Music Education Commons^™

Examining The Experiences And Career Of A Highly Effective Orchestra Teacher: A Narrative History, Charlotte A. Hebert

Masters Theses, 2020-current

Much of the available literature on the status of string education in the United States highlights the need for qualified string teachers. However, limited researchers have analyzed the reflections and perspective of retired string teachers. Retired string teachers have a unique ability to provide insight to preservice and current string teachers from a reflective lens. In this historical narrative study, I examined the 40-year career of orchestra director Laura Mulligan Thomas through her contributions and experiences. I utilized previous string education literature to define an effective string teacher. I employed semi-structured interviews, observations of a string techniques class that Thomas …

The Call Is Coming From Inside The House: Sexual Misconduct In U.S. Band Programs, Hannah Greer-Young

Masters Theses, 2020-current

The purpose of this study was to articulate the experiences of former band students related to sexual misconduct among students and between staff and students. Researchers and investigators have claimed that band professionals have prioritized performance level and musical accomplishment over the safety and well-being of students (Office of University Compliance and Integrity, 2014; Nadolny, 2018; Wells, 2022). Authors of studies related to sexual misconduct in U.S. Bands have also suggested that educators in the band profession prefer to handle sexual misconduct “in-house” (Wells, 2022) and that, in general, teachers may be the least likely group to report educator sexual …

Repertoire Selection For High School Band Assessment, Miranda Cook

Masters Theses, 2020-current

Selecting repertoire is one of the most dynamic responsibilities music educators face, as it often serves as the music curriculum for band directors. Selecting high quality repertoire for students that achieves musical, educational, and culturally responsive goals is vital as part of their ensemble experience. When selecting repertoire for assessment, band directors must determine what repertoire their ensemble can perform well according to the Virginia and Band and Orchestra Directors Association performance rubric, while demonstrating musical and educational growth. The purpose of this study is to examine elements used by high school band directors when choosing repertoire for assessment. Research …

A Survey Of Secondary Music Educators Regarding The Perceived Impact Of Integrating Non-Ensemble General Music Activities Within Secondary-Level Performing Ensembles, Brandon Morris

Masters Theses, 2020-current

The purpose of this study was to survey Commonwealth of Virginia middle and high school music educators concerning the impact of integrating non-ensemble general music activities within secondary ensembles. Specifically, the questions focused on integrating guitar/piano, composition, and music technology into (non-jazz) performance ensembles, as identified through the lens of the NAfME Performing Strand. For the purposes of this study, non-ensemble general music courses were defined as courses that are traditionally not viewed as performance classes. Throughout this study, the integration of general music activities in secondary performance ensembles was examined through the lens of the NAfME Performing Strand.

The …

Toward An Informal Informed Classrooms: Professional Musicians' Informal Music Learning Experiences, Rachel M. Smith

Masters Theses, 2020-current

Authors have studied informal music learning with different age groups. Lucy Green (2005) studied the topic with adolescents and identified it an intuitive and natural way children learn. Chad West and Radio Cremata (2016) studied informal music learning at the collegiate level, and Martina Vasil (2019) studied secondary music teachers who implemented informal music learning strategies in their teaching practices. Informal music learning in adults is relatively under-explored compared to adolescent and collegiate age groups. Utilizing lenses drawn from John Dewey’s curricular ideas to help students find meaning in learning and motivation as viewed through Self-Determination Theory, I sought to …

Shape-Note Music Traditions Of The Shenandoah Valley, Tyler Brinkerhoff

Masters Theses, 2020-current

Though over the years documents about shape-note music from Joseph Funk and Sons and the Ruebush-Kieffer companies have been spread throughout many archives, they are now being brought back together online in one digital archive. Interpreting the information contained in these documents and the ledger book of subscribers for The Southern Musical Advocate and Singer’s Friend magazine through graphs and maps makes the information contained in them easier to access for researchers. The collaboration between a physical museum site, a website, and a Omeka site allow for multiple ways to learn about the history of shape-note music in the Shenandoah …

Making Band Class Rock!: Incorporating Modern Band Into A Traditional Band Class, Melissa Harper

Masters Theses, 2020-current

The purpose of this qualitative phenomenological study is to explore the use of informal music and Modern Band practices in the contexts of secondary music ensemble classrooms. Primary data collection was comprised of semi-structured interviews with teachers who used informal music learning practices and/or Modern Band programs at the secondary level. Results indicated that the inclusion of informal learning practices and/or Modern Band within the traditional music ensemble promotes the development of music individualism among students. Students and teachers together create environments that promote creativity, composition, and peer collaboration. Popular music and/or socially and culturally relevant genres are incorporated.

Early Career Music Teachers And Trauma: A Mixed Methods Study, Tiffany N. Sitton

Masters Theses, 2020-current

Existing research rarely directly addresses individual trauma experiences of early career music teachers, despite copious research on adjacent areas such as stress and burnout. Early career music teachers have seldom had the opportunity to share stories of their trauma in the literature. Following an explanatory-sequential mixed method (Creswell, 2015), the researcher surveyed 250 music educators about their self-reported trauma experiences and then interviewed six of those participants to gain explanation of the survey data and to further illuminate their stories. Participants evaluated their own experiences using the definition of individual trauma from the Substance Abuse and Mental Health Services Administration …

What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway

Masters Theses, 2020-current

Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …

Singers’ Experiences Of Community In The Shenandoah Valley Children’S Choir, Heidi B. King

Masters Theses, 2020-current

In the music and education fields, researchers have explored the ways people experience community in classroom and ensemble settings; however, few studies have focused on the ways adolescents experience community in the children’s choir setting. The purpose of this qualitative phenomenological study was to explore singers’ perspectives of their experience of community in the Shenandoah Valley Children’s Choir. Fifteen singers participated in focus group interviews to generate primary data; rehearsal observations and document analysis served as secondary data sources. Analysis revealed that participants’ goals and motivations aligned with the stated goals of the organization, and that these shared goals gave …

Multicultural Music Education: Preparedness, Perceptions, And Practice Among Virginia Elementary Music Educators, Benjamin J. Luna

Masters Theses, 2020-current

Benjamin Joel Luna, M. M.

James Madison University, 2021

Supervisor: Lisa M. Maynard

The purpose of this study was to examine the Multicultural Music Education (MME) practices of established (i.e. more than three years of music teaching experience) Elementary Music Teachers in the state of Virginia by examining their responses to a series of survey questions specific to the topic. Participants (N=18) were all current Elementary Music Teachers in the state of Virginia with more than three years of experience.

Participants were asked to use Likert-scale ratings for the majority of the questions but were also given the …

Factors Influencing Student Continuance In Instrumental Music Classes: A Quantitative Analysis, Andrew Duncan

Masters Theses, 2020-current

In this quantitative study I investigated relationships between motivation, music aptitude, academic achievement, race, gender, and instrument type and student continuance in their first year of instrumental music study. Beginning instrumental music students (n = 30) completed the EVC Survey (Kosovich et al., 2015) to determine expectancy, value, and cost. I collected data on music aptitude, gender, race, and instrument type from teacher and school records, and conducted binary logistic regression and Chi-Square tests in order to determine predictors of continuance in instrumental music classes. I excluded gender, race, and instrument type from the logistic regression model because they did …

Development Of A String Orchestra Method Book And Online Resources With A Hip-Hop Focus, Emily T. Waters

Masters Theses, 2020-current

The main purpose of this master’s Capstone Project was to create a prototype beginning String Orchestra Method Book, “Stringdom”, and a related Website with resources to accompany the book. The link to the website is: https://emilymthomas10.wixsite.com/stringdom. I had three main objectives or purposes for developing this book: (1) to increase engagement in my orchestra class, and potentially orchestra classes around the country, using music that students already know and love; (2) to increase the representation of artists and composers of color in the string community; and (3) to create a method book that is more accessible and reflects …

Video Game Sound As Educational Space, Leonard Grasso

Masters Theses, 2020-current

Synergizing fields such as music theory, computing, musicology, cognition, and psychology, scholars and practitioners have approached game music from many directions. However, research on pedagogical usages of game music is still emerging. While many education scholars have researched game-based-learning (Bourgonjon et al, 2013; Simões, Redondo, & Vilas, 2013; Beavis, Muspratt, & Thompson, 2015; Hamari et al, 2016), music education authors have largely remained distant from ludomusicology (the study of music as it relates to play). I intend to bridge that gap by examining the intersections of game music and sound, player interaction, and learning. My research synthesizes the work of …

The Connections Of Music, Culture, And Language: A Qualitative Case Study Of The Musical Experience Of A Newcomer Program, Jessica Strawderman

Masters Theses, 2020-current

In this qualitative case study, I investigated the philosophy and process of an elementary newcomer program and explored the perceived benefits for newcomer students of the musical experience, aiding in transition from full-time English as a second language (ESL) services in self-contained class to a general education setting. The studied school division serves a high population of students who are English Language Learners (ELLs), representing a multitude of languages and cultures. The division places students of immigrant families who have no social or educational experience speaking English in the newcomer program. In order to gain a deep understanding of the …

Reflections Of Female Band Directors: The Perceived Effect Of Sex, Gender, And Race On Career Experiences And Professional Practices, Robyn M. Olichwier Lawrence

Masters Theses, 2020-current

The purpose of this study was to examine the introspections of female band directors, and their perceived beliefs about the effect of sex, gender, and race on their own personal career experiences and professional practices. Participants (N=82) were all current members of Women Band Directors International. After contact through the organization’s website, participants were invited to complete an online survey that consisted of 39 multiple choice, Likert-scale based questions. An optional short answer question was included in the survey (totaling 40 questions), to offer participants the opportunity to share information about personal experiences if they felt comfortable. …

Singing In The Beginning Band Classroom, Sarah J. Moyer

Masters Theses, 2020-current

The purpose of this action research study is to explore the impact vocal activities have on fourth and fifth grade beginning band students and how their perspective might change throughout instruction. The participants' experience with vocal activities in the beginning instrumental classroom will shape their perspective. The following research questions guide this study:

1. In what ways do vocal activities in the beginning instrumental classroom influence student knowledge of repertoire?
2. In what way do vocal activities boost student confidence in the beginning instrumental classroom?
3. What aspects of vocal activities encourage or discourage students from participating in the beginning instrumental classroom?

Data …

“A Lot Of Stories In My Mind”: Perspectives Of Children And Elders Living With Dementia On Intergenerational Collaboration In A Participatory Music Project, Cameron Dusman

Masters Theses, 2020-current

Trends of music engagement include a shift towards presentational music culture, as well as inequitable access to participatory music-making for some populations. Meanwhile, trends of societal engagement include ageism and age-segregation. Especially for people living with dementia, stigma often prevents equitable access to creative participatory arts. This convergent, mixed-methods case study design explored participation in an intergenerational, participatory creative arts project. Participants included children from an elementary school and senior adults with dementia in a memory care neighborhood. The purpose was to explore the meaning of participation and interaction in the project from participants’ perspectives. Participants collaborated in eight sessions …

University Music Engagement: A Mixed Methods Examination Of University Student Music Participation And Institutional Responsibility For Expanded Opportunities, Daniel B. Warren

Masters Theses, 2020-current

School music participation in the United States has continued to decline over the past 70 years, the effects of which can be seen on university campuses across the country. This decline has become a commonly understood trend among those observing the state of K-12 public schools, and universities have been largely overlooked as a place for students to continue—or, even less often, begin—to explore musical interests and opportunities. What are possible explanations for this decline? Do universities themselves have an obligation to provide or expand music lessons, ensembles, and musical resources for students as part of the university experience?

In …