Music Performance Commons^™

Chapman Percussion Ensemble, Chapman Percussion Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Experience Beethoven, November 5, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Senior Recital: Andrea Lucas, Soprano; Grace Eom, Piano; November 5, 2022, Andrea Lucas, Grace Eom

School of Music Programs

Kemp Recital Hall
November 5, 2022
Saturday Afternoon
4:30 p.m.

Senior Recital: Jacob Webber, Double Bass; Natasha St. Cyr, Piano; November 5, 2022, Jacob Webber, Natasha St. Cyr

School of Music Programs

Kemp Recital Hall
November 5, 2022
Saturday Evening
6:00 p.m.

Senior Recital: Andrew Viveros, Double Bass; Zeph Mussman, Piano; Antonia Tapias, Violin; November 5, 2022, Andrew Viveros, Zeph Mussman, Antonia Tapias

School of Music Programs

Kemp Recital Hall
November 5, 2022
Saturday Afternoon
3:00 p.m.

Senior Recital: Allison Hoffman, French Horn; Grace Eom, Piano; Valen Pao, Piano; November 5, 2022, Allison Hoffman, Grace Eom, Valen Pao

School of Music Programs

Kemp Recital Hall
November 5, 2022
Saturday
Noon

Senior Recital: Isaac Rutledge, Flute; Lu Witzig, Piano; November 4, 2022, Isaac Rutledge, Lu Witzig

School of Music Programs

Kemp Recital Hall
November 4, 2022
Friday Evening
6:00 p.m.

Senior Recital: Sinclair Roechner, Flute; Lu Witzig, Piano; November 4, 2022, Sinclair Roechner, Lu Witzig

School of Music Programs

Kemp Recital Hall
November 4, 2022
Friday Evening
7:30 p.m.

Faculty Recital Series: Geoffrey Duce, Piano; November 4, 2022, Geoffrey Duce

School of Music Programs

Center for the Performing Arts
November 4, 2022
Friday Evening
7:00 p.m.

2022-2023 Performance Forum - November 4, 2022, Elisabeth Thomashoff, Alexander Walden, Olivia Oakland, Sheng Yuan Kuan, Esther Platt, Ruvit Bracho, Sheila Browne, Jon Cruz, Jafet Diaz, Matthew Montelione, Baran Zolfaghari, Miguelangel Garcia Marquez, Fabiola Parra, Jeremiah Grace

Performance Forum

No abstract provided.

Experimental Music And Collaboration: Developing Artistry Through Performance Practice, John Lambert

LSU Doctoral Dissertations

This project locates collaboration and collaborative performance as a potential site for artistic growth. This study analyzes six collaborative projects: composed pieces for electric guitar accompanying a staged performance of collaged texts, an audio-visual installation, the preparation of several short pieces to accompany choreographed dances, a 90-minute soundtrack to a performance mixed live, an ongoing improvisational duo, and a live visuals performance to accompany Sunburned Hand of the Man at Duke University. It traces the growth of my artistry while also providing a method for both doing and writing about collaboration. In addition, it offers a model for understanding collaborative …

Uni Bass Studio Recital, From The Studio Of Dr. Alexander Pershounin, November 3, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Faculty Recital Series: Faculty String Quartet: Igor Kalnin, Violin; Gibson Swalley, Violin; Katherine Lewis, Viola; Cora Swenson Lee, Cello; Tuyen Tonnu, Piano; November 3, 2022, Igor Kalnin, Gibson Swalley, Katherine Lewis, Cora Swenson Lee, Tuyen Tonnu

School of Music Programs

Kemp Recital Hall
November 3, 2022
Thursday Evening
7:30 p.m.

Ryan Burrack, Saxophone, In A Recital, November 2, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2022-2023 New Beginnings, Sheila Browne, Lisa Leonard, Deborah Fleisher, Yubin Zhang, Daniel Guevara, Sheng Yuan Kuan, Eliza Willett, Miriam Smith, Rosa Ortega, Frederic Renaud, Marina Machado, Dina Bikzhanova, Emin Huseynov, Ellen Galentas, Jonathan Dills

Friends of the Conservatory Events

No abstract provided.

Guest Artist Recital Series: Unheard-Of Ensemble: Ford Fourqurean, Clarinet; Erica Dicker, Violin; Iva Casian-Lakos, Cello; Daniel Anastasio, Piano; November 2, 2022, Ford Fourqurean, Erica Dicker, Iva Casian-Lakos, Daniel Anastasio

School of Music Programs

Kemp Recital Hall
November 2, 2022
Wednesday Evening
8:00 p.m.

F. Ludwig Diehn Concert Series: Sybarite5, Sybarite5, Sami Merdinian, Suliman Tekalli, Caeli Smith, Laura Andrade, Louis Levitt

Guest Performances

No abstract provided.

Video Gamers As Performers: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This study is based on the concept and idea of video game players performing music through the games that they play. This serves as a very assessable way for people who do not have the money, time commitment, and or motivation to be able to play and perform music without any background in music literacy.

Lmu Jazz Band & Concert Band Fall 2022 Performance, Benjamin Bruflat, Dma

Band Programs

No abstract provided.

Perils Of Heavy Rainfall: Displacement And Resettlement Driven By Floods, Shumaila Hemani Dr.

The Goose

Monsoon is typically a season to rejoice in South Asia because it cools off July's hot summer weather. In the poetry of Sufi mystic Shah Abdul Latif Bhitai, the monsoon represents a time of abundance, and his verses are prayers of abundance for Sindh and the entire world as rainfall is indeed a much-awaited season to cast off dry spells of the desert. However, in the past few years, climate change has led to heavy floods and massive displacement of poor people in Sindh. This year, floods even reached Karachi's urban city, the biggest metropolis of Pakistan, causing the displacement …

Healthy Cello Playing: Teaching Cello To Promote Injury Prevention, Isabella Kodama

Musicology and Ethnomusicology: Student Scholarship

Cellists and other instrumentalists frequently suffer from playing-related injuries, and these can be detrimental to their career and psychological health. There are many ways to treat these injuries, but the most beneficial method is prevention. I want to find ways to help prevent pain and injury by developing good habits in the beginning of their playing. A lack of body awareness is a frequent cause of injury for many musicians. My goal in this research is to find ways of preventing injuries throughout one’s playing career, but more specifically from the very early stages of cello-playing, so that these issues …

Observed Internal Mechanisms Of Clarinet Performance: Annotated Bibliography, Michael Dirnberger

Musicology and Ethnomusicology: Student Scholarship

Woodwind instrumental pedagogy is a complex and broad field of study, and its traditions and misconceptions of teaching and playing are deeply ingrained in our modern methods of instrumental pedagogy. These lingering misunderstandings within our teaching traditions turn people away from the practice of instrumental music-making and hold others back from reaching their true potential. Comparing the observed physical realities of performing musicians with the physical effect produced by some of the most popular tools in clarinet pedagogy has revealed that the syllabic guide to pedagogy is not always using the most optimal syllables to guide students in the right …

The Evolution Of The Bel Canto Technique Through The 20th And 21st Century: Annotated Bibliography, Claudia Diaz

Musicology and Ethnomusicology: Student Scholarship

The Bel canto technique is the quintessential technique of opera performance. Throughout history, it has adapted itself and survived through pedagogies, composers, influential artists, and scientific specialists from the field. Although the bel canto technique has a wide range of sources and complete history, this will focus more on the evolution occurring through the 20^th and 21^st centuries. How the bel canto technique has managed to survive is key to understanding its future.

Assuming An Editorial Role To Establish Performance Interpretations: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

As more and more sources in musical scores become available nowadays, made possible by the discovery and editing of composers’ manuscripts and the publication of and multiple critical editions, performers often find the need to consult multiple editions of the same piece and the original sources (if available) to come up with one’s own performance edition. This process has become essential in my own music making experience as a performer, because it lays down a foundation for making appropriate interpretive decisions and gaining a more thorough understanding of the music for analytical and performance purposes. I refer to the process …

Singing The Darkness To Light (November 15, 2022), Lindenwood University

Student Music Performance Programs

Program for Singing the Darkness to Light (November 15, 2022).

Guest Artist Recital Series: Unheard-Of Ensemble: Ford Fourqurean, Clarinet; Erica Dicker, Violin; Iva Casian-Lakos, Cello; Daniel Anastasio, Piano; November 1, 2022, Ford Fourqurean, Erica Dicker, Iva Casian-Lakos, Daniel Anastasio

School of Music Programs

Kemp Recital Hall
November 1, 2022
Tuesday Evening
8:00 p.m.

A Performance Guide To Michael Patterson's "People Of The Land" For Baritone And Piano, Thaddeus Harm Ennen

LSU Doctoral Dissertations

The purpose of this document is to supply a comprehensive performer’s guide to Iowa composer, Dr. Michael Patterson’s, People of the Land, an eight song, song cycle for baritone and piano, set to poetry by Iowa poet James Hearst. This song cycle was personally commissioned to fulfill a need in the American song cycle literature on the topic of farming and more specifically Iowa farmers. The poetry of James Hearst, farmer and poet, has never been previously set in a song cycle.

People of the Land tells the story of an Iowa farmer from the beginning to end of …

Graduate Joint Recital: Daniel G. Castillon Iii, Horn; Zhiyuan Gao, Horn; Grace Eom, Piano; Valen Pao, Piano; October 31, 2022, Daniel G. Castillon Iii, Zhiyuan Gao, Grace Eom, Valen Pao

School of Music Programs

Kemp Recital Hall
October 31, 2022
Monday Evening
6:30 p.m.

University Singers And Vocal Accord, John J. Cali School Of Music

2022-2023

The University Singers and Vocal Accord will present choral octavos from their fall repertory. Alumni guest artists will also be featured. The concert concludes with the University Singers' collaboration with the Wind Symphony in the second of two performances of Rollo Dilworth's Weather, a new social justice piece based on a text by Claudi Rankine.

Schola Cantorum [And] Women's Chorale, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.