Music Education Commons^™

Relationships Among Elementary Teachers' Self-Perceptions Of Musical Intelligence, Perceived Value Of Instruction Through Music, And Classroom Instructional Practices, Peggy Jo Hubbard Mccullough

Dissertations

This study was designed to examine educators' perceptions and practices of instruction through music. Using primarily quantitative methods for collection and analysis of data, correlations were sought among the primary variables: elementary teachers' perceptions of the value of instruction through music, their self-reported frequency of instruction through music, and their self-evaluated level of musical intelligence. The hypothesis for this study was that a positive correlation existed between any two of the three variables.

Participants included elementary teachers representing instructional grades one through five from four elementary schools in the southeastern part of the United States. To collect data, a survey …

Highlights In Jazz Concert 296- Voices Of Jazz, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 14th, 2009 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Kevin Mahogany, James Weidman, Melissa Slocum, JT Lewis, Bill Easley, Daryl Sherman, James Chirillo, Boots Maleson, Marion Felder, and surprise guest Carol Fredette.

Interdisciplinary Teaching And Learning, Adonna Clark

Theses and Dissertations

In the early 1600's, the Pilgrims and the Puritans brought their musical traditions with them to establish a new life. The survival of their families depended upon their ability to provide food, shelter and clothing. Despite the challenges they faced, the colonists recognized the importance of educating their children. In 1642, the Massachusetts School Law was passed. It required town leaders to require parents to provide their children with an elementary education. Music training was not part of this newly required education. Due to the demands of life, the colonists were unable to nurture their musical abilities. Those who had …

A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth

Dissertations

The music of Roman Palester (1907-1989) is little known outside his native Poland. Before World War II, he experienced a great deal of musical success, with many of his compositions being performed at prestigious music festivals throughout Europe. Palester completed his one solo work for the saxophone, the Concertino pour Saxophone Alto et Orchestre a Cordes, in 1938, but its scheduled premiere in 1939 never took place due to political tensions on the eve of World War II.

In 1978, Palester revised the work for saxophonist David Pituch, who premiered and recorded this version. A comparison of the original and …

Highlights In Jazz Concert 295- Living Jazz Saxophone Legends, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, April 16th, 2009 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Phil Woods, Lou Donaldson, Michael Weiss, John Webber, and Bill Goodwin with special guest Lew Tabakin.

New Mexico Musician Vol 56 No 3 (Spring 2009)

New Mexico Musician

No abstract provided.

An Analytical And Educational Survey Of Roger Boutry's Métachrome, Kimberly Renée Perkins

Theses and Dissertations

This project is an analytical and educational survey of Roger Boutry's Metachrome, a French wind band piece written in 2003. Part I of this project explores the history of modem French music. Part II is an analytical perspective of the composition. Part III presents a teaching approach, including teaching materials such as lesson plans, assignments, and rubrics. Part IV includes student handouts that coincide with the teacher lesson plans. Additional resources for the conductor can be found in the Appendix section.

A Beginning Teacher's Guide To Beginner Violinists, Anjuli Coe

Theses and Dissertations

In the following pages, the beginning teacher will find a guide to establishing a studio and ideas for teaching students. These ideas are meant to be a springboard for developing personalized organization and teaching tools for the violin studio. Ability to play the violin is not the only ingredient for a successful violin studio. Teaching the violin requires skill in understanding students and how they learn. It also requires a significant amount of planning, preparation, organization, and the setting of goals and objectives.

Beginner violinists may vary from a four-year-old with highly involved parents, to a professional trumpet player who …

Highlights In Jazz Concert 294- I Love A Piano, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, March 19th, 2009 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Cyrus Chestnut, Michael Wolff, Dezron Douglas, Neal Smith, Chip Jackson, and Mike Clark. Surprise Guest Rachel Price.

Highlights In Jazz Concert 293- Highlights In Jazz 36th Anniversary, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, February 19th, 2009 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Dick Hyman, Joe Wilder, David Ostwald, Wycliffe Gordon, Anat Cohen, Job-Erik Kellso, and Kevin Dorn, with surprise guests Mark Shane and Howard Alden.

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

This issue of RIME is dedicated simply to this arena of artistic teaching and learning.

Cultural Translation In Two Directions: The Suzuki Method In Japan And Germany, Margaret Mehl

Research & Issues in Music Education

Cultural Translation in Two Directions: The Suzuki Method in Japan and Germany The Suzuki Method represents a significant contribution by a Japanese, Suzuki Shin'ichi (1898-1998), to the teaching of musical instruments worldwide. Western observers often represent the method as "Japanese," although it could be called "Western" with equal justification. Suzuki left no detailed description of his method. Consequently, it is open to multiple interpretations. Its application, whether in Japan or elsewhere, represents an act of translation with its adaptation to local conditions involving creative processes rather than mere deviations from a supposedly fixed original.

To illustrate the importance of historical …

A Principled Approach To Teaching Music Composition To Children, Michele Kaschub, Janice P. Smith

Research & Issues in Music Education

Building on an apposition of the theories of neurobiologist Antonio Damasio and music theorist Heinrich Schenker, we posit a new model for developing composition instruction based upon the organic connections between humans and music. Parallels are drawn between Damasio’s theory of consciousness in which meaning arises from the relationships between body, emotion, and feeling; and Schenker’s theory of musical structure in which opportunities for meaning making are revealed between the ursatz (background), mittelgrund (middleground), and vordergrund (foreground) layers of a musical work. The resulting principles-based approach to instruction reprioritizes the roles of elements and compositional techniques to foster greater expressivity …

The Perfect Pitch 2009, Wmu School Of Music

School of Music News

The Perfect Pitch 2009:

• Letter from the Director
• Trent Kynaston: Master Teacher
• Accelerated Degree in Music
• Tours and Road Trips
• The 21st Century Musician
• Sparks of Innovation
• Faculty Ensembles-in-Residence Portrait
• The Joy of Middle School Band
• Farewells & Welcomes
• 2009 Pioneer Symposium
• Giving Back
• Student Success
• Alumni News
• New Recordings & Books
• Faculty Achievements
• Aaron Dworkin to visit SoM
• Bullock Performance Institute
• Remembering Mel Ivey
• All-Steinway Project Update

Leaders Of The Pack: Responsibilities And Experiences Of Collegiate Drum Majors, Wesley D. Brewer

Research & Issues in Music Education

This study explored the responsibilities and experiences of three collegiate drum majors as student leaders of a marching band at a major university. Marching band continues to be a prevalent and highly visible aspect of music education in the United States. The preparation and utilization of student leaders in music remains common, but little research examining the actual experiences of student leaders in music has been conducted. As we continue to recruit student leaders for these positions, it may be of use to understand, from the student leader perspective, the challenges and perceived responsibilities associated with these positions. The participants …

Assessing Individual Performance In The College Band, Mark U. Reimer

Research & Issues in Music Education

Semester assessment of college wind band members is an issue that conductors would probably agree falls within their academic freedom. Institutions may award as little as no credit or even a percentage of a credit for ensemble participation, although the time and effort required of the students and their conductor is undoubtedly equivalent to, or exceeds, that of a three-credit course. If an academic administrator, seeing a large percentage of A’s in an ensemble, were to question the assessment process of the conductor and/or the rigor of the course, could that conductor produce tangible evidence, such as grades or numeric …

Directors' Attitudes Regarding Parental Involvement In The Middle School Choral Setting, Jeff Rapp

Research & Issues in Music Education

Educational research strongly suggests that parental involvement is beneficial for academic achievement and scholarly studies have pointed to parents’ seminal role in the education of young children as well as the need for continued nurture. Researchers indicate that parental involvement, however, tends to diminish over time and in many cases nearly disappears altogether during the middle-school years. This decline in parent-child connection, as Rutherford and Billig (1995) suggest, occurs at a most inopportune time in that the early teen years are crucial in making personal, relational, and educational decisions that have both immediate and lasting impact. In their study of …

Engaging Music And Media: Technology As A Universal Language, Glen Carruthers

Research & Issues in Music Education

The ambiguity in the first half of the paper’s title – “Engaging music and media” – is intentional. Music is engaging in the sense that it implicates our hearts and minds. Music can also be engaged by and with media. And, of course, engagement is core to effective learning.

The role of music education is always in flux. Aesthetic aims sometimes take primacy, while at other times music is taught as a means to some other end. As in ancient times, today music is taught largely for its ancillary benefits so that, in a curious twist, ancillary aims have become …

A Constructivist Application For Online Learning In Music, Dan A. Keast

Research & Issues in Music Education

The purpose of this article is to extend the published knowledge and practices of distance learning in music to include constructivism. Dan Keast describes his techniques for the implementation of constructivism to an online two-course series of Music History. The courses’ structure, activities, assessments, and other key functionality components are shown as an example of current practices. Keast discusses the process for developing the two courses, in conjunction with copy editors, course design specialists, and technology reviewers. The courses highlight the need for additional improvements such as new software and legal clarification for the use of sound recordings. Keast’s suggestion …

Ua1c11/2 Dwight Pounds Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs taken by Dwight Pounds, Music Faculty. The majority are of WKU faculty members and student music groups. The collection also contains some Pounds’ art photography and family photographs.

The Effect Of Musical Characteristics, Exposure, And Individual Difference Variables On String Student Musical Preference: Implications For Introducing Western Art Music, Michael Reed Bollero

Inquiry: The University of Arkansas Undergraduate Research Journal

This study explores the influences of various musical, environmental, and personal factors on string students' preferences for selections of Western Art Music. The purpose of this study was to provide insight into the information of music preferences by young string students in order to allow teachers to introduce Western Art music most effectively. Participants (n = 498) from northwest Arkansas public school string programs were given the String Student Music Preference Questionnaire (SSMPQ) developed by the author. Part One of the SS~MPQ measured preference for six one-minute selections of Western Art music by Beethoven, Berlioz, Mahle1; Saint-Siiens, and Schoenberg. In …

An Examination Of Conductors’ Leadership Skills, Tiffany Hsu Han Chang

Honors Papers

Through my experiences as a member of various large orchestral ensembles, I have been intrigued by how diverse my musical experiences were with different conductors. Some of these experiences have been thoroughly inspiring; I felt compelled to achieve higher levels of performance and convinced that I was a crucial part of creating something much larger than the notes on the page. Other experiences have been less musically fulfilling for me; I became disinterested and bored and felt little affective connection with the music. Reflecting on these different personal responses, I realized that the conductors in these experiences, in part, influenced …

Bassoon In The Baroque Era, Emily Spradley

Theses and Dissertations

Good afternoon! Welcome to my lecture recital. I hope you will enjoy learning about the bassoon in the Baroque era. This lecture focuses on the origins and developments of the Baroque bassoon, elements of Baroque style found in music for bassoon, and the application of those elements through Antonio Vivaldi's composition for bassoon, Concerto in G minor, Op. No. 23.

In the 1901 edition of his book, The Holy Cross and Other Tales, Eugene Field states:

If you have never beheld or heard a bassoon you are to understand that it is an instrument of wood, of considerable more length …

Jazz And Gender : Teaching Improvisation To Girls, Valerie A. Shanley

Graduate Research Papers

The purpose of this study is to examine the reasons that girls do not pursue advanced jazz education and to suggest teaching strategies that could encourage greater female participation. I have observed that the number of female students is approximately equal to that of the male students in concert band, and in a concert band setting these girls do seem to advance more quickly than boys. Through literature review and interviews with music educators and female jazz musicians, this study will examine whether some of the teaching techniques that allow girls to succeed in concert band could be adapted to …

When Repetition Isn’T The Best Practice Strategy: Examining Differing Levels Of Contextual Interference During Practice, Laura Stambaugh

School of Music: Faculty Publications

Two experiments examined the effects of blocked and random practice schedules on the performance accuracy, speed, and temporal evenness of performance by wind players. Blocked schedules used repetitive practice orders, while random schedules constantly changed the order of tasks practiced. Beginning clarinet students completed three days of practice on three short technical tasks, in either a blocked or random order. Twenty-four hours after practice, beginning students who had practiced in the random order were able to play significantly faster than students who had practiced in the blocked order (F1,38=24.95, p

Twinkle, Twinkle, Little Star: The Effects Of Using Music With Young Children, Eileen Heck

Graduate Research Papers

One way for children to experience music and develop early literacy skills is through nursery rhymes such as Twinkle, Twinkle, Little Star. This project addresses the benefits of using music with young children and the importance of professional development with early childhood educators. More and more research is being done to explore and study the effects of music with young children. It is becoming evident that music has many benefits that can enhance young children's lives. Some of these benefits include expanding children's communication skills, building oral language skills, developing phonological awareness skills, and extending concepts of print. Some …

Music And Community: Interdependence And Shared Learning In An Undergraduate Elementary Music Methods Course, Lisa Huisman Koops

Faculty Scholarship

In this study, the author investigated the creation of a community of learners in an under- graduate elementary music methods course. Participants included undergraduate students (n = 23) and a professor at a Midwestern liberal arts college. Data consisted of fieldnotes from class observations and interviews with the professor and students. The following priorities and concepts emerged as themes: interdependence, shared learning, personal growth, safe environment, and inclusiveness. The success of the community of learners seemed to be due in part to the professor’s dynamic, student-centered, interdependent approach to the course. Transferable aspects related to the creation of a community …