Music Performance Commons^™

2018-2019 Performance Forum - September 13, 2018, Kayla Williams, Lydia Roth, Sheng Yuan Kuan, Robiyakhon Akromova, Ying Peng Wang, Kimia Rafieian, Bailey Michelle Collins, Feruza Dadabaeva

Performance Forum

No abstract provided.

Faculty Recital, Bill Carrothers, Jazz Piano, September 12, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Thomas Jöstlein, Horn, September 10, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2018-2019 Marc Reese And Friends, Marc Reese, Charles Lazarus, Gregory Miller, Dan Satterwhite, Kenneth Amis, Lisa Leonard

Faculty Recitals

No abstract provided.

Guest Artist Recital: Alessandro Cervo, Violin; September 9, 2018, Alessandro Cervo, Nyela Basney

School of Music Programs

Kemp Recital Hall
September 9, 2018
Sunday Evening
7:00 p.m.

2018-2019 Lynn University Wind Ensemble - The Wind Concerto: Movement 2, "Crossover Concerti", Lynn University Wind Ensemble, Kenneth Amis, Isaac Roles, Timothy Fernando, James Abrahamson, Steve Campbell, John Faieta

Wind Ensemble

Program

• Tha Avatar / Dana Wilson - Isaac Roles, bassoon
• Concerto for Flute and Wind Ensemble / Mike Mower - Timothy Fernando, flute
• Ebony Concerto / Igor Stravinsky - James Abrahamson, clarinet
• Four Temperaments for Tuba / Michael Brand - Steve Campbell, tuba
• Harvest: Concerto for Trombone / John Mackey - John Faieta, trombone

Student Recital: Trinity Green, Cello, Trinity Green, Bobbie Kesler-Corleto

Student Recitals

No abstract provided.

The Other Other Operation, September 7, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2018-2019 Performance Forum - September 6, 2018, Jiawei Yuan, Sheng Yuan Kuan, Olga Konovalova, Yue Yang, Kayla Williams, Sonya Nanos

Performance Forum

No abstract provided.

Anthony Williams, Trombone, September 4, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Piano Studio Recital, Robert Stahl, Jerry Davis, Brooke Ward, Jashkal Germelus, Beth Baker, Andrei S. Johnson, Nicole Dorobanov

Student Recitals

No abstract provided.

2018-2019 Department Of Music Keynote Concerts, Otterbein University

Music at Otterbein Newsletter

Promotional Brochure detailing the concerts scheduled for the 2018-2019 academic year.

Rachmaninoff And The Flexibility Of The Score: Issues Regarding Performance Practice, Tanya Gabrielian

Dissertations, Theses, and Capstone Projects

Sergei Rachmaninoff’s piano music is a staple of piano literature, but academia has been slower to embrace his works. Because he continued to compose firmly in the Romantic tradition at a time when Debussy, Stravinsky, and Schoenberg variously represented the vanguard of composition, Rachmaninoff’s popularity has consequently not been as robust in the musicological community. He left a rich legacy of recorded material which provides a first-hand account of his approach to musical interpretation. Few have analyzed Rachmaninoff’s recordings in great detail, and there are even fewer studies addressing Rachmaninoff’s performances of works by other composers.

The aim of this …

Fernando Deddos, Euphonium And Vakhtang Kodanaashvili, Piano, August 30, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Jury Recognition Recital, August 27, 2018, School Of Music

School of Music Programs

Kemp Recital Hall
August 27, 2018
Monday Evening
7:30 p.m.

Complex Personalities: An Original Composition For Virtual Wind Ensemble And An Accompanying Exploration Of The Effects Of The Internet On Music Collaboration And Composition, Chris Kamerling

Electronic Theses and Dissertations

This thesis explores the impact that the internet has had on the esprit de corps of the musical community. As a mechanism for that exploration, it also includes an original composition comprised of three character pieces. The exegesis of the piece will describe the basis of these musical representations and explore the application of the piece as a vehicle for a shared musical experience across the internet. A virtual ensemble was created by crowd-sourcing from social media. Participants played different parts that were combined by computer manipulation into a final product.

A Study On The Compositional Style Of The Flute Chamber Works Of Mel Bonis, Geraldine Margaret Padilla

Dissertations

Mélanie Hélène Bonis (1858-1937) was a female French composer born at a time when musical trends started shifting away from Romanticism. Amidst the various styles that emerged towards the end of the nineteenth century, Bonis remained faithful to the practices of the Late-Romantic period. Her style, characterized by its adherence to tonality and classical forms, was considered outdated by the Parisian public and proved to be detrimental in her career. This document focuses on the four chamber works originally written for flute. Bonis’ chamber works demonstrated a composer who was willing to experiment with the modern techniques of the twentieth …

A Content Analysis Of Flow And Music: Teaching, Performance, And Consumption, Lindsey Keay

Dissertations

Positive psychologist Csikszentmihalyi (2008) describes flow as a state of heightened concentration and arousal where a balance of skill and challenge cause someone to be so absorbed in a task that everything else seems to disappear. The result of the experience can be one of immense enjoyment and satisfaction. Musical activities lend themselves well to the flow experience due to the multifaceted tasks of listening, practicing, performing, or teaching music. With flow being an ideal creator of intrinsic motivation, music teachers and performers should consider flow and its implications for music making and music instruction.

The purpose of this study …

A Conductor's Guide To Gabriel Jackson's To The Field Of Stars, Joshua Glenn Cheney

LSU Doctoral Dissertations

Gabriel Jackson is one of Great Britain’s most performed living composers. He is a prolific writer, having composed choral and instrumental works for ensembles and performers around the world. Currently, commissions include a setting of the Stabat Mater for the tenth anniversary of the Marian Consort, an English professional ensemble under the direction of Rory McCleery. Other recent commissions include The Passion of Our Lord Jesus Christ (completed for the 750th anniversary of Merton College, Oxford in April, 2014), In Nomine Domini (for the BBC Proms in 2010) and To the Field of Stars, the subject of this dissertation.

The …

Taemin Yoon Piano Senior Recital, Andrews University

Student Degree Recitals 2017-2018

Taemin Yoon presents her senior recital featuring works by Beethoven and Chopin.

Alumni Recital, June 15, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

A Performance Guide To New Studies For Clarinet By Louis Desantis, Samuel Schreiber

LSU Doctoral Dissertations

Louis DeSantis (1893-1940) was a prominent Italian-American clarinetist during the twentieth century. His musical training began in Naples and after immigrating to America in 1912, he held principal clarinet positions with the Chicago Civic Opera Company (1914-1917), St. Louis Symphony Orchestra (1925-1926), Cleveland Orchestra (1926-1929), Philadelphia Orchestra (1930) and the CBS Symphony Orchestra (1931-1940).

Louis DeSantis’s New Studies for Clarinet offers the clarinetist a chance to further familiarize himself with selected orchestral excerpts while also exploring the beautiful aspects of the Italian “bel canto” singing style. The orchestral excerpts come from Ambroise Thomas’s Mignon, Franz Liszt’s Second Hungarian Rhapsody …

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/

"For We Are At War" Jessica Link Graduate Conducting Recital, Andrews University

Student Degree Recitals 2017-2018

“For We are at War” - a Graduate Choral Conducting Recital by Jessica Link. Ronnie Zanella, pianist. Works by Jenkins, Wilhousky, Cangiano, Kirchner and Calanca.

Commencement Concert, June 8, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Concerto For Violin And Percussion Orchestra By Lou Harrison: A Study Guide, Deborah Sophia Carneiro Ribeiro

LSU Doctoral Dissertations

Lou Harrison is an American composer whose importance has been somehow overlooked. Amidst the modernist composers of the early 1940’s he was one of the most individualistic, which in turn, made him one of the most unique composers to come out of that era. Harrison’s name is mainly associated with percussion and the gamelan. However, he wrote for much more than just that. The purpose of this dissertation is to facilitate an understanding of Lou Harrison and his Concerto for Violin and Percussion Orchestra, in the hopes of making his music accessible to the more conservative musician.

My research starts …

Lawrence University Symphony Orchestra, Pictures At An Exhibition, With Works By Borodin And Mozart, June 1, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Oklahoma!, Otterbein University Theatre And Dance Department

2018 Summer Theatre

Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules of musical theatre still being followed today. Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road. …

A Performer’S Guide To Poema De Sete Faces, Song Cycle By Jeffrey Perry, Paulo Henrique Campos Silva

LSU Doctoral Dissertations

The American composer Jeffrey Perry composed the song cycle Poema de sete faces (Poem of seven faces), for tenor or soprano and piano, based on the poem of the same name by Carlos Drummond de Andrade, one of the greatest Brazilian modernist poets of the 20th century. Both Drummond’s poem and Perry’s music were written to be open to multiple interpretations. Together, the possibilities for their interpretation are even broader. This dissertation discusses the art that emerges at the intersection of the poem and the music from the perspective of the singer. I present a biography and an overview of …

Holy Cross Choirs Newsletter (Spring/Summer 2018), Choir, College Of The Holy Cross

Holy Cross Choirs Newsletter

No abstract provided.