Music Education Commons^™

Strike Up The Band!: Examining The Marching Arts Activity And Its Relationship To Music Education In America, Harmony Rutherford

Honors Theses

The purpose of this thesis is to re-introduce the history of the marching arts activity to the upcoming generations of music educators through a historical analysis that thoroughly examines the marching arts activity from the early twentieth century to the present. This analysis will seek to uncover the musical and visual concepts that contribute best to a well-rounded education in music, as well as personal and professional growth in students. This analysis will also seek to expose the concepts that impair students’ growth, both artistically and personally. The information from this analysis will inform a single arrangement designed for a …

Tiny Creatures, Big Lessons: Using Music Education And Ecoliteracy To Impact Young Learners' Perspectives On Bugs And Nature, Paige Burgess '25

Honor Scholar Theses

This thesis aims to demonstrate that relationships between students and nature can be improved through teaching young learners about music and bugs together, potentially leading to a greater overall love for and willingness to protect nature. The thesis features original teacher action research conducted over multiple weeks in a first grade classroom, with observations and data to support the efficacy of the methods discussed. This thesis analyzes literature that supports how increasing empathy toward bugs at a young age can have tangible benefits for the environment, how ecoliteracy as a framework is an effective means of teaching about nature, and …

The Effect Of An Immersive Inclusive Experience On Preservice Music Educators’ Perspectives About Inclusive Education, Emily M. Chapman

SACAD: Scholarly Activities

This mixed methods study explored the effects of an immersive and inclusive choir experience on music education students' attitudes and self-efficacy regarding inclusive education practices. The participants, 35 junior- and senior-level music education majors from a large Midwestern public university, were divided into two groups: 18 seniors enrolled in a required “Music and Special Education” course and 17 juniors who were enrolled in the semester immediately preceding this required course. Participants’ beliefs, feelings, and teaching intentions were collected using a modified version of the Multidimensional Attitudes toward Inclusive Education Scale (MATIES) Mahat (2008). Following the immersive experience, preservice educators reflected …

Imperative Duality Of Music Teacher Technological Education, Drew X. Coles, Cato Zane

Journal of the Association for Technology in Music Instruction

Referencing the TPACK (Technological Pedagogical and Content Knowledge) framework articulated by Mishra and Koehler, this article explains the need for educators to acknowledge and educate themselves regarding different proficiency tracks within the world of music technological content knowledge. We argue that our concept of “Imperative Duality” elaborates upon, and works to balance, the three elements of the TPACK framework: content knowledge, technological expertise, and pedagogical skills. With imperative duality, we explore the idea that educators must possess both content and technological knowledge to facilitate effective and comprehensive music tech instruction. This article also explores some music technology content and technological …

2025 Asia-Pacific Symposium For Music Education Research: Conference Proceedings, Jason Goopy, Jason Boron, Emily Wilson, Han Meng, Cynthia Howard, Philippa Chapman

Research outputs 2022 to 2026

The 2025 Asia-Pacific Symposium for Music Education Research (APSMER) was held from 9 – 11 July at Edith Cowan University in partnership with the School of Education and the Western Australian Academy of Performing Arts (WAAPA). APSMER is the official regional conference of the International Society for Music Education (ISME), and in 2025, it was proudly supported by the Australian Society for Music Education (ASME). The symposium was last held in Australia in Launceston, Tasmania, in 1999. APSMER 2025 welcomed over 300 international delegates to Perth, Western Australia, for scholarly and cultural exchange. The theme, “Being and becoming musical in …

Percussive Practices: Scholastic Programming Of Pageantry Indoor Percussion And Concert Percussion Ensembles, Robert A. Halpner

Graduate Thesis Collection

This thesis focuses on an evaluation of the spring practices of percussion programs in the greater Indianapolis area. This qualitative research study was designed to study and analyze the differences in programming of pageantry indoor percussion and concert percussion ensembles at the high school level. Specifically, this thesis focuses on the rationale and educational practices behind school percussion programming of either of these two ensemble types. This thesis attempts to answer the primary research question: what musical or educational philosophies guide the reasoning behind determining if a particular school participates in either concert percussion ensemble or pageantry indoor percussion during …

“I Have To Convince People I Am Worth Accommodating”: A Narrative Inquiry Of A Blind Student In Undergraduate Music Education, Erika J. Knapp, Julianna Lobiondo, Paulina Diaz

Visions of Research in Music Education

This narrative inquiry aimed to re-story the experiences of Paulina, a blind music education major, as she navigated her degree program at a large university. While scholars have begun to document the experiences of students who are blind or visually impaired in both PK-12 settings and during student teaching, no known study has explored the experience of a blind preservice student during their music education coursework. Utilizing critical disability studies as a lens, this narrative inquiry utilized the three commonplaces of temporality, sociality, and place to highlight Paulina’s experience. Data included interviews, memos from all three researchers, emails and texts, …

The "Heart And Soul" Of Music Education: Towards Sonic Egalitarianism In Classroom Practice, Doug S. Friesen, Laura J. Menard

Visions of Research in Music Education

As public high school teachers, we have independently come to the realization that we are both searching for ways that our music rooms can be spaces where everyone has a chance to sound (speak, sing, play an instrument), and students and teachers have the opportunity to hear others in the room. At the center of this realization stands the classroom piano: it could be an instrument of communal sonic enjoyment but, in our experiences, tends to be dominated by a few. What we are here calling sonic egalitarianism is about creating conditions whereby students have equal opportunities to sound out, …

Self-Compassion Among K-12 Music Educators, Jennifer Gee, Karen Koner

Visions of Research in Music Education

The purpose of this study was to explore self-compassion among K-12 music educators. Our sample consisted of 139 practicing K-12 music educators across the United States. Participants completed a modified version of the Self-Compassion Scale Long Form (Neff et al., 2021), which measured both positive (self-kindness, common humanity, mindfulness) and negative (self-judgment, isolation, over-identification) aspects of self-compassion (Neff, 2003). Through one-way ANOVAs, we found significant differences between teaching experience and participants' scores for mindfulness, overidentification, self-judgment, isolation, and their overall self-compassion scores. We also discovered significant differences between age, over-identification, self-judgment, grade level taught, common humanity, and isolation.

Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati

Paradigma: Jurnal Kajian Budaya

This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of …

Second-Grade Students’ Lived Experiences During Formal And Informal Music Learning Activities, Celina Liana Reed

Theses and Dissertations

Historically, elementary music educators have led their classrooms using predominantly formal, teacher-led activities. Recently, music educators have allowed students to organize their own informal music learning activities. Few researchers have examined elementary students’ lived experiences during formal and informal music activities. My education and 9 years of early childhood and elementary music teaching experiences contribute to my research qualifications. The purpose of this research was to examine my second-grade students’ lived experiences during formal and informal music learning activities. Following were the guiding research questions: (a) What do second-grade students think and how do they feel during formal music learning …

Leavers And Movers: Turnover Of Music Teachers In Nebraska, Christian G. Schuerman

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to determine if the rates of music teachers leaving the teaching profession and changing schools were significantly different than those of teachers of other content areas in the state of Nebraska. This study used data from the previous nine years of the Nebraska Department of Education’s Education Directory in order to find results for the entire population. Results indicated that music teachers leave the profession at similar rates as teachers of other content areas, but move schools at significantly higher rates.

Advisor: Robert H. Woody

More Than Windows And Mirrors: Using Culturally Responsive Teaching In Conjunction With Project Based Learning, Victoria Dimarzio

Master's Theses

This qualitative action research project examined the connections between broadening students' cultural perspectives and student voice and choice while students explored how multicultural arrangements can be authentic and valuable to a student’s music education. The following research questions were

Q1 How do students perceive world music arrangements?

Q2 How will participation in this project impact students’ sense of belonging in music class?

Q3 How do musicians and music educators determine if arrangements are appropriate to use/perform?

The purpose of this study was to explore students' perception of world music arrangements, their sense of belonging in instrumental (band and orchestra) music …

The Benefits Of Singing And Audiation For Beginning Musicians, Elissa Harris

Graduate Research Showcase

This literature review explores the impact of audiation and singing on the aural sensitivity of novice musicians, shedding light on the fundamental role of these processes in music education. Audiation, the cognitive ability to internally hear and understand music, and singing, as an active manifestation of audiation, are integral components of musical development. However, their precise influence on the development of aural sensitivity in beginners remains understudied.

Through a comprehensive review of existing literature and empirical investigation, this review seeks to uncover the relationship between audiation, singing, and the enhancement of aural skills among novice musicians. Furthermore, the literature review …

Seeking A Feminist Approach To Scholarly Innovations In Music Teacher Education, Andrea Maas

Visions of Research in Music Education

The marketization (Marchand & Orsorno Velázquez, 2016) of higher education impacts faculty through hiring practices, workload structures, and reappointment and promotion policies. Women faculty in fields such as music education need to negotiate masculine discourses and gendered constructions of innovation (Alsos et al., 2013) in a STEM focused economy. Values held by feminist pedagogues could serve as a framework through which to consider a more feminist approach to research and scholarship. Qualities such as equalization of power, collaboration, affective learning, inclusiveness of diversity, and social responsibility may surface through a researcher’s approach to inquiry or in the content itself. This …

Gender And Participation In Popular Music Ensembles: Perspectives Of Modern Band Teachers, Bryan Powell

Visions of Research in Music Education

This article explores gender dynamics in popular music education, focusing on the perspectives of modern band teachers across the United States. Drawing from existing literature and a survey of 390 modern band educators, the study examines the extent to which modern band teachers perceive their own gender identities influence student participation and enrollment in elective modern band classes. While the majority of respondents believed their gender does not significantly impact enrollment, female teachers were more likely to indicate that they felt that their gender had an impact on student enrollment compared to their male counterparts. Additionally, the study uncovers challenges …

Utilizing Journaling To Develop A Personalized And Efficient Musical Practice Regimen, Erin Kilpatrick

Honors Theses

Musicians universally agree that practicing consistently is vital to improvement. However, a lot of young musicians do not understand how to practice effectively. There are many factors that influence practice time, focus, and overall learning. For the purpose of this research, I will define “efficient practicing” as any practice that increases development as a player and encourages the player to continue in pursuit of learning music. This encompasses physical aspects like ligature, reed, mouthpiece, and the horn itself, as well as more broad musicianship fundamentals such as developing a characteristic tone, building technique, and learning how to phrase appropriately, must …

Methodologies And Adaptations: A Survey Of Selected Teachers And Those Who Specialize In Self-Contained Music Classrooms, Lori Scantlin

Electronic Theses & Dissertations

The purpose of this study was to explore the methodologies and adaptations utilized in both self-contained and inclusive music classes for students with special needs in Southwest Missouri. Additionally, the study investigated the availability of and resources for self-contained music education classes. To address these topics, selected teachers were invited to respond through questionnaires and semi-structured interviews. Music teachers from across southwest Missouri, accessed via the Southwest Missouri Music Educators Association website listing of schools and staff, were emailed, and asked to participate in the survey using the provided link to the Google form questionnaire. 37 people responded to the …

Lived Musical Experiences Of Autistic Adults, Anetta Fortner

Graduate Thesis Collection

This research set out to explore the relationship between autistic individuals and music. Current research on autism and music education focuses primarily on the accounts of teachers, parents, and other stakeholders, and does not center autistic voices. The following research questions guided this study: (1) What can we learn from autistic adults, specifically those still involved in music, about their lifelong experiences in music and music education? (2) What insight can we gain from these experiences to create more inclusive environments for autistic individuals? To answer these questions, autistic adults who self-identified as still involved in music completed a short …

A Bright Point In A Dull Day: A Qualitative Exploration Of Middle School Students’ Perceptions Of Music Ensemble Participation, Kailee Amburgey

Electronic Theses and Dissertations

Music participation, specifically in an ensemble setting, is known to promote learning and social skills and to contribute to a well-rounded overall education. With this in mind, this qualitative, constructivist grounded theory study explored the impacts that participating in chorus, band, or orchestra has on students’ overall experience in middle school, with a focus on joy and identity development. The researcher interviewed fifteen students about their personal experiences and feelings about their lives as middle schoolers and musicians. The findings, shared in six theoretical concepts tied to the research question, reveal important facets of these students’ experiences that shed light …

Preparing The Next Generation Of Music Teachers: Illuminating Motivations Of Nebraska Preservice Teacher Mentors, Emily Marie Chapman

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

This mixed methods study examined factors influencing practicing educators' decisions to mentor preservice teachers in Nebraska. Guided by Expectancy-Value-Cost Theory, the study utilized a sequential explanatory design, integrating a quantitative survey design and qualitative phenomenological interview. Findings indicated that educators' belief in their mentoring ability or Expectancy-Ability Belief (EAB) significantly predicted their willingness to mentor, with PK-12 music educators exhibiting higher EAB scores than elementary or high school music educators. Qualitative insights highlighted reciprocal benefits of mentoring, such as skill development and professional growth. The impact of the COVID-19 Public Health Emergency on mentoring experiences varied among participants. Recommendations included …

Music Education: Right From The Start. Primary Teachers Survey - South Australia, Rachel Felgate, Toby Carslake, Tanya Vaughan

School and system improvement

A broad-ranging survey of teachers and representatives from 115 South Australian government primary schools. The research in South Australia underscores overwhelming support among teachers for the benefits of music learning. However, it also highlights widespread concerns regarding inadequate investment in teacher training, dedicated facilities, and necessary resources.65% of respondents indicated that less than nine hours were allocated to music learning within their initial teaching degrees. Additionally, only about half (53%) said their school has appropriate musical equipment, with just 7% reporting having a purpose-built building to conduct music learning.

Effects Of Music Instruction For 3-4-Year-Old Children On Cognitive Development And Spatial Skills, Veronica Perez Espinosa

LSU Master's Theses

The impact of music instruction on child cognitive development has been examined by researchers in many contexts, but not as often in very young children. The purpose of the present study was to investigate the effects of music instruction on the spatial and cognitive skills of preschool children ages 3-4. Participants in the study were 68 three- to four-year-old students who received weekly music instruction at a private school in South Louisiana. Of the 68 participants, and using a quasi-experimental design, 30 students in three intact classes were randomly assigned to receive a movement song treatment and the other 38 …

Terry Riley's "In C" For Mobile Ensemble, David B. Wetzel, Griffin Moe, George K. Thiruvathukal

Computer Science: Faculty Publications and Other Works

This workshop presents a mobile-friendly Web Audio application for a “technology ensemble play-along” of Terry Riley’s 1964 composition In C. Attendees will join in a reading of In C using available web-enabled devices as musical instruments. We hope to demonstrate an accessible music-technology experience that relies on face-to-face interaction within a shared space. In this all-electronic implementation, no special musical or technical expertise is required.

Hidden Meanings In Elementary Instrumental Music Method Books: A Multimodal Critical Discourse Analysis, Mara Hope Thompson

Education Doctorate Dissertations

Textbooks serve as the primary resource utilized to deliver curriculum in a variety of subject areas and educational contexts. However, much previous research has found that texts often convey concealed meanings in the form of hidden and null curricula. This Multimodal Critical Discourse Analysis (MCDA) explored the musical discourses and cultural contexts of musical examples in two elementary instrumental music textbook series to investigate whose values, cultures, perspectives, and knowledge are conveyed by the texts and whose are excluded or misrepresented. Framed by the social theory of Postcolonialism, the research revealed binary ideologies of exoticism embedded in many aspects of …

Music Performance Anxiety: Should It Be Addressed In Music Curricula And By Whom?, Kaitlynn Kamer

Honors Projects

Music performance anxiety (MPA) impacts musicians of all skill levels, as demonstrated by existing research on both student and professional musicians. Although most musicians experience MPA, it is not formally addressed in music curriculum. This study seeks to evaluate the views and discourse around MPA in the collegiate music community through a survey of 66 college music students, 17 faculty members, and a series of secondary interviews. Through the results of the surveys and interviews, the thoughts on MPA from both the faculty and student perspective will be discussed. Upon reviewing the results of study, possible avenues for addressing MPA …

Teachers’ Perceptions Of The Factors That Challenge And Advance Music Education In K-12 Schools: A Qualitative Study In Lebanon, Khaldoun Abou Dargham

Theses and Dissertations

Music education plays a crucial role in developing students on the individual level and societies on the communal level. Despite its benefits on the human brain, student learning, physical and mental health, and its contribution to culture and the creative economy, music education still faces challenges that prevent it from fulfilling its potential. Due to scant research on the factors that impact music education in Lebanon, this phenomenological study explored the perceptions of six K-12 music teachers in Mount Lebanon through in-depth interviews regarding the issue. Drawing upon the constructivist and humanistic learning theories, the research investigated how the Lebanese …

An Assessment Of The Utilization Of The National Opportunity To Learn Standards In Middle-Level Music Education, Taylor Brooke Browning

Theses, Dissertations and Capstones

The purpose of this research was to gain the music educators’ perspectives on the implementation of the 2020 National Opportunity to Learn Standards in West Virginia’s public middle school general music programs. A qualitative phenomenological approach was utilized to gather music educators’ perceptions of whether music programs in West Virginia are providing curricula aligned with the National Opportunity to Learn Standards. Through a combination of convenience and snowball sampling, 20 West Virginia public middle school general music educators were identified, and one-on-one, semi-structured interviews were conducted. Findings indicate a majority of the music programs were somewhat aligned with the National …

An Examination Of The Strategies And Limitations For Engaging Parents In Urban Music Programs, Cory Spencer Robinson

Graduate Research Showcase

Urban music educators face unique challenges not encountered by their suburban and rural counterparts. A challenge that many urban music educators face is that of consistent and meaningful parent engagement. Urban music educators face issues engaging parents such as a lack of communication, cultural barriers and a lack of action that is ultimately out of the educator’s control. This can lead to low retention of students in the urban music program, difficulties managing negative student behavior, and overall poor program outcomes. Some possible solutions that may assist the urban music educator in engaging parents are engaging the community of the …

Eurhythmic Use For Syncopation In An Instrumental Class, Kristen Flinner

Williams Honors College, Honors Research Projects

The purpose of this study was to investigate how Dalcroze Eurhythmic approaches affect syncopated rhythm integrity in an instrumental class. One graduate and five undergraduate music education majors enrolled in a string methods course took part in this study. A pre-assessment was completed using an etude for cello comprised of syncopated rhythms. Following a sequence of four Dalcroze Eurhythmics-inspired lessons, post-assessment results showed an improvement in the fluidity and rhythmic accuracy of the six participants on the performance of the cello etude.