Music Performance Commons^™

Flute Studio Recital: April 7, 2025, Dr. Kimberly Risinger, Gina Russell, Lu Witzig

School of Music Programs

Kemp Recital Hall

April 7, 2025

Monday Evening

7:30 p.m.

Senior Joint Recital: April 6, 2025, Tyler Belan, Kevin Riedl

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Afternoon

1:30 p.m.

Senior Recital: April 6, 2025, Rosalie Truback, Lu Witzig, Kahauri Brown-Givens, Kendra Chaney, Wes Smith, Emma Turner, Seth Berkshier

School of Music Programs

kemp Recital Hall

April 6, 2025

Sunday Afternoon

3:00 p.m.

Percussion Ensemble: April 6, 2025, David Colliers, Ben Stiers

School of Music Programs

Center for the performing Arts

April 6, 2025

Sunday Evening

7:00 p.m.

Graduate Recital: April 6, 2025, Aerim Kim, Ender Loya, Sohee Kim, Nevah Bos

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Afternoon

4:30 p.m.

Junior Joint Recital: April 6, 2025, Michael Hammon, Joanie Hitt, Lu Witzig

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Evening

6:30 p.m.

Junior Recital: April 6, 2025, Sam Fortuna, Grace Eom

School of Music Programs

Kemp Recital House

April 6, 2025

Sunday Evening

8:00 p.m.

Global Sounds, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Student Joint Recital: April 6, 2025delia, Delia Bonnet, Jay Cebrero, Zach Tarack, Grace Eom

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Evening

9:00 p.m.

Graduate Recital: April 6, 2025, Gina Russell, Lu Witzig

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday

Noon

Senior Recital: Leah Li, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Junior Recital: April 5, 2025, Brandon Campos, Zeph Mussman

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Evening

6:00 p.m.

Junior Recital: April 5, 2025, Kahauri Brown-Givens

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Afternoon

3:00 p.m.

Junior Recital: April 5, 2025, Joe Brackmann, Lu Witzig

School of Music Programs

Kemp recital Hall

April 5, 2025

Saturday Afternoon

4:30 p.m.

Senior Recital: April 5, 2025, Iona Dillon, Grant Cermak

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Evening

7:30 p.m.

Civic Chorale: April 5, 2025, Macauley Allen, Tracy Marie Koch, Matthew Mancillas, Sidney Megeff, Olivia Schickel, Julia Smitendorf, Kristyn Szwajka

School of Music Programs

Center for the Performing Arts

April 5, 2025

Saturday Evening

6:00 p.m.

Senior Recital: April 5, 2025, Jenny Komperda, Lu Witzig

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Afternoon

1:30 p.m.

Junior Recital: April 5, 2025, Nadia Jenson

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday

Noon

Andrews University Singers & Chorale - Spring Concert, Andrews University

Concerts and Event Programs 2024-2025

Andrews University Singers and Chorale presents their Spring Concert, Paradise Promised, under the direction of Professor Stephen Zork.

2024-2025 Master Of Music Recital - Joel Osinga (Cello), Joel Osinga, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

Combined Seminar, April 4, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Senior Recital: April 4, 2025, Lucy Harazin, Grant Cermak, Lydia Cermak

School of Music Programs

Kemp Recital Hall

April 4, 2025

Friday Evening

6:00 p.m.

Sophomore Recital: April 4, 2025, Elton Gund, Graham Miller

School of Music Programs

Kemp Recital Hall

April 4, 2025

Friday Evening

7:30 p.m.

Idiosyncratic Approaches To Electronic Music-Making Through Mobile Technologies, Nick E. Wilson, Martin K. Koszolko

Staff Scholarship - Australia & Dubai

This paper examines the transformative impact of mobile technologies on electronic music-making, highlighting how portable apps and hardware enable idiosyncratic approaches beyond traditional live and studio setups. Drawing on the authors’ extensive experience within and beyond Clan Analogue—Australia’s longest-running electronic music collective—the research contrasts conventional configurations with innovative mobile instruments and apps. By analysing a range of tools, from budget-friendly synthesisers to advanced smartphone and tablet apps, the paper explores how mobile technologies foster new creative possibilities. Using qualitative methods, the authors integrate personal experiences and a broad examination of music equipment to investigate the setting-based mobile music creation model, …

2024-2025 Performance Forum - April 4, 2025, Megan Hagel, Zion Montebon, Noah Suarez, Lillian Platte, Ana-Maria Uzunova, Ruvit Bracho, Joel Osinga

Performance Forum

No abstract provided.

Miranda Finn, Flute, In A Graduate Recital, April 3, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Saxophone Studio Recital: April 3, 2025, School Of Music,

School of Music Programs

Kemp Recital Hall

April 3, 2025

Thursday Evening

7:30 p.m.

In The Collegiate Voice Studio: A Pedagogical Analysis Of Distinctive Works By Fanny Mendelssohn Hensel, Lili Boulanger, And Libby Larsen, Megan A. Calgaro

Recital Papers

In the Collegiate Voice Studio: A Pedagogical Analysis of Distinctive Works by Fanny Mendelssohn Hensel, Lili Boulanger, and Libby Larsen

Music In The Catholic Church: An Analysis Of Hymns And Congregational Singing In Roman Catholic Churches In The United States, Andrew T. Medrick

Senior Theses

This thesis examines the musical dilemma in the American Catholic Church, highlighting issues such as inappropriate musical selections for the Mass and a profound lack of congregational singing. Through a literature review of Vatican documents, expert opinions, and hymns, I analyze the criteria for music used in the Mass, identify common failures of musical selections presented in many Catholic churches, and offer practical guidance to improve sacred music in parishes and dioceses. I conclude that music used in the Mass must be sourced primarily from Sacred Scripture, in full conformity to the doctrines of the Roman Catholic Church, and easy …

An American Song Cycle: A Performance Guide To The Rim Of Love By Andrea Clearfield, Margot Marie Porter

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Philadelphia-based American female composer Andrea Clearfield (b. 1960) arranged the cantata The Rim of Love into a song cycle for soprano and piano, featuring poetry written by Manfred Fischbeck (1940–2021). Fischbeck and Clearfield met in 1985 while both on faculty at the University of the Arts in Philadelphia, where they cultivated a lifelong creative partnership and friendship, along with being romantic partners for 20 years.

Clearfield has composed over 170 works, including opera, chamber ensembles, solo instruments, chorus, and orchestra. In 2005, the nonprofit mentoring program Astral Artists, based out of Philadelphia, commissioned Clearfield to compose The Rim of Love …