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Articles 31 - 38 of 38
Full-Text Articles in Composition
Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus
Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus
Graduate Student Research Papers
With this emphasis on textual understanding, opera, as introduced by a group or amateur composers called the Florentine Camerata, was born. These composers wrote in a recitative style for the solo voice. Being amateurs, however, they did not possess the professional musicianship to amplify the textual implications. Therefore, Monteverdi, the trained musician, established many musical innovations still in effect.
Puccini's Treatment Of Verismo, Janet M. Ice
Puccini's Treatment Of Verismo, Janet M. Ice
Graduate Student Research Papers
The employment of verismo, or realism, in opera did not begin with Puccini; however, his treatment developed the concept to its fullest. Inasmuch as Puccini was one of the foremost composers of his time, a study of his treatment of verismo seems valuable.
Volume 73, Number 05 (May 1955), Guy Mccoy
Volume 73, Number 05 (May 1955), Guy Mccoy
The Etude Magazine: 1883-1957
Problems of the Operatic Conductor (interview with Alberto Erede)
Musical Experience of the Classroom Teacher
Universal Appeal of Sir William Walton's First Opera
Development of Pianism (interview with Robert Casadesus)
Does Practice Make Perfect?
Music and the Mails
Youth Made the Challenge
Aria Da Capo : An Opera In One Act, Burdette Marion Fore
Aria Da Capo : An Opera In One Act, Burdette Marion Fore
University of the Pacific Theses and Dissertations
Foreword to Aria Da Capo
The libretto of the opera is a verbatim setting of Edna St. Vincent Millay's one act play "Aria da Capo." World events, especially World War II and the current Korean War influenced the choice of this timely, yet timeless play. Miss Millay's death occurred during the composition of the opera. She never knew, therefore, of the composition or performance of her play as an opera.
The form of the opera is that of the "da capo" aria. he form, of course, was determined by the play which ends exactly as it started. Thematic material consists …
Volume 52, Number 01 (January 1934), James Francis Cooke
Volume 52, Number 01 (January 1934), James Francis Cooke
The Etude Magazine: 1883-1957
Studying Music for the Joy of It (interview with Artur Bodanzky)
Old Friends are Best
Evening of Mozart: A Musical Play in Three Acts for Children and Adults
You Can Sing—If You Will! (interview with Ernestine Schumann-Heink)
Music of Nature: A Series of Programs for Studio, Club or Radio Recital
Coming Back Without Teacher
Why Not Give an Etude Radio Recital?
Music Supervisor's Forum
New Deal, the New Leisure, and Music
Interesting Stephen Heller
Here's a New One
Those Troublesome Octaves
Value of Music Study to a Business Woman
Ledger Lines and Spaces Simplified
Sight Reading Suggestions
Drilling for Independence …
Volume 30, Number 02 (February 1912), James Francis Cooke
Volume 30, Number 02 (February 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Probable Origin of Syncopation
Opera of the People (interview with Victor Herbert)
Boccherini and His Friends
If My Daughter Should Study for Grand Opera (interview with Andreas Dippel)
When Different Pupils Make the Same Mistakes
How a Great Operatic Production is Prepared: Opinions from Many Celebrated Specialists upon a Subject of Much Human Interest to all Music Lovers
Grand Opera as a Business
Self-Help in Voice Study (interview with Charles Dalmores)
Alphabet of the Opera Composers
Names of the Notes in Other Languages
Success at the First Lessons: Five Important Points for Teachers to Remember and Employ
Well-Known Composers of …
Lesson Book: Grand Opera, Rubinkam I. Nathaniel
Lesson Book: Grand Opera, Rubinkam I. Nathaniel
Siegel-Myers Correspondence School of Music
A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons and Examinations: Grand Opera, number 1 through 10
Volume 05, Number 04 (April 1887), Theodore Presser
Volume 05, Number 04 (April 1887), Theodore Presser
The Etude Magazine: 1883-1957
Expression in Piano Playing
Talk About Some Young Pianists
Accentuation in Piano Playing
Early Education
Maxims
Current Chats
Musical Societies in Colleges
Who Has Blundered?
Carefully Selected List of American Songs Suitable for Concert and Teaching Purposes with Key, Compass, Grade and Price
Liszt!
Musician: Guide for Pianoforte Students