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Full-Text Articles in Music Pedagogy

A Theoretical And Stylistic Analysis Of Paul Ben-Haim’S Five Pieces For Piano, Op. 34 And Piano Sonata, Op. 49, Rachel Bletstein Jan 2018

A Theoretical And Stylistic Analysis Of Paul Ben-Haim’S Five Pieces For Piano, Op. 34 And Piano Sonata, Op. 49, Rachel Bletstein

Theses and Dissertations

The purpose of this study is to provide a theoretical and stylistic analysis of Paul Ben-Haim’s Five Pieces for Piano, Op. 34 and Piano Sonata, Op. 49. The study consists of an analysis of form, meter, rhythm, harmony, melody, keyboard usage, and stylistic elements.

The study helps to educate musicians about Ben-Haim’s music and conveys how the works are representative of compositional practices that combine Middle Eastern and Western elements. This study also introduces two major works of Ben-Haim’s, including Five Pieces for Piano, Op. 34, and Piano Sonata, Op. 49. This study promotes one of the most significant Israeli …


Music Education For Future "Mathews": Down Syndrome In General Music Education, Amber Alicia Colberg Jan 2017

Music Education For Future "Mathews": Down Syndrome In General Music Education, Amber Alicia Colberg

Theses and Dissertations

This paper will begin with the history of special education and how legislation has shaped its implementation in the school system. The definitions and types of Down syndrome will then be discussed. Next, modifications for individuals with Down syndrome in the regular classroom and music classroom will be examined. Additionally, music therapy strategies will be included as it relates to music education. The paper will conclude with a description of curriculum adaptations for individuals with Down syndrome in the general music classroom. Following the paper, practical applications of research strategies are provided through four lesson plans. The purpose of this …


Experience In Action: Incorporating Somatic Education Into The General Music Classroom, Amy N. Melton Jan 2017

Experience In Action: Incorporating Somatic Education Into The General Music Classroom, Amy N. Melton

Theses and Dissertations

This thesis seeks to introduce principles of somatic education to children grades kindergarten through grade five in order to prevent future music-related injury and to promote free, wholebody movement. To do so, the principals of somatic education, specifically those of the Alexander Technique and Body Mapping, were combined with the current general music pedagogies by altering pre-existing lesson plans. Alterations include a variety of methods of integration, including, but not limited to: teaching about and exploring the different parts of the body, understanding the relationships between seemingly unrelated body parts, and engaging in student-led constructive rest in the semi-supine position. …


An Investigative Study Measuring Self-Reported Metacognitive Habits Among Collegiate Piano Majors, Steven Phillip Brundage Jan 2017

An Investigative Study Measuring Self-Reported Metacognitive Habits Among Collegiate Piano Majors, Steven Phillip Brundage

Theses and Dissertations

The purpose of this study was to investigate self-reported metacognitive habits among collegiate piano majors. It examined the degree to which participants comprehend and employ practice strategies, recognize their own strengths and weaknesses in learning and performing, accurately predict a performance outcome, and self-evaluate following a performance. A total of twelve (N = 12) participants, six (N = 6) undergraduate and six (N = 6) graduate piano majors, enrolled in applied lessons at the University of South Carolina School of Music volunteered to participate in this study. Participants completed a pretest questionnaire that measured their own metacognitive skills, performed and …


An Analysis Of Akira Miyoshi’S “Miyoshi Piano Method: 12 Progressive Propositions Piano Method”, Azusa Higotani Bies Jan 2017

An Analysis Of Akira Miyoshi’S “Miyoshi Piano Method: 12 Progressive Propositions Piano Method”, Azusa Higotani Bies

Theses and Dissertations

This thesis analyzes Miyoshi Piano Method: 12 Progressive Propositions Piano Method written by Akira Miyoshi (1933-2013), a Japanese classical music composer. The study comprises three chapters, a bibliography, and two appendices. Chapter one consists of an introduction providing a brief history of the development of piano instructional methods and their development in Japan with an emphasis on the instructional works of Akira Miyoshi. Chapter 2 consists of an analysis of Miyoshi Piano Method inclusive of all twelve volumes. Each volume is analyzed in terms of reading approach, counting approach, technique, artistry and creativity, and compositional characteristics. Chapter 3 consists of …


A Survey Of Attitudes Towards Burnout Among Music Students At The University Of South Carolina School Of Music, Philip David Castro Jun 2016

A Survey Of Attitudes Towards Burnout Among Music Students At The University Of South Carolina School Of Music, Philip David Castro

Theses and Dissertations

The purpose of this study was to define burnout specific to musicians. The study explored the attitudes towards burnout of student musicians at the University of South Carolina School of Music. A survey was created based on models in the research literature, and was administered to music students with the permission of the School of Music administration. Internal review board approval was obtained. The survey was available via the Internet. Participation was voluntary and student anonymity guaranteed.

The population of the survey consisted of 416 undergraduate and graduate music students enrolled in the 2016 spring semester. Of the 416 total …


H. Leslie Adams' Twenty-Six Etudes For Solo Piano: A Performance And Stylistic Analysis, Aaron Balthazar Mathews Dec 2015

H. Leslie Adams' Twenty-Six Etudes For Solo Piano: A Performance And Stylistic Analysis, Aaron Balthazar Mathews

Theses and Dissertations

H. Leslie Adams (b. 1932) is a prolific and well-respected American composer, performer, and educator. He currently works as a full-time composer and travels the country promoting his music. Past faculty appointments of H. Leslie Adams include serving as an Assistant Professor of Music at Stillman College, Florida A & M University, and the University of Kansas. Over the years, he has received numerous commissions, honors, and awards including the Composer Fellowship Award from the National Endowment for the Arts to study in Bellagio, Italy, the Yaddo Artists Colony fellowship, the Jennings Foundation, and grants from the Rockefeller Foundation and …


H. Villa-Lobos' Concerto Para Piano E Orquestra N. 4: A Stylistic Analysis, Vicente Della Tonia Junior Dec 2015

H. Villa-Lobos' Concerto Para Piano E Orquestra N. 4: A Stylistic Analysis, Vicente Della Tonia Junior

Theses and Dissertations

The purpose of this study was to provide a stylistic analysis of Heitor Villa- Lobos’ Concerto No. 4 for piano and orchestra through investigation of its form, thematic materials, harmony, orchestration, stylistic influences and keyboard usage. The secondary purpose of this study was to offer the historical background, including the commission of the work, its première, reception and publication, which, along with the composer’s influences, will further illustrate his style and contribution to the genre. This study helps to fill a research gap by promoting and educating performers about Villa-Lobos’ writing. The ultimate goals are to encourage informed performances of …


Effects Of Sight Singing Using Moveable-Do Solmization On The Transposition Performance Of Undergraduate Group Piano Students, Michelle Irene Wachter Dec 2014

Effects Of Sight Singing Using Moveable-Do Solmization On The Transposition Performance Of Undergraduate Group Piano Students, Michelle Irene Wachter

Theses and Dissertations

The purpose of this study was to examine the effects of sight singing, using moveable-do solmization, on the keyboard transposition performance of undergraduate group piano students. Thirty-nine (N = 39) undergraduate non-keyboard music majors enrolled in three intact sections of first-semester group piano courses participated in this quantitative study. Students completed an individual pretest and posttest consisting of a videotaped sight-reading and transposition performance and a pretest and posttest questionnaire. Throughout the six-week treatment period, all students received sight-reading and transposition instruction using identical musical examples. A control group sight read and transposed examples without singing, while students in two …


The Effects Of Creative Dramatics On Vocabulary Achievement Of Fourth Grade Students In A Language Arts Classroom: An Empirical Study, Annrené Joseph Mar 2014

The Effects Of Creative Dramatics On Vocabulary Achievement Of Fourth Grade Students In A Language Arts Classroom: An Empirical Study, Annrené Joseph

Theses and Dissertations

Seattle Pacific University

Abstract

The Effects of Creative Dramatics on Vocabulary Achievement of Fourth Grade Students in a Language Arts Classroom: An Empirical Study

by

AnnRené Joseph

Chairperson of the Dissertation Committee: Dr. Arthur K. Ellis,

School of Education

That the arts enhance academic achievement has been a claim of educators for the past century. An empirical and replicable study to investigate this claim was needed.

This experimental study examined whether and to what extent the use of creative dramatics interventions increased the vocabulary achievement of fourth grade students in a language arts classroom. The 20-day study was conducted across …


Exploration, Language And Application: An Approach To Teaching Beginning Instrumental Jazz Improvisation, Jeremy Todd Pownall Jan 2011

Exploration, Language And Application: An Approach To Teaching Beginning Instrumental Jazz Improvisation, Jeremy Todd Pownall

Theses and Dissertations

The purpose of this study was to provide preservice and inservice teachers with an alternative approach to teaching beginning jazz improvisation to instrumentalists in a classroom setting. It was determined that there exists a need for an accessible (to both teacher and student) method for teaching beginning jazz improvisation to instrumentalists. This is due to the lack of emphasis on jazz improvisation at both the public school and university level, as well as the inclusion of improvisation in both the national and Georgia state standards for music performance. The teaching method presented in this study is based on previous research, …


An Examination Of College Flute Professors' Approaches To Improving Students' Intonation Skills, Kelly Theresa Cato Jan 2011

An Examination Of College Flute Professors' Approaches To Improving Students' Intonation Skills, Kelly Theresa Cato

Theses and Dissertations

The purpose of this study was to examine what methods college flute professors use to improve their students intonation skills and to highlight resources to aid future practices on the subject of intonation. The research questions guiding this study were (a) Do college flute professors teach students how to improve intonation skills? (b) What methods do college flute professors use to improve students' intonation skills? (c) What resources do college flute professors use in conjunction with teaching intonation? Research was conducted using a researcher-created online survey that was distributed to college flute professors throughout the United States. Findings suggested a …


Shifting Slides: The Effect Of John Cage's "Solo For Sliding Trombone" (1957-58) On Modern Trombone Literature And Pedagogy, Andrew Michael Shelton Jan 2010

Shifting Slides: The Effect Of John Cage's "Solo For Sliding Trombone" (1957-58) On Modern Trombone Literature And Pedagogy, Andrew Michael Shelton

Theses and Dissertations

The trombone has a limited history concerning literature and technique development. A turning point for the literature of the trombone was with John Cage's Solo for Sliding Trombone. This composition brought about new techniques that would permeate throughout subsequent literature. These new techniques would also impact trombone pedagogy and accepted technique. This paper explains the impact Solo for Sliding Trombone had on the development of the instrument including literature and pedagogy.


Interdisciplinary Teaching And Learning, Adonna Clark May 2009

Interdisciplinary Teaching And Learning, Adonna Clark

Theses and Dissertations

In the early 1600's, the Pilgrims and the Puritans brought their musical traditions with them to establish a new life. The survival of their families depended upon their ability to provide food, shelter and clothing. Despite the challenges they faced, the colonists recognized the importance of educating their children. In 1642, the Massachusetts School Law was passed. It required town leaders to require parents to provide their children with an elementary education. Music training was not part of this newly required education. Due to the demands of life, the colonists were unable to nurture their musical abilities. Those who had …


An Analytical And Educational Survey Of Kenneth Hesketh's Vranjanka, Alisha Marie Wooley May 2008

An Analytical And Educational Survey Of Kenneth Hesketh's Vranjanka, Alisha Marie Wooley

Theses and Dissertations

This thesis will explore Kenneth Hesketh's "Vranjanka" in both analytical and educational domains. Timothy and Hilary Reynish commissioned this piece in 2005 in memory of their son William. Tim Reynish is the former conductor of the Royal Northern College of Music's Wind Ensemble. He has also been deeply involved with the Commissioning Project of the Royal Northern College of Music (1982-2002), which produced over seventy compositions for wind band, and the William Reynish Commissioning Project (2002-2007) that has commissioned over twenty works for wind band. The piece is based on the Serbian Folksong Sano Duso. Vranjanka, literally translated, means "from …


An Introduction To Baroque Ornamentation For Solo Trumpet Literature (1638-1709): A Preliminary Guide For Applied Trumpet Teachers, Adam Seth Mitchell May 2008

An Introduction To Baroque Ornamentation For Solo Trumpet Literature (1638-1709): A Preliminary Guide For Applied Trumpet Teachers, Adam Seth Mitchell

Theses and Dissertations

This graduate music project is designed to be a pedagogical supplement for high school trumpet teachers who wish to incorporate baroque music into their curriculum. This document addresses the interpretation and execution of select ornaments during the years 1638-1709. The chosen ornaments include the appoggiatura. mordent, inverted mordent, and trill. These notated ornaments were selected based on their relative frequent use in Italian Baroque music. These ornaments are defined via prose and supplemented with musical examples that illustrate their original notation and execution. In addition, musical excerpts from composers such as Jan Krutel Jiri Neruda and Dominico Gabrielli will be …


The "Choral-Vocal Conflict": Explorations On An Established Problem With Offerings Of New Means For Improvement, Laura Anne Foster May 2007

The "Choral-Vocal Conflict": Explorations On An Established Problem With Offerings Of New Means For Improvement, Laura Anne Foster

Theses and Dissertations

Many students are exposed to both solo and ensemble vocal activities throughout their music education opportunities. For many years, there has been an unspoken conflict between vocal ensemble directors and private voice teachers as to the self-proclaimed, perceived importance of one practice over the other. This graduate music project will attempt to explore the ways this conflict materializes. It will outline the players in this conflict, the actions that fuel the conflict, as well as possible solutions to eliminate the "choral-vocal conflict".


An Overview Of Pedagogical Techniques Of Vibrato For The Flute, Deborah R. Ribelin Jan 1987

An Overview Of Pedagogical Techniques Of Vibrato For The Flute, Deborah R. Ribelin

Theses and Dissertations

Through a study of flute vibrato, including the historical and pedagogical aspects, and advanced level flute teacher will acquire the necessary knowledge to direct students in developing their own individual vibrato.