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Articles 91 - 120 of 972

Full-Text Articles in Ethnomusicology

Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, Andre Oliveira Campos-Neto Aug 2016

Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, Andre Oliveira Campos-Neto

Master's Theses

Heitor Villa-Lobos (b. March 5, 1887 - d. November 17, 1959) can be considered the most important composer in Brazilian music history. Although the composer is listed as one of the most influential composers in the history of the guitar, he reached his peak in his works for piano and symphonic groups. Works such as A Prole do Bebê (1 and 2), and the series of Chôros, came out during an extremely convoluted time, where Brazilian artists engaged in seeking an artistic representation of a unique Brazilian identity. Those works not only satisfied the hunger, but pushed the movement …


Friends Of Musselman Library Newsletter Spring 2016, Musselman Library Apr 2016

Friends Of Musselman Library Newsletter Spring 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Receives 9/11 Commission Papers (Fred Fielding '16)

Library News

Digital Scholarship Fellows

From Paupers to Presidents

Fair Use Week

Reading About Race

Student Workers Save the Day (Nadia Romero Nardelli '19)

Life in the Fishbowl (Brittany Barry '17)

In Memory of Douglas R. Price; Former Aide to Eisenhower

Special Purchases

From the Piano Bench (Jay P. Brown ’51, Doug Brouder ’83, Julie Caterson ’84 and Mr. & Mrs. Michael Fiery)

Research Reflections: The Spirit of Gettysburg (Timothy Sestrick)

Gift of Art

Old Gettysburg Back to Thee (Jenna Fleming '16, Avery Fox '16, Melanie Fernandes …


Playing Bebop: Culture And Bebop’S Reciprocal Influence, Audra M. Deboy Apr 2016

Playing Bebop: Culture And Bebop’S Reciprocal Influence, Audra M. Deboy

Student Publications

Following the sweet, pleasant Swing era style music of the 1930’s, Bebop emerged within the United States as an aggressive, percussive, musician-focused style in the 1940’s. However, Bebop’s creation was not spontaneous. Its composers, John Birks Gillespie, Charlie Parker, and Thelonious Monk, wrote for the sake of the music itself as a form of self-expression, not as entertainment for an audience. Bebop’s dissonant sound expressed political and cultural frustrations, stemming from World War II and similarly shown in the early Civil Rights Movement. I will argue that not only did Bebop develop out of such conflicts, but in a reciprocal …


Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas Jan 2016

Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas

The Journal of Traditions & Beliefs

No abstract provided.


Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju Jan 2016

Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju

The Journal of Traditions & Beliefs

No abstract provided.


The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu Jan 2016

The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu

The Journal of Traditions & Beliefs

No abstract provided.


African And African-Influenced Sacred Music, Suzanne Flandreau Jan 2016

African And African-Influenced Sacred Music, Suzanne Flandreau

The Journal of Traditions & Beliefs

No abstract provided.


2017 Call For Submissions, Regennia N. Williams Jan 2016

2017 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Acknowledgments And Disclaimer, Regennia N. Williams Jan 2016

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


An Illustrated Introductory Note, Regennia N. Williams Jan 2016

An Illustrated Introductory Note, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Table Of Contents, Regennia N. Williams Jan 2016

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams Jan 2016

From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Table Of Contents, Regennia N. Williams Phd Jan 2016

Table Of Contents, Regennia N. Williams Phd

The Journal of Traditions & Beliefs

No abstract provided.


Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams Phd, Patricia A. F. O'Luanaigh Ma Jan 2016

Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams Phd, Patricia A. F. O'Luanaigh Ma

The Journal of Traditions & Beliefs

No abstract provided.


Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis Jan 2016

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

History: Faculty Publications and Other Works

A detailed examination of Richard Wagner's reception in Nazi Germany.


From A Chat In The Parlor To Viral Music Videos: An Analysis Of Music As A Social Occasion, Emma Plotnik Dec 2015

From A Chat In The Parlor To Viral Music Videos: An Analysis Of Music As A Social Occasion, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Imagine an intimate room filled with people playing cards and casually chatting, while one of Chopin’s piano sonatas plays elegantly in the background. This scenario is characteristic of the atmosphere surrounding Classical and Romantic European salons. Salons served as havens of musical discourse from the Baroque era to the early twentieth century. However, with the advancement of technology from the mid-twentieth century to the present, there has been a decline, or, arguably, even a cessation of salon life.

The aim of this project was to recreate the salon environment through the generation of the online discussion forum, "Music Soirée." To …


“What Country Music Needs Is A Good War”: Country Music, Memory, And Conservative Politics, Emilee G. Johnson Jun 2015

“What Country Music Needs Is A Good War”: Country Music, Memory, And Conservative Politics, Emilee G. Johnson

Masters Theses

I argue that the Southern political realignment and the national conservative movement shaped and was shaped by country artists and their songs released during World War II, the Korean War, and the Vietnam War. I also argue that including country music offers valuable contributions to the work of history and memory scholars, showing how country artists used memory to cope with and interpret current events, and how war inspired uses of memory in country music. During World War II, country artists established a national reputation for political activism and laid the foundation for how the genre would respond to future …


I Want To Be In That Number: A Song Profile Of "When The Saints Go Marching In", Gregory H. Jacks May 2015

I Want To Be In That Number: A Song Profile Of "When The Saints Go Marching In", Gregory H. Jacks

Renée Crown University Honors Thesis Projects - All

“When the Saints Go Marching In” has never been subject to a sustained study of its origins, disseminations, and current manifestations. A study like this, focused on a song’s perceptions via various viewpoints through time, is typically referred to as a song profile; a form of reception history specifically concentrated on a single musical composition. “When the Saints Go Marching In,” also known as “Saints” or “The Saints,” is an African-American spiritual typically listed as a traditional in most songbooks without a composer.[1] I have laid out this paper into four sections, one for each period of the song’s …


“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath Apr 2015

“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath

Student Publications

An exploration into the development of the "blues aesthetic" in the African-American literary tradition.


“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk Feb 2015

“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

An ongoing and rather controversial debate in the Civil War world is that over the rightful placement of the Confederate battle flag in American memory. Being such a provocative symbol both in terms of history and race relations, its ‘true’ meaning and ‘true’ symbolism are constantly in flux. With recent disputes on the removal of the Confederate flag from Robert E. Lee’s tomb at Washington and Lee University making their way into the mainstream news, the complicated meaning of the rebel symbol and where it belongs in American memory have earned their places at the forefront of the national consciousness. …


Book Review: Dislocated Memories: Jews, Music, And Postwar German Culture, David B. Levy Jan 2015

Book Review: Dislocated Memories: Jews, Music, And Postwar German Culture, David B. Levy

Touro University Libraries Publications and Research

The author reviews the book Dislocated Memories: Jews, Music, and Postwar German Culture.


Exploring The Efficacy Of "Crooked Sticks" : Diasporan Resistance And Discursive Ambivalence In Zora Neale Hurston's Jonah's Gourd Vine, Amy Schmidt Dec 2014

Exploring The Efficacy Of "Crooked Sticks" : Diasporan Resistance And Discursive Ambivalence In Zora Neale Hurston's Jonah's Gourd Vine, Amy Schmidt

The Journal of Traditions & Beliefs

No abstract provided.


From The Editor-In-Chief: A Celebration Of American Arts And Letters, Regennia N. Williams Dec 2014

From The Editor-In-Chief: A Celebration Of American Arts And Letters, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Table Of Contents, Regennia N. Williams Dec 2014

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Self-Realization In A Restricted World: Janie's Early Discovery In Zora Neale Hurston's Their Eyes Were Watching God, Delisa D. Hawkes Dec 2014

Self-Realization In A Restricted World: Janie's Early Discovery In Zora Neale Hurston's Their Eyes Were Watching God, Delisa D. Hawkes

The Journal of Traditions & Beliefs

No abstract provided.


Zora Neale Hurston And Then Ishmael Reed: Syncretizing Moses With "Sympathetic" Comic Rhetoric, Gillian Johns Dec 2014

Zora Neale Hurston And Then Ishmael Reed: Syncretizing Moses With "Sympathetic" Comic Rhetoric, Gillian Johns

The Journal of Traditions & Beliefs

No abstract provided.


One School Year With Zora Neale Hurston: A September - June Timeline Unit For K - 8 Schools, Lana J. Miller Dec 2014

One School Year With Zora Neale Hurston: A September - June Timeline Unit For K - 8 Schools, Lana J. Miller

The Journal of Traditions & Beliefs

No abstract provided.


New Perspectives On Religion, Race, And Culture, Regennia N. Williams Dec 2014

New Perspectives On Religion, Race, And Culture, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Pentecostalism In An African Context, Michael L. Zadell Dec 2014

Pentecostalism In An African Context, Michael L. Zadell

The Journal of Traditions & Beliefs

No abstract provided.


Contemporary Conversations On Cross-Cultural Exchange, Jenni L. Shelton Oct 2014

Contemporary Conversations On Cross-Cultural Exchange, Jenni L. Shelton

The Journal of Traditions & Beliefs

No abstract provided.