Ethnomusicology Commons^™

The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …

An Anxiety Of Authenticity? Fusion Musics And Tunisian Identity, Rachel R. Colwell

Honors Papers

The analytical trope of "hybridity" has a troubled past in the social sciences. The careless adoption of scientific terminology without adaptation to cultural contexts can result in dangerous consequences for ethnomusicology. This paper challenges, and ultimately accepts, the efficacy of "hybridity" as a model for musical contact. Mindful of essentialization, post-colonial situations, and the perils of over-generalization, ethnomusicology holds sophisticated tools for examining local understandings of hybridity and the role that fusions play in shaping identities. Approaching musics from internal perspectives returns agency to musicians and listeners, liberating the local experience from the cloaking paradigm of "hybridity" as a strict …

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …

Deconstructing The Corrido's Validity: The Transformation Of The Corrido Into The Narcocorrido, Wayne D. Meals

Theses & Dissertations

The classic corrido is a part of Mexican tradition and is woven into Mexico's rich cultural history. Listeners have endeared corridos for generations simply for the storytelling. They characterize small Mexican communities and their iconic heroes and represent the hope and courage that they must have in the face of injustice, oppression or danger. The protagonist in the corrido, commonly possessing the characteristics of Robin Hood, is a constant theme. This hero character also meets with an untimely death, usually the result of betrayal. The heightening of the element of conflict and violent death has transformed the classic corrido into …

Modernity And Musical Structure: Neo-Marxist Perspectives On Song Form And Its Successors, Peter L. Manuel

Publications and Research

No abstract provided.

Ethnic Identity, National Identity, And Music In Indo-Trinidadian Culture, Peter L. Manuel

Publications and Research

No abstract provided.

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

History: Faculty Publications and Other Works

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.

Summer 1993, 90.9 Wmpg Fm

WMPG Program Guides

WMPG program guide for Summer 1993.

Spring 1993, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Spring 1993.

Winter 1992-1993, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide Winter 1992-1993

Brochure 1988, 90.9 Wmpg Fm

WMPG Program Guides

Promotional brochure, 1988.

Summer 1988, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1988.

Summer 1987, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1987

Winter/Spring 1986, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Winter/Spring 1986

Summer 1984, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1984,

Fall 1983, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Fall 1983.

Saka, Fane Telena, Unknown Sikaiana

Sikaiana Traditional Songs

These are two saka, songs composed for a secret lover (hina) in traditional Sikaiana society. I know that one was collected from Fane Telena, the other I found in my notes.

Tani Various, Sikaiana People

Sikaiana Traditional Songs

These are transcriptions of several tani or funeral dirges. Tani are composed after a person dies. I do not have a record of who gave me the transcriptions, most likely John Kilatu and/or Reuben Tenai. I do not have recordings for these songs.

Mako Hatu Composed Songs, Reuben Tenai, John Kilatu Dr

Sikaiana Traditional Songs

Two traditional composed songs (mako hatu) that I found in my notes, most likely from John Kilatu and/or Reuben Tenai.

The Development Of Mexican Music, Edith M. K. Tibbets

University of the Pacific Theses and Dissertations

Perhaps no country at the present time has a richer unexplored fount of folk music than has Mexico. In fact. her rich store of musical culture, like a vast mine scarcely worked entitles her to a position among those peoples whose folk music has long been firmly established.

Finding the source material on the music of Mexico for the most part, fragmentary and scattered, the writer decided to do serious research in translating from the early Spanish writers, and in reading the chronicles of the travelers of that early period, as well as the historical writings and the legendary lore …

Constitution Et Reglements Du Club Musical-Littéraire De Lewiston, Maine, Club Musical-Littéraire

Club Musical-Littéraire, Lewiston, Maine

The constitution and rules of the Musical-Literary Club of Lewiston, Maine.