Music Performance Commons^™

Breath, Void, Ground, Huichun Yang

Masters Theses

Before the sound, there is breath. Before the explosion, there is a threshold. Before the noise, there is silence.

Inspired by the physicality of balloons, this thesis explores breath as sonic material that carries memory, moves through bodies, and resonates across spaces. The balloon becomes a skin that holds breath: a force inhaling trauma, ritual, and intimacy. When released through mouth and latex, breath conjures alien, untranslatable voices that hiss and hum.

It begins with a balloon and expands with endless breath. The balloon becomes a site where the history, body, and voice disintegrate and reform. The pressure and tension …

Harmonic Innovators And Cultural Catalysts In American Jazz: The Social Impact And Musical Innovations Of Louis Armstrong In The Real Ambassadors, Duke Ellington's Sacred Concerts And John Coltrane's A Love Supreme, Marcia C. Vandervinne

Capstone Projects and Master's Theses

Abstract This capstone project explores how three landmark jazz works—Louis Armstrong’s The Real Ambassadors (1961), John Coltrane’s A Love Supreme (1965), and Duke Ellington’s Sacred Concerts (1965–1973)—responded to the social challenges of the Civil Rights era while advancing the artistic stature of jazz. Each composition challenged systemic racism through its unique blend of innovation and cultural expression: Armstrong’s performance in The Real Ambassadors used satire to critique American racial hypocrisy; Coltrane’s A Love Supreme presented a spiritual and musical journey grounded in modal development and personal transformation; and Ellington’s Sacred Concerts fused jazz with sacred and classical traditions to elevate …

Musical Theatre Nyc Industry Showcase -Senior Capstone, Erica Aubrey

SPARK Symposium Presentations

Musical Theatre BFA candidates put together and perform a 35-minute Senior Showcase for New York City Industry Personnel. This culminating performance was presented in NYC on April 8, 2025 for Casting Directors, Agents, Directors, Choreographers and Managers. Post this performance, students are asked to meetings with talent reps, and are are asked to auditions for projects they are right for, further launching them into their professional careers post graduation.

Music In The Catholic Church: An Analysis Of Hymns And Congregational Singing In Roman Catholic Churches In The United States, Andrew T. Medrick

Senior Theses

This thesis examines the musical dilemma in the American Catholic Church, highlighting issues such as inappropriate musical selections for the Mass and a profound lack of congregational singing. Through a literature review of Vatican documents, expert opinions, and hymns, I analyze the criteria for music used in the Mass, identify common failures of musical selections presented in many Catholic churches, and offer practical guidance to improve sacred music in parishes and dioceses. I conclude that music used in the Mass must be sourced primarily from Sacred Scripture, in full conformity to the doctrines of the Roman Catholic Church, and easy …

La Valse And The Parisian Salon: Nostalgic Continuities And Sonorous Modernisms, Claire Weydt

Graduate Theses, Dissertations, and Problem Reports (ETD)

Immediately following World War I and the death of prominent French composer Claude Debussy, French composers and music critics were concerned that the war created an unbridgeable chasm between generations of composers who, through their various aesthetic allegiances, worked to define musical sounds as undeniably French. Numerous scholars have characterized this process as an aesthetic rupture brought on by the World Wars. French composer Maurice Ravel (1875-1937), however, seems to have bridged this gap, at least for some influential critics. My project challenges notions of wartime rupture by resituating musical modernism within a framework of aesthetic continuity. Ravel’s choreographic poem …

The Effects Of Operatic Voice Type On Singer Identity, Adelaide J. Mcdonald

Graduate Theses, Dissertations, and Problem Reports (ETD)

Within Western art music, voices are typically classified using the Fach system, which is based upon vocal characteristics and separates singers into the categories of soprano, mezzo soprano, contralto, counter tenor, tenor, bass, and baritone. Over time, these categories have become embedded with social and cultural meaning within the operatic world, leading to the development of stereotypes and expectations surrounding singers, as well as social categories and identities, referred to in this study as “sociocultural vocal categories” and “sociocultural vocal identity,” respectively. Currently, there are limited explorations of the sociocultural vocal categories and their associated stereotypes, with research on singer …

Paul Bowles’ Blue Mountain Ballads For Wind Octet And Solo Voice: A Transcription Of A Song Cycle Using The Instrumentation Of Stravinsky’S Octet , Cleveland P. Forrester

Theses and Dissertations--Music

Blue Mountain Ballads (1946), by Paul Bowles, is a song-cycle and setting of four poems by Tennessee Williams who was the composer's friend and mentor. The work has long held a place in the vocal repertoire. Bowles’ unique harmonic language, wide accompanimental range and the use of jazz idiom provide a unique opportunity for the music to be re-cast for wind instruments. Furthermore, chamber music makes up most of Bowles’ musical output as a composer, so using small instrumental forces seemed an appropriate medium to re-orchestrate this song cycle.

The purpose of this document is 1) to provide a detailed …

Haven: Viewing The Concept Album Through The Classical Lens, Maria Keane

Graduate Theses, Dissertations, and Problem Reports (ETD)

This research project analyzes the album Haven by Canadian pop-rock band Marianas Trench and compares it to the seminal song cycles of Franz Schubert, Winterreise and Die schöne Müllerin, as well as those of Robert Schumann, Dichterliebe and Frauenliebe und Leben.

Haven is a concept album that is based on the hero’s journey framework outlined in Joseph Campbell’s The Hero With a Thousand Faces. Josh Ramsay, the lead singer of the group, crafted his hero’s journey by drawing on his own life experiences. The songs on the album represent different plot points from Campbell’s framework, telling a cohesive story over …

Predictors Of Mystical Experiences In The Electronic Dance Music Scene, Cody Edward Lesniak

All-Inclusive List of Electronic Theses and Dissertations

The present study examined the nature and frequency of reported mystical experiences within the Electronic Dance Music (EDM) scene and the roles psychedelic and psychedelic-like substances, set, and setting play in facilitating these experiences. Participants were recruited using posts on a variety of EDM-related Facebook groups (EDM, EDM Universal, EDM Festivals and Raves, etc.) and Reddit threads (bonaroo, electricdaisycarnival, RavesAndRavers, etc.). Participants completed a self-report survey consisting of questions pertaining to their involvement in the EDM scene, motives for attendance at EDM events, motives for drug use, importance of the values of peace, love, unity, and respect (PLUR), the proportion …

Coltrane’S A Love Supreme: Mediations Of Immediacy In Jazz Ritual And Recitation, James R. W. Crockford

Yale Journal of Music & Religion

This paper explores the ritualized performance ethic of John Coltrane’s later career, which is charged with a determined exploration of freedom and spiritual ascendance through participative and gestural immediacy. Conceiving of this music as a spiritual and political tool for embodied transformation, this paper traces this ethic at play in Coltrane’s iconic 1965 album A Love Supreme, identifying ways the work effects a mediation of immediacy. Through focus on the album’s closing “Psalm” recitation, its parallels in Coltrane’s other works, and their analogue in traditions of ecstatic liturgical and political oratory, this paper demonstrates the consistent priority Coltrane gives …

Expanding "Standards" Through Embracing Diversity: The Clarinet Quintets Of Samuel Coleridge-Taylor, Joyce Solomon Moorman, And James Lee Iii, Lauren Miller

Dissertations

Diversity in music education has been a long-standing discussion amongst educators. This document advocates for the recognition and acceptance of the intrinsic and extrinsic values of diverse peoples and their musical contributions while creating tolerance and respect. The focus lies with three composers, two African American and one African English, in service of promoting inclusion for composers of minority groups within the clarinet repertoire.

The goal is to expand standard clarinet repertoire, with “standard” defined as compositions considered important in building a well-rounded clarinetist in America, to include works such as Samuel Coleridge-Taylor’s Quintet for Clarinet and Strings in F-sharp …

Music By Agnes Tyrrell, Agnes Tyrrell, Riley R. Dunbar, Jocelyn Swigger

Student Publications

Typesetting for open-source publication of music by Czech composer Agnes Tyrrell (1846-1883) from her original manuscripts.

Pieces (in alphabetical order by title):

• “Abendfeier” (lyrics by Felix Dahn)
• “An den Mond” – lyrics by Johann Wolfgang von Goethe
• “Ländler” (possibly part of a set of short dances)
• “Marsch” (possibly part of a set of short dances)
• “Mazurka” (possibly part of a set of short dances)
• “Meg”
• “Nur du” – lyrics by Emil Ritterhaus
• “Rondo”
• “Song” (When Time, Who Steals) – lyrics by Thomas Moore
• “Völglein im Walde” – lyrics by Dilia Helena
• “Walzer” (possibly part of a set of short dances) …

Vibrato Rate And Extent In The Baritone Voice Through The Twentieth And Early Twenty-First Century, Scott Purcell

LSU Doctoral Dissertations

Observations of vibrato rate and extent through the twentieth and early twenty-first century point to an overall decrease in rate and increase in extent. This descriptive analysis studied fifty-five randomly selected recordings of professional operatic baritones, five from each decade from 1910 to 2021, and analyzed their vibrato rate and extent with VoceVista Video Pro. Results showed a consistent decrease in mean vibrato rate from 1910 to 1960, with small increases and decreases from 1960-2021. Vibrato extent was less consistent, but still increased from 1910-2021. The mean vibrato rate was 5.84 Herz (Hz), with a coefficient of variation (CV) of …

The ‘Well-Rounded’ Artist: An Intersectionality Of Stage Presence, Artistry, And Entrepreneurship, Megan E. Zuhowski

Dissertations, 2020-current

Undergraduate voice students spend hours over their degree in coursework relevant to bettering their overall musicianship. Coursework in music history and music theory, coupled with applied lessons, allows students to develop the knowledge necessary for their future professions. While universities strive to equip students with advanced music proficiencies, as the landscapes of professional opportunities shift and morph into work in multiple genres of expertise, students may not receive the full scope of skills needed to be independent entrepreneurial designers.

The purpose of this DMA document is to explore the intersectionality of stage presence, artistry, and entrepreneurship through a course offering …

Digital Orchestration In Media Compositions, Jimmy Bartley

Electronic Theses and Dissertations

As composers gain access to better tools, digital mockups have increasingly grown in popularity. Composers often aim to emulate an idealized orchestral sound in their mockups. By understanding the nature of acoustic orchestration and instrumentation, specific techniques and approaches for virtual instruments and sample libraries, and methods to process and manipulate MIDI audio, composers can achieve this idealized sound. This thesis will focus on the common techniques and methods that composers can use to achieve this in digital mockups. Concluding the thesis is an original work that combines digital and live instruments while exploring different techniques to achieve an ideal …

A Performance-Based Exploration Of Vocal Anatomy And Pedagogy: Maximizing Technical, Stylistic, And Physiological Frameworks For Superlative Vocal Technique In Artistic Function, Michael J. Civitano

LSU New Orleans Theses and Dissertations

This study investigates the influence of specific frameworks in performance and vocal pedagogy on artists' capacity to enact evidence-based learning outcomes, with emphasis on vocal physiology and educator-performer relationships. Employing an experimental design, five philosophies that support capacity-building were tested across two trial settings, varying in intensity. The participant utilized narrative reasoning, diversified methods, and mentorship from specialized educators to apply frameworks. Findings indicate that, in practicing evidence-based learning and maximizing anatomic foundations of the voice, substantial developments in artistic capacity ensued. Educator-performer relationships mediate this process through reciprocal collaborations that foster capacity-building. Performers display optimal artistic capacity by effectively …

J.S. Bach's Application Of The Baroque Violin Concerto In His Violin Concerti In A Minor, Bwv 1041 And E Major, Bwv 1042, Stephanie Krell

Great Plains Graduate Review

Concerti from the Baroque to contemporary times stand as one of the pillars of the violin repertoire. The form initially developed in the 1600s as composers experimented with groups of performers. It became increasingly standardized in the early 1700s, with the violin concerto advancing as a favored application. Several Baroque composers contributed characteristics that were absorbed into the violin concerti of the period, including Arcangelo Correlli, Giuseppe Torelli and Antonio Vivaldi.

Johann Sebastian Bach analyzed the traits of violin concerti from earlier and contemporaneous composers, incorporating certain features while modifying others in his own works. This may be observed in …

Fabian Ziegler, Percussionist, Fabian Ziegler, Chapman Percussion Ensemble, Southern California Marimba

Printed Performance Programs (PDF Format)

No abstract provided.

The Chapman Orchestra, Chapman Orchestra

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Percussion Ensemble, Chapman Percussion Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Commercial Music Ensemble, Commercial Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Celestial Visitors, Opera Chapman

Printed Performance Programs (PDF Format)

No abstract provided.

Music Therapy Techniques In The Commercial Music Industry, Sarah Heath

Senior Honors Theses

Despite the fact that music is commonly described as free therapy with easily accessible content in the modern age of streaming, most people do not realize that music they already listen to contains many legitimate, psychologically tested therapy. This creative artistic research study examines the role that music therapy processes and techniques play in affecting the form, songwriting and creative processes of the modern music industry. These foundational aspects of songs elicit neurological responses, the emotional effect of which is discussed and incorporated through creative research and implementation through a creative artifact. This study explores songwriting techniques found in various …

Chapman University Wind Symphony, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Saxophone Ensemble, Chapman Saxophone Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Seeking A Uniform Approach To Trumpet Sound Concept, Coleman T. Scott

LSU Doctoral Dissertations

One of the most challenging aspects of trumpet playing that pedagogues must teach is how to produce a professional tone. Trumpet students are often good musicians, play correct notes and rhythms, and even have proficient technique. However, many are unable to consistently produce a tone comparable to that of a professional. There are a number of methods that can be utilized to improve a student’s tone quality. In my own teaching and in the teaching of many professionals, tone concept has been used as a catalyst for the improvement of tone quality. A students’ exposure to a professional-quality trumpet tone …

Chapman University Choir And University Singers, Chapman University Choir, Chapman University Singers

Printed Performance Programs (PDF Format)

No abstract provided.

Terry Riley's "In C" For Mobile Ensemble, David B. Wetzel, Griffin Moe, George K. Thiruvathukal

Computer Science: Faculty Publications and Other Works

This workshop presents a mobile-friendly Web Audio application for a “technology ensemble play-along” of Terry Riley’s 1964 composition In C. Attendees will join in a reading of In C using available web-enabled devices as musical instruments. We hope to demonstrate an accessible music-technology experience that relies on face-to-face interaction within a shared space. In this all-electronic implementation, no special musical or technical expertise is required.

Faculty Showcase Recital, Gary Matsuura, Albert Alva

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman University Vocal Jazz Ensemble, Chapman University Vocal Jazz Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.