Music Performance Commons^™

Ua94/6 Gemini 15 Memories, Merry Herbert

Student/Alumni Personal Papers

Merry Herbert's answers to WKU Gemini jazz band questionnaire. See Gemini Jazz Bands online exhibit for more information.

2017 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

History: Faculty Publications and Other Works

A detailed examination of Richard Wagner's reception in Nazi Germany.

Reshaping The Event Horizon‑ Marketing Utopia At Music Festivals, Justin D. Joffe

Capstones

Imagine a world where every leisure activity is tracked, recorded, and then analyzed as market research according to your age and gender demographic. Imagine the next phase after smartphone payments, when a chip linking your finances isn’t in your phone, but on your wrist. Imagine a vast field of fellow fun-­‐seekers, eating, drinking and dancing in hedonistic, chemically enhanced utopia. Such a scene certainly requires some open-­‐ mindedness and improvisation, sure, a willingness to submit oneself to a vulnerable environment of whimsy. Now imagine being subtly exposed to advertisements in such a mindset. It’s no Orwellian controlled dystopia, really. You’ve …

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.

Ua94/6 Gemini 75 Memories, Bobbi Clark

Student/Alumni Personal Papers

Bobbi (Battle) Clark's answers to questionnaire regarding WKU's Gemini jazz bands. See Gemini Jazz Bands online exhibit for more information.

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Restoration Or Invention? Archbishop Cisneros And The Mozarabic Rite In Toledo, Susan Boynton

Yale Journal of Music & Religion

As archbishop of Toledo from 1495 to 1517, Francisco Ximénez de Cisneros carried out a multifaceted campaign of support for the Mozarabic rite, which had been preserved in the Middle Ages by Christians living in Toledo under Muslim rule. Although the Roman rite was introduced into the cathedral in 1086, the Toledan Mozarabs had continued to follow their ancient liturgy in their parishes. By the end of the Middle Ages, however, the rite was rarely celebrated. Fearing that it might become obsolete, in 1501 Cisneros endowed a chapel in his cathedral for the Mozarabic rite and established a clergy of …

This Floating World For Solo Flute By Edie Hill, Donna J. Hangen

Celebration of Undergraduate & Graduate Research, Scholarship, and Creative Activities Materials

Abstract discussing author's choice of solo flute performance, with analysis and explanation of the various pieces.

Honors Recital Presentation, David Rutter

Honors Projects

The purpose of this project was rooted in the belief that the reception of a piece of music can be altered or enhanced when the audience is given a compelling historical or cultural background of each composition. With sometimes hundreds of years between the audience members and the composers, to deliver an emotionally stirring and relevant performance to a modern audience is an incredible feat. In the spirit of making my senior violin recital more accessible and entertaining to my own audience, I devoted my Honors project to gathering information on the philosophies, personalities, successes and tragedies of each of …

Center Stage: Operatic Culture And Nation Building In Nineteenth-Century Central Europe, Philipp Ther

Central European Studies

Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon …

Ua68/1/3 Arts & Letters, Vol. 4, No. 2, Wku Potter College Of Arts & Letters

WKU Administration Documents

Magazine created by WKU Potter College of Arts & Letters regarding faculty and student research, events and programs.

"Listen To The Wild Discord": Jazz In The Chicago Defender And The Louisiana Weekly, 1925-1929, Sarah A. Waits

LSU New Orleans Theses and Dissertations

This essay will use the views of two African American newspaper columnists, E. Belfield Spriggins of the Louisiana Weekly and Dave Peyton of the Chicago Defender, to argue that though New Orleans and Chicago both occupied a primary place in the history of jazz, in many ways jazz was initially met with ambivalence and suspicion. The struggle between the desire to highlight black achievement in music and the effort to adhere to tenets of middle class respectability play out in their columns. Despite historiographical writings to the contrary, these issues of the influence of jazz music on society were …

Rosenbaum, Michael Owen, B. 1972 (Sc 853), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 853. Narrative essay written by Michael Owen Rosenbaum, based on his father Mark Rosenbaum’s account of attendance at the Woodstock Festival in Bethel, New York, 16 August 1969, written for a Western Kentucky University United States history class, November 1990.

Ronald Stevenson, Composer-Pianist : An Exegetical Critique From A Pianistic Perspective, Mark Gasser

Theses: Doctorates and Masters

This exegetical critique makes a conceptual summation of Ronald Stevenson’s life’s work for the piano and his contributions as a composer‐pianist. Chapters one and two provide a profile of Stevenson as a pianist, examining the aesthetic and musical concerns that defined his long career, as well as precedents and antecedents of his pianism. Of particular interest are the ways that Stevenson coalesces aspects of the ‘grand manner’ and his obsession with a pianistic bel canto style. Chapter three examines Stevenson’s remarkable output in terms of piano transcriptions. His conceptualization of this as ‘capturing the essence’ of the original composer is …

0802: Kay Wildman Collection, 1900-2006, Marshall University Special Collections

Guides to Manuscript Collections

The Kay Wildman Collection explores the history of music in Huntington, WV. This collection consists of oral histories, photographs, newspaper clippings, and research materials. In most of the oral histories you will find a copy of the interview on a CD and a typed outline of the interview. A diary by Robert Grant, a member of numerous musical groups in Huntington, can also be found in this collection. This diary covers the period of time Grant was a student at Marshall University with some additional entries that go beyond that period of time.

The Spirit Of Triumph, James Anderson Depreist: The Life, Career And Music Of An American Conductor, Darryl Eric Harris Sr.

Dissertations

The purpose of this research is to present an organized account of the life, career and music of this prominent American symphonic conductor. James Anderson DePreist is an African American conductor/composer, educator and spokesman for the Americans with Disabilities who has achieved prominence in the symphonic field while overcoming many obstacles, both physical and social. In addition to having have conducted orchestras all over the world, this maternal nephew of famed contralto Marian Anderson is best known as the arranger/composer of Theme For The Cosby Show, the 1988–1989 season, as recorded by the Oregon Symphony Orchestra.

In addition to a …

News - Georgia State University, Christian J. Steinmetz

Georgia Library Quarterly

A summary of news from Georgia State University Library. Includes 3 appointments, description of 2 travelling exhibits and a paragraph about a co-sponsored concert featuring the music of Johnny Mercer.

Taft, Ann Celine (Fa 49), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 49. Oral history interview with The Straightway Gospel Singers from Gallatin, Tennessee conducted by Ann Celine Taft for a folk studies class at Western Kentucky University. Subsequent paper titled "The Straightway Gospel Singers" also included.

Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

The operatic tenor voice has evolved from a variety of influences. This document identifies four influences involved in the development of the operatic tenor voice and describes their impact on performance practices including the chest voice high C (C5). Modern tenors’ performance practices originate in the nineteenth century ascendance of an Italian singing technique. This particular singing technique achieved popularity when Gilbert Duprez sang the role of Arnold in Rossini’s Guillaume Tell with a do di petto (i.e. from-the-chest) production of sound rather than the mix of falsetto and head voice that was traditional at the time. The role of …

Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon

Lawrence University Honors Projects

George Schuyler, in his tragically misguided 1926 essay for The Nation magazine, “The Negro-Art Hokum,” suggests that the only difference between Blacks and Whites is the color of skin, and that both races experience the same social, psychological and educational forces in America. He blatantly disregards American racism and inequality, and in his attempt to put forth his advocacy of color-blindness he merely projects and perpetuates the most racist of ideals within our country. Schuyler views the concept of Black Art very narrowly and insists on the impossibility of such an idea because of the supposed Americanness of the art. …

0786: James B. Justice Collection, 2009-2011, Marshall University Special Collections

Guides to Manuscript Collections

This collection consists of two black boxes, each with the same content. Each box contains manuscript pages for various creative endeavors by James B. Justice and others, including poetry, an opera, and visual arts, as well as a CD containing the music for the opera. Selected works include a book called Idle Moments and an opera The Old Shoe Blues. A full list of the contents of the box, as typed by the author, can be found in the container list section of the finding aid.

Ua1b Wku University Wide Committees/Events, Wku Archives

WKU Archives Collection Inventories

Records regarding university wide events such as lecture and concert series. See individual departments for smaller co-sponsored events.

Passing For Black: Coon Songs And The Performance Of Race, Patricia R. Schroeder

English and Creative Writing Faculty Publications

No abstract provided.

Ua68/9/2 The Symphony, Bowling Green Western Symphony Orchestra

WKU Administration Documents

Program outlining the 2010-11 season of the Bowling Green Western Symphony Orchestra. Includes article by Jonathan Jeffrey entitled "Homecoming" regarding the return to the renovated Van Meter Hall. Also a description of the Pre-College Strings Program.

0772: Jason Stewart Video, 2007-2008, Marshall University Special Collections

Guides to Manuscript Collections

This collection consists of 18 Panasonic Mini DV tapes of interviews and other raw film used in the creation of the documentary film about Philip Belt titled “Phil Belt and the Forte Piano.” Also included in the collection is a DVD copy of the final documentary along with a booklet documenting major life events for Belt. The DVD contains the following chapters: 1. Road Trip, 2. Introducing Phil Belt, 3. Getting Into Piano Building, 4. The Historical Performance Revival, 5. Phil Belt the Forte Piano Maker, 6. End Credits, Bonus: 1. Growing Up (Phil’s Younger Years).

An Early American Family Of Flutists, Wendell Dobbs

Music Faculty Research

An overview of the history of a dynasty of flutists, flute manufacturers and music publishers established by English emigrant Edward R. Riley in New York. Riley and copperplate printer Thomas Adams formed the firm Riley & Adams in 1812. It is said that all his three sons became music publishers, music instrument manufacturers and retailers.

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

History: Faculty Publications and Other Works

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.

Ua12/2/1 College Heights Herald, Vol. 76, No. 52, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. Articles in this issue:

• Moore, Brian. Another Meningitis Case Found on Campus
• Dawes, Jennifer. Boy Riding Bicycle Hit on Normal – Christopher Siegrist
• Walsh, Erica. Student Government Association Election Produces Low Voter Turnout
• Hall, Rex. Alcohol to be Served in Luxury Suites – Diddle Arena
• Training Needed to Avoid Rolling – Vans
• Grady, Brian. Editorial Cartoon – Rolling Vans
• NCAA Stepping on Mid-Major Schools
• Hiles, Tom. Naming Revenue Needed
• Murphy, Sean. Policing the Police
• Corbin, Brett. Concrete Canoe Team Rows to Sixth Regional Win
• Hoang, Mai. Dance Company Debuts …

Howard Harold Hanson, John A. Drobnicki

Publications and Research

Howard Hanson was a Pulitzer Prize-winning composer, conductor, and music educator who was director of the Eastman School of Music at the University of Rochester for forty years.