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Articles 91 - 120 of 141
Full-Text Articles in Ethnomusicology
African And African-Influenced Sacred Music, Suzanne Flandreau
African And African-Influenced Sacred Music, Suzanne Flandreau
The Journal of Traditions & Beliefs
No abstract provided.
We Gon' Be Alright, Joel R. Weltzien Mr.
We Gon' Be Alright, Joel R. Weltzien Mr.
Undergraduate Theses, Professional Papers, and Capstone Artifacts
Music is an art form linked to identity, both of the self, and of one’s role in culture and society. In many social movements, music has been one of the tools used to unite a group in its message by allowing individuals to express themselves via a larger social unit. My presentation uses anthropological theories to examine this phenomenon through one of the latest and more pressing issues in our culture, the racial conflict in the US following the killing of Michael Brown, in which an unarmed black teenager was shot and killed by a white police officer, who was …
Music As Narrative In American College Football, John M. Mccluskey
Music As Narrative In American College Football, John M. Mccluskey
Theses and Dissertations--Music
American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the game’s emotional drive, cue celebrations, direct specific audience actions, and prompt behaviors that can directly impact …
B-Boy And Buuz: A Study Of Mongolian Hip-Hop Culture, Quinn Graham Wallace
B-Boy And Buuz: A Study Of Mongolian Hip-Hop Culture, Quinn Graham Wallace
Independent Study Project (ISP) Collection
When walking down the streets of Ulaanbaatar, Mongolia, passersby will find countless material traits of hip-hop culture surrounding them, including snapback hats, skateboards, and tattoos. A powerful combination of urban growth, democracy, and a booming market economy has invited and stimulated contemporary forms of hip-hop, creating an active but unorganized Mongolian hip-hop sub-culture and community. In this explorative and analytical paper, I examine what Mongolian hiphop artists express about present-day Mongolia through hip-hop mediums and why they are a unique critical voice. While there are several facets of hip-hop, I focus on three modes of traditional hip-hop culture: oral (rapping), …
'Sing Unto The Lord A New Song--Just Not That One!' A Case Study Of Music Censorship In Free Will Baptist Colleges, Jon Edward Bullock
'Sing Unto The Lord A New Song--Just Not That One!' A Case Study Of Music Censorship In Free Will Baptist Colleges, Jon Edward Bullock
Masters Theses
Like so many of the world’s other religious institutions, the Christian church has a long and well-documented history of using music to enhance and enliven the spiritual experiences of believers. Many of the church’s greatest champions throughout history have spoken about the inherent power of music, but as history always seems to demonstrate, along with power comes the need for control. As long as church leaders have used music to attain spiritual progress, they have also censored music that threatens to impede that progress. Even today, many church leaders still rely on music censorship to protect the future and identity …
The Creation Of Fear Through Censorship: Repression Of Artistic Freedom In The Music Of The Syrian Revolution, Rebecca Aliah Ajamoughli
The Creation Of Fear Through Censorship: Repression Of Artistic Freedom In The Music Of The Syrian Revolution, Rebecca Aliah Ajamoughli
Undergraduate Honors Thesis Collection
"God, Syria, freedom, and that is all." These four words embody the goals of the Syrian Revolution. Yet, there is one key element of this chant that raises questions surrounding its meaning: freedom. For decades, the people of Syria have been subjected to restricted freedom by the Assad regime-especialIy musicalIy. The regime has artfulIy used music to legitimize its claim to the country. This utilization varies from early-learned pro-Baath chants to the monitoring of all performances held in the country. As Lisa Wedeen says in her work Ambiguities of Domination, "[this control of culture] isolates Syrians from one another, and …
“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo
“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo
Senior Honors Theses
Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in …
“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath
“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath
Student Publications
An exploration into the development of the "blues aesthetic" in the African-American literary tradition.
The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber
The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber
Lawrence University Honors Projects
Over the last century, Irish traditional music, or “trad,” has become a global phenomenon that has flourished in communities from the United States of America to Japan. A musician need not be Irish in heritage to play and do justice to Irish traditional music or to feel a strong emotional connection to it; yet ethnic ties, real and imagined, constitute a powerful reason to play. The music is inextricably linked with the poetically-titled Emerald Isle even if its musicians are not. In this project, I explore and analyze the many facets of perception of and participation in Irish traditional music, …
Book Review: Dislocated Memories: Jews, Music, And Postwar German Culture, David B. Levy
Book Review: Dislocated Memories: Jews, Music, And Postwar German Culture, David B. Levy
Touro University Libraries Publications and Research
The author reviews the book Dislocated Memories: Jews, Music, and Postwar German Culture.
Review Of Jon Stratton And Nabeel Zuberi's Black Popular Music In Britain Since 1945 (2014), Tim Engles
Review Of Jon Stratton And Nabeel Zuberi's Black Popular Music In Britain Since 1945 (2014), Tim Engles
Faculty Research & Creative Activity
A review of Jon Stratton and Nabeel Zuberi's book Black Popular Music in Britain since 1945.
Albanian Traditional Music: A General Overview, Spiro J. Shetuni
Albanian Traditional Music: A General Overview, Spiro J. Shetuni
Provost’s Spotlight on Scholarship Series
Shetuni, a native of Albania, says that the music, still an obscure subject, reflects a musical environment of both the Balkans and the Mediterranean world and is “not simply a heritage of the past, but above all, a vibrant contemporary art.” His presentation will examine the distinct musical culture of Albania, both monophonic and polyphonic, by delineating its four main musical dialects—Gheg, Tosk, Lab and Urban—along with its origins, styles and features.
Rama, Raga And Rava: A Study On The Implicit Cultural Connections And Complementary Nature Of Music And Culinary Arts In India, Aaron Schwartz
Rama, Raga And Rava: A Study On The Implicit Cultural Connections And Complementary Nature Of Music And Culinary Arts In India, Aaron Schwartz
e-Research: A Journal of Undergraduate Work
The relation between food and music is strong and readily apparent in the cultural traditions of India. The importance of the relation goes so far that relevance falls on what song the chef listens to while they prepare a meal, and what is being played while the meal is eaten. The musical pitch is intricately connected to the taste of the food, with bitter flavor represented by lower pitch and sweeter flavor represented by higher pitch. People will report experiencing different sensations upon reacting to identical food products, based on the music that accompanies that meal. The effect of this …
Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.
Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.
Zea E-Books Collection
Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. Amid his travels Praetorius found time to publish an impressive series of collections of musical compositions, in all more than a thousand works. Praetorius’s three-volume Syntagma musicum (Musical Encyclopedia) belongs to the last years of his life. Volume I, Musicae artis analecta (1614/15, in Latin), treats principles and practices of religious music, from a decidedly Lutheran perspective. Volume II, De organographia (1619, in German) deals with …
Exploring Naxi Baisha Xiyue, Nicholas Kircher
Exploring Naxi Baisha Xiyue, Nicholas Kircher
Masters Theses
"Exploring Naxi Baisha Xiyue" is a qualitative research descriptive paper delving into the origin of the Baisha Xiyue music style among the Naxi people based in northwest Yunnan province of the People's Republic of China. A brief historical background of Baisha Xiyue includes the Yuan dynasty (AD 1279-1368) invasion by Kublai Khan when he and his army entered Yunnan province in AD 1253. The topic of the remaining eight songs is a Naxi historical conflict with a neighboring tribe. As musical instruments are essential in the performance of this genre, each of the commonly used instruments are introduced and described. …
From Drum Beats To Beach Music: The Development Of Music In South Carolina, Elizabeth Oliphant
From Drum Beats To Beach Music: The Development Of Music In South Carolina, Elizabeth Oliphant
Senior Theses
This thesis examines musical genres present in South Carolina from the time of the Native Americans through 20th century rhythm and blues. Each style of music has combined musical elements over time to create the state’s rich cultural heritage. For thousands of years before the arrival of European explorers, Native American music put a high emphasis on the voice, as the absence of a written language facilitated a strong oral tradition. Free- flowing vocals with rhythmic accompaniment were relied upon to pass down sacred legends of the tribe, stressing vocal musicality as the highest art form. With the arrival of …
Antonio T. De Nicolás: Poet Of Eternal Return, Christopher Key Chapple
Antonio T. De Nicolás: Poet Of Eternal Return, Christopher Key Chapple
Research Resources
This book includes essays in honor of Professor Antonio de Nicolas.
Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power
Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power
Student Publications
Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …
Arts Outreach In The Middle East, Matthias Clark
Arts Outreach In The Middle East, Matthias Clark
Masters Theses
After centuries of debate and discussion regarding the value and appropriateness of arts in the Middle East, specifically music, many indigenous people have recently pursued active roles in championing indigenous and international arts toward social reform, identity formation, and spiritual development. This shift in use and function of the arts has been reflected in some groundbreaking attempts of using arts in contextualized forms that have impacted spiritual communities. This study is designed to compare two specific case studies that exemplify these shifts: the "School of Worship and Music" and the "Creative Center". These organizations will be analyzed and compared in …
Rave Culture- A Tale Of Two Scenes, Christopher Mohr
Rave Culture- A Tale Of Two Scenes, Christopher Mohr
Faculty Curated Undergraduate Works
This article compares two iterations of rave culture through the perspective on scenes as outlined by Geoff Stahl in his essay "'It's Like Canada Reduced': Setting the Scene in Montreal." By applying both communication and sociopolitical theory to the comparison of the original rave scene to that of today's, a vivid understanding of how scenes and subcultures construct themselves- both within and around the cultural environments from which they are born- will become apparent.
Folkloric Musicians Among The Bugakhwe, Robert Veith
Folkloric Musicians Among The Bugakhwe, Robert Veith
Masters Theses
Increased access to global media by traditional culture in remote parts of Africa has, in many cases, seen indigenous music marginalized in favor of imported forms. In some places, a folkloric tradition thrives, though this music may face extinction if those who practice it do not document their art in a way which can be passed down to future generations. For this project, I recorded seven musician/composers of the Bugakhwe, a Khoisan people group living in the Okavango Delta region of Botswana. Two were given enough studio time to create a complete CD-length set, so as to show off the …
Ancient Greek Music: The Aulos And The Kithara, Carina Carbone
Ancient Greek Music: The Aulos And The Kithara, Carina Carbone
Honors Projects
The aulos was one of the foremost woodwind instruments in ancient Greece; likewise, the kithara was one of the foremost string instruments. They varied in both form and function throughout time and by region. Given the popularity of both instruments, there are many surviving art pieces which illustrate them and their uses. There are also surviving samples of the instruments themselves.
Teaching World Music In An Elementary Setting: Effective Teaching Strategies And Classroom Materials, Calyna Mc Allister
Teaching World Music In An Elementary Setting: Effective Teaching Strategies And Classroom Materials, Calyna Mc Allister
Masters Theses
The world we live in today is increasingly a global society. As such, the various cultures of the world come into contact with one another more often. Students today need to have experiences with different cultures in order to participate effectively in this globally minded world. An excellent way to expose children to these cultures is through the use of world music in the general music classroom. The need for world music from a music education standpoint has been addressed over the past few decades. However, little has been done to address the teaching methods associated with world music or …
A Study Of How Selected Public School Junior-High Students Perceive The Effect Of Popular Music On Classroom Behavior, Christopher Mc Allister
A Study Of How Selected Public School Junior-High Students Perceive The Effect Of Popular Music On Classroom Behavior, Christopher Mc Allister
Masters Theses
The objective of this study is to further the understanding of how junior-high students in the public schools perceive the effects of popular music on their behavior in the classroom. Two primary research questions serve as the foundation for this study. The first question investigates how themes disclosed in interviews of selected public school junior high students help to explain their personal perceptions of how popular music affects their behavior in the academic environment. The second question seeks to determine whether students that listen to a particular genre of popular music have different or similar perceptions of how music affects …
Fearless: Alice Broadway And Gamelan Gita Semara, Alice C. Broadway
Fearless: Alice Broadway And Gamelan Gita Semara, Alice C. Broadway
SURGE
Next week a group of education students and members of Sunderman Conservatory’s Gamelan Gita Semara ensemble are fearlessly traveling to Ubud, Bali for three weeks for a musically and culturally immersive experience. The group, led by Dr. Brent Talbot has a packed itinerary. Much of the trip will be devoted to working with a local gamelan teacher to learn about different styles of the drumming art. While there, they will also be attending an arts festival and collaborating with locals on various projects. [excerpt]
Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis
Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis
Masters Theses
Mongolian music culture as it exists in China is a unique entity unto itself as it features a base of traditional Mongolian practice and also includes aspects of Chinese music and culture. As the world becomes more interconnected and as China continues to display a markedly Han society to the world at large, Mongolian musicians and Mongolian-music enthusiasts in China maintain and evolve their musical culture in a nebulous middle-ground between Mongolian and Han-Chinese culture. How Mongolian music culture in China came to be and its ultimate function in global society are the key questions being investigated in this thesis. …
Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath
Masters Theses
This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …
Just Sing What You Want To Say: The Importance Of Linguistic Tone In Bai Songs, Lisa Andrews
Just Sing What You Want To Say: The Importance Of Linguistic Tone In Bai Songs, Lisa Andrews
Masters Theses
The Bai people, a minority group in the People's Republic of China numbering at least 1.6 million, live mostly in the Dali Autonomous Prefecture in northwest Yunnan. Historically, Bai from the central region would gather annually at the base of Shibaoshan Mountain to sing partner style love songs in search for a suitable marriage partner; today, this time is marked by a three-day festival officially titled "Shibaoshan." The annual song competition invites skilled singers to spontaneously compose melodies in response to their counterpart, crafting lyrics to flatter or tease their singing partner. The study quantifies the close relationship between Bai …
An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins
Masters Theses
The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …
When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe
When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe
Masters Theses
The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …