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Central Washington University

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Articles 31 - 60 of 61

Full-Text Articles in Music Education

The Superintendent's Point Of View Concerning Music In The High Schools Of Washington State, Morris Ray Pedersen Jan 1970

The Superintendent's Point Of View Concerning Music In The High Schools Of Washington State, Morris Ray Pedersen

All Master's Theses

A common philosophy of administrators and music educators should be prerequisite for a successful music program. This philosophy should permit enough flexibility to allow for individual differences and yet be rigid enough to encompass general education needs and goals. It can only be shared through communication. The place of music within the curriculum will be understood through this communication between the music educator and the chief administrator. It shall be the purpose of this study to encourage the shared philosophy and communication relationship between school music educators and their administrators.


An Experiment In Teaching Perfect Pitch With Programmed Learning, Harry Ross Nelson Aug 1969

An Experiment In Teaching Perfect Pitch With Programmed Learning, Harry Ross Nelson

All Master's Theses

Ten college students were subjects of an experiment dealing with the teaching of perfect pitch through programmed learning. The experiment was based on a similar study by Dr. Robert W. Lundin. An attempt was made to use equipment readily available in public schools, and to make the lessons as nearly self-teaching as possible.


The Influence Of Freemasonry On Some Of The Music Of Wolfgang Amadeus Mozart, Lloyd Earl Mitchell Aug 1969

The Influence Of Freemasonry On Some Of The Music Of Wolfgang Amadeus Mozart, Lloyd Earl Mitchell

All Master's Theses

There is considerable evidence to indicate that the Fraternity of Freemasonry exerted creative impulses to some of the music of Wolfgang Mozart, subsequent to 1784. This study shows that Mozart, by virtue of his membership in the Order, was sufficiently impressed with benevolences and spiritual teachings of Freemasonry to symbolically reflect the ritual of the Order in an artistic manner. To support this contention a review of Freemasonry in the Eighteenth Century, an analysis of Mozart's association with Masonry, an inquiry into the relation of Freemasonry and the existing religious order, and an overview of Mozart's Masonic compositions are presented.


An Original Composition For Band “Suite For Band”, Bill R. Love Aug 1969

An Original Composition For Band “Suite For Band”, Bill R. Love

All Master's Theses

The writer's contemporary work seeks to contribute to the growing repertoire of original band music. The technique, range, intonation, and rhythm problems of average high school musicians are taken into special consideration. It could easily serve as an introductory piece to performers unfamiliar with the contemporary idiom. Although performance difficulties are kept to a minimum, "Suite for Band" should prove musically challenging and worthwhile to both high school and college bands.


Historical Development Of The Clarinet With Special Emphasis On Technique And The Resolving Of Technical Problems, Virgil M. Kocher Jun 1969

Historical Development Of The Clarinet With Special Emphasis On Technique And The Resolving Of Technical Problems, Virgil M. Kocher

All Master's Theses

This paper was written for the purpose of discovering how the clarinet developed into the important instrument it is today. There have been many changes and additions to the mechanism and also in tonal characteristics since the first two-keyed clarinet was invented. These changes were the result of an effort to extend the range of the instrument, improve its tone, and to meet the demands of the composers of the day.


An Historical Study Of The Solo Concerto Cadenza, Toni Christine Rydman Aug 1968

An Historical Study Of The Solo Concerto Cadenza, Toni Christine Rydman

All Master's Theses

The study of the solo concerto cadenza is one that encompasses the areas of performance, history and theory. Even though the cadenza occupies a small place in the total music literature, it is a sort of microcosm of music. It would be impossible to make a study of the cadenza without completely understanding the concerto and related forms of music. An historical study such as this can lead to deeper understanding of the music to be performed.


Beethoven’S An Die Ferne Geliebte, Paul R. Piersall May 1968

Beethoven’S An Die Ferne Geliebte, Paul R. Piersall

All Master's Theses

Beethoven has often been accused of writing vocal music which exceeds some normal limitations of the voice. Such unfortunate accusations result in many singers avoiding his vocal music. Through means of historical evidence presented in this paper, through an examination of An die ferne Geliebte and its performance, the writer hopes to dispel some of this misunderstanding of Beethoven's vocal music.


An Analysis Of “Little Bat” In The Opera Susannah, James William Dewey May 1967

An Analysis Of “Little Bat” In The Opera Susannah, James William Dewey

All Master's Theses

Using both a unique character development and an interweaving of the main motives found throughout the opera, Little Bat emerges as one of the prominent characters in the opera Susannah.


A Survey Of Current Thinking Concerning The Purpose Of Music Education In The Public School Curriculum, Donn Edward Nelson Aug 1965

A Survey Of Current Thinking Concerning The Purpose Of Music Education In The Public School Curriculum, Donn Edward Nelson

Graduate Student Research Papers

Since music education is generally considered to be a well established member of the fine arts, and, since music and the arts are considered by many to be of great importance in the public school curriculum, it will be the purpose of this paper to review the current literature concerning the importance of music in the public school curriculum.


An Investigation Of Italian Singing Practices Of The Seventeenth And Eighteenth Centuries, George C. White Aug 1964

An Investigation Of Italian Singing Practices Of The Seventeenth And Eighteenth Centuries, George C. White

Graduate Student Research Papers

Many contemporary documented sources have substantiated the claims of earlier scholars that singing in the eighteenth century reached such a high point of skill and virtuosity that it has never since been equaled. If the above is true, it would seem that an investigation of the early singing schools would be of value to contemporary teachers and students of singing, in as much as various vocal theories seem to advocate differences of opinion.


The Administrative Functions Of The Junior High School Instrumental Music Director, Jack M. Dorsey Aug 1964

The Administrative Functions Of The Junior High School Instrumental Music Director, Jack M. Dorsey

Graduate Student Research Papers

In Tacoma Public School District 10, there is one music supervisor for fifty-two schools serving 150,000 people. This supervisor must, of necessity, rely in part on the administrative ability of the individual director under his supervision. It was the purpose of this paper (1) to discover a working philosophy of music education for everyday use by the instrumental music director; and (2) to find from authoritative sources the factors essential for successful administration of the Junior High School instrumental department.


A Survey Of The Development Of The German Lied, Michael C. Haberman Aug 1963

A Survey Of The Development Of The German Lied, Michael C. Haberman

Graduate Student Research Papers

The purpose of this paper is to identify the pertinent factors that established the German Lied, to see how the most important composers developed and used these factors, and to gain a perspective of the history and the composers of the German Lied.


The Proposed Reorganization Of Centralia's Elementary Music Program, Ronald J. Brumbaugh Aug 1963

The Proposed Reorganization Of Centralia's Elementary Music Program, Ronald J. Brumbaugh

Graduate Student Research Papers

It was the purpose of this study (1) to compare the aims and objectives of various state and district elementary music programs; (2) to investigate published materials on the function of the classroom teacher and the music specialist; and (3) to formulate a progressive elementary music program for the Centralia, Washington Public Schools.


Benjamin Britten: Stylistic Devices And Characteristics Of Peter Grimes, Aletha Warring Farrell Jun 1963

Benjamin Britten: Stylistic Devices And Characteristics Of Peter Grimes, Aletha Warring Farrell

Graduate Student Research Papers

It is the purpose of this study to investigate, compile and elucidate techniques, devices, and stylistic characteristics employed by Benjamin Britten in the opera Peter Grimes.


The Unsure Singer In The Primary Grades, Jane Troth Jones Aug 1962

The Unsure Singer In The Primary Grades, Jane Troth Jones

Graduate Student Research Papers

This paper will attempt to present a method of dealing with the unsure singer which can be used by classroom teachers or the music specialist. The various activities outlined have proven somewhat successful in correcting this problem with the singing voilces of primary children. A paper or thesis could be written on the progress of individual children. However, it will be the intent here to present ways of handling the problem so that the average classroom teacher may work with the unsure singers. Host of the ideas have been tried out successfully with first and second grade classrooms in Eugene, …


A Study Of Some Aspects Of The Clarinet Embouchure, Philip C. Lowry Aug 1962

A Study Of Some Aspects Of The Clarinet Embouchure, Philip C. Lowry

Graduate Student Research Papers

This paper will (1) investigate some mechanical aspects of the clarinet embouchure, (2) investigate some physical aspects of the embouchure, and (3) report the findings of the study.


The Development Of The Italian Madrigal, Jack D. Waddington Aug 1962

The Development Of The Italian Madrigal, Jack D. Waddington

Graduate Student Research Papers

In recent years the madrigal has gained considerable popularity. While this is good, unfortunately, the intricacies of this type of music demand a thorough understanding. To properly interpret and perform this music, a knowledge of the stylistic characteristics of the period in which the work was written is of the utmost importance. In view of these factors, this study would seem to have value.


Administration And Evaluation Of The 1961 Southeastern Alaska Music Festival, Harley A. Brumbaugh Aug 1962

Administration And Evaluation Of The 1961 Southeastern Alaska Music Festival, Harley A. Brumbaugh

Graduate Student Research Papers

In the past there had never been formulated a written organizational guide for administering the The Southeastern Alaska Music Educators Association music festival. It was the purpose of this study to describe and evaluate the techniques used to administer the 1961 Southeastern Alaska Music Contest-festival. An organizational guide might logically evolve from this, or better, from several such descriptions.


An Investigation Of Promotional Practices Used To Raise Money For Music Programs In Public Schools, John Marvin Clark Aug 1962

An Investigation Of Promotional Practices Used To Raise Money For Music Programs In Public Schools, John Marvin Clark

Graduate Student Research Papers

Many music teachers work in school systems that do not give the music departments enough financial support to implement effective programs. These teachers must seek more financial support if they are to accomplish their educational goals. The problem, therefore, was how to provide music specialists with promotional ideas for raising the funds necessary to operate effective music programs.


The English Madrigal School, Wayne Delbert Hunziker Aug 1962

The English Madrigal School, Wayne Delbert Hunziker

Graduate Student Research Papers

Many present day directors and performers show little stylistic understanding of original madrigalian literature. This music, with its Renaissance character, requires specific knowledge for correct performance. In view of this, a study of this nature seemed of value.


Financing The Band Program In The Class "C" High Schools In The State Of Washington, Donald L. Goodale Jul 1962

Financing The Band Program In The Class "C" High Schools In The State Of Washington, Donald L. Goodale

Graduate Student Research Papers

The purpose of this problem was to investigate the various methods and possibilities of financing the band program in the class "C" schools of the State of Washington.


A Study Of The Teaching Of Voice In High School Choral Groups, John Malcolm Mitchell Jun 1962

A Study Of The Teaching Of Voice In High School Choral Groups, John Malcolm Mitchell

Graduate Student Research Papers

It is the purpose of this study (1) to explain the various factors which comprise the act of singing; and (2) to present various concepts concerning the teaching of singing to choral groups.


A Comparative Investigation Of Grading Systems In High School Bands, Lawrence C. Belz Jun 1962

A Comparative Investigation Of Grading Systems In High School Bands, Lawrence C. Belz

Graduate Student Research Papers

It was the purpose of this study to (1) ascertain the major types of grading systems being used in high school band classes, (2) to explore the strong and weak points of these systems, and (3) to determine which system of grading provides the most satisfactory means of evaluating and reporting the individual band member's activities in the high school band.


J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose Dec 1961

J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose

Graduate Student Research Papers

In view of some misconceptions concerning the reading of these ornamental symbols, a study of how to interpret them accurately seems of value. Stenographic signs of later periods are superficially similar to Baroque ornaments and are frequently used mistakenly in performing music of the Baroque. Bach's embellishments should obviously be treated according to Baroque practice.


Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus Aug 1961

Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus

Graduate Student Research Papers

With this emphasis on textual understanding, opera, as introduced by a group or amateur composers called the Florentine Camerata, was born. These composers wrote in a recitative style for the solo voice. Being amateurs, however, they did not possess the professional musicianship to amplify the textual implications. Therefore, Monteverdi, the trained musician, established many musical innovations still in effect.


A Style Analysis: Bach's Brandenburg Concerto, No. 2 In F Major, Charles Raymond Wallgren Aug 1961

A Style Analysis: Bach's Brandenburg Concerto, No. 2 In F Major, Charles Raymond Wallgren

Graduate Student Research Papers

This paper is primarily concerned with one example of Johann Sebastian Bach's instrumental style--the "Brandenburg Concerto No. 2." The style of this work was influenced by the musical resources known to Bach, compositional techniques, and the capabilities of the instruments in the baroque period. The manner in which Bach used these resources and the integrity of what he had to say are evidences of his individual genius.


An Analysis Of The Thematic Structure Of Chopin's Polonaise-Fantaisie, Opus 61, Thomas Walter Bull Aug 1961

An Analysis Of The Thematic Structure Of Chopin's Polonaise-Fantaisie, Opus 61, Thomas Walter Bull

Graduate Student Research Papers

The analysis of the Polonaise-Fantaisie was undertaken to ascertain, insofar as can be done through the analysis of one work, whether or not Frederic Chopin's music is loosely structured and unpolyphonic as some of his critics have maintained.


A Study Of The Adolescent Boy's Changing Voice, Harold Robert Estby Aug 1961

A Study Of The Adolescent Boy's Changing Voice, Harold Robert Estby

Graduate Student Research Papers

It was the purpose of this study (1) to arrive at an understanding of the vocal mechanism and how it changes during the changing voice period, (2) to discover what preparation can be made for the changing voice period, and (3) to find information on the changing voice period that would lead to an understanding ot how the changing voice develops and how it should be cared for and trained.


A Study Of The Elementary Instrumental Curriculum Of The Clover Park School District, Wilber D. Elliott Aug 1961

A Study Of The Elementary Instrumental Curriculum Of The Clover Park School District, Wilber D. Elliott

Graduate Student Research Papers

The purpose of this study was to compare the present elementary instrumental program with programs of other school districts in order to change the Clover Park program where necessary in order to maintain an effective elementary instrumental curriculum as part of the overall music program.


An Extention Of Musical Concepts In The Junior High General Music Program, George M. Ice Aug 1961

An Extention Of Musical Concepts In The Junior High General Music Program, George M. Ice

Graduate Student Research Papers

This paper intended to show how an extension of theoretical concepts of musical learning may contribute to an effective, unified, general music program in the junior high school.