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Articles 151 - 180 of 220
Full-Text Articles in Composition
Missa Gloriæ Patris (Score Sample), Alexander Seefeldt
Missa Gloriæ Patris (Score Sample), Alexander Seefeldt
All College Thesis Program, 2016-2019
Missa Gloriæ Patris is a Latin mass setting in four movements for SATB choir and organ. The complete score is 55 pages long, and the full piece runs just over 25 minutes. Included here are first pages of each movement, as well as a companion paper, recordings of two of the pieces, and a worship aid from the premiere of the piece.
The Far Green Country., Lincoln A. Sandham
The Far Green Country., Lincoln A. Sandham
Electronic Theses and Dissertations
This work was inspired by a beautiful image from J.R.R. Tolkien’s The Lord of the Rings: “And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.” ~The Return of The King, Book VI chapter 9. This imagery inspired the three movements of this work. The first, The Gray Raincurtain, depicts a violent end, the world crashing down around you. The musical material of this movement gradually …
The Experience Of Live And Recorded Music: A Cello Solo, Sarah Hunter
The Experience Of Live And Recorded Music: A Cello Solo, Sarah Hunter
Honors Projects
Americans experience 98.5% of their music in a recorded medium such as radio, online streaming, TV, CDs, or other physical mediums. As a composer of classical concert music, I challenged myself to compose music that offered audiences a meaningful experience as a live performance and as a recorded piece of music.
Requiem For Orchestra And Choir, Luciano Vaz Correa
Requiem For Orchestra And Choir, Luciano Vaz Correa
LSU Master's Theses
Five Movements of a Requiem is a composition for orchestra, solo soprano, solo alto, solo tenor, solo bass and choir, and is approximately 20 minutes in length. To compose it, I’ve studied many different requiem masses from Renaissance polyphony to our days, works from Tomás Luis de Victoria’s Missa Pro Defunctis to Schnittke’s Requiem. In this study, I’ve tried to understand which techniques they used in their compositions, and how these techniques could be useful on helping me to express my own music. In Christian liturgy, Requiem masses are offered for the dead and the name is derived from the …
Compositional Craft And Theory Across Tonal Languages, Liam Butchart
Compositional Craft And Theory Across Tonal Languages, Liam Butchart
Honors Theses
This paper accompanies Liam Butchart's senior honors voice recital and his composition for the Colby Symphony Orchestra, Genevan Overture. The essay examines how form and cadence, two integral components of compositional craft, have been utilized by composers who either were included in the voice recital or were major influences on the composition. Specifically, the paper analyzes how different composers end their musical sentences similarly and differently through the lens of structurally-relevant cadences.
Overgrown, Tori C. Ovel
Overgrown, Tori C. Ovel
Graduate Thesis Collection
OVERGROWN discusses the music elements found in the thesis composition of the same name.
OVERGROWN was written for soprano solo, flute, bass clarinet, soprano saxophone, baritone saxophone, trumpet, trombone, vibraphone, percussion, cello and double bass. The text was written by Matthew Raymond Smith.
On The Presence Of Christ, William A. Peacock
On The Presence Of Christ, William A. Peacock
Graduate Thesis Collection
On the Presence of Christ is a musical work for septet (three strings, three winds, percussion) exploring Christ’s presence throughout all time as described in Scripture, wherein the individual movements are thematically grounded and arranged from ancient past to coming future. “In the Beginning” is based on Genesis 1:1-2 and John 1:1-5; “At the Throne” is based on Revelation 4:2-11; and “With His Saints Forever” is based in Revelation 21:1-5a and 22-23. I use these chosen Scriptures to guide my musical exploration, allowing my reflections and perspectives on them to give this music its substance and form My hope is …
Red Note New Music Festival Program, 2018, School Of Music,
Red Note New Music Festival Program, 2018, School Of Music,
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi
Lawrence University Honors Projects
“Looking Through the Glass” is a 12 track, 38-minute long album of original songs accompanied by a hand-bound artist book. The book houses the CD as a well as an accordion-structure text block of original prints. The content and form of the work draw upon the experiences of the author to create a unique and personal take on memory as a human experience. Sam Genualdi composed and produced all of the music as well as created all of the art.
Spirits' Dance: Sunrise Overture, Jeonghun Kim
Spirits' Dance: Sunrise Overture, Jeonghun Kim
Theses and Dissertations
The subtitle of Spirits’ Dance is Sunrise Overture. This overture is composed with five different themes of spirits’ dances: Light, Air, Water, Earth and Fire. The piece starts with the wind breeze in the darkness, mimicked by woodwinds and brass blowing their instruments without producing a tone. When the Sun rises the piece quietly begins. The beginning and ending express the sunrise and the sunset with the Light spirits’ dance. Air spirits softly introduce Water spirits. Mischievous Earth spirits pop up and carry a practical joke after the beautiful water sprits’ dance. Marching of Fire spirits brings dryness to the …
Affirmation, Validation, And Empowerment: Influences Of A Composition Competition On Students’ Self-Concepts As Musicians, Daniel Albert
Affirmation, Validation, And Empowerment: Influences Of A Composition Competition On Students’ Self-Concepts As Musicians, Daniel Albert
Faculty Authored Articles
The purpose of this study was to determine if participation in a composition competition influenced four K–12 students’ self-concepts as musicians. Research questions explored motivations for these four students to enter into a composition competition, influences of the competition on students’ self-concepts as musicians (if at all), and effects of the competition besides those of self-concept as a musician (if at all). Data sources for this multiple case design study included semi-structured interviews, journals, and wiki interactions. Findings determined that acceptance to the competition, performance of students’ works, and the reception that students received validated and strengthened their self-concepts as …
Requiem, Jacob K. Lee
Requiem, Jacob K. Lee
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
Traditionally, the requiem form began as a Catholic mass to honor the dead. Today, the requiem is generally composed conveying messages of solace to troubled hearts. Many composers, such as Britten and Rutter, choose to abandon some of the orthodox text of the mass to provide an added measure of connection for the audience. The result of these later requiems is often a baring of the composer’s soul – something profoundly personal shared in the hope of inspiring others. This latter process is my aim in creating my Requiem. I approach this end in several ways, compositionally: There is a …
Barfield, Kazik, Nazaykinskaya, And Beyond: A Discussion Of The Commission Process Regarding Trombone Literature, S. Kyle Moore
Barfield, Kazik, Nazaykinskaya, And Beyond: A Discussion Of The Commission Process Regarding Trombone Literature, S. Kyle Moore
Honors Theses
There has historically been limited repertoire for trombonists to perform outside of orchestral writing—so limited that the first trombone solo recital was performed by Davis Shuman in 1947. The trombone has been present in the musical community since the mid-fifteenth century, yet it has only recently emerged as a unique, virtuosic instrument. Due to its delayed emergence and limited repertoire, the need to advance the instrument and its musical literature has led to the commission process between artists and composers: Interested parties approach composers with the prospect of writing music for compensation. In this manner, the composer is compensated for …
The Bended Tree, Graeme Shields
The Bended Tree, Graeme Shields
Masters Theses
The Bended Tree is a multi-movement, 40-minute cantata for chorus, organ, piano, flute, oboe, clarinet, trumpet, violin, and percussion. It explores timbral, textural, and harmonic development within loosely a symmetrical form divided in the center by 30 seconds of silence. The text for the cantata stems from a series of Lutheran hymns and Biblical passages, set to original music.
In the interest of facilitating flexibility for performances, the movements are written so that they can be performed individually, in any subset, or in the piece’s entirety. The instrumentation is also variable: the core ensemble is comprised of chorus, piano, and …
Composing Musical Branes, Liam Flenady
Composing Musical Branes, Liam Flenady
Directions of New Music
This paper presents the compositional logic of my most recent piece, braneworlds, a 15-minute work for seven musicians, according to three basic concepts: musical space, polymorphic counterpoint, and ‘branes’, as inspired by the popular book Warped Passages by experimental physicist Lisa Randall. The idea of musical space is outlined, in which musical parameters—conceived broadly as variable characteristics of music—are taken as dimensions and each work may define its own set of basic dimensions. Musical identities or objects are formed, located at different points within this space. The idea of ‘polymorphic counterpoint’, in which larger-scale internally-elaborated musical structures, rather than lines …
Belsen Silence, Monica Gil
Belsen Silence, Monica Gil
Geifman Prize in Holocaust Studies
I often look to text for musical inspiration, and after searching through swaths of Holocaust poetry online, I discovered "Belsen Silence" by Iolo Lewis. Its message is less graphic than some of the other texts I found, but that in no way detracts from its power of emotion. It is about looking back, tending to old wounds that are no longer fresh but are still healing. The Holocaust may have happened over fifty years ago, but it is still relevant, even alarmingly so at times. Today's reflections on yesterday's shortcomings are arguably the only way we learn, and that is …
Blacklight Symphony No. 1, William J. Cook
Blacklight Symphony No. 1, William J. Cook
Undergraduate Theses, Professional Papers, and Capstone Artifacts
This symphony written, rehearsed and premiered by William Cook in Spring of 2016 at the Composer's Showcase. The full score, video of the premiere, and his reflection of the events are all attached.
William Cook worked on Blacklight Symphony No. 1 from 2014 - 2016. Ultimately, it can be said that he tried to impress all, though none feigned to understand him, and he is pleased, upon reflection, that he gave the project his all.
Sketches Of A Life, Alexander D. Morris
Sketches Of A Life, Alexander D. Morris
Williams Honors College, Honors Research Projects
Sketches of a Life is a work for a small chamber ensemble and depicts small sections of an unidentified person's life. It is scored for 13 instruments and runs eight minutes in length. The piece itself is supplementary to this project, which is largely a descriptive and theoretical analysis of the work. The analysis and score are submitted as PDFs. A link to the recording is included in the appendix.
Ex Nihilo: An Inquiry Into The Nature Of Musical Creation, David Orvek
Ex Nihilo: An Inquiry Into The Nature Of Musical Creation, David Orvek
Capstone Research Projects
As of late there has been much interest in the creative process of musical composition. Most studies to date have taken the form of quantitative and/or psychological analyses performed upon composers by researchers who are not themselves composers. In contrast, this project takes a more philosophical and historical approach in that it takes time to reflect upon the context and manner in which music has been composed throughout history. Additionally, this study offers a more personal perspective as it draws information from the author’s own compositional process–as recorded in a composition journal–as well as the thoughts and reflections of composers …
Indigiana, Elizabeth A. Knox
Indigiana, Elizabeth A. Knox
Graduate Thesis Collection
Indigiana, for orchestra and audio soundscape, is dedicated to the 2016 bicentennial celebration of the State of Indiana. The title is derived from the words, ‘Indiana,’ ‘Digital,’ and ‘Indigenous.’ Its programmatic style is based on the natural landscape and my reflections on four Indiana state parks. In addition to the state's bicentennial honor, Indiana celebrated its 100th anniversary of the purchase of its first two recreational facilities, McCormick's Creek and Turkey Run State Park.2 To honor the state and my family’s longstanding heritage as Hoosiers, I used the natural landscape and environmental sounds of four Indiana state parks …
A Study Of Chemistry: For Wind Ensemble, Morgan Duff
A Study Of Chemistry: For Wind Ensemble, Morgan Duff
Mahurin Honors College Capstone Experience/Thesis Projects
Many musicians have a limited understanding of chemistry, while many chemists aren't familiar with details of music theory or composition. Through the composition of a four-part musical work based entirely on several broad areas of chemistry, certain relationships have been shown between music and chemistry. Because of the overlap between certain scientific concepts and many aspects of music theory, it is possible for members of both fields to use what they already know in order to gain a deeper understanding of the other, very different, subject. Because everyone has learning strengths in differing areas, I believe the use of disciplinary …
A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks
A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks
Capstone Projects and Master's Theses
This capstone presentation focuses on the role of chamber music in both social and academic contexts. Using examples from the past five centuries and including local examples, parallels and divergences are drawn to points of most import. The spotlight is upon three areas: a) what the role of chamber music was in the past, compared to today; b) why it is an important genre, to both musicians, as well as non-musicians, and c) in what ways more exposure to the form can be built. Much of the focus is on composers and their influence, but the impact of and upon …
Journey, Darren Alan Rainey
Journey, Darren Alan Rainey
Graduate Theses and Dissertations
Journey is not about a particular journey, it is more about images or moments from within a journey. The interpretation for what this means is left up to the performers and listeners; however, I view this as one person not particularly achieving what they set out to achieve. It all began with a rough start, moments of happiness, playfulness, contempt and contemplation, but in the end it wasn't the expected outcome of the journey. The work plays between moments of vigor, aggitation, playfulness, light-heartedness, comfort and relaxation. Expression markings are described above each area of the work. These descriptions help …
The Wishing Well: A Children's Ballet (A Composer's Perspective), Lydia Dempsey
The Wishing Well: A Children's Ballet (A Composer's Perspective), Lydia Dempsey
Honors Projects
As a composer, I am passionate about introducing audiences to contemporary classical music. I chose to compose a twenty-five-minute children's ballet titled The Wishing Well based on the fairytale Diamonds and Toads. It premiered on April 2, 2016 at the Bowling Green Performing Arts Center in collaboration with choreographer Sophia Schmitz and conductor Robert Ragoonanan. Other elements of the project included set design, costuming, lighting, audio and video recording, and marketing. The mission was to provide the local community with a free arts event, introduce young audiences to music and ballet, enrich people’s lives through music and dance, provide …
Musical Contextualization In The Local Church: A Pragmatic Exploration Concerning The Philosophy And Methodology Of Assimilating Sacred Music Into The Worship Vocabulary Of A Congregation, Kaleb Gooden
Senior Honors Theses
God’s mandate for all worship pastors is that they minister to their local body of believers in an effective way. This directive necessitates the use of scripturally and culturally appropriate music that clearly communicates the Gospel to the church congregation. This creative thesis further investigates musical contextualization in the local church.
Five philosophical pillars represent the most basic structure on which the entire process of local church contextualization stands. The minister must be rooted in scripture, led by the Spirit, present-minded, future-driven, and committed to service. After evaluating these philosophical concepts, this thesis will then explore the methodological contextualization process …
Days Will Come That Sap Our Vigor, Heather Josselyn-Cranson
Days Will Come That Sap Our Vigor, Heather Josselyn-Cranson
Northwestern Review
"Days Will Come that Sap our Vigor" speaks encouragement to individuals and congregations in the face of exhaustion (the first stanza), depression (the second stanza), and even death (the last stanza). In each case, God restores to us strength, hope, and life. The tune for this text, FALLS PARK, alludes to the fact that the author wrote the hymn text after visiting Falls Park in Sioux Falls, South Dakota.
One Thousand North, Amber Beams
Creating And Performing A Composition For Tuba And Piano, Joel A. Ragona
Creating And Performing A Composition For Tuba And Piano, Joel A. Ragona
Undergraduate Honors Theses
In this creative thesis, I compose and perform a six movement art composition for tuba and piano. The reason for this performance and composition is two-fold. First, I am able to express myself in a way that other methods do not allow. Second, I reinforce important skills that will be vital in my future teaching career. To create the composition, I use various compositional methods, but I mainly adjust the composition by listening to it using piano and online compositional software. Preparing the composition for performance requires that I practice for multiple hours and find an accompanist who will perform …
Theseus And The Minotaur, Ben Lutterbach
Theseus And The Minotaur, Ben Lutterbach
Graduate Thesis Collection
Theseus and the Minotaur is a four movement, through-composed chamber work for flute, clarinet, violin, viola, cello, and double bass. The work explores elements of fear, chaos, love, and aggression.
Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin
Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin
Theses and Dissertations--Music
Born in 1972, Luis Serrano Alarcón has in a very short period of time, established himself as one of Spain’s most prominent composers. His works are constantly being performed, not only in his home country, but throughout the world. While some of his compositions tend to retain the rhythmic, harmonic, and melodic style typical to Spanish music, many of the works sound as if they were borne more from the Viennese symphonic tradition, both during the time of Haydn and Beethoven, but also during the time of Arnold Schoenberg.
As a young boy Alarcón took up piano lessons with a …