillips, Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Music Festival 2025 - Finale Concert, Andrews University

Concerts and Event Programs 2024-2025

The Department of Music presents the I Dream a World Finale Concert of the Music Festival 2025

Andrews University Wind Symphony Spring Tour 2025, Andrews University

Concerts and Event Programs 2024-2025

The Andrews University Wind Symphony Spring Tour to Ohio, Pennsylvania, New Jersey, and New York under the direction of Dr. Denisse Santos.

Woodwind/Percussion Seminar, February 28, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Charles W. Bolen Faculty Recital Series: February 28, 2025, Anne Mcnamara, Mark Babbitt, Benjamin De Kock, Grace Eom, David Gresham, Galina Kiep, Anthony C. Marinello Iii, Alex Stephenson, Benjamin Stiers, Anna Wallace

School of Music Programs

Kemp Recital Hall

February 28, 2025

Friday Evening

7:30 p.m.

Dido And Aeneas: February 28, 2025, School Of Music,, School Of Theatre, Dance, And Film

School of Music Programs

Center for the Performing Arts

February 28 and March 1, 2025

7:00 p.m.

2024-2025 Performance Forum - February 28, 2025, Sarah Conley, Aneliya Novikova, Dina Bikzhanova, Sheng Yuan Kuan, Joseph Muhl, Li Yang Liu, Youbeen Cho, Santiago Moreno, Ingryd Herrera, Michael Shipps, Patrick Hengstler, Devin Foster

Performance Forum

No abstract provided.

Lontas: The Aesthetic Concept Of Mortar Music Of Farmer Community In Turi Village, Indonesia, Dea Lunny Primamona, Bambang Sunarto

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

This research is focused on the phenomena of an aesthetic impression in kothékan lesung performed by a farmer community in Turi Village, Magetan District, Indonesia. This research aims to understand the kothékan lesung as an art system and understand the idiom lontas expressed verbally in their mortar music performance. This research uses an ethnomusicology approach which includes fieldwork and deskwork. The research is sequentially conducted with observation, interviews, recordings, measurements, and studying literature and documents. This article uses Sedyawati’s concept about the art system and Sethares’s concept about the science of sound to analysis data. The result shows that: (1) …

2024-2025the Sixteenth Annual Scholarship Fund Concert At The Country Club Of Florida, Jon Cruz, Yilian Concepcion, Aneliya Novikova, Keegan Neely, Paola Garcia, Caroline Dratnal

Friends of the Conservatory Events

No abstract provided.

Charles W. Bolen Faculty Recital: February 27, 2025, Rachel Hockenberry, Mica Redden, Lu Witzig

School of Music Programs

Kemp Recital Hall

February 27, 2025

Thursday Evening

7:30 p.m.