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Articles 301 - 330 of 885

Full-Text Articles in Music Performance

Music And Politics: A Potent Combination To Commercial Success?, Veronica Martinez Jun 2019

Music And Politics: A Potent Combination To Commercial Success?, Veronica Martinez

Backstage Pass

No abstract provided.


What Is A Music Supervisor?, June Benoit Jun 2019

What Is A Music Supervisor?, June Benoit

Backstage Pass

No abstract provided.


Closing The Music Industry Gender Gap, Sami Fong Jun 2019

Closing The Music Industry Gender Gap, Sami Fong

Backstage Pass

No abstract provided.


Gender Inequality In The Music Industry, Issadora Tulalian Jun 2019

Gender Inequality In The Music Industry, Issadora Tulalian

Backstage Pass

No abstract provided.


15 Seconds Of Fame, Graham Mclaren-Finelli Jun 2019

15 Seconds Of Fame, Graham Mclaren-Finelli

Backstage Pass

No abstract provided.


Redemption: A Deep Dive Into The Magnum Opus That Saved Kanye’S Career, Graham D. Mclaren-Finelli Jun 2019

Redemption: A Deep Dive Into The Magnum Opus That Saved Kanye’S Career, Graham D. Mclaren-Finelli

Backstage Pass

No abstract provided.


Sgt. Pepper's Lonely Hearts Club Band: A Journey Inside The Creative Genius Of The Beatles, Kevin Sandri Jun 2019

Sgt. Pepper's Lonely Hearts Club Band: A Journey Inside The Creative Genius Of The Beatles, Kevin Sandri

Backstage Pass

No abstract provided.


Meet Cody Simpson, Veronica Martinez Jun 2019

Meet Cody Simpson, Veronica Martinez

Backstage Pass

No abstract provided.


Childish Gambino Says Goodbye, Diana Ventura Jun 2019

Childish Gambino Says Goodbye, Diana Ventura

Backstage Pass

Childish Gambino ends his music career with his This Is America tour. In this review, we delve into how the audience reacts to his goodbye and how he is determined to give us his most spectacular farewell.


Travis Scott's Astroworld Tour, Prajeet Sandhu Jun 2019

Travis Scott's Astroworld Tour, Prajeet Sandhu

Backstage Pass

No abstract provided.


Justin Timberlake's 20/20 Experience, June Benoit Jun 2019

Justin Timberlake's 20/20 Experience, June Benoit

Backstage Pass

No abstract provided.


5 Seconds Of Summer Concert Review, Johanna Stjernström Jun 2019

5 Seconds Of Summer Concert Review, Johanna Stjernström

Backstage Pass

No abstract provided.


Asap Rocky At The Golden 1 Center, S. Mbaye Jun 2019

Asap Rocky At The Golden 1 Center, S. Mbaye

Backstage Pass

No abstract provided.


So Long To The Black Parade, Sarah Werth Jun 2019

So Long To The Black Parade, Sarah Werth

Backstage Pass

No abstract provided.


Vista Kicks & Bad Suns Concert Review, Issadora Tulalian Jun 2019

Vista Kicks & Bad Suns Concert Review, Issadora Tulalian

Backstage Pass

No abstract provided.


Letter From The Editor, Keith Hatschek Jun 2019

Letter From The Editor, Keith Hatschek

Backstage Pass

No abstract provided.


Designing And Composing For Interdependent Collaborative Performance With Physics-Based Virtual Instruments, Eric Sheffield May 2019

Designing And Composing For Interdependent Collaborative Performance With Physics-Based Virtual Instruments, Eric Sheffield

LSU Doctoral Dissertations

Interdependent collaboration is a system of live musical performance in which performers can directly manipulate each other’s musical outcomes. While most collaborative musical systems implement electronic communication channels between players that allow for parameter mappings, remote transmissions of actions and intentions, or exchanges of musical fragments, they interrupt the energy continuum between gesture and sound, breaking our cognitive representation of gesture to sound dynamics.

Physics-based virtual instruments allow for acoustically and physically plausible behaviors that are related to (and can be extended beyond) our experience of the physical world. They inherently maintain and respect a representation of the gesture to …


"What Is An Mc If He Can't Rap?", Dominique Jimmerson May 2019

"What Is An Mc If He Can't Rap?", Dominique Jimmerson

Capstone Projects and Master's Theses

The goal of this paper is to tell about the history of hip-hop and the many lyricists who have come throughout the years and help the genre advance. The paper starts with the foundation of hip-hop and how the genre set itself apart from disco to become its own genre. It ranges from the late 70’s and ends in the mid 2000’s and describes how the landscape of rap is constantly changing and so are the lyricists who come out. Throughout the paper there will be examples of the lyrics and used and what made them revolutionary at the time. …


Unveiled: An Insider's Guide To The Holtschneider Performance Center Mar 2019

Unveiled: An Insider's Guide To The Holtschneider Performance Center

DePaul Magazine

A pictorial guide through the Holtschneider Performance Center, the new home of DePaul's School of Music, which opened in the fall of 2018.


A Conductor's Guide To Alec Roth's "A Time To Dance", Eric Z. Rubinstein Mar 2019

A Conductor's Guide To Alec Roth's "A Time To Dance", Eric Z. Rubinstein

LSU Doctoral Dissertations

The purpose of this monograph is to provide a comprehensive analysis and conductor’s guide for Alec Roth’s masterwork, A Time to Dance. This study will explore the origins of this work, provide rehearsal and performance considerations, and bring greater attention to its composer, Alec Roth. Compared to his English contemporaries, Alec Roth’s (b.1948) music is lesser-known within the British tradition. Roth composes for choir, orchestra, and musical theatre and is also well-known for his contributions to both the guitar and gamelan repertory. His music spans a variety of languages, voicings, orchestrations, and levels of difficulty, as he is also …


Electronic Music And The Uno Technology Assisted Performance Ensemble, Nicholas Spencer Mar 2019

Electronic Music And The Uno Technology Assisted Performance Ensemble, Nicholas Spencer

UNO Student Research and Creative Activity Fair

The University of Nebraska at Omaha's Technology Assisted Performance Ensemble (or TAPE) is UNO's first Laptop Orchestra. TAPE focuses on electronic music as well as exploring the boundaries of what we understand to be music. Combining traditional music theory and digital synthesis creates a new genre of academic music that is on the cutting edge of research in both fields of music and technology. TAPE was founded by Dr. Seth Shafer and Nicholas Spencer with initial funding by the University of Nebraska at Omaha's FUSE grant.


Meaning Beyond Words: A Musical Analysis Of Afro-Cuban Batá Drumming, Javier Diaz Feb 2019

Meaning Beyond Words: A Musical Analysis Of Afro-Cuban Batá Drumming, Javier Diaz

Dissertations, Theses, and Capstone Projects

This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. However, this artistically sophisticated tradition demands a more in-depth study of its musical manufacture. Drawing from experience as a ritual batá player and as an oricha priest, I have completed the current study by following three primary analytical modalities: (1) sonic landscape, which encompasses: sound vocabulary, form, individual drum parts, and balance of musical elements; (2) timbral design, how the different batá sounds articulate meaningful and functionally distinguishable structures; (3) the …


Paul, Les (1915-2009), John A. Drobnicki Jan 2019

Paul, Les (1915-2009), John A. Drobnicki

Publications and Research

Les Paul was a guitarist and inventor who experimented with multitrack recording.


Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis Jan 2019

Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis

Graduate Theses, Dissertations, and Problem Reports (ETD)

David Cope stated: “There are two basic approaches to the study of New Music Notation: codification and comprehension […] what really needs to be done is not to keep listing the diverse ways each composer symbolizes his music or create substantially new and negating systems of notation, but to concentrate on codifying one way for future composers to symbolize their music.”[1]

In an attempt to limit the inconsistency and complexity characterizing contemporary notation idiomatic to the flute, this paper is the first to adopt Cope’s statement and ultimately apply it in relation to the notation of non-standard extended flute …


A Compendium Of Opera In Spain And Latin America, Michelle S. Smith Jan 2019

A Compendium Of Opera In Spain And Latin America, Michelle S. Smith

Graduate Theses, Dissertations, and Problem Reports (ETD)

Spain and Latin America have a rich operatic tradition, however this opulent body of operatic work is mostly overlooked or ignored in mainstream histories of opera. This document focuses on opera in Spain and the Spanish-speaking countries of Latin America. Opera was both composed and performed in Spain and Latin America, and both regions demonstrate the development of national opera traditions. Spanish drama was closely linked to the beginnings of national opera, and Italian influence is evident in opera compositions from both regions. The output of national operas varies by country, with Spain, Mexico, and Argentina claiming the majority of …


Pedagogical Thoughts On Album Des Six: A Piano Set By Les Six To Represent French Nationalism, Dipendra Sunam Jan 2019

Pedagogical Thoughts On Album Des Six: A Piano Set By Les Six To Represent French Nationalism, Dipendra Sunam

Graduate Theses, Dissertations, and Problem Reports (ETD)

Les Six, formally established in 1920, included a group of young French composers: Georges Auric (1899-1983), Louis Durey (1888-1979), Arthur Honegger (1892-1955), Darius Milhaud (1892-1974), Francis Poulenc (1899-1963) and Germaine Tailleferre (1892-1983). The primary motivation for their formation was the reaction against foreign influences, especially German Romantic music, in French music. Jean Cocteau, inspired by Erik Satie’s style, proposed a new French musical aesthetic: simplicity, directness, clarity, and terseness. Les Six followed these ideals in their formative years. Their artistic association was short-lived, but while it lasted it produced Album des Six, their sole joint production, a published …


Impermanence (Lorelei Ensemble, Beth Willer, Artistic Director), Beth Willer Sep 2018

Impermanence (Lorelei Ensemble, Beth Willer, Artistic Director), Beth Willer

Other Faculty Research and Publications

No abstract provided.


Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman May 2018

Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman

Lawrence University Honors Projects

The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …


Electronics And The Music Of Miles Davis, Darren E. Shekailo May 2018

Electronics And The Music Of Miles Davis, Darren E. Shekailo

Theses and Dissertations

Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.


A Graduate Recital In Conducting, Daniel W. Mcdill May 2018

A Graduate Recital In Conducting, Daniel W. Mcdill

Electronic Theses & Dissertations

The purpose of this thesis is to provide an understanding of the works conducted on the author’s graduate conducting recital at Pittsburg State University. Biographical information of the composer, historical context of the pieces, program notes, and performance considerations will be included for each piece conducted.