Music Performance Commons^™

Relationships Between Modern Marching Percussion And Concert Percussion: An Investigation Of Selected Percussion Ensemble Repertoire, Ian Patrick Mahaffey

Theses and Dissertations

Percussion, as an expansive and diverse art form, encompasses a wide range of performance and cultural aesthetics, all unified by the foundational elements of rhythm, technique, and expression. Within this spectrum, the relationships between marching percussion and concert percussion presents a significant area of study. This document explores the relationships of marching percussion and concert percussion through the contextual analysis of specific percussion ensemble repertoire. By defining the distinct characteristics of concert and marching percussion, the study establishes a framework for comparison and analysis. It highlights how techniques, both musically and compositionally, and the roles of specific instrumentation has contributed …

As Iron Sharpens Iron: Intentional Near-Peer Mentorship In The Collegiate Applied Studio, Morgan Smith Owen

Theses and Dissertations

Undergraduate students struggle to adjust to the expectations of university music programs. Mentoring programs are consistently cited as tools to build social capital and academic success, but there are few documented studies of mentoring applied directly to the traditional model of conservatory music instruction. Effective near-peer mentoring can build musicianship skills and develop accountability, establishing stronger practice routines and easing the transition to collegiate music study for younger students. This case study examines three models of mentorship to identify ways to create an intentional mentorship program within the applied studio, regardless of scale or specific form of instruction.

What Is Standard? Defining The Orchestral Percussion Excerpt Canon Through Comparison To Annual Symphonic Programming, Julia Kathleen Ross

Theses and Dissertations

The present study seeks to compare requirements for orchestral auditions with season programming for 15 American orchestras to gauge the perception that the most frequently requested percussion excerpts are from works that are rarely, if ever, performed. Examination of required repertoire lists for 35 auditions held by the surveyed orchestras from 2000-2025 shows the relative frequency of each excerpt among eight instrument categories and demonstrates that certain selections are more firmly entrenched in the audition canon than others. This analysis complements a comprehensive review of each orchestra’s Masterworks programming from September 2014-June 2025, wherein the appearance of the larger work …

Reimagining Musical Collaboration: Ai And Music Real-Time Communication (M-Rtc), The Future Of Musical Creativity, Dana Kemack Goot

Journal of the Association for Technology in Music Instruction

This project explored the intersection of Music Real-Time Communication (M-RTC), artificial intelligence (AI), and machine learning (ML) in online musical collaboration. Presented at the 2023 National CMS/ATMI conference, the project served as a preliminary inquiry into how online musicking technologies impact human-to-human interactions and sought out the capabilities in creativity in music technology. The live performance featured three musicians performing from different geographic locations using an AI-generated composition and an AI-powered accompaniment application. The project demonstrated the creative potential of integrating AI and ML into M-RTC, expanding the possibilities for remote collaboration, composition, and performance. The musicians navigated both the …

Clarifying Issues Surrounding The “First” Jazz Recording, Mark C. Gridley

The IASJ Journal of Applied Jazz Research

Ten questions are answered regarding the first jazz recording, whether it was really the first, and if so, how it qualifies as jazz. They touch on the nature of swing feeling, the extent of improvisation in the recordings, the primacy of the Original Dixieland Jazz Band, the recordings of Wilbur Sweatman, and the comedy team of Harlan and Collins, and why the Original Creole Orchestra of Bill Johnson, featuring Freddie Keppard, did not record.

East Asian And “Extraordinary”: Intersecting Racial And Musical Identities In The Classical Music Solo Career, Audrey Chen

Dissertations, Theses, and Capstone Projects

A performer’s success within the classical music industry is reliant not only on musical merit but also on extramusical factors like race, gender, class, and culture, all of which influence a musician’s upbringing. For East Asian musicians, distinctions of merit can be accompanied by racialized and often paradoxical narratives about Asian identity that essentialize their performance, personality, and background. This dissertation examines how Asian and Asian-American performers of Western classical music navigate this interplay of racial and musical identity within their careers, with a specific focus on string players and pianists.

Chapter 2 introduces five major racialized narratives used to …

Friends And Family: How To Prepare A Themed Recital, Henry Broughton

University Honors Theses

Recital preparation is an essential part of being a successful musician that can be very challenging to students that are unfamiliar with the process. A recital that revolves around a theme can lead to greater audience engagement and make a sense of continuity to multiple pieces on a recital. Though there are countless method books to brass playing, very few of them discuss a method or process for organizing recitals, especially recitals revolving around a theme.

In this paper I will discuss the methods that I used to prepare my senior thesis recital: the techniques I used to practice difficult …

Breath, Void, Ground, Huichun Yang

Masters Theses

Before the sound, there is breath. Before the explosion, there is a threshold. Before the noise, there is silence.

Inspired by the physicality of balloons, this thesis explores breath as sonic material that carries memory, moves through bodies, and resonates across spaces. The balloon becomes a skin that holds breath: a force inhaling trauma, ritual, and intimacy. When released through mouth and latex, breath conjures alien, untranslatable voices that hiss and hum.

It begins with a balloon and expands with endless breath. The balloon becomes a site where the history, body, and voice disintegrate and reform. The pressure and tension …

Kevin Bobo's Boboland: A Performer's Guide, Tyler D. Whitehead

LSU Doctoral Dissertations

Kevin Bobo is an active American percussionist, educator, and performer that continues to leave a lasting influence in the percussion community. His works for chamber percussion ensemble and solo marimba continue to push the limitations for percussionists in terms of technical ability, new compositional methods and techniques for expanded timbral effects. Bobo’s compositions such as Boboland, a marimba solo with percussion quartet, present technical and musical challenges that are generally unaligned with traditional performance practices in percussion and especially the marimba. This document aims to provide detailed guidance and instruction for the performance of Boboland and will cover all aspects …

Sweet Talk "Switch On", David Turner, Soren Walker

Staff Scholarship - Australia & Dubai

“Switch On” is the debut album by Melbourne’s Sweet Talk. Founded in 2018 by D. M. Turner and Soren Walker, Sweet Talk was created as a means to explore their love of American music of the mid to late 20th century through a uniquely Australian lens. Australia and the United States have a close relationship stretching back over 100 years. This bond continues to be expressed geopolitically and is prevalent in the cross-cultural exchange found in contemporary music. Sharing a British and Irish heritage, the countries have developed several musical styles in parallel including country music and rock n roll. …

The Application Of Syncopated Rhythms In The Development Of Sight-Reading Skills For Non-Keyboard Music Majors, Ronald David Rodriguez Herrera

LSU Doctoral Dissertations

This study investigates the impact of integrating syncopated rhythms into the group piano curriculum for undergraduate music students with varied levels of piano proficiency. Participants (N=76) enrolled in Group Piano II and IV were assigned control and experimental groups across multiple class sections. Three research questions guided the study: (1) How does the introduction of syncopated rhythm patterns affect group piano students’ sight-reading performance? (2) How does consistent practice of syncopated rhythms influence students' ability to sustain a steady pulse? (3) Do students consider exposure to syncopated rhythms a valuable component in their future careers as music educators …

Graduate Harpsichord Recital, Dongyuan Chen

Electronic Theses & Dissertations

The thesis consists of a harpsichord recital that will include the Suite No. 3, “Melpomene” in A Minor by Johann Caspar Ferdinand Fischer; The First Pavan and Galliard by William Byrd; Sesta Toccata by Michelangelo Rossi; Sonata No. 1 in C Major: The Fight between David and Goliath by Johann Kuhnau; Keyboard Sonata No. 37 in E Minor by Carlos de Seixas; Keyboard Suite in D Minor, HWV 436, by George Frideric Handel; and Passacaglia Ungherese by György Ligeti. Accompanying the recital is an extended research document, which includes program notes with introductions to the composers and their musical styles, …

East Meets West In Chinese Orchestral Repertoire: The Fusion Of Chinese Nationalism And Western Musical Influence, Tianxi Wen

UNLV Theses, Dissertations, Professional Papers, and Capstones

This doctoral document explores the intersection of Chinese musical traditions and Western orchestral influences, focusing specifically on how Chinese composers have navigated this blend to create distinctive orchestral works. Grounded in my background as a doctoral student in orchestral conducting and enriched by my ethnomusicological expertise, this document examines how these composers have integrated both traditions into their music.CHAPTER 1, “Introduction”, introduces the document’s structure, central argument, and the selection of orchestral works for analysis. It also defines the document's purpose and scope. CHAPTER 2, “A Brief History of the Orchestra in China”, examines the origins, evolution, and development of …

The Jack Pine And Four Other Solo Piano Works Composed By Five Canadian Women In The Twenty-First Century, Huanwen Wang

Dissertations, 2020-current

This document aims to shine a light on five distinctive piano works by five twenty-first century Canadian women composers. The pieces are Minute Etudes (Book Two) (2002) by Emily Doolittle, From Wapta Ice (2003) by Diana McIntosh, The Jack Pine (2010) by Jocelyn Morlock, Smoke Darkened Sky (2021) by Kelly-Marie Murphy, and …our inner lives were entwined… embroidered with the same pattern... (2021) by Karen Sunabacka. The main objective of this document is to identify stylistic traits in the selected pieces, discuss the source of inspiration of each piece and illustrate how the musical elements reflect the source of …

The Sonata For Double Bass And Piano By Ruth Gipps: A New Performer's Edition With Commentary, Nicholas M. Greer-Young

Dissertations, 2020-current

The Sonata for Double Bass and Piano by Ruth Gipps (completed in 1996) presents unique challenges for performers. The piece was previously only available in a published version of the manuscript which lacks many articulation markings, dynamics, and other expressive indicators. This allows performers justification for a wide variety of interpretations but also requires a high level of analytical investment to produce a compelling performance. The new, fully edited, score makes the sonata more easily accessible while the opportunity to engage in in-depth analysis and interpretation offers tremendous pedagogical value to students who would like to start from the first …

A Discussion Of Rodion Shchedrin’S Ten Piano Pieces, Op. 20, Wei Mo

Dissertations, 2020-current

Russian composer and pianist Rodion Shchedrin (b. 1932) is considered one of the most successful contemporary Russian composers. He established his reputation at a young age. This document will discuss Shchedrin’s early musical style as reflected in his Ten Piano Pieces, Op. 20, a collection of ten pieces composed between 1952 and 1961. By analyzing the structure, harmony, and character of these pieces, this document aims to explore the commonalities among them and explore the distinctive appeal of Shchedrin's music.

Elements Of Greek Identity In The Eight Dances From The Greek Islands By Yiannis Constantinidis, Afroditi Mitsopoulou

Dissertations, 2020-current

The purpose of this research is to present elements of Greek style and identity in the composition for solo piano, Eight Dances from the Greek Islands (Οκτώ Νησιώτικοι Ελληνικοί Χοροί, για πιάνο) (1954) by Yiannis Constantinidis. What is regarded as Greek national identity? How was it formed and developed throughout the centuries, and what compositional techniques did Greek composers before Constantinidis use in their works to define Greek identity? A topic examined in this document was the construction and deconstruction of Greek identity, and the question addressed was whether Greek identity can ultimately be defined. Constantinidis (1903-1984) was …

Move It! The Percussionist’S Guide To Developing Performance Skills And Emotional Connection, Shelby N. Shelton

Dissertations, 2020-current

What is this?

The primary goal of this book is to enable students to be more comfortable projecting emotionally to an audience through their body movement and touch while also providing lesson plans and support for the front ensemble instructor. We want this collection to be useful for a student alone in a practice room as well as in a large ensemble setting. There are 10+ activities with examples that encourage the student to dive deeper into the emotion of their piece. Each etude has curated exercises that develop necessary techniques used in the tune. Program/performance notes aid the student …

The Performance Of Gender In Sound And Screen: Unpacking And Countering The Double Standards Of Women In Taylor Swift’S “The Man,” Brienne Of Tarth, And The Substance, Alexandra C. Ali

Masters Theses, 2020-current

This rhetorical analysis examines how femininity is constructed, policed, and resisted in popular culture through three case studies: Taylor Swift’s “The Man,” Brienne of Tarth from Game of Thrones, and The Substance, using the lens of Judith Butler’s theory of gender performativity. “The Man,” both the song and the music video, reveals the double standards working against women, incorporating an additional layer of analysis through Kenneth Burke’s perspective on incongruity. Brienne of Tarth from Game of Thrones defies gender expectations, blurring the line between the performance of masculinity and femininity. Additionally, this analysis embodies archetypes of women, such …

Influences On The Ecuadorian Flute Repertoire: Compositions By Sixto María Durán, Jacinto Freire, Gerardo Guevara, Luciano Carrera, Juan Carlos Urrutia, Blanca Layana, And Leonardo Cárdenas, Ligia Verduga

UNLV Theses, Dissertations, Professional Papers, and Capstones

Ecuadorian music is rich, diverse, and beautiful. It encompasses several genres, rhythms, histories, backgrounds, and influences. Ecuador is a small country situated in the northwest corner of South America atop by the equatorial line that divides the northern Hemisphere from the South, hence the name Ecuador. It borders to the north by Colombia, to the south and east border by Peru, and to the west, by the Pacific Ocean. The repertoire for flute from Ecuadorian composers is a very interesting topic that deserves further exploration and research. As additional repertoire is available; however, there are not many scholarly papers written …

Creative Expression Through Worldbuilding: A Study On The Connections Between Literature And Music Through Analysis Of Brandon Sanderson's The Stormlight Archive, Lauralei S. Palmer

Honors Theses

This thesis examines the worldbuilding connections visible throughout fantasy literature and musical works. Though their tools seem different, authors, composers, and performers use equivalent techniques to draw in their audiences and produce an immersive, emotional experience. This research focuses on American author Brandon Sanderson’s highly detailed worldbuilding in his epic fantasy series, The Stormlight Archive. The Stormlight Archive exhibits the three pillars of worldbuilding: completeness, invention, and consistency. This research also examines Franz Liszt’s Les Préludes, a symphonic poem based on Alfonse Lamartine’s poem, Ode. Finally, this thesis culminates in the fusion of literary and musical worldbuilding in description …

Woodwind Seminar, May 9, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Don V Moses: In Memoriam, Michael Deane Lamkin, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

The Haydn and music communities are saddened by the passing of Don V Moses on March 12 at age 88. Dr. Moses was a tireless conductor, scholar, and ambassador of Haydn music performance, and encouraged the forming of the Haydn Society of California and its expansion into the Haydn Society of North America. His legacy continues with the Eisenstadt Classical Music Festival which he founded in 1975 and which will celebrate its 50^th anniversary this coming August.

Katy Price, Soprano, In A Graduate Recital, May 6, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Salve Regina: Organ Devotionals To The Blessed Virgin Mary: A Graduate Organ Recital, Caleb R. Klinzing

Electronic Theses & Dissertations

This thesis is a Graduate Organ Recital with accompanying program notes on the pieces performed. The program notes include composer biographies, formal analyses of the works, and discussions of performance practice concerns. The recital explores the rich tradition of Marian devotional music and features works by Jehan Titelouze (1562–1633), J.S. Bach (1685–1750), Charles-Marie Widor (1844–1937), Charles Tournemire (1870–1939), and Marcel Dupré (1886–1971).

Matt Glascock, Cello, In A Graduate Recital, May 5, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Sigma Alpha Iota, Alpha Upsilon Chapter, In A Sister Recital, May 5, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Aiden Endres, Percussion, With Quinn Wubbena, Percussion, May 5, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

The Legacy Of Auguste Franchomme: Pedagogical Analysis And Performance Practice For The “Twelve Caprices Opus 7 For Cello Solo”, Zi-Yun Luo

LSU Doctoral Dissertations

This written document focuses on a personal pedagogical analysis of the Twelve Caprices composed by the French cellist and pedagogue, Auguste Franchomme. His works have served as significant cello studies for young cellists, comparable in importance to the Twelve Caprices by Carlo Alfredo Piatti and the High School of Cello Playing by David Popper. Each of these caprices is written in different key signatures, tempi, include a variety of bowing styles and techniques, express melodies over a wide range of the cello register, and present unique and ubiquitous issues that cellists may encounter in the canon of cello literature.

In …

Charles W. Bolen Faculty Recital: May 4, 2025, Elizabeth Thompson, Tuyen Tonnu, Daniel Baer

School of Music Programs

University Galleries

May 4, 2025

Sunday Afternoon

2:00 p.m.