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Articles 841 - 870 of 1126
Full-Text Articles in Music Performance
Volume 27, Number 02 (February 1909), James Francis Cooke
Volume 27, Number 02 (February 1909), James Francis Cooke
The Etude Magazine: 1883-1957
Review of European Musical Articles
Masters and Their Methods
Mozart's Lack of Commercial Instinct
On the Quantity of Work to be Given a Pupil
Rossini's Remarkable Industry
Opportunities for Young Oratorio Singers
Useless Musical Exercises
Robert Schumann's Carnaval
Optimism in Teaching
What is an Ear for Music?
How Mendelssohn Wrote a Famous Work
Beethoven's Woodland Walks
Young Artist's Treasure Box: Aphorisms by Poets, Philosophers and Artists
Volume 27, Number 01 (January 1909), James Francis Cooke
Volume 27, Number 01 (January 1909), James Francis Cooke
The Etude Magazine: 1883-1957
Mendelssohn, The Man and the Musician
Franz Liszt on the Chopin Mazurka
Mendelssohn the Fortunate
Songs Without Words
Raising Your Income
Home Life of Mendelssohn
Grown-up Beginner
Advantage of Etudes
Napoleon's Great Love for Music
Mendelssohn, The Poet of Symmetry and Grace
Interesting Stories of Mendelssohn
Important Events in the Life of Mendelssohn
Personal Reminiscence of Mendelssohn
Interesting Extracts from Mendelssohn's Letters
Present Position of Mendelssohn's Music
Mendelssohn's Piano Compositions and Their Availability for the Teacher
Origin of the Waltz
Training of a Concert Pianist
How Helen Keller Enjoys Music
Liszt on the Musical Trinity
Told by Chaminade (interview with …
Lesson Book: Harmony, Protheroe Daniel
Lesson Book: Harmony, Protheroe Daniel
Siegel-Myers Correspondence School of Music
A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons and Examinations: Harmony, number 76 through 100
Lesson Book: Singing, Crampton George
Lesson Book: Singing, Crampton George
Siegel-Myers Correspondence School of Music
A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons: Singing, number 51 through 75
Volume 26, Number 11 (November 1908), James Francis Cooke
Volume 26, Number 11 (November 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Invention of the Nocturne
Stephen Heller—His Life and Works
From Rubinstein's Note-Book
Superstititions of Concert Pianists
Effective Piano Practice
American Students Should Study in America
What the Masters of Music Have Accomplished in Old Age: Remarkable Instances of Musical Activity and Intellectual Fecundity Late in Life
Musical Atmosphere in America
What Constitutes Beauty in Piano Playing
Classical Music as a Basis of Pianoforte Instruction
Handel's Youth
Volume 26, Number 10 (October 1908), James Francis Cooke
Volume 26, Number 10 (October 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Profitable Physical Exercises for Piano Students
About the Metronome
Paul Wachs: A French Composer Whose Drawing Room Pieces Have Been Exceptionally Successful
How the Masters Waited and Worked for Success: Tales of Persistence and Patience that Paid in the End
How a Musical Note-Book Helps Children
How to Play Chopin
Important Musical Activities Abroad
Musical Magazine and the Village Student
Self-Help Hints on Etude Music: Practical Explanatory Notes for Ambitious, Progressive Teachers and Students
Volume 26, Number 09 (September 1908), James Francis Cooke
Volume 26, Number 09 (September 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Influence of Chopin
Life of Dr. William Mason
Journalistic Comment on Dr. Mason's Death
What is Gipsy Music?
Appreciation of Dr. Mason
Dr. Mason's Genius as a Teacher
William Mason Model Teacher
Pithy Sayings by Dr. Mason
Dr. Mason's Personality
With Dr. Mason in the Studio
Music in the Old World: What the Masters of Europe are Thinking and Doing
Basis of Music Memory
Passing of the Square Piano
Eccentric Moods and Manners of the Great Composers
Volume 26, Number 08 (August 1908), James Francis Cooke
Volume 26, Number 08 (August 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Should Amateurs be Given a Different Course of Study Than Professional Students?
Class Teaching Versus Private Teaching
False Stories in Musical History
Importance of Music in the Home Life
Rimsky-Korsakov: 1844-1908
Musical Libraries
Piano Lessons by the Great Masters: Franz Liszt
Practical Church Music
Increased Valuation of Music in our Government
How Music May Alleviate Suffering
Bach Becoming Popular
Volume 26, Number 07 (July 1908), James Francis Cooke
Volume 26, Number 07 (July 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Dr. Robert Goldbeck, Prominent German-American Musician and Educator, Deceased
Lessons with Kullak: How the Great German Pedagogue Taught
Questionable Advantages of Foreign Study
Is the Piano a Disadvantage in Early Musical Education? (Symposium)
Correct Pronunciation of the Names of Well-Known Musicians
Acquisition of a Loose Wrist
How the Music Teacher is Hampered by Pupils' School Work
Necessity of a Vacation for Musicians and Students
Musical Development Late in Life
Educational Value of Musical Postal Cards
Egotism in Music
Reginald de Koven upon Night Work
Volume 26, Number 06 (June 1908), James Francis Cooke
Volume 26, Number 06 (June 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Child Who Can't
Some Eccentricities of Musical Genius
Self-Made Masters in Music: How Schubert, Haydn, Raff, Wagner, Elgar and Others Taught Themselves—Practical Advice for Students Who are Forced to Carve Out Their Own Careers Without the Assistance of a Teacher
How Public School Music Should Help the Private Music Teacher
Should Music be Studied by High School Pupils?
Is the Piano a Disadvantage in Early Musical Education? A Symposium Upon a Vital Subject by Many Well-Known Teachers and Artists
How Correct Accenting Helps the Student
Making the Summer Profitable: Opinions of Practical Teachers upon Rest and Study in the Torrid …
Volume 26, Number 05 (May 1908), James Francis Cooke
Volume 26, Number 05 (May 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Student Days in Weimar With Liszt: Reminiscences of an American Virtuoso and Teacher Who Won the Interest of the Greatest Master of the Keyboard
Extending the Compass of a Hand Without Injury
Securing Pupils
Helpful Ideas for the Younger Piano Teacher
Difficulties of Teachers in Small Towns
Leopold Godowsky on Natural Technic
Retaining the Loyalty of Old Pupils
Rise of the Virtuoso
Necessity of Credentials for Music Teachers
Some Essentials of Pianoforte Tone Production
Good Way to Teaach Odd Rhythms
Mothers as Assistant Teachers
Volume 26, Number 04 (April 1908), James Francis Cooke
Volume 26, Number 04 (April 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Newly Discovered Sketch by Mozart with its Musical Explanation
Sustained Finger Exercises
Co-öperation of Teacher and Student
Stimulating the Pupil's Ambition
Autobiography of a Rhapsody of Liszt
Suggestions Relating to Scale Fingering
Some Factors that Aid Good Teaching
Thirty-minute Lesson
Wagner's Witty Remarks on the Oratorio in England
Difficulties of the Young Music Teacher
What Should the Amateur Pianist be Taught of Harmony
Allow the Student to Develop His Own Ideas
Remodeling the Old Teacher's Work: How Great Tact Should be Used in Making Changes
Volume 26, Number 03 (March 1908), James Francis Cooke
Volume 26, Number 03 (March 1908), James Francis Cooke
The Etude Magazine: 1883-1957
MacDowell and His Mission
Why We Should Support American Music
Bach at the Organ
Poor Pay for Musicians
Harold Bauer on Technic
Rembrandt and Wagner
How to Study Chopin's Nocturne, Opus 9, Number 2
H. Engelmann
Brahms and the Waltz
Trying for a Church Position
Slow Practice
Volume 26, Number 02 (February 1908), James Francis Cooke
Volume 26, Number 02 (February 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Teaching Young Boys
Placate the Parent
Piano Duet Practice
Technic as It Should Be
Teachers' Auxiliary Work
What is Music?
So-Called Natural Piano Technic
Carl Heins
Musical Degrees in American Colleges
Why the Masters Died Poor
Brahms and Nikisch
Contrasted Character of Major and Minor Music
Volume 26, Number 01 (January 1908), James Francis Cooke
Volume 26, Number 01 (January 1908), James Francis Cooke
The Etude Magazine: 1883-1957
Some of Reinecke's Famous Pupils
Home Life of Reinecke
Courses of Self-Study for Piano: Suggestions as to How It May Best Be Pursued
What Music Owes to Dancing
Paderewski on Music Teaching
Career of a Concert Singer: Opinions and Experiences of the Noted Concert Soprano Miss Emma Thursby
Private Teacher in His Relation to Music in the Public Schools
How I Teach the Scales
How Long Shall Be the Lesson of a Child Under Twelve Years?
Chances of the Music Teacher in the Southwest
Lesson Book: Harmony, Protheroe Daniel
Lesson Book: Harmony, Protheroe Daniel
Siegel-Myers Correspondence School of Music
A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons and Examinations: Harmony, number 51 through 75
Volume 25, Number 11 (November 1907), Winton J. Baltzell
Volume 25, Number 11 (November 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Education of the Masters
Making the Lesson Hour More Profitable
Bach's Sons
Liszt as a Composer and as an Artist
Letter from a Teacher in New Zealand
How to Select a Piano
Teaching New Materials
Famous Italian Pupil of Franz Liszt
Advice to Young Teachers
Some Trials and Experiences of a German Teacher
Volume 25, Number 10 (October 1907), Winton J. Baltzell
Volume 25, Number 10 (October 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Edvard Grieg
Eulogy Upon Grieg
Grieg's Twelve Most Popular Piano Pieces
Story of the Gavotte
Joseph Joachim: A Tribute to the Great Teacher, Artist, Man, Who Stood at the Educational Head of Musical Life in Berlin for a Half Century—His Remarkable Violin School and His Influence Upon His Pupils and Friends
Should Recital Music be Memorized?
Sevcik and Joachim
How Rubinstein Played the Piano
Edvard Grieg
Volume 25, Number 09 (September 1907), Winton J. Baltzell
Volume 25, Number 09 (September 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Business Man and Good Music
Technical Exercises, Etudes and Pieces: How to Use Them
Palestrina
Fallacy of Music Study Abroad
Practice that Develops Technic
Practical Hints by Bülow
To Teachers Who Do Not Play
Volume 25, Number 08 (August 1907), Winton J. Baltzell
Volume 25, Number 08 (August 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Business Side of Making an Artist
To Protect Sheet Music
Study of Mozart's Sonata in F Major
Musical Education of the Blind
Henry Parker
How I Teach the Piano
Nicolas Rimsky-Korsakoff
Development of the Pianoforte
Enthusiasm in Teaching
High School Music Courses and College Requirements
Hans Sachs
Géza Horváth
Volume 25, Number 07 (July 1907), Winton J. Baltzell
Volume 25, Number 07 (July 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
From Schumann's Workshop
How to Read Music
Beethoven's Fondness for Out-of-Door Life
Hint for the Sight Reader
Success and Failure in Music: A Symposium
Anton Rubinstein in His Classes
Grading Music for Teaching Purposes
Young Pupil and Elementary Musical Theory
Teaching Material for Children
Beethoven's Personal Appearance
Notes on the Study of Scales
Arthur Foote
Environment a Factor in Teaching
World's Greatest Pianists
Emotional Appeal in Instrumental Music
Paderewski's Minuet in G
Study of Program Music
Volume 25, Number 06 (June 1907), Winton J. Baltzell
Volume 25, Number 06 (June 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Johannes Brahms: The Classical Spirit in Music
Some Sayings of Brahms
Estimate of Brahms' Work
Brahms as a Practical Joker
How Liszt Taught
Chorus in the Small Town, with Some Side-Lights on Its Influence on American Music
Edvard Grieg: The Scandinavian Spirit in Music
Jacques the Dreamer: The Story of a Musician, with a Moral in It
Charles Camille Saint-Saëns: A Representative of French Music
Story of the Minuet
History Questions for Music Students
Importance of Finger Training
Cornelius Gurlitt
Monument to Stephen Heller
Volume 25, Number 05 (May 1907), Winton J. Baltzell
Volume 25, Number 05 (May 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Musician's Holiday in Central Europe: Summer Music in Germany
Liszt's Love for the Piano
TTo the Graduates in Music: A Baccalaureate
Scales and Scale Playing: Their Place in Modern Piano Playing (Prize Essay)
Minnesinger
Education of the Masters
Conservatory Musical Society—What it Can Do for Members
Suggestion to Stimulate American Composition
Teaching Pieces by Godard
Some Leipzig Teachers of Fifty Years Ago
Volume 25, Number 04 (April 1907), Winton J. Baltzell
Volume 25, Number 04 (April 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Maiden's Wish (Chopin Story)
Weber a Dramatic Composer
Control of Nervousness in the Musician
Making a Community Musical
Some Considerations on Foreign Study
Some Modern Technical Delusions and a Suggested Remedy
Dangers of Thoughtless Automatic Practice
Aim and Scope of Music for the Left Hand Alone
Shakespeare and Music: Some Interesting Quotations
Are the Keys with Flats in the Signatures Easier to Play than the Keys with Sharps? Why? (Symposium)
Beethoven's Love for Nature
Secret of Rosenthal's Technic
Artist's Revenge (A Story of Liszt and Chopin)
Anton Rubinstein in His Class Room
Keep the Eyes on the Music
Fraud Music …
Volume 25, Number 03 (March 1907), Winton J. Baltzell
Volume 25, Number 03 (March 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Easter at St. Peter's, Rome
Notes for the History Teacher
Pioneers in Music
Keyboard and the Hand
Incident of Schumann's Last Days
Hints for the Duet-Player
Rhythm and Meter in Music
Nature's Symphony: An Incident of Beethoven's Youth
Songs without Words
Sigismond Thalberg
Volume 25, Number 02 (February 1907), Winton J. Baltzell
Volume 25, Number 02 (February 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Chopin as I Knew Him
Lesson on a Phase of Technic: The Thumb and Second Finger
Repertory and How to Acquire It
Reminiscences of Schubert
Life of the Virtuoso
Few Thoughts Concerning the Musical Ear
Anton Rubinstein in His Classes
18th Century Tribute to Bach
Plan for the Teacher Who Wishes to Give Her Pupils Both Private and Class Lessons
French View of the American Musical Future
Evolution of a Country Church Choir
Some Common Errors of Piano Pupils: How to Correct Them
Volume 25, Number 01 (January 1907), Winton J. Baltzell
Volume 25, Number 01 (January 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Lessons From Haydn's Life
Some Appreciations of Haydn
Joseph Haydn: A Man and Artist: As He Lived
Haydn's Contribution to Instrumental Music
Study of Haydn's Pianoforte Compositions
Joseph Haydn and His Work
Haydn, the Child, Youth and Man
Musician's Masquerade: A Story of Haydn's Youth
Mystery of Early Engilsh Music
Lesson Book: Harmony, Rosenbecker Adolph
Lesson Book: Harmony, Rosenbecker Adolph
Siegel-Myers Correspondence School of Music
A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons and Examinations: Harmony, number 26 through 50
Volume 24, Number 11 (November 1906), Winton J. Baltzell
Volume 24, Number 11 (November 1906), Winton J. Baltzell
The Etude Magazine: 1883-1957
Richard Strauss: A Short Story of the Composer Whom James Huneker Calls An Anarch in Art
Hungarian Music and the Gipsies
Education of the Masters
Music and Mental Science
Babylonian Origin of Music as an Art and Science
Touch in Pianoforte Playing
Musical Education: What It Means
What is Good Taste in Music?
Volume 24, Number 10 (October 1906), Winton J. Baltzell
Volume 24, Number 10 (October 1906), Winton J. Baltzell
The Etude Magazine: 1883-1957
Making of a Russian Pianist (interview with Josef Lhévinne)
Qualities that Deterine Musical Worth
Two Remarkable Modern Compositions
Music Among the Hindoos
Study of Piano Technic from Bach to Clementi, Field and Cramer
Study of Piano Technic from Beethoven to Rubinstein
Thoughts on Modern Piano Technic
Manuel Garcia: His Life and Works
Interpretation of Bach's Works
Hindoo Air in the Sunday-School
Place of the Talking Machine in Music Teaching
Place of Mechanical Instruments in Musical Culture
Menace of Mechanical Music to a True Art