Music Education Commons^™

Humor In Western European Instrumental Music: How Humor Works, Its Usage Over Time, And Accessible Teaching Strategies, Hunter K. Thompson

Senior Theses

This research’s purpose was to examine the perception of humor, both generally and musically, and to provide an overview of how humor has been incorporated into Western European instrumental music from the Medieval Age to the 20th century. In order to evaluate this, the researcher conducted a listening survey to gauge how well college music majors perceive humor in instrumental music. The survey consisted of eleven total listening excerpts approved by the Music History faculty at the University of South Carolina School of Music. Nine excerpts were coded humorous, and two excerpts were coded non-humorous for control. There was a …

Guide To The Robert Leigh Morris Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Robert Leigh Morris (b. 1941) is an American composer and music instructor. The Robert Leigh Morris Collection contains his personal music scores, from published works to drafts, and programs from his performances, as well as scores by other composers. Professional correspondences, documents, and some of Morris’s writings are also included.

A Phenomenological Study Of The Experiences And Teaching Strategies Of Private Music Instructors Working With Elementary School Students, Ana Maria Fusu-Kommidi

Theses and Dissertations

The lack of consistent elementary musical education in the United States has sustained a steady demand for private music instruction. Private instruction, however, does not usually align with the general music education standards, or the school requirements. There is a lack of research about private music instructors’ role in music education for elementary-aged students. The purpose of this study was to explore the experiences and teaching strategies of private music instructors who supplement elementary students' school-based music education. The two research questions were

RQ1: What are the experiences of private music instructors who supplement elementary students' school-based music education?

RQ2: …

Culturally Responsive Teaching And Music Education, Katie Johnson

Williams Honors College, Honors Research Projects

The United States’ music culture is predominantly focused on the Western music tradition. Yet, the population in the United States is wildly diverse and continues to become even more so at a rapid rate. Because of this, culturally relevant teaching has become an increasingly discussed topic in music education. Why do some music educators feel out of place with music outside of the classical tradition? It can be traced backed to the Eurocentrism of music schools in the United States. Music schools focus primarily on the classical Western music realm, including topics such as music theory, socially accepted ensembles and …

The Black Ass History Of House Music, Segen D. Assefa

Capstones

Contrary to current thinking, the history of house and techno music is overwhelmingly Black. This capstone was written in collaboration with three members of the house music scene, who have offered their lived experiences and personal anecdotes to help us better understand the true history and culture of the genre, and how marginalized identities in the creative industry suffer through lack of widespread historical knowledge (https://imsegen.com/2023/05/04/the-black-ass-history-of-house-music/).

Senior Recital Program Research, Kasey Pennington

Honors Capstones

I performed a vocal recital as part of my final requirements towards my Music Education degree and developed an additional program including research on the works I performed. The program consisted of biographies for composers Haydn, Schumann, Fauré, Obradors, and Beach, additional context on specific songs, and translations of songs not sung in English. I created this program in order to provide more detailed information for audience members who were interested in further enrichment or had particular curiosity for any performed works. This recital was a culmination of my efforts in the vocal department of the School of Music throughout …

The Musical Implementation Of Additive Synthesis, Quinn Ingrassia

Capstone Projects and Master's Theses

This paper on the musical implementation of additive synthesis seeks to explore and divulge what exactly is additive synthesis and what makes it distinct from other types of synthesis. A part of it is dedicated to making clear and palatable case for additive synthesis and is followed by a discussion of how and why various artists have implemented additive synthesis into their music, and how to recreate their techniques.

The Kodály Method: Valid Or Missing The Mark For Developing A Musicking Musician?, Maggie Johnston

Musicology and Ethnomusicology: Student Scholarship

In the ever-evolving world of music education, a handful of “methods” have been identified as favorites, mainly Orff, Suzuki, Dalcroze, and Kodály. These are used in whole or in part in classroom and private music instruction, based on an expected understanding that they produce results. However, these methods are often used without regard for the quality of their delivery, and are relied upon without consideration for the context in which they are delivered. Many music educators are speaking up and analyzing their own teaching, conducting studies, and bettering their understanding of the principles behind these methods. It is from this …

Hybrid Teaching For Music Information Literacy, Taylor Greene

Library Presentations, Posters, and Audiovisual Materials

The Music Information Literacy course taught by the Performing Arts Librarian at Chapman University’s Hall-Musco Conservatory of Music has evolved in its format and pedagogical approach over the period of 8 years. In this talk, I discuss this evolution from its inception into its present version; a hybrid of online asynchronous learning modules and in-person instruction and activities. This presentation is an update to a previous talk (2016) and poster (2018) at Music Library Association Annual Meetings, both of which focused on specific aspects of the Music Information Literacy course. I discuss the benefits that became evident during the online …

720-960 Steps: A Historical Review Of Contemporary Techniques And Pedagogies And How They Revolutionized Pageantry For The Modern Marching Band, Stanley K. Holloway

Doctoral Dissertations and Projects

There is a need for new and innovative marching band techniques in the music field, and most band directors have limited capacity to instill these concepts. Texts from the 1950s, 1960s, and 1970s concentrated primarily on these concepts and techniques. Gradually, a comprehensive show concept became standard practice. Examination of the existing literature does not reveal a need for more research. Still, some literature demonstrates a need for new and innovative band techniques for marching band, particularly in band pageantry. Although these materials help create a foundation for marching band concepts and have proven effective. They are dated and do …

Corine Lanier Adams Music Education Collection, Zach S. Henderson Library Special Collections

Finding Aids

This collection contains materials created and collected by Corinne Lanier Adams in her role as a professional music educator in Evans County, Georgia. Materials are dated 1877 to 1951 and include elementary educational materials, school papers, sheet music on popular music, especially of the 1920s and 30s, music books, school plays, and an assortment of magazines.

Find this collection in the University Libraries' catalog.

The Great Generalization: Organizational Adaptation Strategies As Entrepreneurship In Higher Music Education, Jacob Bruce Hertzog

Music Faculty Publications and Presentations

This study sought to measure how higher music education has evolved in response to the music industry’s digital revolution. I utilized a framework of organizational adaptation theory to synthesize five distinct organizational adaptation strategies: decentralization, generalization, specialization, formalization, and inaction. Music leaders were surveyed (n = 100) to assess adaptations across ten common domains in higher education. Higher music education was found to have undergone a great generalization through the expansion of activities in nearly every domain. Consistent with elements of organizational adaptation theory, and like individual musicians, higher music education has been entrepreneurial in response to the digital revolution.

The Status Of Technology Integration In Music Classrooms And Implications For Technology Training: A Survey Of K-12 Music Educators In Four Southeastern States, Lynn M. Holliman

Journal of the Association for Technology in Music Instruction

This study investigated the status of technology integration in K-12 music classrooms after the onset of Covid-19 across Alabama, Arkansas, Louisiana, and Mississippi. Participants completed an online survey concerning their technology use, comfort levels with technology, training since the onset of Covid-19, and barriers to technology integration. Previous studies in this area showed a slow increase in technology use. Other studies revealed a need for further training of pre-service and in-service educators to integrate technology into their instruction successfully.

Results of this survey revealed an increase in technology use and comfort levels with technology specific to distance learning such as …

Belonging And Banding Together: Perspectives And Insights Of Newly Recruited Ell Musicians, Edward Luckey, Edward Luckey, Edward Luckey

Education Doctorate Dissertations

The purpose of this research is to bring forward the lived experiences of English Language Learner (ELL) musicians who were new to the band program as of the Spring of 2021. This study was born out of previous coursework and reflection where it became apparent that more must be done to provide access to our band program for students who are in our ELL program. Therefore, the research question that guides this study is “What are the lived experiences of ELL band students?” The methodology is primarily a pursuit of the stories and lived experiences of the ELLs via a …

Engaging Urban Music Students Through Elements Of Rap And Culture, Jasmine Christian Jackson

Masters Theses

Teaching in the urban community requires an undertaking of counseling, constant understanding, and helping advance students’ prior knowledge to provide future comprehension. The goal as an educator is to guide the student along their journey in learning and practicing information that they receive throughout. Giving students the opportunity to see that they are capable of comprehending a subject they never thought they could is the main goal. Teaching the urban community can be a big challenge. The educator must take on learning the specific history of the demographic they instruct, and focus educate themselves on the challenges that the students …

The Significance Of Sonic Branding To Strategically Stimulate Consumer Behavior: Content Analysis Of Four Interviews From Jeanna Isham’S “Sound In Marketing” Podcast, Ina Beilina

Student Theses and Dissertations

Purpose:
Sonic branding is not just about composing jingles like McDonald’s “I’m Lovin’ It.” Sonic branding is an industry that strategically designs a cohesive auditory component of a brand’s corporate identity. This paper examines the psychological impact of music and sound on consumer behavior reviewing studies from the past 40 years and investigates the significance of stimulating auditory perception by infusing sound in consumer experience in the modern 2020s.

Design/methodology/approach:
Qualitative content analysis of audio media was used to test two hypotheses. Four archival oral interview recordings from Jeanna Isham’s podcast “Sound in Marketing” featuring the sonic branding experts …

Student Voice And Choice: Factors Influencing Student Participation In Secondary Arts Classes In An Urban Public School District, Alan D. Lambert Ed. D.

Teacher Education, Educational Leadership & Policy ETDs

The purpose of this study was to capture the student voice regarding the value, importance, and relevance of visual and performing arts education in public schools. The host institution for the study was an urban school district in the southern central United States serving 75,000 students, with 55% students identified as Hispanic, and 52% of students experiencing poverty. Graduating seniors responded via questionnaires with forced choice and open-ended items regarding several topics, including what they do in their free time, how they perceive the value of arts classes at school, access to arts classes and the match of their interests …

What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway

Masters Theses, 2020-current

Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …

The Decline Of Middle School Music Programs In Major U.S. Inner-City Schools, Kuronde Washington

Masters Theses

This study examines the correlation of music programs in inner-city schools to affluent schools. This thesis will view the impact of socioeconomic status, living environment, retention of teachers, high-accountability testing, and how these factors affect the reduction of secondary music programs in inner-city schools. This research is intended to aid music teachers as well as administrative supporters improve the quality of music education in inner-city schools.

Creating Better Musicians Through Musicality: A Guide To Building An Instructional Unit, Shelby Leo

Theses

This project provides an in depth focus on how to strengthen an ensemble's approach to musicality through lesson plans, assessments, and activities. The primary focus group of this project is high school aged performance based classes including band and choir. The aim of the project is to provide a music educator with a detailed curriculum to teach musicality that is adjustable to any size ensemble and any score. Furthermore, this project is not a study but instead an explanation to the approach of developing the curriculum unit. The project consists of a four unit curriculum with two to three lessons …

Representation Of Women & Bbia Composers In The Teaching Music Through Performance In Band Series, Alicia M. Turnquist

Honors Thesis

One problem seen in music education curriculum today is the underrepresentation of Black, Brown, Indigenous, Asian (BBIA), and female composers in the band ensemble repertoire. Throughout history, these composers have been excluded in the curriculum causing an overrepresentation of white non-Hispanic male composers. Some music education organizations are beginning to address this issue but, few, if any, have addressed the problem in the band classroom setting. This project examined the repertoires selected in the first ten volumes of the Teaching Music through Performance in Band series to examine how representative the composers included in the series were to the K-12 …

Remedial Rhythm Reading: A Semester-Long Project In Sixth Grade Band, Hannah Fisher

Theses/Capstones/Creative Projects

The COVID-19 pandemic greatly impacted student outcomes in all disciplines, but especially in the performing arts. As I began clinical teaching, I found my sixth-grade band students, particularly the students not involved in choir (my “small band”), lacked the music literacy and fluency expected for second-year band students. I designed a one semester rhythm-reading unit to address this issue. The overall objective for the unit follows:

“Students will be able to read, write, perform, and compose rhythms containing whole notes, half notes, dotted-half notes, dotted-quarter notes, quarter notes, paired eighth notes, single eighth notes, paired sixteenth notes, and corresponding rests …

Transgender And Nonbinary Attitudes Toward The Choral Music Education Major Experience, Bailee Green

Honors Theses

Transgender and nonbinary individuals face unique challenges in the choral community because of their gender identity. The foundation of the choral ensemble and its methods are rooted in the gender binary, making it hard for gender-expansive singers to feel a sense of belonging.

The purpose of this thesis project was to gauge the experiences and opinions of transgender and nonbinary choral music education majors who participate in at least one choral ensemble. Data was obtained through a voluntary survey that asked participants how their gender affected aspects of their experience as a choral music education major. Survey results led to …

An Analysis Of In-Service Choral Music Educators’ Methods Of Classroom Management, Brooke Ann Ward

Music Theses & Dissertations

The purpose of this study was to discuss topics of classroom management as it relates to the experience and training of pre-service music educators. Topics reviewed in the discussion include issues of mentorship, pre-service teacher training, experiential learning, student teaching experiences, conducting knowledge, and confidence in pre-service music educators. This research project was granted an IRB exemption by the Old Dominion University College of Arts and Letters.

The participants in the research survey were choral music educators who had accumulated one through 40 years of teaching experience. The participants were graduates of a music education degree program, or a music …

How Rhythm Affects Prosody, Mckenzie Ward

Departmental Honors & Graduate Capstone Projects

Music interventions and how they benefit reading fluency have been researched, but there is more to be done in discovering the benefits of rhythm and prosody. This quantitative research study looked at how rhythm-based interventions affect student prosody in a second-grade classroom. Data were gathered from a music experience survey, a prosody pre-assessment, and a prosody post-assessment. The music intervention in this study involved three rhythm-based interventions called “DeeDee games.” This research analyzed and compared the growth between the prosody pre-and post-assessments and the results between students with musical backgrounds and students without musical backgrounds. This study found insufficient evidence …

A Performance Practice Guide For :Only.Just.Almost.Never For Solo Vibraphone By Jay Alan Yim, Dustin Ray Haigler

LSU Doctoral Dissertations

Abstract

Currently, there exists little scholarship on Dr. Jay Alan Yim’s percussion music, and none exists for :only.just.almost.never for solo vibraphone. Establishing a performance practice guide will allow future percussionists a glimpse into the compositional process of Yim and allow them to expand their repertoire to include this challenging music. The purpose of this project is to create a comprehensive performance practice guide for :only.just.almost.never for solo vibraphone by Jay Alan Yim.

Resources Required

This project relies mainly on the score of :only.just.almost.never for solo vibraphone. I have also conducted multiple interviews with Yim regarding his compositional process, sketches, and …

A Synthesis Of Contemporary Music Composition Pedagogy Practices For The Undergraduate And Graduate Level Sequences, And An Exploration Of Time, Sound, And Space: An Aleatoric Event Score In Collaboration With The Lsu Museum Of Art, Jeremi Wayne Edwards

LSU Doctoral Dissertations

This dissertation consists of two parts. The first part consists of a synthesis of contemporary music composition pedagogy practices for the undergraduate and graduate level sequences. A conversation of the study of music composition pedagogy is used to investigate current pedagogical practices in music composition and present those findings as a resource guide for new and future teachers. The second part presents an Exploration of Time, Sound, and Space, an Aleatoric Event Score Collaboration with the LSU Museum of Art. This event score is a product of the development of this dissertation commenced with a straightforward question; can we experience/consume …

Music Is The Intervention: The Intersections Of Music As A Therapeutic Activity In At-Risk Youth, Gladys H. Gonzalez Landaverde

Senior Honors Theses

Across the United States, public schools face many discrepancies in the quality and caliber of education that a student can expect to receive. While schools try to address the vast needs of students, many children and adolescents are unfortunately faced with choosing between prioritizing their education and the circumstances faced outside of the school day. The discrepancies in schooling range from the quality in the commonly accepted core curriculum like English and mathematics to the opportunities offered outside of traditional academia like music. Unfortunately, at-risk students are unlikely to have access to music education in the same ease as their …

Recruitment And Retention In The Choral Classroom, Brianna Riley

Graduate Research Showcase

One of the distinguishing elements of a successful, flourishing music program is the number of students enrolled in a performing ensemble. This literature review examines sources that provide answers to a simple question: How can teachers use strategies to improve recruitment and retention in a music program? Music teachers have always worked to improve enrollment and retention of students in their classes, but as we move forward in a world affected by the Covid-19 pandemic, traditional ways of recruiting may not always be successful. Considerations of current trends include lack of foundational relationships between programs and adherence to traditional, unsuccessful …

Impact Of A Puppet On Music Performance Anxiety In Elementary Students, Jessica Nohner

Graduate Research Showcase

Music Performance Anxiety (MPA) is a common problem among musicians and has been shown to impact young children. There are many factors that may contribute to student feelings of MPA including perfectionism. Music educators are in a unique position and have a responsibility to assist students with MPA. While some strategies have been used to help individuals cope with feelings of MPA, music educators do not have researched strategies available to them which are easily implemented in general music classrooms. In music therapy and psychology, puppets have been used in work with children. In this study I research the use …