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Full-Text Articles in Ethnomusicology

Chopin Mazurkas And Its Influence On Polish Nationalsim, Pablo Cintron May 2014

Chopin Mazurkas And Its Influence On Polish Nationalsim, Pablo Cintron

Masters Theses

The innovative character of Chopin Mazurkas is forever linked with Polish culture. This thesis examines how the unmistakable sound of the Mazurka captures the Polish sound more than any other work written by the composer and how it contributes to Polish cultural nationalism during the Polish diaspora of the nineteenth-century.

In this study, the author presents a brief examination on Chopin's traditional interpretation of his mazurkas as well as isolating the characteristics of Polish interpretation that sets the Mazurka performance apart from the non-traditional style. A research case is made when contrasting the current concept of the classical execution of …


Chopin Mazurkas And Its Influence On Polish Nationalism, Pablo Cintron May 2014

Chopin Mazurkas And Its Influence On Polish Nationalism, Pablo Cintron

Masters Theses

The innovative character of Chopin Mazurkas is forever linked with Polish culture. This thesis examines how the unmistakable sound of the Mazurka captures the Polish sound more than any other work written by the composer and how it contributes to Polish cultural nationalism during the Polish diaspora of the nineteenth-century. In this study, the author presents a brief examination on Chopin's traditional interpretation of his mazurkas as well as isolating the characteristics of Polish interpretation that sets the Mazurka performance apart from the non-traditional style. A research case is made when contrasting the current concept of the classical execution of …


Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power Apr 2014

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …


Never Give A Sword To A Man Who Can't Dance, Colin Slade Jan 2014

Never Give A Sword To A Man Who Can't Dance, Colin Slade

Masters Theses

War dances have long been a powerful means of preparing warriors for combat or the intimidation of an enemy, but they are also used in the ceremonial supplication of deity or celebration of victory. They are a fundamental artifact of many cultures throughout the world. Nevertheless, the United States of America boasts the most powerful military in history, yet it lacks a war dance. This is valid until one accepts a simple truth; military drill is a dance. However, Americans would object to such a proposition even though they have adopted and adapted military drill as their own, describe it …


Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath Apr 2013

Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath

Masters Theses

This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …


How Bebop Came To Be: The Early History Of Modern Jazz, Colin M. Messinger Jan 2013

How Bebop Came To Be: The Early History Of Modern Jazz, Colin M. Messinger

Student Publications

Bebop, despite its rather short lifespan, would become a key influence for every style that came after it. Bebop’s effects on improvisation, group structure, and harmony would be felt throughout jazz for decades to come, and the best known musicians of the bebop era are still regarded as some of the finest jazz musicians to ever take the stage. But the characteristics of bebop can easily be determined from the music itself. [excerpt]


An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins Dec 2012

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …


"Go In De Wilderness": Evading The "Eyes Of Others" In The Slave Songs, Erik Nielson Mar 2011

"Go In De Wilderness": Evading The "Eyes Of Others" In The Slave Songs, Erik Nielson

School of Professional and Continuing Studies Faculty Publications

This essay explores the trope of the wilderness in the slave spirituals, arguing that it functions to recreate symbolically the natural landscape into which slaves regularly took refuge in order to elude white surveillance. Drawing on a variety of sources, it considers the unique surveillance culture in the antebellum South, its effect on the everyday lives of the slaves, and the ways in which the slaves used their natural surroundings to avoid it. It then uses a close analysis of the song "Go in the Wilderness " as a point of departure for a broader discussion of the way the …


Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon Jan 2011

Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon

Lawrence University Honors Projects

George Schuyler, in his tragically misguided 1926 essay for The Nation magazine, “The Negro-Art Hokum,” suggests that the only difference between Blacks and Whites is the color of skin, and that both races experience the same social, psychological and educational forces in America. He blatantly disregards American racism and inequality, and in his attempt to put forth his advocacy of color-blindness he merely projects and perpetuates the most racist of ideals within our country. Schuyler views the concept of Black Art very narrowly and insists on the impossibility of such an idea because of the supposed Americanness of the art. …


Green, Alice (Dunham), 1882-1977 (Sc 2346), Manuscripts & Folklife Archives Sep 2010

Green, Alice (Dunham), 1882-1977 (Sc 2346), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 2346. Alice Dunham Green's transcription and arrangement of the Kentucky folk ballad "Weevily Wheat"; letter, 26 February 1953, from Harry L. Jackson, Cleveland, Ohio, to Mary T. Moore, Bowling Green, Kentucky, discussing the song's connection to his family.


Passing For Black: Coon Songs And The Performance Of Race, Patricia R. Schroeder Jun 2010

Passing For Black: Coon Songs And The Performance Of Race, Patricia R. Schroeder

English and Creative Writing Faculty Publications

No abstract provided.


From Disco To Electronic Music: Following The Evolution Of Dance Culture Through Music Genres, Venues, Laws, And Drugs., Ambrose Colombo Jan 2010

From Disco To Electronic Music: Following The Evolution Of Dance Culture Through Music Genres, Venues, Laws, And Drugs., Ambrose Colombo

CMC Senior Theses

Electronic dance music is a genre that has been long in the making. Starting with disco in the 1970s, dance culture genres evolved into house, acid house, techno, garage, 2-step, hardcore, gabba, san frandisco, electro, and many others. This paper studies the transformation of electronic sound, and the contributing/impeding factors involved. Drug use is heavily related to the creation and enjoyment of music, and features prominently in the history of dance culture. Starting with the use of acid in the 1960s and progressing to the use of acid, Quaaludes, poppers, speed in the 1970s, with MDA featured in clubs toward …


Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng Jan 2009

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …


Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison Dec 2008

Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison

Occasional Essays

No abstract provided.


Lewis, Fred (Sc 1777), Manuscripts & Folklife Archives Oct 2008

Lewis, Fred (Sc 1777), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1777. Musical scores for songs transcribed by Fred Lewis for the Hawaiian guitar.


The Mass. Memories Road Show: Some Notes On Bridging And Bonding, Joanne M. Riley Apr 2008

The Mass. Memories Road Show: Some Notes On Bridging And Bonding, Joanne M. Riley

Joseph P. Healey Library Publications

Four years ago, the Mass. Studies Project at UMass Boston launched a cultural heritage project that we dubbed the “Mass. Memories Road Show,” a real-world mashup of PBS’s Antiques Road Show (people bring their personal stuff to a local event for professional perusal) and the Library of Congress’ American Memory Project (digitize historic stuff and share it with the world). Our ambitious goal was – and still is! – to visit each of the 351 communities in Massachusetts, inviting residents to bring in photographs that reflect themselves and their families in that community. At the public “Road Show” events, we …


Summer 2006, 90.9 Wmpg Fm Jan 2006

Summer 2006, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format. "The WMPG 'Zine"


Summer 2005, 90.9 Wmpg Fm Jul 2005

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005


Spring 2005, 90.9 Wmpg Fm Jan 2005

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.


Fall/Winter 2005, 90.9 Wmpg Fm Jan 2005

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Summer 2004, 90.9 Wmpg Fm Jan 2004

Summer 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Spring 2004, 90.9 Wmpg Fm Jan 2004

Spring 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Fall 2004, 90.9 Wmpg Fm Jan 2004

Fall 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Fall 2003, 909 Wmpg Fm Oct 2003

Fall 2003, 909 Wmpg Fm

WMPG Program Guides

Fall 2003


Winter/Spring 2003, 90.9 Wmpg Fm Jan 2003

Winter/Spring 2003, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis Jan 2003

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

History: Faculty Publications and Other Works

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.


Fall/Winter 2002, 90.9 Wmpg Fm Jan 2002

Fall/Winter 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Spring 2002, 90.9 Wmpg Fm Jan 2002

Spring 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Summer 2002, 90.9 Wmpg Fm Jan 2002

Summer 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Tabuhan Dalam Ensembel Muzik Membranofon Melayu Kelantan Dan Campa, Mohd Yuszaidy Mohd Yusoff Jan 2002

Tabuhan Dalam Ensembel Muzik Membranofon Melayu Kelantan Dan Campa, Mohd Yuszaidy Mohd Yusoff

Student Works (2000-2009)

This thesis discusses the percussion instruments of the Malay communities of Kelantan and the Chams, which is based on patterns of rhythm. This thesis concentrates on analyzing the comparative patterns of rhythm. Two headed drums are referred to for a comparison of patterns of rhythm. The two headed drums in Cham communities are called ginang. These comparative studies will examine the cultural ties between the two communities namely the Malay of Kelantan and the Chams. The relationship between musical instruments and spirits is also explored in this thesis. For both communities, musical instruments and spirits are closely related. Percussion instruments …