Music Performance Commons^™

Guest Artist Recital Series: Cory Mixdorf, Trombone; Miroslava Panayotova, Piano; September 13, 2023, Cory Mixdorf, Miroslava Panayotova

School of Music Programs

Kemp Recital Hall
September 13, 2023
Wednesday Evening
7:30 p.m.

Guest Artist Recital Series: David Zerkel, Tuba; Liz Ames, Piano; September 12, 2023, David Zerkel, Liz Ames

School of Music Programs

Kemp Recital Hall
September 12, 2023
Tuesday Evening
7:30 p.m.

Faculty & Guest Artist Recital: Mary Palchak And Phillip Matsuura With László Mező, Mary Palchak, Phillip Matsuura, László Mező

Printed Performance Programs (PDF Format)

No abstract provided.

2023-2024 Philharmonia No. 1, Lynn University Philharmonia, Jon Robertson, Carol Cole, David Cole, Roberta Rust

Philharmonia

Philharmonia No. 1

• September 9, 2023 at 7:30 PM and September 10, 2023 at 3:00 PM
• Dr. Jon Robertson, conductor; Carol Cole, violin; David Cole, cello; Dr. Roberta Rust, piano
• Concerto in C Major for Violin, Cello, and Piano ("Triple"), op. 56 / Ludwig van Beethoven -- Symphony No. 2 in D Major, op. 43 / Jean Sibelius

2023-2024 Performance Forum - September 8, 2023, Aneliya Novikova, Brenda Lorenzo, Fabiola Parra, Miguelangel Garcia Marquez, Ryan Barrett, Patrick Hengstler, Jeremy Jefferson, Gabrielle Malaniak, Lauren Swartz, Lillian Platte, Nia Morgan, Paola Garcia, Jose Ignacio Diaz

Performance Forum

No abstract provided.

Anthony Williams, Trombone, September 7, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

David Esleck Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

2023-2024 Faculty Series No. 1, Sheila Browne, Lisa Leonard

Faculty Recitals

No abstract provided.

Charles W. Bolen Faculty Recital Series: Anne Mcnamara, Trumpet; David Collier, Timpani; Angelo Favis, Guitar; Benjamin Stiers, Congas; Lu Witzig, Piano; September 3, 2023, Anne Mcnamara, David Collier, Angelo Favis, Benjamin Stiers, Lu Witzig

School of Music Programs

Kemp Recital Hall
September 3, 2023
Sunday Afternoon
1:00 p.m.

Sonorous Movement: Cellistic Corporealities In Works By Helmut Lachenmann, Simon Steen-Andersen, And Johan Svensson, John Popham

Dissertations, Theses, and Capstone Projects

In Sonorous Movement: Cellistic Corporealities in Works by Lachenmann, Steen-Andersen, and Svensson, I analyze three compositions that foreground the cellist-body, its physical gestures, and instrumental interactions: Helmut Lachemann’s Pression für einen Cellisten (1969/2010), Simon Steen-Andersen’s Study for String Instrument #3 (2011), and Johan Svensson’s marionette for string instrument, electro-mechanical devices and lights (2018). These works center sound production and the performing body as sites of ontological and creative exploration. Their physical gestures serve multiple sensorial functions, heightening the visual and kinesthetic dimensions of a traditionally aurally oriented practice. For each work, I develop a corresponding analytical method based on …

Randy Grabowski, Trumpet, With Sean Botkin, Piano, August 29, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Recital: Jury Recognition, August 28, 2023, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
August 28, 2023
Monday Evening
7:30 p.m.

Aum314.2 Music For Non-Linear Narrative Example 1, Sae University College

Exemplars

HD / Exceeds Specification exemplar for AUM314.2: Music for Linear Narrative

2022-2023 Master Of Music Recital - Luis Gutierrez (Double Bass), Luis Angel Guiterrez Rapalda, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

Maurice Ravel’S Le Tombeau De Couperin: Human Emotions, Grief, And The History Of The Tombeau, Tin V. La

Dissertations, 2020-current

Maurice Ravel (1875-1937) dedicated Le Tombeau de Couperin (1914-1917) to 17th-century French music and his friends who died in World War I. Although the work has an elegiac purpose, its music does not correlate with the common characteristic of an elegiac work. This document investigates the elegiac aspect of this work through the scope of psychoanalysis, philosophy, and the theory of musical equilibration.

The first chapter briefly discusses the history of the "Tombeau" in 17th-century French literature and music. The second chapter compares Ravel's Le Tombeau de Couperin to three pieces titled "Tombeau" written by Johann Froberger (1616-1667), Louis Couperin …

Conference Report: Reassessing Haydn’S Sacred Music, 12–14 June 2023, Eisenstadt, Austria, Robert B. Wrigley

HAYDN: Online Journal of the Haydn Society of North America

A conference entitled "Reassessing Haydn's Sacred Music" took place in Eisenstadt 12-14 June, 2023. Historical, political, and religious contexts, reception, compositional and religous influences upon Haydn, and stylistic characteristics of specific works were all discussed.

Cyberinet: Integrated Semi-Modular Sensors For The Computer-Augmented Clarinet, Matthew Bardin

LSU Doctoral Dissertations

The Cyberinet is a new Augmented instrument designed to easily and intuitively provide a method of computer-enhanced performance to the Clarinetist to allow for greater control and expressiveness in a performance. A performer utilizing the Cyberinet is able to seamlessly switch between a traditional performance setting and an augmented one. Towards this, the Cyberinet is a hardware replacement for a portion of a Clarinet containing a variety of sensors embedded within the unit. These sensors collect various real time data motion data of the performer and air fow within the instrument. Additional sensors can be connected to the Cyberinet to …

A Rudimental Drumming Vocabulary Applied To The Folk Music Of Argentina, Justin Sherrod

Dissertations

This dissertation examines the methods and approaches used by Argentine percussionist Mr. Sebastian Hoyos to incorporate rudimental drumming into the composition Soy de Salta: Suite para percusión criolla y orquesta. The study demonstrates the steps taken to employ Argentinian folk music content through four folk styles: Baguala, Zamba, Chacarera, and Carnavalito. The bombo legüero, one of Argentina's most well-known and essential folk percussion instruments, plays a supportive and dominant role in Soy de Salta, introducing rudimental components into the music. This original research therefore addresses rudiments, variations of rudiments, and simple and complex writing styles for the snare drum …

Concert Programming Simplified For The Overwhelmed School Conductor, Adam L. Compton

Electronic Theses & Dissertations

This document is a basic guide for preparing and programming a concert. It contains five chapters, each of which covers one aspect to consider while going through the process of concert preparation. Some key points are an analysis of the Audience, an analysis of the Ensemble and the selection process of music. It also contains steps of putting together a viable order to a concert. The last two chapters give insight on different approaches to concert programming and some of the aspects of concert programming that does not deal primarily with the music and therefore is often found lacking in …

A "Rock To Lean On": Young Singers' Experiences In A Community Choir In Louisiana, Yulene Velásquez

LSU Doctoral Dissertations

The purpose of this intrinsic case study was to investigate young singers’ experiences in the Livingston Parish Children’s Choirs organization (LPCC), a community-based children’s choir program in Denham Springs, Louisiana. I investigated the impact of those experiences on the children’s lives inside and outside of the ensemble from the perspective of the artistic director and co-director, parents, and the singers themselves.

The LPCC was founded in 1991 by Barbara Walker and her mother, Regina Walker. According to Barbara Walker, the mission of the organization is “to prepare children to go out and be lifelong singers.” This choral community is characterized …

Rehabilitation For Singers Following Pregnancy And Childbirth, Cara M. Williams

LSU Doctoral Dissertations

When a singer becomes pregnant, carries and gives birth to a child, the body changes in numerous physical ways. Many of these changes may significantly impact singing during the pregnancy and postpartum periods. It is hoped that the research and recommendations contained in this document may offer perspective and practical advice for postpartum recovery as it pertains to singers and professional voice users.

After briefly describing the topic selection with a description of delimitations, the author’s history of singing and experience leading up to physical therapy and postpartum care is explored. Next, the effects of pregnancy and childbirth on the …

A Performer's Guide To Jean-Joseph CassanéA De Mondonville's Dominus Reganvit, Eunbae Jeon

LSU Doctoral Dissertations

Jean-Joseph Cassanéa de Mondonville, a French royal violinist and composer, composed nine grands motets, including Dominus Regnavit, which gained significant popularity among the public. Especially, Dominus Regnavit is unique in its abundant imitative polyphony texture, skillful soloistic melody lines, and descriptive sound effects. The purpose of this research is to bring attention to Mondonville and his composition Dominus Regnavit and promote performance accessibility. Thus, the paper discusses a historical background of the grand motet, the features of Mondonville’s grand motet, and a detailed musical analysis of Dominus Regnavit. Additionally, the paper includes a brief overview of the historical …

With Every Name But Yours: A New Orchestration Of Clémence De Grandval's Stabat Mater, David Walters

LSU Doctoral Dissertations

Clémence de Grandval was a late-Romantic composer whose extensive body of work, high profile performances, and numerous accolades should have garnered prominent placement among her contemporaries. Yet her vast collection of orchestral, choral, operatic, and other stage works have been all but forgotten.

Grandval’s Stabat Mater counted among her most popular works. Though the extant score for choir, harmonium (or organ), and piano explicitly references orchestral accompaniment1 , none of the parts or full score are available. Rather than providing a conductor’s guide or chord-by-chord analysis of Grandval’s work, this document breathes new life into this lost masterpiece by orchestrating …

Dong Qing Fang’S Musical Depiction Of Lin Chong: An Analysis Of Chinese Traditional Music Elements In His Cello Composition Of 2009, Congcong Bi

Doctoral Projects

Dong Qing Fang (b. 1981) is a prolific composer of cello music. His contribution includes twenty compositions, many of which have been performed around the world.[1] While Fang is the most famous composer in China as well as a leading figure of recent music, his compositions have not been recognized world-wide. This project focuses on his representative cello composition Lin Chong (2009). Lin Chong is a significant character in Chinese literature, known for his role in the classic novel, Water Margin (1524). Fang's musical portrayal of Lin Chong's life incorporates elements of Chinese traditional music.

The methodology for this …

Injury Prevention Exercise Guidelines For Flutists, Ziqing Guan

Theses and Dissertations

Playing-related musculoskeletal disorders (PRMDs) have long been a common topic among performing musicians. There are studies of PRMDs specific to flutists, but not much detailed guidance of playing-related injury prevention has been provided. As increasing numbers of students have taken up the flute in recent years, PRMDs in flutists have become more of a concern. However, large numbers of flutists are still lacking education on prevention of PRMDs. The purpose of this document is to help flutists better understand the major muscle groups that we use in playing the flute, how these muscles are affected by flute-playing, and to introduce …

Comprehensive Method For Clarinet Latin American Music Heritage Case Study – Venezuela, Carmen Teresa Borregales

Theses and Dissertations

Latin American music and music-making have much to offer in their performance traditions and richness of genres, which demand technical proficiency and musicianship. In particular, some contemporary new music for clarinet carries traditional elements, including rhythmic patterns, accentuation, articulation, harmonic progressions, and instrumentation, among others. This study proposes an innovative approach to technical practice and skill development for clarinet, based on twelve etudes for clarinet, commissioned from twelve outstanding Venezuelan composers who explore Venezuelan traditional music genres. The results represent a comprehensive method for clarinet, appropriate for advanced-level players, and its application to pedagogical and performance practices.

Christ Our Passover (Pascha Nostrum), Anthony Elia

Bridwell Library Research

Work was originally written for the Congregation of the Episcopal Church of the Redeemer (Irving, TX) in 2021, but not completed till 2023. Given in honor of Canon Victoria Heard's Distinguished Service and Retirement in Spring 2023. (9 pages). [Based off of texts from 1 Corinthians and Romans].

Femme Fatale In Lieder: Songs Of Lorelei By Clara Schumann, Franz Liszt, And Alexander Zemlinsky, Eun Chong Kang

LSU Doctoral Dissertations

The femme fatale, a seductive and dangerous woman, is a popular archetype found in literature, art, and music. In German literature, the character of Lorelei is a well-known example of the femme fatale. She is associated with a steep rock cliff on the Rhine River and, from the cliff, convicted of bewitching men resulting in their murder. This written document focuses on Lorelei as the femme fatale character in German literature as seen in three musical settings by composers Clara Schumann, Franz Liszt, and Alexander Zemlinsky. The document also includes limited musical analyses of and singer’s commentary on …

A Performer's Guide To Two Song Collections: “Mementos Of Innocence” And “Three Yeats Songs” By Malaysian Composer Chee Yean Wong, Wu Ji Khoo

LSU Doctoral Dissertations

Despite the flourishing existence of Asian Art Music for over half a century, relatively little has been done to advance its recognition and prominence. Through this project, the author hopes to shed light on the beauty and richness of Asian Art Music and encourage its inclusion in the repertoire of American classical music. The purpose of this document is to supply a comprehensive performer’s guide to Malaysian composer, Chee Yean Wong’s song collections: “Mementos of Innocence” and “Three Yeats Songs.” The collections feature settings of English poems by Jean Blewett, Christina Rossetti, Edwin C. Ranck, Rabindranath Tagore, and William Butler …

Tracking The Harmonium From Christian Missionary Hymns To Sikh Kirtan, Gurminder Kaur Bhogal

Yale Journal of Music & Religion

The harmonium is prominent in Sikh practices of devotional music known as kirtan and yet its significance has barely been addressed in Euro-American scholarship. Following on the heels of a recent ban against using the instrument at the holiest temple of the Sikhs, Harmandir Sahib (popularly known as the Golden Temple), this article explores how the ban seeks to discard this colonial instrument and return to playing traditional string instruments (tanti saz) associated with the courts (darbar) of the Sikh Gurus. This study is the first to examine primary missionary sources from the nineteenth and early …