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Articles 31 - 60 of 85

Full-Text Articles in Music Performance

A Musical Analysis Of William Grant Still's Songs Of Separation: The Chamber Arrangement, Michael Preacely Jan 2021

A Musical Analysis Of William Grant Still's Songs Of Separation: The Chamber Arrangement, Michael Preacely

Theses and Dissertations--Music

William Grant Still was given the title “The Dean of African American Music” because of the many firsts he accomplished as an African American musician in the early twentieth century. He is known for fusing his African American musical tradition of Jazz and blues with the classical European musical tradition. This study explores one of Still’s most famous song cycles, “Songs of Separation,” in the arrangement for string quartet, voice, and piano. This document considers the instrumentation of the string quartet arrangement and how Still uses the instrumentation to enhance the character OF the poetry. This document also provides a …


“Beychella:” Beyoncé’S Homecoming To A Futuristic Queer Utopian, Jolie V. Brownell Jan 2021

“Beychella:” Beyoncé’S Homecoming To A Futuristic Queer Utopian, Jolie V. Brownell

sprinkle: an undergraduate journal of feminist and queer studies

Beyoncé’s 2018 Coachella performance and 2019 Homecoming film set the stage for a radical Black queer reimagining. Yet, how can Beyoncé—who is straight—be located within a queer critique? In this paper, I argue that through a radical and political expansion of queer, the creative deployment of dis/identification, and the unapologetic expression of the erotic, Beyoncé performs an embodiment of queer of color critique. These creative gestures within “Beychella” invite viewers into a queer futuristic utopian and provide new creative modes to politically inhabit, resist, and reimagine interlocking systems of oppression.

Keywords: Beyoncé, queer, dis/identification, erotic, QoCC, …


Afrosonic Noise: A Transnational Black Feminist Musicological Study Of Global Black Joy In Black North American Rock Music And Afro Argentinian Music Performance., Jerika M Jones May 2020

Afrosonic Noise: A Transnational Black Feminist Musicological Study Of Global Black Joy In Black North American Rock Music And Afro Argentinian Music Performance., Jerika M Jones

Electronic Theses and Dissertations

I have decided that my academic mission, at this juncture at least, is to find common links between 2 groups of people that have come to know themselves through paralleling but colonially different environments. Perhaps it is wise for me to explore the similarities between Afro Argentine Black Music and African North American Music in closer ethnomusicological detail using feminist praxis—after all both communities are part of the African Diaspora and producing Black music. I do this by reconstructing a very limited genealogy of Black Femme’s and their contribution to their respective musical communities. I draw parallels between the global …


Ua12/2/2 Talisman: Zeitgeist, Wku Student Affairs Apr 2020

Ua12/2/2 Talisman: Zeitgeist, Wku Student Affairs

WKU Administration Documents

2020 Talisman yearbook:

  • Mohr, Olivia. Zeitgeist
  • Disrupted – Photo Essay, COVID-19
  • Brandt, Jess. Cut Short – Edward Games, Grace Jones, Jarred Corona, Joshua Crask
  • Zambrano, Max. Point of No Return? – Stuart Foster, Climate Change
  • Francis, Kristina. Weapons Women Carry
  • Steele, Emma. Now & Again – Talisman
  • Gordon, Zora. Not Just Numbers – Sam Aldrich, Social Media
  • Christensen, Nicole. The K-Pop Phenomenon – Music
  • Hornsby, Morgan. Everything Starts with Mama – Warren County Regional Jail
  • McCormick, Dillon. Evolving Sport – Esports, Video Games
  • Sheffield, Catherine. Perfect Match – Travis Hudson, Volleyball
  • Dozer, Claire. Follow the Signs – Deafness, American Sign …


2020 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies Mar 2020

2020 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2020 IGGAD Conference: Without Borders: Tracing the Cultural, Archival, and Political African Diaspora.


Buckberry, Ray B., Jr., B. 1934 - Collector (Mss 685), Manuscripts & Folklife Archives Feb 2020

Buckberry, Ray B., Jr., B. 1934 - Collector (Mss 685), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 685. Research material collected by Ray B. Buckberry, Jr. related to Ernest Hogan, an African American musician from Bowling Green, Kentucky, who is sometimes credited as one of the pioneers of ragtime music. He composed and wrote lyrics for numerous musical pieces for minstrel shows and published sheet music.


Ua1c11/107 Roger Loewen Negative Collection, Wku Archives Jan 2020

Ua1c11/107 Roger Loewen Negative Collection, Wku Archives

WKU Archives Collection Inventories

Negatives and transparencies taken by Roger Loewen photojournalism professor and Talisman advisor from 1970-1977.


In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin Sep 2019

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …


Footprints Of Resilience: Tracking The Career Development Steps Of African American Male Musicians, Patrice Tiffany Leshay Bax Aug 2019

Footprints Of Resilience: Tracking The Career Development Steps Of African American Male Musicians, Patrice Tiffany Leshay Bax

Graduate Theses and Dissertations

For African American (AA) male musicians, the road toward career advancement in the entertainment industry is particularly arduous. Despite many difficulties on the journey to career success, the history of gospel, R&B, jazz, and funk music is evidence that many AA male musicians find their way to develop and advance their careers. Many AA male musicians find career development and advancement opportunities through religious and sacred institutions. However, the journey to become a professional musician for AA males is fluid and not formalized causing ambiguity in the steps taken to enter this career field and sustain growth in a rapidly …


Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives Mar 2019

Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1273. Student paper titled “Negro Gospel Music at Barnes Chapel Methodist Church” in which Karen Stewart describes a singular all-day “singing” held at the church in Beaver Dam, Kentucky, in February 1971. Stewart offers a brief description of her fieldwork methods including research and recording and provides an abbreviated background on each of her musical informants. Stewart also recounts the songs that were sung and notes recurrent themes throughout the music. The paper also includes the words to each hymn, a black and white photograph of the performers, and two reel-to-reel audiotapes.


2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies Mar 2019

2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2019 IGGAD Conference: Tracing the African Diaspora: Places of Suffering, Resilience, and Reinvention.


Italian Americans In Bronx Doo Wop-The Glory And The Paradox, Mark Naison Jan 2019

Italian Americans In Bronx Doo Wop-The Glory And The Paradox, Mark Naison

Occasional Essays

No abstract provided.


Ua37/39 Faculty Personal Papers David Livingston, Wku Archives Jan 2019

Ua37/39 Faculty Personal Papers David Livingston, Wku Archives

WKU Archives Collection Inventories

Papers of David Livingston related to Gemini jazz bands.


Mills Brothers (1924-1981), John A. Drobnicki Jan 2019

Mills Brothers (1924-1981), John A. Drobnicki

Publications and Research

The Mills Brothers were the first African American group musical group to enjoy popularity with white audiences, and had a career that lasted over fifty years.


Teresa Carreño’S Early Years In Caracas: Cultural Intersections Of Piano Virtuosity, Gender, And Nation-Building In The Nineteenth Century, Laura Pita Jan 2019

Teresa Carreño’S Early Years In Caracas: Cultural Intersections Of Piano Virtuosity, Gender, And Nation-Building In The Nineteenth Century, Laura Pita

Theses and Dissertations--Music

This dissertation studies the musical activities of the Venezuelan pianist and composer Teresa Carreño (1853-1917) during her formative years in Caracas. It examines the sources that pertain to her musical environment, early piano training, and first compositions in the context of the growth in Caracas of the practices of recreational sociability, the increasing influence of virtuosic music, and the tradition of private concert-making sponsored by devoted music amateurs. This study argues that Teresa Carreño’s musical upbringing occurred in a social and cultural context in which Enlightenment-framed ideologies of civilization and social progress, shaped in fundamental ways the perceptions of the …


Kioto Aoki Interview, Austin Sandifer Jun 2018

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/


El Mundo Anti-Negro Y Los Hip-Hop Blues: Los Rakas Y J-Cole, Josué R. López May 2018

El Mundo Anti-Negro Y Los Hip-Hop Blues: Los Rakas Y J-Cole, Josué R. López

The Quiet Corner Interdisciplinary Journal

Tenemos que contender con el mundo anti-negro. Los Rakas, un dúo artístico panameño-estadounidense, y J-Cole, un artista afro-estadounidense, utilizan al hip-hop como una avenida para comunicar sus ansiedades, sufrimientos y fortalecerse en la lucha infinita al ser el Otro Oscuro. Los blues forman parte de como uno lidia con la permanencia del racismo y nuestra existencia en un mundo anti-negro. A través de Frantz Fanon, Derrick Bell y Lewis Gordon, argumento que el estilo musical de J-Cole y Los Rakas constituye una forma de los hip-hop blues. Examino las canciones “Sueño Americano” y “Neighbors” para analizar cómo los artistas entienden …


“The Real Spice Girl, Hot Girl Power”: M.I.A. Singing The Subaltern Voice In The Euro-American Soundscape, Emma Niehaus Apr 2018

“The Real Spice Girl, Hot Girl Power”: M.I.A. Singing The Subaltern Voice In The Euro-American Soundscape, Emma Niehaus

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Gayatry Chakravorty Spivak’s seminal work of Subaltern Studies, “Can the Subaltern Speak?” analyzed the predisposition of the “Western” academy to ultimately silence the voices, experiences, and cultures of colonized, “third world” and non- European “others”. Following Spivak’s work, other scholars examined subaltern speech as it manifested in various other cultural products for instance, music. Notably, subaltern scholars such as Rebecca Romanow and Amanda Weidman in “Can the Subaltern Sing” argued that aural space for the subaltern musician was shrinking in the face of a rapidly globalizing Euro-American music industry. My presentation argues that it is not a question of if …


A “Hip-Hop” Broadway Masterpiece Or A Misrepresentation Of Hip Hop Culture, Dani E. Kupersmith Apr 2018

A “Hip-Hop” Broadway Masterpiece Or A Misrepresentation Of Hip Hop Culture, Dani E. Kupersmith

Student Publications

In February of 2015, a music sensation hit the streets of New York City and started a revolution across the country. The renowned Lin Manuel Miranda; composer, musician and actor, debuted his six-year creation - an integration of hip hop music into the world of Broadway through the sensational story of Alexander Hamilton. Based off of Ron Chernow’s 2004 biography of Alexander Hamilton, this entirely musical production details the story of the poor immigrant who came to America with big ideas and wrote his way to being a predominate figure in American history (Miranda, 2016). Impressive choreography is combined with …


Ua1c6/7 Entertainment Photos, Wku Archives Jan 2018

Ua1c6/7 Entertainment Photos, Wku Archives

WKU Archives Collection Inventories

Images of entertainment events.


Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo Jul 2017

Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo

Journal of Global Catholicism

A study of inculturation, composition and music among Catholics in Igboland, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.


Ua12/2/2 2017 Talisman: Well Being, Wku Student Affairs Apr 2017

Ua12/2/2 2017 Talisman: Well Being, Wku Student Affairs

WKU Administration Documents

2017 Talisman yearbook.

  • Kaetzel, Kylee. Editor’s Note
  • Upton, Jordan. His Hands
  • Watkins, Abby. The Meal Plan – Recipes
  • Eastham, Lillie. New Hieghts – Reed Mattison, Rock Climbing
  • Robb, Hayley. A Life Transformed – Annabeth Welborn
  • Robb, Hayley. 6:00 AM Bright & Early – Exercise
  • Doyel, Rachael. Redifining Ability – Jacob Holt
  • Upton, Jordan. Yom Kippur at Happy Hills Buddhist Temple
  • Wegert, Sally. Inner Peace – Allison Adams, Yoga
  • Mattingly, Evan. The Future’s in Your Hands – Bianca Williams, Psychics
  • Frint, Hunter. Too Often Silenced – Unity Walk
  • Doyel, Rachael. Changing Tides
  • Wells, Spencer. Struggle & Rebirth – Trey Farlee, Musicians …


Experience And Enjoy Therapeutic West African Drumming, Danny S. Daniels Mar 2017

Experience And Enjoy Therapeutic West African Drumming, Danny S. Daniels

National Youth Advocacy & Resilience Conference

This presentation is designed to introduce the benefits of a therapeutic West African drumming program to educators and mental health professionals. Participants will engage in a basic drumming class where they will experience the academic and socio-emotional benefits of drumming while practicing an African rhythm. How to relate American School Counselor Association (ASCA) standards as well as Georgia Performance Standards (GPS) and Common Core Georgia Performance Standards (CCGPS) will be explained and demonstrated by the presentation facilitators.


The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers Jan 2017

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

College of Graduate Studies: Theses & Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …


Music, Healing, And Conflict: Balancing Science And Intuition, Marisa K. Massery Jan 2017

Music, Healing, And Conflict: Balancing Science And Intuition, Marisa K. Massery

Capstone Collection

Music move us personally and with more meaning than any other medium in the world. In the past few decades, modern advances in neuroscience have proved via neuroimaging that musical processing involves almost every region of the brain, a task that no other stimulus can achieve. Science can show what is happening in our brain, but humans have intuitively known and utilized music for healing purposes since the beginning of humanity. This research examines the dynamics of continued scientific advancement in light of Non-Western ways of knowing. The study is an attempt to shorten the distance between music, healing and …


A Select Survey Of Choral Arrangements Based On The Songs Of Stephen Foster Tracing Developments In Music And Textual Changes Through The Twentieth And Twenty-First Centuries, Perry K. Ward Jan 2017

A Select Survey Of Choral Arrangements Based On The Songs Of Stephen Foster Tracing Developments In Music And Textual Changes Through The Twentieth And Twenty-First Centuries, Perry K. Ward

Theses and Dissertations--Music

Stephen Foster is acknowledged as America’s first composer of popular music. His legacy can be seen in the number of songs that are embedded in our cultural heritage – “Oh! Susanna,” “Beautiful Dreamer,” and “My Old Kentucky Home,” are but a very few of his most popular works. Stephen Foster’s songs have been incorporated into every facet of American culture including both popular and classical musical culture, television, and film. However, his legacy is complicated as it is tainted by connections to blackface minstrelsy in some works. This document seeks to trace the threads of racial sensitivity and cultural appropriation …


Mexica Music, Tizoc E. Ramirez-Marquez Dec 2016

Mexica Music, Tizoc E. Ramirez-Marquez

Capstone Projects and Master's Theses

This paper explores the society of Mexica, or the Aztecs, and some of the instruments that were produced in the civilization and used in today’s compositions. The history and their creation mythology will also be deliberated for those individuals who do not know this information of the culture. In the history, the subjects of the Mexica constructing a giant city in a lake to the conquest that was lead by Hernan Cortez will be discussed. The creation story will also exhibit the ideology of the Mexica and how their culture is sustained before the conquest. In the music section, the …


Songs Of Passage And Sacrifice: Gabriella Ghermandi’S Stories In Performance, Laura Dolp, Eveljn Ferraro Oct 2016

Songs Of Passage And Sacrifice: Gabriella Ghermandi’S Stories In Performance, Laura Dolp, Eveljn Ferraro

Modern Languages & Literature

In this time and on this page, Spivak's island seems an apt place to begin a discussion about storytelling, resistance, and belonging. This chapter documents a conversation originating from two disciplinary perspectives-literature (Ferraro) and music (Dolp). We explore how spoken-word performance in a global context can facilitate social empowerment, craft a cultural past, and invigorate political consciousness. Although our analytical strategies and some of our conclusions differ, we share the assertion that the notion of artistic citizenship as it is defined elsewhere in this collection is considerably complicated, and even requires redefinition, in the context of non-Western cultures. Our present …


Choral Theatre, Albert Joseph Wolfe Jr. May 2016

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …


Ua12/2/2 2016 Talisman - Life More Life, Wku Student Affairs Jan 2016

Ua12/2/2 2016 Talisman - Life More Life, Wku Student Affairs

WKU Administration Documents

2016 Talisman yearbook.

  • Paris, Rachel. Dawn of Delta Zeta
  • Ziege, Nicole. Kick It to the Limit – Soccer
  • Paris, Rachel. Immersion: Band
  • Houston, Emily. Immersion: Dance
  • Paris, Rahcel. Immersion: ROTC
  • Ziege, Nicole. Immersion: Theatre
  • Holt, Delaney. Major Pride – WKU Majorette Style Dance Team
  • Houston, Emily. Hollow Spike – Volleyball
  • Moscoe, Carrie. The Intergallactic Tightrope – Elliott Talkington, Theatre & Dance
  • Gilliam, Ashely. Tops on Top – Cheerleaders
  • Young, Kreable. A Grand Adventure – Grand Canyon, Outdoor Recreation Activity Center
  • Voorhees, Jessica. Home Team Advantage – Track & Field
  • Homecoming
  • Sproles, Katherine. Saddle School – Dylan Davis, Rodeo
  • Sims, Bryna. …