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Articles 481 - 510 of 1061
Full-Text Articles in Music Pedagogy
Piano Course: Grade 5, Exercises, Sherwood Music School
Piano Course: Grade 5, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 5, Advanced A: Exercises, number 501 through 556
Piano Course: Grade 1, Exercises, Sherwood Music School
Piano Course: Grade 1, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Exercises, number 101 through 158
Piano Course: Grade 7, Studies, Sherwood Music School
Piano Course: Grade 7, Studies, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 7, Graduate A: Studies, number 701 through 770
Piano Course: Grade 7, Lessons And Tests, Sherwood Music School
Piano Course: Grade 7, Lessons And Tests, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 7, Graduate A: Lessons and Tests, number 121 through 140
Piano Course: Grade 3, Exercises, Sherwood Music School
Piano Course: Grade 3, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Exercises, number 301 through 358
Piano Course: Grade 3, Compositions, Sherwood Music School
Piano Course: Grade 3, Compositions, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Compositions, number 301 through 360
Piano Course: Grade 6, Exercises, Sherwood Music School
Piano Course: Grade 6, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade , Advanced B: Exercises, number 601 through 656
Piano Course: Grade 1, Studies, Sherwood Music School
Piano Course: Grade 1, Studies, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Studies, number 101 through 160
Piano Course: Grade 2, Compositions, Sherwood Music School
Piano Course: Grade 2, Compositions, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Compositions, number 201 through 260
Piano Course: Grade 5, Compositions, Sherwood Music School
Piano Course: Grade 5, Compositions, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 5, Advanced A: Compositions, number 501 through 560
Piano Course: Grade 2, Studies, Sherwood Music School
Piano Course: Grade 2, Studies, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Studies, number 201 through 260
Piano Course: Grade 8, Studies, Sherwood Music School
Piano Course: Grade 8, Studies, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 8, Graduate B: Studies, number 801 through 853
Piano Course: Grade 4, Studies, Sherwood Music School
Piano Course: Grade 4, Studies, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Studies, number 401 through 470
Piano Course: Grade 5, Studies, Sherwood Music School
Piano Course: Grade 5, Studies, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 5, Advanced A: Studies, number 501 through 570
Piano Course: Grade 4, Compositions, Sherwood Music School
Piano Course: Grade 4, Compositions, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Compositions, number 401 through 460
Piano Course: Grade 1, Compositions, Sherwood Music School
Piano Course: Grade 1, Compositions, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Compositions, number 101 through 160
Piano Course: Grade 4, Exercises, Sherwood Music School
Piano Course: Grade 4, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Exercises, number 401 through 468
Piano Course: Grade 8, Exercises, Sherwood Music School
Piano Course: Grade 8, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 8, Graduate B: Exercises, number 801 through 853
Piano Course: Grade 2, Exercises, Sherwood Music School
Piano Course: Grade 2, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Exercises, number 201 through 258
Piano Course: Grade 7, Exercises, Sherwood Music School
Piano Course: Grade 7, Exercises, Sherwood Music School
Piano Courses
A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 7, Graduate A: Exercises, number 701 through 753
Volume 46, Number 12 (December 1928), James Francis Cooke
Volume 46, Number 12 (December 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Don't Make Counting a Bugbear
Tuning Forks and Canary Birds
Question and Answer Department
Music of Christmas Dawn
World's Tribute to Franz Schubert (pictures)
World Bows in Homage of Franz Schubert: A Graphic Word Picture of the Great Schubert Festival at Vienna
Studio Slogan
Essence of Opera or Almanzor and Imogen, An Opera in Three Acts
How to Play Repeats
Musicians—Painting
Why a Conductor?: Some Hints to the Layman
Teaching the Triads
Style in Singing
Master Themes the World Loves Best
Evolution of Piano Playing and Virtuosity, Part 6
Maintaining Concentration in Practice
Milan, the Shrine of the Opera, Part …
Volume 46, Number 11 (November 1928), James Francis Cooke
Volume 46, Number 11 (November 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Revolution in American Musical Education
Milan, the Shrine of the Opera
Johann Sebastian Bach (Etching)
Master Themes the World Loves Best
Antidotes for Unnecessary Platform Fear
Race and Nation in Music
Scale Writing Drill for Young Pupils
Egyptian Music: Sonds of the Ancient Land of Mystery
First Year Ear Training
Volume 46, Number 10 (October 1928), James Francis Cooke
Volume 46, Number 10 (October 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Mastering Irregular Rhythms
Page Turning for the Pianist
Two Centers in Piano Playing
Simplifying Note Reading
Young Beginner
Musical Home Reading Table
Eighteenth Century Italian Opera
Clara Schumann's Hands
Beethoven's Mother
Music in the City of Flowers
System in Study and Practice
Gounod's Definition
Veronese's Immortal Masterpice—Les Noces de Cana (The Marriage at Cana)
Story of the Ballet and Its Music
Schumann as Educator
Most Curious Page in American Musical History: An Early American Experiment in Communism with a Musical Background
Prerequisites for the Accompanist
Rhythmic Educational Value of the Toy Symphony
How to Get Up a Rhythmic Band
Exceptional …
Volume 46, Number 09 (September 1928), James Francis Cooke
Volume 46, Number 09 (September 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Teaching Correct Pedaling
Incredible Mental Achievement
Music in the City of Flowers
Improve Your Stretch
Keyboard Facility and Agility
How to Extend Your Hand Without Injury
Beethoven Listening to the Muses—An Etching
Folk Element in Music: The Study of Nationality in Music
Cross Rhythm
Teaching the Use of the Pedal
Master Themes the World Loves Best
Most Amazing Achievement in the History of Music Study: The Remarkable Story of a Student Who Has Been Blind
Volume 46, Number 08 (August 1928), James Francis Cooke
Volume 46, Number 08 (August 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Means to an End
Band Without Music
Musical Education in the Home
Most Remarkable Orchestra in the World
Stiumulating the Desire to Compose
Modulation and Transposition
Raising the Price Imperceptibly
Touch It Up
Meet My Friend, Mr. Schubert!
Facsimile The Erlking
Summer Music Study
Rhythmic Educational Value of The Toy Symphony
How to Give a Rhythmic Kitchen Symphony
Rhythmic Studies in Rests
Tests that Turn Teaching Successward: A Vital Series of Pertinent Personal Questions Designed to Help Ambitious Teachers
Fourth and Fifth Fingers
Yes, I Teach 'Em Jazz
Scenes from the Childhood of Franz Schubert: A Musical Playlet for Children …
Volume 46, Number 07 (July 1928), James Francis Cooke
Volume 46, Number 07 (July 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Hymn Playing Helpful
Musical Education in the Home
What Makes a Fine Piano
Evolution of Piano Playing and Virtuosity
Why Do I Study Music
On Describing a Piece
Efficiency in Piano Study
Speaking the Pupil's Language
Studio Ventillation
Tickling the Risibles
Grandeur that Was Rome
Point on Poise
Doorstep of Harmony: Showing How Simple and Delightful the Study May be Made for the Amateur
Frederic Chopin, an Etching
Queen and a Quarrel about Musicians
Making Arpeggios Interesting
Volume 46, Number 06 (June 1928), James Francis Cooke
Volume 46, Number 06 (June 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Making Summer Study Count
Naples is a Song (Napoli é Una Canzone)
How to Study the Encore Song
Etching, Beethoven and Goethe
Secret of Extracting Tone Color from the Piano
One Hour at the Piano
Chord Conversion for Small Hands
Memorizing Notes on Staves
Practicing Away from the Piano (interview with E. Robert Schmitz)
How to Free the Fourth and Fifth Fingers
Aids to Musicianship: Scientific Principles a Necessity for Perfection in Art
Accents
Volume 46, Number 05 (May 1928), James Francis Cooke
Volume 46, Number 05 (May 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Musician and Fly
Maxims for Pianoforte Students
Matter of Hour Lessons
Largo from The New World Symphony
Oboe in the Kettle
History of a Best Seller
Rubinstein, the Leonine
Napoli E' Una Canzone
Ethics in the Musical Profession
Fifth Finger
Cinderella at the Piano
Wonderful New Etching of Johannes Brahms
One Hour at the Piano: A Highly Concentrated Plan of Study by a Famous London Teacher
Orchestral Innovations
How to Get the Right Number of Notes in Repeated Figures
Reading Chords Simplified
Keeping Right Tempo
Practical Memorizing
Making Note Reading Easy
Row Boat Playing
Self-Help Lesson in Modern Pedaling
Romance …
Volume 46, Number 04 (April 1928), James Francis Cooke
Volume 46, Number 04 (April 1928), James Francis Cooke
The Etude Magazine: 1883-1957
What is a Symphony Concert?
Musical Appreciation and Form
Taking an Inventory
Alleluia (Frontispiece)
Reinforce the Weak Spots
Aiming for It!
Do You Know That
Wrapping-Paper De Luxe
Teaching the Fundamentals of Music Through Improvisation
Accompanying as an Art
Uses and Abuses of the Pedals
Mozart (Etching)
Parental Influence in the Lives of Famous Musicians
Eighth Note
Whither the Trend of Music? (interview with Darius Milhaud)
Path of Music
Daily Exercises for the Busy Teacher
Keep It Up
Simplicity Thoughts
Finger Combinations Met With Every Day
Youngest Performer
Sight Reading
Phonograph Record as a Master Teacher
Fascinating Journals in Music …
Volume 46, Number 03 (March 1928), James Francis Cooke
Volume 46, Number 03 (March 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Double Notes for Strengthening the Fingers
Ear-Training the Child on His Own Pieces
Wagnerian Estimate of Mozart
Gilded Angel
Bad Company for a Gentleman's Sons
Baif Club
Taking up Music in Later Life (interview with John Erskine)
Training of a Virtuoso (interview with Moritz Rosenthal)
Not Quantity but Quality
Art and Music
We Have 'Phones!
Impression of Max Bruch's Tone-Poem, Kol Nidrei
Good Instrument for the Beginner
Franz Schubert—An Etching
New Lights on Scale Playing
Fairies in Music
Great Masters as Students of Music: Edward Grieg (1843-1907)
Why a Boy Should Study Music
Fun in Reading Notes
How Rimsky-Korsakoff Taught: …