Music Performance Commons^™

A Classic Rock Spectacular, 2016/2017 Season, Performing Arts Department

Edgerton Center Programs

The Sacred Heart University Choirs presents A Classic Rock Spectacular, Saturday, April 29, 2017 at 7:30 PM, Edgerton Center for the Performing Arts.

Expression And Emotion In Music: How Expression And Emotion Affect The Audience’S Perception Of A Performance, Kelly Lynn Palusis

Selected Honors Theses

Expression and emotion in a musical performance affects how the music is perceived by the audience. A study of a song’s composer and the background of the music aids in improving the expression and understanding of vocal music. A study of theatre brings an extra dynamic to a musical performance. Maria Callas, for example, was a pioneer in combining these many factors into her performances. Her application of music and drama in opera makes her an ideal example of a complete and dynamic vocalist. The expression and emotion she poured into each performance transformed how people saw opera and music …

2016-2017 Sanctuary Series - April 27, 2017, Lynn University, Mark Luttio, Harry Murphy, Katherine Baloff, David Brill, Camille Ripple, Georgiy Khokhlov, Ying Peng Wang, Angela Kahan, Paula Hyman, Thomas Ferstle

Snyder Sanctuary Series

No abstract provided.

Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson

Senior Honors Theses

This thesis will explore the musical innovations in the mad scenes of the bel canto composers in the 1800s. It will analyze Gaetano Donizetti’s mad scenes in Anna Bolena (1830) and Lucia di Lammermoor (1835), and Vincezzo Bellini’s mad scenes in I Puritani (1835) to discover how each composer expresses madness through the high and virtuosic voice of the coloratura soprano. The subject of madness is not a new idea in opera. However, the mad scenes of Donizetti and Bellini are the most successful and are often performed in opera houses around the world. Specific attention is given to the …

1776, School Of Theatre And Dance, School Of Music

Programs - Theatre, Dance, and Film

Music and lyrics by Sherman Edwards

Productions took place March 3 - March 5, March 7-10, 2017

2016-2017 Sanctuary Series - March 30, 2017, Lynn University, Mark Luttio, Harry Murphy, Karen Casey, Suhao Bai, Thomas Ferstle, Bailey-Michelle Collins, Zenas Jones, Ying Peng Wang, Xiaoxiao Wang, Roberta Rust, Jasmine Knowles

Snyder Sanctuary Series

Watch video of the performance here.

2016-2017 Sanctuary Series - January 26, 2017, Lynn University, Mark Luttio, Harry Murphy, Kaitlyn Frame, Jiaxian Li, Harry S. Murphy, Alla Sorokoletova, Sergei Skobin, Jeff Morgan, Kendal Steiger, Anastasia Tonina, Katherine Milian

Snyder Sanctuary Series

No abstract provided.

Edgerton Center 2017/18 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program brochure for the Edgerton Center for the Performing Arts 2017/18 season.

College Of The Arts 17/18 Season, Department Of Theatre And Dance, John J. Cali School Of Music

2017-2018

No abstract provided.

Cabaret Story-Telling: Building Your Act, Timothy A. Fitz-Gerald

Theses and Dissertations

This thesis adduces the benefits in teaching undergraduate theatre majors the competency to create a cabaret. It expostulates that doing so during college gives students an advantage in marketing themselves professionally. It substantiates the general lack of cohesive undergraduate training in this area. The results of a survey of casting directors, assessing the worth of implementing the study of cabaret into theatre curricula, are incorporated.

Those that responded agreed that performing cabarets can play a role in a performer’s career, even if the opinions varied as to what that specific role is. There was general agreement that the study of …

The Fall Of The Tenor With The Rise Of The Larynx, Gregory Turay

Theses and Dissertations--Music

The range and use of the tenor voice in classical music has long been established since the late 19^th century. It is widely accepted among pedagogues that the range is C3-C5 (with obvious exceptions depending on the fach). However, with the advent and development of the American Musical as a genre since the early 20^th century, the ‘tenor’ has taken on an entirely new direction and range altogether. Several well-known sources have stated that the ‘Broadway tenor’ has a range of A2-A4. This is (as it widely accepted in the classical profession) the range of a baritone. The …

An Exploration Of Musical Theatre Vocal Technique And Style 1950 - Present, Emily Slomovits

Senior Honors Theses and Projects

My Honors Thesis Recital is the culmination of my study of how singing techniques and styles have changed in musical theatre since its Golden Age in the 1940's and 50's from a semi-classical, operatic style and technique, to a sound much more infused with jazz, pop, rock, and other contemporary music styles. This recital explores works by some of the greatest musical theatre composers and lyricists, starting with giants like Rodgers and Hammerstein and Leonard Bernstein, and working up to present day with modern greats like Stephen Sondheim, Stephen Schwartz, and Jason Robert Brown. I will demonstrate the evolution of …

2016-2017 Sanctuary Series - November 3, 2016, Lynn University, Mark Luttio, Harry Murphy, Vincent Shkreli, Hikari Nakamura, Jeff Morgan, Sergio Cignarella, Julia Jakkel, Alberto Zilbertstein, Trace Johnson, Angela Kahan, Jared Harrison, Trevor Mansell, Robert Garner, Erika Andersen, James Currence, Feruza Dadabaeva, Dometria Bosnakis

Snyder Sanctuary Series

No abstract provided.

2016-2017 Sanctuary Series - October 13, 2016, Lynn University, Mark Luttio, Harry Murphy, Claire Mcdonald, Alfonso Hernandez, Marina Tsvetaeva, Katheryn Millian, Tinca Belinschi, Axel Rojas, Zenas Jones, Cameron Hewes, Sebastian Castellanos, Chance Israel, Andres Cueto

Snyder Sanctuary Series

No abstract provided.

Waiora, School Of Theatre And Dance, School Of Music

Programs - Theatre, Dance, and Film

Productions took place September 30 - October 1, October 5-9, 2016

Performing El Rap El ʿArabi 2005-2015: Feeling Politics Amid Neoliberal Incursions In Ramallah, Amman, And Beirut, Rayya S. El Zein

Dissertations, Theses, and Capstone Projects

This study is about politics in Arabic rap. Specifically, it is about affective dynamics and material negotiations during rap concerts in three cities in the Levant. I analyze Arab hip hop culture in the context of three different but related histories of cosmopolitan, middle class growth, and gentrification. Using an ethnomusicological framework rooted in participant observation and performance theory, I compare concert conditions, audience behavior, and accessibility of music production in Ramallah, Amman, and Beirut.

In Chapter One, I elaborate the discursive and theoretical frameworks that have pinned the political valences of Arab youth, Arab artists, and Arab rappers in …

2016-2017 Sanctuary Series - September 22, 2016, Lynn University, Mark Luttio, Harry Murphy, Yaroslava Poletaeva, Darren Matias, Tom Ferstle, Jasmine Knowls, Demetrios Ingram, Taryn Hamill, Trevor Mansell, Walker Harnden, Cameron Hewes, Robert Garner, Michael Pittman, Sebastian Castellanos, Erika Andersen, Robert Williams, Molly Flanagan, James Currence, Akmal Irmatov, Evan Musgrave

Snyder Sanctuary Series

No abstract provided.

Harbison, Kay (Fa 874), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 874. Paper titled: “Uncle Bozo Carver: World’s Oldest Living Country Musician and Entertainer.” Project details the life of Noble “Uncle Bozo” Carver as an entertainer. Project includes lengthy interview, lists of songs, and some stanzas.

A Grand Night For Singing, Otterbein University Theatre And Dance Department

2016 Summer Theatre

A Grand Night for Singing is a musical revue showcasing the music of Richard Rodgers and the lyrics of Oscar Hammerstein II.

Featuring songs from such lesser-known works as Allegro. Me and Juliet, State Fair and Pipe Dream, modest successes like Flower Drum Song and hits like Carousel, Oklahoma!, The King and I, South Pacific, Cinderella, and The Sound of Music.

https://en.wikipedia.org/wiki/A_Grand_Night_for_Singing

Shanghai Quartet, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2015-2016 Art Between Real and Imagined

Renowned for its passionate musicality, impressive technique, and distinctive blend of styles, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The “utterly sublime” (The New York Times) ensemble returns for two enchanting engagements. The Shanghai Quartet is the quartet-in-residence at Montclair State University’s Cali School of Music.

Establishing Human Identity Through Randomly-Generated Lyrics: A Comprehensive Performer's Analysis Of Robert Paterson's Captcha And Its Performance, Kyle Yampiro

Dissertations, 2014-2019

Robert Paterson’s CAPTCHA is a five-song cycle for baritone and piano that comes with some unique challenges from an interpretive standpoint. The text is comprised of CAPTCHAs: two-word phrases originally designed to test human identity versus that of a computer. Nearly every phrase contains a gibberish word and a real word and there is no proper syntax. The composer leaves interpretation open to the performer, which prompts the primary question explored in this document: how can a singer create an effective performance of this piece, given its unique challenges?

This document takes a multidisciplinary approach to discover the range of …

2015-2016 Sanctuary Series - May 4, 2016, Lynn University, Mozhu Yan, Yvonne Lee, Sean Colbert, Elizabeth Lee, Gioia Sacco, Mipmik Quartet, Jessica Quigly, Harry S. Murphy, Marcheta Wright, Jeff Morgan

Snyder Sanctuary Series

Watch video of the performance here.

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …

The Wishing Well: A Children's Ballet (A Composer's Perspective), Lydia Dempsey

Honors Projects

As a composer, I am passionate about introducing audiences to contemporary classical music. I chose to compose a twenty-five-minute children's ballet titled The Wishing Well based on the fairytale Diamonds and Toads. It premiered on April 2, 2016 at the Bowling Green Performing Arts Center in collaboration with choreographer Sophia Schmitz and conductor Robert Ragoonanan. Other elements of the project included set design, costuming, lighting, audio and video recording, and marketing. The mission was to provide the local community with a free arts event, introduce young audiences to music and ballet, enrich people’s lives through music and dance, provide …

2015-2016 Sanctuary Series - April 13, 2016, Lynn University, Jasmine Knowles, Stephen Aiello, Lynn Ramert, Vincent Shkreli, Torsten Rowell, Erin David, Leonardo Pineda, Kayla Williams, Elizabeth Lee

Snyder Sanctuary Series

Watch video of the performance here.

Street Scene, School Of Theatre And Dance, School Of Music

Programs - Theatre, Dance, and Film

Lyrics by Langston Hughes, based on the book by Elmer Rice

This performance is funded in part by the Kurt Weill Foundation for Music, Inc., New York, NV

Productions took place February 26-28, March 1-4, 2016

2015-2016 Sanctuary Series March 16, 2016, Lynn University, Sebastian Castellanos, Alla Sorokoletova, Cameron Hewes, John Weisberg, Mileidy Gonzalez, Chance Israel, Mark Luttio, Jeff Morgan, Jon Pickering, Karen Casey, Vincent Shkreli, Gioia Sacco, Gigi Freeman

Snyder Sanctuary Series

Watch video of the performance here.

Edgerton Center 2016/17 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program brochure for the Edgerton Center for the Performing Arts 2016/17 season.

Ua12/2/2 2016 Talisman - Life More Life, Wku Student Affairs

WKU Administration Documents

2016 Talisman yearbook.

• Paris, Rachel. Dawn of Delta Zeta
• Ziege, Nicole. Kick It to the Limit – Soccer
• Paris, Rachel. Immersion: Band
• Houston, Emily. Immersion: Dance
• Paris, Rahcel. Immersion: ROTC
• Ziege, Nicole. Immersion: Theatre
• Holt, Delaney. Major Pride – WKU Majorette Style Dance Team
• Houston, Emily. Hollow Spike – Volleyball
• Moscoe, Carrie. The Intergallactic Tightrope – Elliott Talkington, Theatre & Dance
• Gilliam, Ashely. Tops on Top – Cheerleaders
• Young, Kreable. A Grand Adventure – Grand Canyon, Outdoor Recreation Activity Center
• Voorhees, Jessica. Home Team Advantage – Track & Field
• Homecoming
• Sproles, Katherine. Saddle School – Dylan Davis, Rodeo
• Sims, Bryna. …

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.